‘This is the right place by the description, sir,’ the second man said.
‘It is the right place by the smell,’ was the reply, as soon as the door was opened. ‘Twenty centuries and a hundred nationalities mingle here, Parkinson. And not the least foreign—’
‘A native of some description, sir,’ tolerantly supplied the literal Parkinson, taking this to apply to the attendant as he came forward.
‘Can do what?’ politely inquired Won Chou, bowing rather more profoundly than the average shopman would, even to a customer in whom he can recognise potential importance.
‘No can do,’ replied the chief visitor, readily accepting the medium. ‘Bring number one man come this side.’
‘How fashion you say what want?’ suggested Won Chou hopefully.
‘That belong one piece curio house man.’
‘He much plenty busy this now,’ persisted Won Chou, faithfully carrying out his instructions. ‘My makee show carpet, makee show cabinet, chiney, ivoly, picture—makee show one ting, two ting, any ting.’
‘Not do,’ was the decided reply. ‘Go make look-see one time.’
‘All same,’ protested Won Chou, though he began to obey the stronger determination, ‘can do heap wella. Not is?’
A good natured but decided shake of the head was the only answer, and looking extremely sad and slightly hurt Won Chou melted through the doorway—presumably to report beyond that: ‘Much heap number one man make plenty bother.’
‘Look round, Parkinson,’ said his master guardedly. ‘Do you see anything here in particular?’
‘No, sir; nothing that I should designate noteworthy. The characteristic of the emporium is an air of remarkable untidiness.’
‘Yet there is something unusual,’ insisted the other, lifting his sightless face to the four quarters of the shop in turn as though he would read their secret. ‘Something unaccountable, something wrong.’
‘I have always understood that the East End of London was not conspicuously law-abiding,’ assented Parkinson impartially. ‘There is nothing of a dangerous nature impending, I hope, sir?’
‘Not to us, Parkinson; not as yet. But all around there’s something—I can feel it—something evil.’
‘Yes, sir—these prices are that.’ It was impossible to suspect the correct Parkinson of ever intentionally ‘being funny’ but there were times when he came perilously near incurring the suspicion. ‘This small extremely second-hand carpet—five guineas.’
‘Everywhere among this junk of centuries there must be things that have played their part in a hundred bloody crimes—can they escape the stigma?’ soliloquised the blind man, beginning to wander about the bestrewn shop with a self-confidence that would have shaken Won Chou’s conclusions if he had been looking on—especially as Parkinson, knowing by long experience the exact function of his office, made no attempt to guide his master. ‘Here is a sword that may have shared in the tragedy of Glencoe, this horn lantern lured some helpless ship to destruction on the Cornish coast, the very cloak perhaps that disguised Wilkes Booth when he crept up to shoot Abraham Lincoln at the play.’
‘It’s very unpleasant to contemplate, sir,’ agreed Parkinson discreetly.
‘But there is something more than that. There’s an influence—a force—permeating here that’s colder and deeper and deadlier than revenge or greed or decent commonplace hatred … It’s inhuman—unnatural—diabolical. And it’s coming nearer, it begins to fill the air—’ He broke off almost with a physical shudder and in the silence there came from the passage beyond the irregular thuds of Joolby’s sticks approaching. ‘It’s poison,’ he muttered; ‘venom.’
‘Had we better go before anyone comes, sir?’ suggested Parkinson, decorously alarmed. ‘As yet the shop is empty.’
‘No!’ was the reply, as though forced out with an effort. ‘No—face it!’ He turned as he spoke towards the opening door and on the word the uncouth figure, laboriously negotiating the awkward corners, entered. ‘Ah, at last!’
‘Well, you see, sir,’ explained Mr Joolby, now the respectful if somewhat unconventional shopman in the presence of a likely customer, ‘I move slowly so you must excuse being kept waiting. And my boy here—well-meaning fellow but so economical even of words that each one has to do for half a dozen different things—quite different things sometimes.’
