568 The Internal Revenue: Chaplin, My Autobiography, pp. 495–9. Robinson, Chaplin, pp. 511, 570–1.
568 Two days out: Robinson, Chaplin, p. 572. Chaplin, My Autobiography, pp. 501–2.
569 Not everyone supported: Robinson, Chaplin, pp. 575–6, 579, 581, 673–6.
571 At the 1947 hearings: Hearings Regarding the Communist Infiltration of the Motion Picture Industry, p. 29. Nora Sayre, Running Time, p. 79.
571 The trouble was: Sayre, Running Time, p. 40.
571 Still, the HUAC: John Cogley, Report on Blacklisting, vol. 1, pp. 218–20, 215–17. Sayre, Running Time, p. 78.
573 Movies have different: Sayre, Running Time, pp. 178, 199.
573 The most peculiar: Nathaniel Branden, Who Is Ayn Rand?, pp. 150–73.
574 She submitted her: Ibid., pp. 175–82, 190, 192–3.
576 “I see,” said: Ibid., p. 195. Ayn Rand, The Fountainhead, p. 198 (1952).
576 Miss Rand spent: Sayre, Running Time, p. 74. Branden, Who Is Ayn Rand?, pp. 198–9. Rand, The Fountainhead, p. 687.
577 Most of the reviews: Branden, Who Is Ayn Rand?, pp. 204, 207.
578 She finished her: Mervyn LeRoy, Take One, p. 153. Branden, Who Is Ayn Rand?, p. 211. Kanfer, Journal of the Plague Years, p. 82.
578 Miss Rand provided: Cogley, Report on Blacklisting, pp. 1–11.
579 No Communist propagandist: Larry Swindell, The Last Hero: A Biography of Gary Cooper, p. 264.
579 To Miss Rand: Branden, Who Is Ayn Rand?, p. 213. Swindell, The Last Hero, pp. 267–73.
580 Cooper repeatedly told: Swindell, The Last Hero, pp. 282–3.
580 The Fountainhead proved: Sayre, Running Time, pp. 74–8.
581 Roberto Rossellini probably: Joseph Henry Steele, Ingrid Bergman, p. 168. Ingrid Bergman and Alan Burgess, My Story, p. 240.
581 Rossellini needed no: Bergman and Burgess, My Story, pp. 241–3, 245–7, 249, 257, 259, 264.
584 Rossellini was determined: Steele, Ingrid Bergman, p. 197.
584 “Roberto would give”: Bergman and Burgess, My Story, p. 281.
584 Rossellini apparently thought: Steele, Ingrid Bergman, pp. 173, 204. Bergman and Burgess, My Story, pp. 269, 287–8.
586 “I went into”: Steele, Ingrid Bergman, pp. 183–4, 186, 205, 224, 226. Bergman and Burgess, My Story, 298, 310, 312.
587 Steele, the public: Steele, Ingrid Bergman, pp. 254–62. Bergman and Burgess, My Story, p. 343.
590 Hughes was determined: Dore Schary, Heyday, p. 246.
590 Senator Edwin C. Johnson: Bergman and Burgess, My Story, pp. 331–2.
591 In his seventy-ninth: Nigel Hamilton, The Brothers Mann, pp. 347–51, 356–7, 352–4. Anthony Heilbut, Exiled in Paradise, p. 301.
593 Heinrich agreed: Hamilton, The Brothers Mann, pp. 357–8, 360–4. Heilbut, Exiled in Paradise, pp. 309–10.
12 Farewells (1950).
597 Gloria Swanson was: Gloria Swanson, Swanson on Swanson, p. 465 (1981).
598 So Miss Swanson: Maurice Zolotow, Billy Wilder in Hollywood, pp. 161, 57.
599 Billy Wilder, of course: Ibid., pp. 126–8, 131, 133, 151.
600 Real Wilder movies: Otto Preminger, Preminger: An Autobiography, p. 108. Charles Higham, Marlene, p. 237.
601 It was originally: Zolotow, Billy Wilder, p. 159. Bob Thomas, Golden Boy: The Untold Story of William Holden, p. 70 (1984).
