by Alec Waugh
GUY RENTON
A LONDON STORY
BY
ALEC WAUGH
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Preface to Guy Renton
I wrote this novel in 1951.
With England becoming adjusted to its postwar pattern, it was possible by then to review the two prewar decades in detached perspective. For someone of my age and background, who had served in the first war as a frontline subaltern, it was impossible to do that without nostalgia. For me, and for very many others, it had been a dramatic and exciting period, quite often lit by glamour. We had worked hard and we had played hard. We had had a lot of fun. At the same time it had been a self-doomed period. In a natural reaction after fifty months of war we had lived in the moment, not looking ahead, shutting our eyes to the penalty we might have to pay. I could see that now.
And in the nostalgic mood that was upon me I wanted not only to relive those twenty years on paper, but to explain them, to interpret them. And how better could I do that, I thought, than by telling the story of a self-doomed love affair – of a couple who lived in the moment, refusing to face the implications of their predicament, a love affair that would be symbolic of the London that was its background.
I wrote this novel with genuine emotion. I am hoping that today, quarter of a century later, some of that emotion will prove contagious for the contemporary reader for whom those years are history.
Alec Waugh 1976
1
At half-past four on the twenty-seventh of April, 1946, a Londoner in his early fifties rose from a deck chair on the balcony of the Wanderers’ Club. It was a Saturday and he had been sitting there since lunch, dozing over a magazine. He would have preferred to linger, enjoying after a long bleak winter, the warmth of the sun upon his face, but he had an appointment in his flat at half-past five with a young man who had rung him up that morning in a tone suggesting urgency.
‘I wonder what the boy wants,’ he thought. He had heard it argued that the world of 1946 was a completely different place from that of 1939; that a whole manner of living, thinking, feeling had vanished in the last six years. He doubted it. Fashions changed but the essential issues were recurrent. He did not believe that the particular problem which awaited him—the perplexity of a young man in his early twenties returning to civilian life after five years in khaki—would be very unlike that which he had himself had to face at the end of the first war.
Slowly he crossed the drawing-room. He was stiff after his siesta, and as he came down the broad central stairway, he steadied himself against the banisters. He was tall and heavily built. Though he had lost weight during the war, he was still corpulent. His thick, rather long grey hair gave him a benign and venerable look, but the network of broken blood vessels about the nose produced a qualifying and contradictory impression of modified self-indulgence. His dark pinstripe suit, like that of most Londoners in ’46, was shabby; his tie was faded and the corners of his collar frayed; but the cut and quality of the material made him look well dressed. He had an air of being someone.
He turned to the right, into Waterloo Place, on his way towards the Mall. The almond trees in Carlton Gardens were in flower. The statue above the Athenaeum glinted in the sun. A long red stream of buses circled into Lower Regent Street. How unchanged it looked.
No, it was not difficult for Guy Renton walking home through London on this warm spring afternoon to believe that only the surface of things had altered since he was young. The railings round the parks were gone; the houses were shabby and un-painted; every street and square and crescent bore somewhere along its length, like a mouth out of which a tooth was missing, the gap of bomb damage. But there was the same stir of animation along the streets; the same sense of being in a capital; the same sense of varied, integrated life. London was London still; a city that for nine centuries had known neither siege nor conqueror, that had faced plague and fire and assault, but had maintained unbroken the tradition of its own way of living, changing and adapting it out of its own necessity, out of its own experience, out of its own decisions, out of its own choice.
For the foreign visitor, even for the provincial Englishman, London might well seem tawdry now with its crowded hotels, its casual service, its restaurants where only a well-established client could get a meal worth eating, its lack of night life, theatres starting at half-past six, restaurants closing down at ten. But London never had appealed to the foreigner and the provincial visitor. It had never catered for the tourist. It had been a city for its own inhabitants. And even now for its own people it had retained nearly everything that had made it and that had kept it the most personal city in the world. What it had been, it was and would be.
The pride of being a Londoner warmed his heart as he walked back slowly towards his flat.
His flat was in the network of small streets that lie to the right of the Brompton Road as you turn south from Knightsbridge. Rutland Square was to its north, Montpelier Square was to its east. Cheval Place traversed it. It was a two-room flat, with a bathroom and a pantry, on the first floor of a three-storied late Georgian house that had been converted with three others into service flats.
He had lived there since the spring of ’25. As he fitted his key into the lock, he wondered how many other Londoners of that day were living within the same walls still. Not so many, he supposed. And he was lucky, in that immediately opposite through a great rent in Rutland Street he could see the Park; a scar running across his face from chin to temple was his private souvenir of that raid. His cul-de-sac of alleyways had had its share of bombs. But his own flat, apart from broken windows, had been untouched.
