The Comedy of Errors

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The Comedy of Errors Page 54

by Kent Cartwright


  Lanier, ‘Character’

  Douglas Lanier, ‘ “Stigmatical in making”: the material character of The Comedy of Errors’, in Miola, Essays, 299 –334; orig. pub. ELR, 23 (1993), 81–112

  Lanier, Popular

  Douglas Lanier, Shakespeare and Modern Popular Culture (Oxford, 2002)

  Latham

  Minor White Latham, The Elizabethan Fairies (New York, 1930)

  Lawrence

  Jason Lawrence, ‘Who the Devil Taught Thee So Much Italian?’: Italian Language Learning and Literary Imitation in Early Modern England (Manchester, 2005)

  Lawson

  Jane A. Lawson (ed.), The Elizabethan New Year’s Gift Exchanges, 1559 –1603 (2013)

  Leinwand

  Theodore B. Leinwand, Theatre, Finance and Society in Early Modern England (Cambridge, 1999)

  Levin, ‘Rope’

  Richard Levin, ‘Grumio’s “rope-tricks” and the Nurse’s “ropery” ’, SQ, 22 (1971), 82– 6

  Levinson

  Jill L. Levinson (ed.), Romeo and Juliet (Oxford, 2000)

  Levith

  Murray J. Levith, What’s in Shakespeare’s Names (Hamden, Conn., 1978)

  Lewis

  C.S. Lewis, The Discarded Image (Cambridge, 1964)

  Lin

  Erika T. Lin, Shakespeare and the Materiality of Performance (New York, 2012)

  Long, ‘Directions’

  William B. Long, ‘Stage directions: a misinterpreted factor in determining textual provenance’, Text, 2 (1985), 121–37

  Long, ‘Dulwich’

  William B. Long, ‘Dulwich MS. XX, The Telltale: clues to provenance’, MRDE, 17 (2005), 180 –204

  Long, ‘Playbook’

  William B. Long, ‘John a Kent and John a Cumber: an Elizabethan playbook with implications’, in W.R. Elton and William B. Long (eds), Shakespeare and Dramatic Tradition (Newark, Del., 1989), 125 – 43

  Lothian & Craik

  Twelfth Night, ed. J.M. Lothian and T.W. Craik, The Arden Shakespeare, Second Series (1975)

  Low

  Jennifer A. Low, ‘Door number three: time, space, and the audience in The Menaechmi and The Comedy of Errors’, in Low & Myhill, 71–91

  Low & Myhill

  Jennifer A. Low and Nova Myhill (eds), Imagining the Audience in Early Modern Drama, 1558 –1642 (New York, 2011)

  Luxon

  Thomas H. Luxon, ‘Humanist marriage and The Comedy of Errors’, Renaissance and Reformation / Renaissance et Réforme, 25 (2001), 45 – 65

  Lyly, Campaspe

  John Lyly, Campaspe, ed. G.K. Hunter, in Campaspe; Sappho and Phao, ed. G.K. Hunter and David Bevington (Manchester, 1991)

  Lyly, Endymion

  John Lyly, Endymion, ed. David Bevington (Manchester, 1996)

  Lyly, Euphues

  John Lyly, Euphues: The Anatomy of Wit and Euphues and His England, ed. Leah Scragg (Manchester, 2003)

  Lyly, MB

  John Lyly, Mother Bombie, ed. Leah Scragg (Manchester, 2010)

  Lyly, Midas

  John Lyly, Midas, ed. George K. Hunter, in Galatea and Midas, ed. George K. Hunter and David Bevington (Manchester, 2000)

  MacCary

  W. Thomas MacCary, ‘The Comedy of Errors: a different kind of comedy’, New Literary History, 9 (1978), 525 –36

  Macey

  Samuel L. Macey, Patriarchs of Time: Dualisms in Saturn-Cronos, Father Time, the Watchmaker God, and Father Christmas (Athens, Ga., 1987)

  McJannet

  Linda McJannet, ‘Genre and geography: the eastern Mediterranean in Pericles and The Comedy of Errors’, in John Gillies and Virginia Mason Vaughan (eds), Playing the Globe: Genre and Geography in English Renaissance Drama (Madison, NJ, 1998), 86 –106

  McKerrow

  R.B. McKerrow, ‘A suggestion regarding Shakespeare’s manuscripts’, Review of English Studies, 2 (1935), 459 – 65

  Maguire

  Laurie Maguire, ‘The girls from Ephesus’, in Miola, Essays, 355 –91

  Maisano

  Scott Maisano, ‘Rise of the Poet of the Apes’, SSt, 14 (2013), 64 –76

  Malleus Maleficarum

  Heinrich Kramer and James Sprenger, The Malleus Maleficarum, trans. Montague Summers (1928; repr. New York, 1971)