602 There are several: Tom Wood, The Bright Side of Billy Wilder, Primarily, p. 98.
602 But Sunset Boulevard: Ibid., p. 99. Zolotow, Billy Wilder, p. 165. Swanson, Swanson, p. 500.
603 As so often happened: Zolotow, Billy Wilder, pp. 159–60.
604 For the role: Patricia Bosworth, Montgomery Clift, pp. 160, 176. Thomas, Golden Boy, pp. 68, 71. Zolotow, Billy Wilder, p. 162.
605 Brackett hated: Thomas, Golden Boy, p. 71. Zolotow, Billy Wilder, p. 166.
605 Gloria Swanson was: Swanson, Swanson, p. 498.
606 But there was: Zolotow, Billy Wilder, pp. 166–8.
607 William Randolph Hearst: W. A. Swanberg, Citizen Hearst, pp. 511–16. Anita Loos, Kiss Hollywood Good-by, p. 141 (1975).
607 Once, when Hearst: Swanberg, Citizen Hearst, pp. 305, 489. Marion Davies, The Times We Had, pp. 268–9 (1977). Loos, Kiss Hollywood Good-by, p. 145.
608 Despite Hearst’s pretensions: Swanberg, Citizen Hearst, pp. 515, 518.
608 On New Year’s Eve: Loos, Kiss Hollywood Good-by, p. 146.
609 In attaching: Helen Gahagan Douglas, A Full Life, pp. 299, 314. David Halberstam, The Powers That Be, p. 260ff.
609 The Supreme Court: Edward Dmytryk, It’s a Hell of a Life but Not a Bad Living, p. 127.
610 Dalton Trumbo and: Bruce Cook, Dalton Trumbo, p. 208.
610 To Alvah Bessie: Alvah Bessie, Inquisition in Eden, pp. 23, 250, 253.
611 After two weeks: Cook, Dalton Trumbo, p. 209. Dmytryk, Hell of a Life, p. 135.
611 The prisoners’ physical: Cook, Dalton Trumbo, pp. 214–15. Dmytryk, Hell of a Life, p. 135. Lester Cole, Hollywood Red, pp. 314, 319. Ring Lardner, Jr., The Lardners, p. 328.
612 The most unusual: Bessie, Inquisition in Eden, p. 58. Cole, Hollywood Red, p. 321.
612 Dalton Trumbo, once: Cook, Dalton Trumbo, pp. 217–18.
613 The most extraordinary: Cole, Hollywood Red, p. 316.
613 It was no secret: New York Times, Nov. 20, 1970. Cole, Hollywood Red, pp. 317, 209. Lardner, The Lardners, p. 322.
614 So time passed: Cole, Hollywood Red, p. 340. Victor S. Navasky, Naming Names, pp. 225–35. Kanfer, A Journal of the Plague Years, p. 132.
615 Of all the beautiful: Kitty Kelly, Elizabeth Taylor: The Last Star, pp. 37–41, 62–7, 70–4.
617 “Look at that”: Frank MacShane, The Life of Raymond Chandler, p. 171.
617 The fat bastard: Donald Spoto, The Dark Side of Genius: The Life of Alfred Hitchcock, pp. 341–3. John Russell Taylor, Hitch, p. 192.
618 One of the writers: Raymond Chandler, Raymond Chandler Speaking, p. 132, quoted in William Luhr, Raymond Chandler and Film, p. 82. MacShane, Raymond Chandler, p. 175.
619 When Hitchcock read: Spoto, Dark Side, pp. 344, 352.
620 The only “flaws”: François Truffaut, Hitchcock, p. 146.
620 Chandler, of course: MacShane, Raymond Chandler, p. 177.
620 Walker’s former wife: Axel Madsen, William Wyler, p. 301.
621 Just a few months: Diane Johnson, Dashiell Hammett, pp. 3–5, 228–30.
621 Despite all these: Ibid., pp. 227, 239–40, 243. Lillian Hellman, An Unfinished Woman, p. 229 (1970).
622 The authorities in: Johnson, Dashiell Hammett, pp. 3–4, 9.
622 In the last year: Dika Newlin, Schoenberg Remembered, p. 337.
623 Harry Cohn, who: Bob Thomas, King Cohn, pp. 78, 243. Perhaps it is worth noting that this identical anecdote is told about a 19th-century Scottish industrialist named John Tennant in Angela Lambert, Unquiet Souls, p. 18.
