Last War Dance td-17

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Last War Dance td-17 Page 12

by Warren Murphy


  What a dumb place to store a cannon. So dumb, Remo almost hadn't found it.

  Now all he had to do was stop it from being fired, hopefully without hurting anybody. The Apowa were, after all his kind of people, and Remo's sympathies lay with putting a shell into the church.

  Brandt now was supervising as the Indians wheeled the cannon out of a small chicken-wire shed. The cannon was a big one. The top of its muzzle reached higher than a man's head.

  Figuring that there had to be a side door to wheel it out through, Remo trotted around the low cinder-block building and found the wide delivery doors at the back. He found something else, too—the main power lines for the building. Remo looked for a fuse box on the outside wall but could not find one. The twin power lines came from utility poles to a spot about twelve feet up on the wall. They were connected there to heavy porcelain insulated mountings and then went through holes in the masonry wall into the building.

  Remo leaped up and grabbed one of the insulators with his left hand. This would be tricky. He didn't understand electricity, so he took pains to figure it out carefully. If he just sliced one of the electric wires while he was touching the wall or the ground, he would be grounded and the jolt of electricity would pass through and probably kill him. Suppose he had worn his sneakers? Stupid, that wouldn't matter, he decided. But he wished he had them. Anyway, he had to cut the wire without being grounded.

  Remo dropped back to the blacktop of the loading area. He stood under the twin wires, then crouched and leaped straight up.

  At the top of his leap, he windmilled his right hand around his body and over his head. The hand hit the heavy insulated cable and sliced through it, separating the wire into two parts.

  Remo, still off the ground, felt nothing but a faint tingle on the side of his hand. He landed lightly and danced out of the way of the severed section of cable, that writhed about the ground like an electric snake, sparking and spitting out its evil juice.

  Remo poised himself, then leaped again and slammed his hand through the second wire. It too split and hit the ground with a splashing surge of electricity.

  As soon as he landed, Remo was moving away from the spitting wires. He heard shouts from the supermarket.

  "What the hell's going on?"

  "Somebody go look at that fuse box."

  He had to work fast now. He went back around the front of the store just as a faint hint of pink was beginning to lighten the eastern sky. The automatic doors in front of the market no longer worked, and Remo had to force them open. Then he was inside, in the darkness, moving among the Indians, who had stopped wheeling the cannon and were waiting for the lights to come back on.

  He moved in close and felt the cold polished steel of the barrel over his head. He tested the metal with his fingers and gave it exploratory taps with the sides of his hands. There were always weak spots in a machine, and a cannon was a machine. Chiun said there was always a spot where vibrations would bring it apart. He worked faster now, hitting the heels of his hands against the metal. And then he found it—a place that did not vibrate under his hands with the same dull hum as the other spots on the barrel.

  Remo wrapped his hand around that spot on the barrel. Then from below, he began to swing his hands up and over his head, smashing hand against steel. It was rhythm—the pounding, left hand after right hand, left hand after right hand, in precise time, almost like a metronome. It filled the supermarket with dull bongs.

  "Who's making that racket?" somebody nearby yelled.

  "Cannon inspector," Remo answered.

  Somebody else chuckled.

  Then suddenly Remo, satisfied the metal now was vibrating in time with the thuds of his hands, changed the rhythm into a staccato series of smashes. The barrel of the cannon seemed to groan in pain. Remo stopped and slowly began to move toward the front door.

  From the back of the store he heard a voice. Brandt's. "Damned wires come loose from the building somehow. I've some lights here. Everybody get one."

  Men surged toward Brandt and took the battery-operated lights he held in his arms. Then they walked back toward the cannon, lights on and swinging in front of them, and illuminated the huge weapon.

  "What the hell?" said someone.

  "I'll be a son of a bitch," said Brandt.

  The cannon stood there as it had before, but now its barrel, instead of pointing ceilingward in phallic pride, drooped impotently toward the floor of the store, like a shriveled stalk of celery.