‘Man come. Say “Can do”; say “No can do”. All same; go tell; come see,’ protested Won Chou, retiring to some obscure but doubtless ingeniously arranged point of observation, and evidently cherishing a slight sense of unappreciation.
‘Exactly. Perfectly explicit.’ Mr Joolby included his visitors in his crooked grin of indulgent amusement. ‘Now those poisoned weapons you wrote about. I’ve looked them up and I have a wonderful collection and, what is very unusual, all in their original condition. This,’ continued Mr Joolby, busying himself vigorously among a pile of arrows with padded barbs, ‘is a very fine example from Guiana—it guarantees death with convulsions and foaming at the mouth within thirty seconds. They’re getting very rare now because since the natives have become civilized by the missionaries they’ve given up their old simple ways of life—they will have our second-hand rifles because they kill much further.’
‘Highly interesting,’ agreed the customer, ‘but in my case—’
‘Or this beautiful little thing from the Upper Congo. It doesn’t kill outright, but, the slightest scratch—just the merest pin prick—and you turn a bright pea green and gradually swell larger and larger until you finally blow up in a very shocking manner. The slightest scratch—so,’ and in his enthusiasm Mr Joolby slid the arrow quickly through his hand towards Parkinson whose face had only too plainly reflected a fascinated horror from the moment of their host’s appearance. ‘Then the tapioca-poison group from Bolivia—’
‘Save yourself the trouble,’ interrupted the blind man, who had correctly interpreted his attendant’s startled movement. ‘I’m not concerned with—the primitive forms of murder.’
‘Not—?’ Joolby pulled up short on the brink of another panegyric, ‘not with poisoned arrows? But aren’t you the Mr Brooks who was to call this afternoon to see what I had in the way of—?’
‘Some mistake evidently. My name is Carrados and I have made no appointment. Antique coins are my hobby—Greek in particular. I was told that you might probably have something in that way.’
‘Coins; Greek coins.’ Mr Joolby was still a little put out by the mischance of his hasty assumption. ‘I might have; I might have. But coins of that class are rather expensive.’
‘So much the better.’
‘Eh?’ Customers in Padgett Street did not generally, one might infer, express approval on the score of dearness.
‘The more expensive they are, the finer and rarer they will be—naturally. I can generally be satisfied with the best of anything.’
‘So—so?’ vaguely assented the dealer, opening drawer after drawer in the various desks and cabinets around and rooting about with elaborate slowness. ‘And you know all about Greek coins then?’
‘I hope not,’ was the smiling admission.
‘Hope not? Eh? Why?’
‘Because there would be nothing more to learn then. I should have to stop collecting. But doubtless you do?’
‘If I said I did—well, my mother was a Greek so that it should come natural. And my father was a—um, no; there was always a doubt about that man. But one grandfather was a Levantine Jew and the other an Italian cardinal. And one grandmamma was an American negress and the other a Polish revolutionary.’
‘That should ensure a tolerably versatile stock, Mr Joolby.’
‘And further back there was an authentic satyr came into the family tree—so I’m told,’ continued Mr Joolby, addressing himself to his prospective customer but turning to favour the scandalised Parkinson with an implicatory leer. ‘You find that amusing, Mr Carrados, I’m sure?’
‘Not half so amusing as the satyr found it I expect,�
� was the retort. ‘But come now—’ for Mr Joolby had meanwhile discovered what he had sought and was looking over the contents of a box with provoking deliberation.
‘To be sure—you came for Greek coins, not for Greek family history, eh? Well, here is something very special indeed—a tetradrachm struck at Amphipolis, in Macedonia, by some Greek ruler of the province but I can’t say who. Perhaps Mr Carrados can enlighten me?’
Without committing himself to this the blind man received the coin on his outstretched hand and with subtile fingers delicately touched off the bold relief that still retained its superlative grace of detail. Next he weighed it carefully in a cupped palm, and then after breathing several times on the metal placed it against his lips. Meanwhile Parkinson looked on with the respect that he would have accorded to any high-class entertainment; Joolby merely sceptically indifferent.