624 This was, in a sense: Kevin Starr, Inventing the Dream: California Through the Progressive Era, pp. 330–2.
624 Now, in this new time: Cecil B. DeMille, Autobiography, pp. 398–9.
625 Quo Vadis was: Gary Carey, All the Stars in Heaven, p. 286. John Huston, An Open Book, p. 198.
625 Huston began casting: Mervyn LeRoy, Take One, pp. 170–2.
625n LeRoy had overseen: Kenneth L. Geist, Pictures Will Talk: The Life and Films of Joseph L. Mankiewicz, p. 98.
626 But how could: LeRoy, Take One, pp. 174–5. Huston, An Open Book, p. 199.
626 And so, in the years: Daniel Blum, A New Pictorial History of the Talkies, rev. by John Kobal, p. 213. Michel Laclos, Le Fantastique au Cinéma, p. 196.
627 Such films were: Garth Jowett, Film: The Democratic Art, pp. 356–7.
627 Beyond all such: Michael Wood, America in the Movies, pp. 169–78.
628 “Hollywood’s like Egypt”: Ben Hecht, A Child of the Century, p. 467. Charles Lockwood, The Guide to Hollywood and Beverly Hills, pp. 14ff. Ken Schessler, This is Hollywood,
pp. 21ff.
629 On the other hand: Starr, Inventing the Dream, p. 295. Dale Pollock, “Born in a Barn: How Hollywood Finally Got a Movie Museum,” PSA magazine, February 1984.
629 Louis B. Mayer: Bosley Crowther, Hollywood Rajah, p. 326. Stephen Farber and Marc Green, Hollywood Dynasties, pp. 75–6.
630 Darryl F. Zanuck: Leonard Mosley, Zanuck, pp. 346–60. Farber and Green, Hollywood Dynasties, pp. 86–116.
630 Jack Warner: Farber and Green, Hollywood Dynasties, pp. 38–40.
630 Sam Goldwyn: Arthur Marx, Goldwyn, pp. 358–9. Stephen Birmingham, “The Rest of Us,” pp. 366–7.
630 David Selznick: Bob Thomas, Selznick, pp. 278–305. Farber and Green, Hollywood Dynasties, pp. 79–81.
631 Jennifer Jones: Farber and Green, Hollywood Dynasties, p. 81. New York Times, Nov. 11, 1967.
631 Many succumbed: Lauren Bacall, By Myself, pp. 253–5. Larry Ceplair and Steven Englund, The Inquisition in Hollywood, p. 419. Victor S. Navasky, Naming Names, p. 371.
631 And Ingrid Bergman: New York Times, Aug. 31, 1982. Oriana Fallaci, “Ingrid, A Study in Courage,” Washington Post, Sept. 5, 1982.
632 But there are: New York Times, Dec. 31, 1982.
632 TV has been: Village Voice, May 21, 1985.
633 As for Ronald Reagan: Lou Cannon, Reagan, p. 66.
634 His divorce had: Ronald Reagan and Richard C. Hubler, Where’s the Rest of Me?, pp. 265, 280–6. Cannon, Reagan, p. 92.
635 That paid Reagan: Cannon, Reagan, pp. 353–5.
Bibliography
Acuña, Rodolfo. Occupied America: A History of Chicanos. New York: Harper & Row, 1981.
Agee, James. Agee on Film. 2 vols. New York: Grosset & Dunlap/Universal Library, 1969.*
Aherne, Brian. A Dreadful Man. Assisted by George Sanders and Benita Hulme. New York: Simon & Schuster, 1979.
Alexander, Franz, Samuel Eisenstein, and Martin Grotjahn. Psychoanalytic Pioneers. New York: Basic Books, 1966.
Allen, Fred. Treadmill to Oblivion. Boston: Atlantic/Little, Brown, 1954.
Allyson, June. June Allyson. With Frances Spatz Leighton. New York: Putnam, 1982.
Anderson, Clinton H. Beverly Hills Is My Beat. Englewood Cliffs, N.J.: Prentice-Hall, 1960.
Anger, Kenneth. Kenneth Anger’s Hollywood Babylon. San Francisco: Straight Arrow, 1975; New York: Dell, 1981.
———. Kenneth Anger’s Hollywood Babylon II. New York: Dutton, 1984; New York: NAL/Plume, 1985.
Antheil, George. Bad Boy of Music. Garden City, N.Y.: Doubleday, 1945.