  Remo was already outside, trotting toward the road, to get back to his other main problem—Valashnikov.

  But he was not fast enough. The enraged Brandt had gone to the window to look outside, and in the early morning light, he saw Remo trotting away.

  "Damn it," he said. "Dirty, double-dealing, double-crosser." He slammed his right fist into his left palm. "If you think we're done, funny name, you've got another thing coming."

  CHAPTER FOURTEEN

  General Van Riker had been successful. This, Valashnikov realized when the telephone rang in his room at the motel. On the phone was the Russian ambassador's chief aide for cultural affairs—which meant the top Red spy in America.

  "Comrade Valashnikov, you are to leave immediately," he said without preamble.

  "Leave? But why?"

  "Why? Why? Is there a change in the policy that you ask me why?"

  "But I've found what I came to find. It's here. It's here. After ten years I've found it," said Valashnikov.

  "Yes. You may have. You may also have caused an international incident. You may endanger détente, and without détente, without friendship, without mutual understanding, how can we ever make the surprise attack? Valashnikov, you are a fool, and you are to leave immediately."

  Valashnikov breathed deeply. He was just too close to success to lose gracefully. "Would you mind telling me what I am supposed to have done?"

  "Gladly," said the chief aide for cultural affairs. "First, your assault on that little girl, that little Indian child—has exposed you to criminal charges and our nation to embarrassment."

  "But…"

  "Do not 'but' me. If you were just a pervert, that would be bad enough. But you are a fool. To think that you have offered Russian arms to the Indians at Wounded Elk! You have tampered with an internal American problem. You have involved us in an affairs we should not be involved in."

  "But, I never…"

  "Do not deny it, Valashnikov. I have heard it myself, with my own ears, just moments ago. You are just lucky the mayor of Wounded Elk is a reasonable man. Mayor Van Riker will not press charges."

  "Van Riker? He's a…"

  "He is an elected official, Valashnikov. An elected official. And would an American mayor lie? You will leave immediately. You will return to Vladivostok and wait there until you hear from us."

  The phone clicked sharply in Valashnikov's ear.

  Imbeciles! Stupid, foolish imbeciles! They had been duped by Van Riker. Somehow he had gotten information on Valashnikov, and he had used that information to give the ring of truth to the rest of the story he had told the Russian Embassy. And the embassy had believed it.

  Stupid. Well, they could be as stupid as they wished, but Valashnikov would not help them in their stupidity. For ten years he had been right and he had been punished for his beliefs and for KGB stupidity. And now that he was on the verge of success, of redemption, he would not be cheated out of it by a spy in Washington who believed a ridiculous, incredible story.

  In Moscow they must learn that Valashnikov had been right. There was nothing else left in life for him. His life had been struggles and losses, but he had to balance the books this time. He had to prove he was right.

  Leave now? Go back to Vladivostok and his clerk's job? No! Even if he had wished to, he knew he would never have reached Vladivostok. Anyone believed to be fool enough to tamper with American politics would be exiled—or shot.

  Valashnikov put his pistol into a dresser drawer, donned his jacket, and walked out
of his room. He would find a way to show Russia he was right.

  When Remo came back along the road from the Apowa village, he was not stopped by the federal marshals, who all seemed to be congregated around the large tent that was being used as press headquarters.

  Remo strolled over in that direction and saw that the TV lights were on, cameras were humming, and the pen-and-pencil reporters were hastily scribbling notes. The center of all the attention was a face Remo recognized immediately. It had graced the covers of news magazines. It had been magnified forty times and seen on motion picture screens around the world. It was Perkin Marlowe. The actor wore blue jeans and a T-shirt, and his thinning, longish light brown hair was caught in a small pony tail.

  "Genocidal America," he said softly, his lips hardly moving.

  "What'd he say?" one of the reporters yelled. "What'd he say?"

  "Homicidal America," said another reporter.

  "Thanks," said the first, happy he hadn't missed anything.