Its interior had changed little in twenty years. On the sitting-room floor there was the same black pile carpet, with the cream and white circular modernistic rugs. Over the windows there were the same dark blue damask curtains, contrasting with grey-blue walls and primrose ceiling. The same Chippendale mirror hung over his mantelpiece. On either side of an open fireplace white bookshelves ran elbow high along the wall, supporting a collection of Staffordshire miniatures and Toby jugs. His library was a key to his tastes and temperament. In the early ‘twenties as a Rugby footballer, he had been ‘capped’ for England; to-day as the chairman of Duke and Renton, he was an influential figure in the wine trade. There were the obvious books that you would expect from an athlete and a wine merchant. A row of yellow Wisden’s; Saintsbury’s Cellar Book; Constable’s wine lovers library, André Simon’s Dictionary of Wine: several cricket autobiographies and accounts of tours. But there was also a number of books that you would expect to find only on the shelves of a near-highbrow: George Moore’s limited white-bound Avowals; a complete Turgenev; Bosschère’s Apuleius; Pape’s Jurgen; the minor poets of the eighteen-nineties—Dowson, Symons, and le Gallienne.
Only the pictures indicated a change of taste. He had started with a group of Medici reproductions, and a Nevinson landscape of the Somme, a grey-brown stretch of shellholes, the horizon cut by an occasional boughless tree, which he had bought to remind him of the war, but which he had gradually come to value not for its subject, but as a piece of painting. From a l
ater Nevinson exhibition he returned with a picture of the Embankment painted from a window in the Savoy, showing Cleopatra’s Needle through a screen of rain, against a dappled sky. It was the start of a collection. One by one a series of London canvases replaced the Medici reproductions. But apart from them it might well have seemed that time had stood still here for its owner during the twenty-one years in which a small boy who had once played with its china ornaments upon the floor had grown into a tall, sturdily-built young man in uniform who, during the two years since Guy had seen him last, had led his men first as a platoon commander and later as a company commander from the Normandy beachhead to the Rhine, and had now come to consult his ‘uncle’ on an adult problem.
It was a problem, as the young man set it out, that would have been no less valid in 1919. She was twenty-one; he twenty-four; the right age to marry; they came from the same worlds; but, she had pointed out, he had been only seventeen when the war began and though he had been an officer four years and a captain eighteen months, he would on his release from khaki be in precisely the same position from the world’s point of view that he would have been six years earlier, an undergraduate of eighteen going up to Cambridge. “You are not,” she had concluded, “in a marrying position.”
For two hours they had argued it over dinner on the previous evening. “If you go up to Cambridge as of course you should, you will be dependent for two years on an allowance from your father. It’ll be, at least, four years before you’ve got yourself established in any settled work. The last thing you want is to be saddled with obligations.”
The story took a long time telling, with many interpolations and digressions, many a ‘what you’ve got to realize is’, and ‘the point there you see was this’ and ‘if you’d met her, you’d, of course, understand’.
Sitting there, listening, nodding, occasionally interjecting a remark, Guy Renton could recreate the scene—the absorbed young couple at a corner table, unconscious of the glances turned to them, he in his blue patrols, she in a four-year-old ‘one good black frock’ that a new scarf and Victorian jewellery set off; she leaning forward, talking, talking: he smiling as he listened, moving at length his knee under the table against hers, holding it there with an increasing pressure, his eyes upon her face, noting how her eyes half closed as the pressure deepened.
“It’s all very well for you to talk like that,” he said. “But if we don’t get married soon something pretty dramatic will be happening.”
“I’m not denying that.”
Her eyes had twinkled as they laughed together, a gay and bubbling laugh that more than one person in that crowded room had recognized enviously and nostalgically as the passport to an enchanted country.
“Then why suggest a four years’ engagement?” he had asked.
“I wasn’t.”
“What are you suggesting then?”
The twinkle flashed again as she produced her solution.
“Haven’t you ever heard of companionate marriages?” she asked.
“There’s no such thing.”
“Perhaps, officially. But why shouldn’t two young people make a personal and private treaty with one another. After all you see ...”
One by one she brought out the arguments with which in the days of ‘The Coolidge dollar’ Judge Lindsay had fluttered the domestic dovecotes.
“These next four years are going to be desperately important to you. I refuse to be a hindrance. But I want to be with you, you know that. We could have a lovely time, seeing each other when we can, not undertaking responsibilities, not taking the world into our confidence, not tying ourselves, keeping it all gay and free. It could be such heaven.”
“Now listen, idiot...”
He had produced his counter-arguments, but Guy Renton could guess how her words ‘it could be such heaven’ had echoed through his brain. It could be, such a halcyon heaven. And what young man wanted, in the last analysis, the paraphernalia of a social wedding, the interviews with prospective parents-in-law, the visits to relatives, the ties of an establishment?
“There’s a good deal, isn’t there, in what she says?” he asked.
“There’s quite a lot.”
“What chance would a marriage like ours stand?”
“Four to one against.”
“Then you would recommend a companionate marriage?”
“Not necessarily. By making a companionate marriage, you might be ruining that four in one chance of making it succeed.”
“Then you’d advise me to try and break down those arguments?”
“Now why should an old bachelor like myself be advising that?”