  Manningham

  The Diary of John Manningham of the Middle Temple, 1602–1603, ed. Robert Parker Sorlien (Hanover, NH, 1976)

  Marino

  James J. Marino, ‘The anachronistic Shrews’, SQ, 60 (2009), 25 – 46

  Marlowe

  The Complete Works of Christopher Marlowe, ed. Fredson Bowers, 2 vols (Cambridge, 1973)

  Marrapodi

  Michele Marrapodi (ed.), Shakespeare, Italy, and Intertextuality (Manchester, 2004)

  Martin, ‘Artemis’

  Randall Martin, ‘Rediscovering Artemis in The Comedy of Errors’, in Tom Clayton et al. (eds), Shakespeare and the Mediterranean (Newark, Del., 2004), 363 –79

  Mason

  John Monck Mason, Comments on the Last Edition of Shakespeare’s Plays (Dublin, 1785)

  Matz

  Robert Matz (ed.), Two Early Modern Marriage Sermons: Henry Smith’s ‘A Preparative to Marriage’ (1591) and William Whately’s ‘A Bride-Bush’ (1623) (Farnham, Surrey, 2016)

  Maus

  Katharine Eisaman Maus, Inwardness and Theater in the English Renaissance (Chicago, Ill., 1995)

  Men.

  Plautus, Menaechmi, in Plautus, vol. 2 (2011)

  Mentz

  Steve Mentz, At the Bottom of Shakespeare’s Ocean (2009)

  Meres

  Francis Meres, Palladis Tamia: Wit’s Treasury, Being the Second Part of Wit’s Commonwealth (1598)

  Middleton

  Thomas Middleton: The Collected Works, ed. Gary Taylor and John Lavagnino (Oxford, 2007)

  Milton

  John Milton, Complete Poems and Major Prose, ed. Merritt Y. Hughes (New York, 1957)

  Milward

  Peter Milward, ‘The Comedy of Errors in Japan’, in Miola, Essays, 489 –96

  Miola, Comedy

  Robert S. Miola, Shakespeare and Classical Comedy (Oxford, 1994)

  Miola, Essays

  Robert S. Miola (ed.), ‘The Comedy of Errors’: Critical Essays (New York, 1997)

  Miola,

  Robert S. Miola, ‘Seven types of intertextuality’, in

  ‘Intertextuality’

  Marrapodi, 13 –25

  Miola, ‘Play’

  Robert S. Miola, ‘The play and the critics’, in Miola, Essays, 3 –52

  MRDE

  Medieval and Renaissance Drama in England

  Mullaney

  Steven Mullaney, The Place of the Stage: License, Play, and Power in Renaissance England (Chicago, Ill., 1988)

  N&Q

  Notes and Queries

  Nashe

  Thomas Nashe, The Works of Thomas Nashe, ed. Ronald B. McKerrow, rev. F.P. Wilson, 5 vols (Oxford, 1958)

  Nelson & Elliott

  Alan H. Nelson and John R. Elliott, Jr, Inns of Court, Records of Early English Drama, 3 vols (Cambridge, 2011)

  Noble

  Richmond Noble, Shakespeare’s Biblical Knowledge and the Use of the Book of Common Prayer (1935)

  OCD

  The Oxford Classical Dictionary, ed. Simon Hornblower et al., 4th edn (Oxford, 2012), online by subscription (accessed 12 August 2014)

  O’Connor

  John O’Connor, ‘Compositors D and F of the Shakespeare First Folio’, StB, 28 (1975), 81–117

  Odell, Annals

  George C.D. Odell, Annals of the New York Stage, 15 vols (New York, 1927–49)

  Odell, Shakespeare

  George C.D. Odell, Shakespeare from Betterton to Irving, 2 vols (New York, 1920)

  ODNB

  Oxford Dictionary of National Biography, ed. Lawrence Goldman (Oxford, 2004 –14), online by subscription (accessed 12 August 2014)

  O’Donnell

  Brennan O’Donnell, ‘The errors of the verse: metrical reading and perfor
mance in The Comedy of Errors’, in Miola, Essays, 393 – 422

  OED

  The Oxford English Dictionary Online, by subscription (accessed 15 February 2014)

  OLD

  The Oxford Latin Dictionary, ed. P.G.W. Glare (Oxford, 1996)

  Ollard

  S.L. Ollard, A Dictionary of English Church History (1919)

  Onions

  C.T. Onions, A Shakespeare Glossary, rev. Robert D. Eagleson (Oxford, 1986)

  Ovid, Fasti

  Ovid, Fasti, trans. Sir James G. Frazer, rev. G.P. Goold, Loeb Classical Library, 2nd edn (Cambridge, Mass., 1988)

  Ovid, Met.