‘Yes,’ announced Carrados at the end of this performance, ‘I think I can do that. At all events I know the man who made it.’
‘Come, come, use your eyes, my good sir,’ scoffed Mr Joolby with a contemptuous chuckle. ‘I thought you understood at least something about coins. This isn’t—I don’t know what you think—a Sunday school medal or a stores ticket. It’s a very rare and valuable specimen and it’s at least two thousand years old. And you “know the man who made it”!’
‘I can’t use my eyes because my eyes are useless: I am blind,’ replied Carrados with unruffled evenness of temper. ‘But I can use my hands, my finger-tips, my tongue, lips, my commonplace nose, and they don’t lead me astray as your credulous, self-opinionated eyes seem to have done—if you really take this thing for a genuine antique,’ and with uncanny proficiency he tossed the coin back into the box before him.
‘You can’t see—you say that you are blind—and yet you tell me, an expert, that it’s a forgery!’
‘It certainly is a forgery, but an exceptionally good one at that—so good that no one but Pietro Stelli, who lives in Padua, could in these degenerate days have made it. Pietro makes such beautiful forgeries that in my less experienced years they have taken even me in. Of course I couldn’t have that so I went to Padua to find out how he worked, and Peter, who is, according to his lights, as simple and honest a soul as ever breathed, willingly let me watch him at it.’
‘And how,’ demanded Mr Joolby, seeming almost to puff out aggression towards this imperturbable braggart; ‘how could you see him what you call “at it”, if, as you say, you are blind? You are just a little too clever, Mr Carrados.’
‘How could I see? Exactly as I can see’—stretching out his hand and manipulating the extraordinarily perceptive fingers meaningly—‘any of the ingenious fakes which sharp people offer the blind man; exactly as I could see any of the thousand and one things that you have about your shop. This’—handling it as he seemed to look tranquilly at Mr Joolby—‘this imitation Persian prayer-rug with its lattice-work design and pomegranate scroll, for instance; exactly as I could, if it were necessary, see you,’ and he took a step forward as though to carry out the word, if Mr Joolby hadn’t hastily fallen back at the prospect.
The prayer-rug was no news to Mr Joolby—although it was ticketed five guineas—but he had had complete faith in the tetradrachm notwithstanding that he had bought it at the price of silver; and despite the fact that he would still continue to describe it as a matchless gem it was annoying to have it so unequivocally doubted. He picked up the box without offering any more of its contents, and hobbling back to the desk with it slammed the drawer home in swelling mortification.
‘Well, if that is your way of judging a valuable antique, Mr Carrados, I don’t think that we shall do any business. I have nothing more to show, thank you.’
‘It is my way of judging everything—men included—Mr Joolby, and it never, never fails,’ replied Carrados, not in the least put out by the dealer’s brusqueness. It was a frequent grievance with certain of this rich and influential man’s friends that he never appeared to resent a rudeness. ‘And why should I,’ the blind man would cheerfully reply, ‘when I have the excellent excuse that I do not see it?’
‘Of course I don’t mean by touch alone,’ he continued, apparently unconscious of the fact that Mr Joolby’s indignant back was now pointedly towards him. ‘Taste, when it’s properly treated, becomes strangely communicative; smell’—there could be no doubt of the significance of this allusion from the direction of the speaker’s nose—‘the chief trouble is that at times smell becomes too communicative. And hearing—I daren’t even tell you what a super-trained ear sometimes learns of the goings-on behind the scenes—but a blind man seldom misses a whisper and he never forgets a voice.’