The young man laughed. “You may be an old bachelor, but you can’t tell me that you’ve not been in love. If you could, you wouldn’t be the sympathetic person that you are; you’ve been in love; you’ve probably wanted to marry someone, and though you haven’t married, you’ve led the kind of life you’ve wanted. If youhadn’t, you’d be embittered and disappointed. What I’d like to know is this; what you, out of the experience of your own life, feel.”
A smile played over the lips of the older man. Out of the experience of his life; out of the lives he had observed; his sisters’, his brother’s and his friends’; out of all that this room had seen over the last twenty years.
He rose to his feet; he walked over to the window, remembering all the hours he had stood here, waiting for a grey-green Chevrolet to swing into Cheval Place.
“Can’t you put yourself back?” the boy was saying. “Can’t you remember how you felt? Why it has all turned out the way it has; whether you regret or don’t? Whether you’d have it the same way if you had it to live again.”
‘Can’t you put yourself back?’ He closed his eyes and behind their darkening lids, he saw across twenty and one years, the ornate gilt drawing-room of the Imperiale, at Mürren, and against its wall in a straight high-backed chair, a young fair-haired woman reading a red-backed novel.
2
Mürren: the Imperiale. February 1925.
It was after five and the tables were crowded with exhausted ski-ers, lolling back over their tea, gossiping in undertones; a somnolent and languid hour, a pause between the exertions of the day and the evening gaieties that lay ahead.
Himself he was a little late. He was to take his second-class Slalom test next morning and had been practising telemarks on the nursery slopes. He stood in the doorway looking round him. A group waved to him to join them. But at the same moment a couple rose from a table at his side. He had a stack of letters in his hand; pointing at the vacated table, he indicated in dumb show that he wanted to be alone to read them. But that was not why he, a gregarious person, had chosen a table by himself. He had suddenly noticed a strikingly good-looking woman seated by herself, and he wanted a vantage point from which he could take stock of her.
It was the first time that he had seen her, and since she was in ordinary day clothes, he presumed that she had arrived that afternoon. She was wearing a plain white silk blouse, loose-sleeved and buttoning at the wrist, fitting high at the throat and held under a small black bow by an old-fashioned medallion brooch. Her face was a rounded oval, with high fresh colouring; she scarcely seemed ‘made up’; her hair close shingled and parted at the side was brought across her forehead in a sleek corn-coloured wave to terminate over her left ear in a pointed curl. The simplicity of it made her look very young, yet there were two rings on her engagement finger. She was reading with complete absorption. He tried, but failed to recognize the title. She read on, without looking up for twenty minutes, then closed the book and rose. She was taller than he had expected: tall enough, he guessed, to embarrass a medium-sized man when she was dancing, but she was slightly built, with long slim legs. He watched her edge her way between the tables. She seemed to float rather than to walk.
He turned back to his mail. He was captaining the Harlequins this year, and one of the letters was from the first team secretary.
‘We’re playing
against Rosslyn Park on Saturday. The Old Deer Park. Kick off 2.15. Have a good time till then. I can’t wait to hear about your adventures. I’ll be shocked if you’ve not had any. But I’m sure you will. There’s no place like winter sports. I told you, didn’t I, about that Belgian Countess at St. Moritz? Super-dick, old boy. No other word for it.’
It was the kind of letter he had come to expect from Jimmy Grant. Three years ago, on the eve of an important trial, Jimmy, a brilliant if erratic footballer, had scratched to attend a board meeting in Madrid. One of the selectors had expostulated. Surely the meeting could be postponed. Jimmy had smiled, the knowing crooked smile that had earned him the nickname ‘Valentino’. “It isn’t only business, dear old boy!”
That finished his chances of being ‘capped’. But he was likely to be remembered for quite a while as the best wing ‘three’ who never had been. His name figured constantly in gossip columns. Tall, dark-haired, willowy, sallow-skinned, with the look of a South American though his background was Wessex on both sides, he had the glamour of good looks, smart clothes, success, and real ability. One Saturday at Twickenham he would be making rings round a defence; the next ‘hopping a plane’ to Paris, to return with an extravagant Charvet tie and the recital of a vivid exploit. Jimmy, within two minutes of seeing an attractive girl by herself, would have discovered from the hall porter who she was, how long she was staying and in what company. Whom was she with, Guy wondered?
She was not with anyone. At dinner she was still alone four tables off, in front of him, but at an angle. She had changed into a gold lamé jumper suit, with a pleated skirt. She had ordered a half bottle of red wine. She held the glass between her palms, leaning forward on her elbows across the table. She seemed apart from her surroundings yet wholly unaware of her apartness.
Guy was not the only one to notice her. He had been placed at the same table as Geoffrey Hansom, a one-time treble Blue at Oxford who now made his living out of games; as a golfer never playing at a spring meeting without interviewing the club secretary on behalf of a wine merchant or the pro’s shop on behalf of a sports outfitter; as a cricketer touring the smaller public schools and recommending after the game the type of bat with which he had made a century against indifferent bowling, never paying a railway fare or hotel bill out of his own pocket. Commissions flowed to him from innumerable untaxed sources. At Mürren during the winter, he organized the patrons of the Imperiale, entering them for tests and competitions. He, too, kept glancing at the new arrival.