  Ovid, Metamorphoses, ed. Frank Justus Miller, rev. G.P. Goold, 2 vols, Loeb Classical Library, 3rd edn (Cambridge, Mass., 1977)

  Page & Round

  William Page and J. Horace Round (eds), The Victoria History of the County of Essex, 3 vols (1907)

  Panofsky

  Erwin Panofsky, Studies in Iconology: Humanistic Themes in the Art of the Renaissance (New York, 1939)

  Paradin

  Claude Paradin, Heroical Devices (1591)

  Parker, ‘Bible’

  Patricia Parker, ‘The Bible and the marketplace: The Comedy of Errors’, in Shakespeare from the Margins (Chicago, Ill., 1996), 56 – 82

  Parker, Romance

  Patricia Parker, Inescapable Romance: Studies in the Poetics of a Mode (Princeton, NJ, 1979)

  Parkes

  M.B. Parkes, Pause and Effect: An Introduction to the History of Punctuation in the West (Aldershot, 1992)

  Parks

  George B. Parks, ‘Shakespeare’s map for The Comedy of Errors’, Journal of English and Germanic Philology, 39 (1940), 93 –7

  Peck

  Linda Levy Peck, ‘Creating a silk industry in seventeenth-century England’, SSt, 28 (2000), 225 – 8

  Perry

  Curtis Perry, ‘Commerce, community, and nostalgia in The Comedy of Errors’, in Linda Woodbridge (ed.), Money and the Age of Shakespeare: Essays in New Economic Criticism (New York, 2003), 39 –51

  Petrarch

  The Poetry of Petrarch, trans. David Young (New York, 2004)

  Phillips

  Susan E. Phillips, Transforming Talk: The Problem with Gossip in Late Medieval England (University Park, Pa., 2007)

  Piesse

  Amanda Piesse, ‘Space for the self: place, persona and self-projection in The Comedy of Errors and Pericles’, in Gordon McMullan (ed.), Renaissance Configurations: Voices/Bodies/Spaces, 1580 –1690 (Houndmills, Basingstoke, 1998), 151–70

  Plato

  The Collected Dialogues of Plato, ed. Edith Hamilton and Huntington Cairns (Princeton, NJ, 1961)

  Plautus

  Plautus, ed. and trans. Wolfgang de Melo, 5 vols, Loeb Classical Library (Cambridge, Mass., 2011–13)

  Plautus, Segal

  Plautus: Four Comedies, trans. Erich Segal (Oxford, 1996)

  Preminger et al.

  Alex Preminger et al. (eds), Classical and Medieval Literary Criticism (New York, 1974)

  Pressler

  Charlotte Pressler, ‘Intertextual transformations: the Novella as mediator between Italian and English Renaissance drama’, in Marrapodi, 107–17

  Puttenham

  George Puttenham, The Art of English Poesy: A Critical Edition, ed. Frank Whigham and Wayne A. Rebhorn (Ithaca, NY, 2007)

  Quince

  Rohan Quince, ‘Crinkles in the carnival: ideology in South African productions of The Comedy of Errors to 1985’, in Miola, Essays, 547–61

  Raman

  Shankar Raman, ‘Marking time: memory and market in The Comedy of Errors’, SQ, 56 (2005), 176 –205

  RD

  Renaissance Drama

  Reed, Bedlam

  Robert Rentoul Reed, Jr, Bedlam on the Jacobean Stage (Cambridge, Mass., 1952)

  Rhatigan

  Emma K. Rhatigan, ‘Audience, actors, and “taking part” in the revels’, in Low & Myhill, 151– 69

  Richens

  R.H. Richens, Elm (Cambridge, 1983)

  Rid

  Samuel Rid, The Art of Juggling or Legerdemain (1612)

  Riehle

  Wolfgang Riehle, Shakespeare, Plautus and the Humanist Tradition (Cambridge, 1990)

  Rigolot

  François Rigolot, ‘The Renaissance fascination with error: mannerism and early modern poetry’, Renaissance Quarterly, 57 (2004), 1219 –34

  Ring

  Lars Ring, ‘Leif Söderström’s Stockholm production, 1983’, trans. Gunnar Sorelius, in Miola, Essays, 521– 4

  Ritson

  Joseph Ritson, Remarks, Critical and Illustrative, on the Text and Notes of the Last Edition of Shakespeare (1778)