  Perkin Marlowe went on, answering questions in a voice so dull and diffused that it was difficult to understand. But the thrust was that America was an evil country and Americans were evil, dull, stupid people who did not have the good sense to support this obviously worthwhile cause of the honest, free, nature-loving red man.

  That the same evil, dull, stupid American people had made Perkin Marlowe rich by attending his films he did not deem worthy of mention, and if any of the reporters thought of it, they did not mention it either, lest they seem to their peers to be establishment stooges.

  "I am on my way to the RIP encampment," Marlowe said. "There I will make my stand alongside my Indian brothers though we may fall under the onslaught of the government troops."

  "What troops?" called out Remo before slipping to a different spot in the crowd.

  Marlowe looked confused. "Everybody knows there are troops hidden all around here."

  "That's right," squeaked Jerry Candler. "I had it in the Globe. Be quiet there in back."

  Marlowe continued, "Yes, we may fall under the onslaught, but we will fight bravely."

  "Forget the fight," Remo called. "Did you remember to bring more booze?" The last truckload's all gone."

  Again he moved before anyone could spot him. Marlowe looked around, trying to find the speaker. Finally he said, "Gentlemen, I think that's all. If I never see any of you again, keep up the good work. Fight the good fight."

  He turned quickly and as Candler led the audience in applause, walked rapidly from the press tent and across the grass prairie toward the church.

  The newsmen followed him, lugging their equipment. The marshals moved along with the crowd, across the field toward the church.

  And unseen on the main road, headed from the motel to the monument was Valashnikov.

  Remo, who did not see him, went back to the motel. He found Chiun in lotus position on the floor, looking through the large front window.

  Chiun quickly rose to his feet. "You have been gone so long. Did you like him? Isn't he nice?"

  "How much did he offer you?"

  "Well, it wasn't just me," Chiun said. "He would want you, too. And he would pay you something, also."

  "How nice," said Remo. "Chiun, I'm surprised at you."

  "I tried, Remo. I told him to be sure to pay you a lot; otherwise your feelings would be hurt."

  "Not that, Chiun. Trusting the Russians. You know how you don't trust the Chinese? The Russians are worse."

  "I have never heard that of them," said Chiun.

  "No? Did you talk to him about television?"

  Chiun raised an eyebrow. "Television? Why should I talk to him about television? I am not an anchor person. What is an anchor person, anyway?"

  "An anchor person is a person who sinks a news show with heavy attempts at humor," said Remo. "What I'm talking about is your daytime dramas. What are you going to watch instead of 'As the Planet Revolves'?"

  "Why instead of?" asked Chiun.

  "Because Russia doesn't have 'As the Planet Revolves,' " said Remo.

  "You lie," said Chiun, his face whitening as the blood drained.

  "No, Little Father, it is true. Russia does not have the soaps."

  "He told me they did."

  "He lied."

  "Are you sure? Are you not just being patriotic because you do not want to work for Mother Russia?"

  "Ask him again."

  "I will."

  Chiun led the way out of the room. They marched to Valashnikov's room, and Chiun pounded on the door. When there was no answer, he put his right hand on the doorknob and removed it. Slowly the door swung open. Chiun peered inside.

  "He is not here."

  "Good thing for him," said Remo, looking at the doorknob still in Chiun's hand.

  "We will find him. There are only two places to be. Around here, you are either in your room or out of your room. That's all."

  As they walked down the concrete ribbon in front of the rooms, General Van Riker stepped from his room, a satisfied smile on his face.

  "Have you seen him?" asked Chiun.

  "Seen whom?"

  "The rascal Russian with the foolish name," said Chiun.

  "Valashnikov," said Remo.

  "No," said Van Riker. "He may be on his way back to Russia by now."

  "We will see," said Chiun and turned, leading the way from the motel toward the monument.

  The press was disappointed. Perkin Marlowe had simply vanished into the Episcopal church, and Dennis Petty had denied the reporters admittance.

  "When we want you, we'll rattle your chain," he said.

  "But we're covering the story for the whole world," protested Jonathan Bouchek.