Arce, Hector. The Secret Life of Tyrone Power. New York: Morrow, 1979; New York: Bantam, 1980.
Astor, Mary. A Life on Film. New York: Delacorte, 1971.
———. My Story: An Autobiography. Garden City, N.Y.: Doubleday, 1959.
Bacall, Lauren. Lauren Bacall, By Myself. New York: Knopf, 1979.
Bailyn, Bernard. See Fleming, Donald.
Baker, Carlos. Ernest Hemingway: A Life Story. New York: Scribner, 1969.
Baldwin, James. The Devil Finds Work: An Essay. New York: Dial, 1976.
Barlett, Donald L., and James B. Steele. Empire: The Life, Legend, and Madness of Howard Hughes. New York: Norton, 1979.
Barnett, Lincoln. Writing for Life. Sixteen profiles including Jerry Giesler and Billy Wilder. New York: Sloan Associates, 1951.
Barrymore, Diana, and Gerold Frank. Too Much, Too Soon. New York: Holt, 1957.
Barrymore, Lionel. We Barrymores. As told to Cameron Shipp. New York: Grosset & Dunlap, 1951.
Baxter, Anne. Intermission: A True Story. New York: Putnam, 1976; New York: Ballantine, 1978.
Baxter, John. The Hollywood Exiles. New York: Taplinger, 1976.
Bazin, André. The Cinema of Cruelty, from Buñuel to Hitchcock. Edited and introduced by François Truffaut. Translated by Sabine d’Estrée and Tiffany Fliss. New York: Seaver, 1972.
———. Orson Welles: A Critical View. Foreword by François Truffaut. Profile by Jean Cocteau. Translated by Jonathan Rosenbaum. New York: Harper & Row, 1978.
Beck, Calvin Thomas. Scream Queens: Heroines of the Horrors. New York: Macmillan, 1978.
Bedford, Sybille. Aldous Huxley: A Biography. New York: Knopf, 1974.
Behlmer, Rudy. Inside Warner Bros. (1935–1951). Selected, edited, and annotated by Rudy Behlmer. New York: Viking, 1985.
Behrman, S. N. People in a Diary: A Memoir. Boston: Little, Brown, 1972.
Bellamann, Henry. Kings Row. New York: Simon & Schuster, 1940.
Benchley, Nathaniel. Humphrey Bogart. Boston: Little, Brown, 1975.
———. Robert Benchley: A Biography. New York: McGraw-Hill, 1955.
Bentley, Eric, ed. Thirty Years of Treason: Excerpts from Hearings Before the House Committee on Un-American Activities, 1938–1968. New York: Viking, 1971.
Bentley, Eric. See Brecht, Bertolt.
Bergen, Candice. Knock Wood. New York: Simon & Schuster/Linden, 1984.
Bergman, Ingrid, and Alan Burgess. Ingrid Bergman: My Story. New York: Delacorte, 1980; New York: Dell, 1981.
Berman, Susan. Easy Street. New York: Dial, 1981.
Bessie, Alvah. Inquisition in Eden. New York: Macmillan, 1965.
Bessy, Maurice. Charlie Chaplin. Translated by Jane Brenton. New York: Harper & Row, 1985.
Birmingham, Stephen. California Rich. New York: Simon & Schuster, 1980.
———. “The Rest of Us”: The Rise of America’s Eastern European Jews. Boston: Little, Brown, 1984.
Bishop, Jim. The Mark Hellinger Story: A Biography of Broadway. New York: Appleton-Century-Crofts, 1952.
Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties. New York: Pantheon, 1983.
Bloom, Claire. Limelight and After: The Education of an Actress. New York: Harper & Row, 1982; New York: Penguin, 1983.
Blotner, Joseph. Faulkner: A Biography. 2 vols. New York: Random House, 1974.
Bluestone, George. Novels into Film. Baltimore: Johns Hopkins Press, 1957; Los Angeles and Berkeley: University of California Press, n.d.
Blum, Daniel. See Kobal, John.
Bogdanovich, Peter. Fritz Lang in America. New York: Praeger, 1969.
———. Pieces of Time. New York: Arbor House/Esquire, n.d.
Bookspan, Martin, and Ross Yockey. André Previn: A Biography. Garden City, N.Y.: Doubleday, 1981.
Borie, Marcia. See Wilkerson, Tichi.
Borsten, Orin. See Wilde, Meta Carpenter.