  Roberts, ‘Circe’

  Gareth Roberts, ‘The descendants of Circe: witches and Renaissance fictions’, in Jonathan Barry et al. (eds), Witchcraft in Early Modern Europe (Cambridge, 1996), 183 –206

  Roberts, ‘Owl’

  Gareth Roberts, ‘The Comedy of Errors II.ii.190: “owl” or “elves”?’, N&Q, 232 (1987), 202– 4

  Rosen

  Barbara Rosen (ed.), Witchcraft in England, 1558 –1618 (New York, 1969)

  Rouse

  W.H.D. Rouse (ed.), The Menaechmi: The Original of Shakespeare’s ‘Comedy of Errors’: The Latin Text together with the Elizabethan Translation (1912)

  RSC

  Royal Shakespeare Company

  Rutter

  Carol Chillington Rutter, ‘Shakespeare performances in England (and Wales) 2011’, SS 65 (2013), 445 – 83

  Salgādo

  Gāmini Salgādo, ‘ “Time’s deformed hand”: sequence, consequence, and inconsequence in The Comedy of Errors’, SS 25 (1972), 81–91

  Salingar

  Leo Salingar, Shakespeare and the Traditions of Comedy (Cambridge, 1974)

  SB

  Shakespeare Bulletin

  Scot

  Reginald Scot, The Discovery of Witchcraft (1584; repr. New York, 1930)

  Scouten

  Arthur B. Scouten (ed.), The London Stage, 1660 –1800, 5 parts (Carbondale, Ill., 1961)

  Scragg

  see Lyly, MB

  Segal

  Erich Segal, Roman Laughter: The Comedy of Plautus (Cambridge, Mass., 1968)

  SEL

  Studies in English Literature

  Selleck

  Nancy Selleck, The Interpersonal Idiom in Shakespeare, Donne, and Early Modern Culture (Houndmills, Basingstoke, 2008)

  Seltzer

  Leon E. Seltzer (ed.), The Columbia Lipincott Gazetteer of the World (New York, 1952)

  Seymour

  E.H. Seymour, Remarks, Critical, Conjectural, and Explanatory, upon the Plays of Shakespeare, 2 vols (1805)

  Shaheen

  Naseeb Shaheen, Biblical References in Shakespeare’s Plays (Newark, Del., 1999)

  Shakespeare’s England

  Walter Raleigh et al., Shakespeare’s England: An Account of the Life and Manners of his Age, 2 vols (Oxford, 1916)

  Shattuck

  Richard H. Shattuck, The Shakespeare Promptbooks: A Descriptive Catalogue (Urbana, Ill., 1965)

  Shaw

  George Bernard Shaw, Our Theatres in the Nineties, 3 vols (1932)

  Shelburne

  Steven R. Shelburne, ‘The nature of “error” in The Comedy of Errors’, Explorations in Renaissance Culture, 18 (1992), 137–51

  Shurbanov

  Alexander Shurbanov, Shakespeare’s Lyricized Drama (Newark, Del., 2010)

  Sidney, A&S

  Sir Philip Sidney, Astrophil and Stella, in W.A. Ringler (ed.), The Poems of Sir Philip Sidney (Oxford, 1962)

  Sidney, Apology

  Sir Philip Sidney, An Apology for Poetry: or, the Defence of Poesy, ed. R.W. Maslen (Manchester, 2002)

  Sidney, Arcadia

  Sir Philip Sidney, The Countess of Pembroke’s Arcadia, ed. Maurice Evans (1977)

  Sidney, Old Arcadia

  Sir Philip Sidney, The Countess of Pembroke’s Arcadia (The Old Arcadia), ed. Kat
herine Duncan-Jones (Oxford, 1985)

  Sillars

  Stuart Sillars, ‘Image, genre, interpretation: the visual identities of The Comedy of Errors’, Interfaces: Image, Texte, Langage, 25 (2007), 11–34

  Sisson

  C.J. Sisson, New Readings in Shakespeare, 2 vols (Cambridge, 1956)

  Slater

  Niall W. Slater, Plautus in Performance: The Theatre of the Mind, 2nd edn (Amsterdam, 2000)

  Slights

  Camille Wells Slights, ‘Time’s debt to season: The Comedy of Errors, IV.ii.58’, English Language Notes, 24 (1986), 22– 4

  Smallwood

  Robert Smallwood, ‘Shakespeare performances in England, 1996’, SS 50 (1997), 201–24

  Smith, Acoustic

  Bruce R. Smith, The Acoustic World of Early Modern England: Attending to the O-Factor (Chicago, Ill., 1999)

 

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