Apparently Mr Joolby was not interested in the subtleties of perception for he still remained markedly aloof, and yet, had he but known it, an exacting test of the boast so confidently made was even then in process, and one moreover surprisingly mixed up with his own plans. For at that moment, as the visitor turned to go, the inner door was opened a cautious couple of inches and:
‘Look here, J.J.,’ said the unseen in a certainly distinctive voice, ‘I hope you know that I’m waiting to go. If you’re likely to be another week—’
‘Don’t neglect your friend on our account, Mr Joolby,’ remarked Carrados very pleasantly—for Won Chou had at once slipped to the unlatched door as if to head off the intruder. ‘I quite agree. I don’t think that we are likely to do any business either. Good day.’
‘Dog dung!’ softly spat out Mr Joolby as the shop door closed on their departing footsteps.
CHAPTER III
MR BRONSKY HAS MISGIVINGS
AS Mr Carrados and Parkinson left the shop they startled a little group of street children who after the habit of their kind were whispering together, giggling, pushing one another about, screaming mysterious taunts, comparing sores and amusing themselves in the unaccountable but perfectly satisfactory manner of street childhood. Reassured by the harmless appearance of the two intruders the impulse of panic at once passed and a couple of the most precocious little girls went even so far as to smile up at the strangers. More remarkable still, although Parkinson felt constrained by his imperviable dignity to look away, Mr Carrados unerringly returned the innocent greeting.
This incident entailed a break in which the appearance of the visitors, their position in life, place of residence, object in coming and the probable amount of money possessed by each were frankly canvassed, but when that source of entertainment failed the band fell back on what had been their stock game at the moment of interruption. This apparently consisted in daring one another to do various things and in backing out of the contest when the challenge was reciprocated. At last, however, one small maiden, spurred to desperation by repeated ‘dares’, after imploring the others to watch her do it, crept up the step of Mr Joolby’s shop, cautiously pushed open the door and standing well inside (the essence of the test as laid down), chanted in the peculiarly irritating sing-song of her tribe:
‘Toady, toady Jewlicks;
Crawls about on two sticks.
Toady, toady—’
‘Makee go away,’ called out Won Chou from his post, and this not being at once effective he advanced towards the door with a mildly threatening gesture. ‘Makee go much quickly, littee cow-child. Shall do if not gone is.’
The young imp had been prepared for immediate flight the instant anyone appeared, but for some reason Won Chou’s not very aggressive behest must have conveyed a peculiarly galling insult for its effect was to transform the wary gamin into a bristling little spitfire, who hurled back the accumulated scandal of the quarter.
‘’Ere, don’t you call me a cow-child, you ’eathen swine,’ she shrilled, standing her ground pugnaciously. ‘Pig-tail!’ And as Won Chou, conscious of his disadvantage in such an encounter, advanced: ‘Oo made the puppy pie? Oo et Jimmy ’Iggs’s white mice? Oo lives on black beetles? Oo pinched the yaller duck and—’ but at this intriguing point, being suddenly precipitated furthe
r into the shop by a mischievous child behind, and honour being fully satisfied by now, she dodged out again and rejoined the fleeing band which was retiring down the street to a noisy accompaniment of feigned alarm, squiggles of meaningless laughter, and the diminishing chant of:
‘Toady, toady Jewlicks;
Goes abaht on two sticks.
Toady, toady—’
Sadly conscious of the inadequacy of his control in a land where for so slight a matter as a clouted child an indignant mother would as soon pull his pig-tail out as look, Won Chou continued his progress in order to close the door. There, however, he came face to face with a stout, consequential gentleman whose presence, opulent complexion, ample beard and slightly alien cut of clothes would have suggested a foreign source even without the ruffled: ‘Tevils! tevils! little tevils!’ drawn from the portly visitor as the result of his somewhat undignified collision with the flying rabble.
‘Plenty childrens,’ remarked Won Chou, agreeably conversational. ‘Makee go much quickly now is.’
‘Little tevils,’ repeated the annoyed visitor, still dusting various sections of his resplendent attire to remove the last traces of infantile contamination. ‘Comrade Joolby is at home? He would expect me.’
The Bravo of London Page 4