  "Shove the whole world," said Petty, slamming the church door in their faces.

  The reporters just looked at each other.

  "He must have terrible pressures on him," said Jerry Candler.

  "Yes," agreed another reporter. "Still, he didn't have to be rude."

  "Noooo," said Candler, "but he's been dealing with the government for so long, I guess it's hard to act any other way."

  There were nods of agreement, and the press, having convinced itself that Petty's arrogance was somehow Washington's fault, turned and strolled away from the church toward the monument.

  Valashnikov was already there. So this was it. The Cassandra. The evil machine that had cost him his career, his future, his happiness. What else could it cost him?

  He looked at the bronze plaque over the center of the raised marble slab. It was ingenious, he thought. Van Riker had designed it well.

  Slowly Valashnikov walked around the monument. In the bushes toward the back he spotted a shiny object. He dropped to his knees and brought out a piece of metal, the part Van Riker had removed to disarm the missile,

  Valashnikov held it in his hands, looking at it carefully, his body already absorbing its deadly radiation. But he was happy that he recognized it as the bridging unit needed to fire the Cassandra.

  Without it, he realized, Cassandra could not work. It could not move. If hit, it might explode, but it would explode in America, not in Russia. America was vulnerable, after all. He must get the message back to Moscow. He must let them know!

  Up ahead he saw the press approaching. He waved to them. He did not see the group approaching from behind—Remo, Chiun, and Van Riker.

  "There he is. There is the devil," said Chiun. "You are not lying to me, Remo?" he asked.

  "No, Little Father. Would I lie?"

  "Hmmmmm."

  Valashnikov lifted his hulk up onto the monument. He held the missing part of the Cassandra over his head, waving it at the reporters.

  "Over here!" he yelled. "Over here!"

  The reporters stopped and stared at the strange fat man dancing on the monument. He kept waving to them with the missile part.

  "Come quick!" he called. "Evidence of American warmongering."

  "We'd better hurry," said Candler. "He may have something."

  "Star
t shooting," said Jonathan Bouchek to his cameraman, and as the reporters moved toward Valashnikov, cameras began to whir and tape recorders to hum.

  Valashnikov looked at his hands and saw the flesh reddening. No matter. He would do his job for Mother Russia. He danced up and down on the monument, waving to the press. "Hurry! Quick!" he shouted.

  "What's he doing?" Remo asked.

  Van Riker was looking. "Damnit," he said, "he's got the missile part. He knows Cassandra's disarmed."

  "So what?" asked Remo.

  "So, Russia will know, too. Any technician who sees that part in Valashnikov's hands will know that missile won't fly. The doomsday defense is done. America's vulnerable."

  Chiun ignored the conversation. Resolutely he marched to the marble base of the monument. Up above his head Valashnikov was still jumping up and down and yelling.

  "Hey, you!" called Chiun.

  Valashnikov looked down.

  "Tell me the truth. Do you have 'As the Planet Revolves' on your television?"

  "No," said Valashnikov.

  "You lied to me."

  "It was necessary for the good of the state."

  "It's not nice to fool the master of Sinanju."

  Meanwhile Remo had moved around in front of the monument and was holding off the press, which had approached to within thirty feet of the marble slab.

  "Sorry, fellas, you can't come any closer."

  "Why not?"

  "Radioactivity," Remo said.

  "I knew it, I knew it!" exclaimed Candler. "The government's planning to use nuclear weapons on the Indian liberators."

  "Right," said Remo. "And after that we're going to firebomb jaywalkers."

  The cameras kept grinding at Valashnikov as he roared, "I am Russian spy. This is missile to blow up world. It works no longer. It broken. This part make it work no more."

  He waved the part over his head like a lasso, then jumped to the ground, dropping the shiny metal onto the dirt. He looked down at his hands. The flesh was blistering, burning before his eyes, the fluid under it boiling.

  He looked up at General Van Riker, who was staring sadly at him. "I have won, General," Valashnikov said triumphantly.

 

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