Bosworth, Allan R. America’s Concentration Camps. New York: Norton, 1967.
Bosworth, Patricia. Montgomery Clift. New York: Harcourt Brace Jovanovich, 1978; New York: Bantam, 1979.
Branden, Nathaniel. Who Is Ayn Rand? An Analysis of the Novels of Ayn Rand. With a Biographical Essay by Barbara Branden. New York: Random House, 1962.
Brecht, Bertolt. Poems, 1913–1956. Edited by John Willett and Ralph Manheim. New York: Methuen, 1976.
———. Seven Plays by Bertolt Brecht. Edited by Eric Bentley. New York: Grove, 1961.
———. Short Stories, 1921–1946. Edited by John Willett and Ralph Manheim. Translated by Yvonne Kapp, Hugh Rorrison, Anthony Tatlow. London and New York: Methuen, 1983.
Brenner, Marie. Going Hollywood. New York: Delacorte, 1978.
Brodsly, David. L.A. Freeway: An Appreciative Essay. Berkeley and Los Angeles: University of California Press, 1981.
Brooks, Louise. Lulu in Hollywood. New York: Knopf, 1982.
Brosnan, John. The Horror People. New York: St. Martin’s Press, 1976; New York: Plume, 1977.
Brossard, Chandler, ed. The Scene Before You: A New Approach to American Culture. New York: Rinehart, 1955.
Brough, James. See Hopper, Hedda.
Brownlow, Kevin. The Parade’s Gone By. New York: Knopf, 1968; Berkeley and Los Angeles: University of California Press, n.d.
Buñuel, Luis. My Last Sigh. Translated by Abigail Israel. New York: Knopf, 1983.
Bürgin, Hans, and Hans-Otto Mayer. Thomas Mann: A Chronicle of
His Life. Translated by Eugene Dobson. Birmingham: University of Alabama Press, 1969.
Burrows, Abe. Honest Abe. Boston: Atlantic/Little, Brown, 1980.
Cagney, James. Cagney by Cagney. Garden City, N.Y.: Doubleday, 1976.
Cain, James M. The Postman Always Rings Twice. New York: Knopf, 1934; New York: Vintage, 1978.
Cannon, Lou. Reagan. New York: Putnam, 1982.
Capra, Frank. The Name Above the Title: An Autobiography. New York: Macmillan, 1971; New York: Belvedere, 1982.
Carey, Gary. All the Stars in Heaven: Louis B. Mayer’s M-G-M. New York: Dutton, 1981.
———. Judy Holliday: An Intimate Life Story. New York: Seaview, 1982.
———. More About All About Eve: A Colloquy by Gary Carey with Joseph L. Mankiewicz, Together with His Screenplay, All About Eve. New York: Random House, 1972.
Carpenter, Humphrey. W. H. Auden: A Biography. Boston: Houghton Mifflin, 1981.
Carringer, Robert L. The Making of Citizen Kane. Berkeley and Los Angeles: University of California Press, 1985.
Castro, Tony. Chicano Power: The Emergence of Mexican America. New York: Saturday Review Press, 1974.
Caute, David. The Great Fear: The Anti-Communist Purge Under Truman and Eisenhower. New York: Simon & Schuster, 1978.
Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. Cambridge, Mass.: Harvard University Press, 1979.
Ceplair, Larry, and Steven Englund. The Inquisition in Hollywood: Politics in the Film Community, 1930–1960. Garden City, N.Y.: Doubleday/Anchor, 1980.
Chandler, Raymond. The Big Sleep. New York: Knopf, 1939; New York: Ballantine, 1971.
———. The Blue Dahlia. Includes “Lost Fortnight: A Memoir,” by John Houseman. Carbondale: University of Southern Illinois Press, 1976; New York: Popular Library, n.d.
———. Farewell, My Lovely. New York: Knopf, 1940; New York: Penguin, 1949.
———. The Little Sister. Boston: Houghton Mifflin, 1949.
———. Raymond Chandler Speaking. Edited by Dorothy Gardiner and Katherine Sorley Walker. Boston: Houghton Mifflin, 1962.
———. Selected Letters of Raymond Chandler. Edited by Frank MacShane. New York: Columbia University Press, 1981.
Chaplin, Charles. My Autobiography. New York: Simon & Schuster, 1964.
City of Nets Page 75