The Year's Best Science Fiction: Fifteenth Annual Collection

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The Year's Best Science Fiction: Fifteenth Annual Collection Page 14

by Gardner Dozois


  He had waited nearly three years for this moment to make itself possible.

  Nearly every night nowadays, Khalid knew, one could usually see Entities traveling about on the road between Salisbury and Stonehenge, one or two at a time, riding in those cars of theirs that floated a little way above the ground on cushions of air. Stonehenge was a major center of Entity activities nowadays and there were more and more of them in the vicinity all the time. Perhaps there would be one out there this night, he thought. It was worth the chance: he would not get a second opportunity with this captured gun that his father had brought home.

  About halfway out to Stonehenge there was a place on the plain where he could have a good view of the road from a little copse several hundred yards away. Khalid had no illusion that hiding in the copse would protect him from the mind-searching capacities the Entities were said to have. If they could detect him at all, the fact that he was standing in the shadow of a leafy tree would not make the slightest difference. But it was a place to wait, on this bright moonlit night. It was a place where he could feel alone, unwatched.

  He went to it. He waited there.

  He listened to night-noises: an owl-, the rustling of the breeze through the trees; some small nocturnal animal scrabbling in the underbrush.

  He was utterly calm.

  Khalid had studied calmness all his life, with his grandmother Aissha as his tutor. From his earliest days he had watched her stolid acceptance of poverty, of shame, of hunger, of loss, of all kinds of pain. He had seen her handling the intrusion of Richie Burke into her household and her life with philosophical detachment, with stoic patience. To her it was all the will of Allah, not to be questioned. Allah was less real to Khalid than He was to Aissha, but Khalid had drawn from her her infinite patience and tranquility, at least, if not her faith in God. Perhaps he might find his way to God later on. At any rate, he had long ago learned from Aissha that yielding to anguish was useless, that inner peace was the only key to endurance, that everything must be done calmly, unemotionally, because the alternative was a life of unending chaos and suffering. And so he had come to understand from her that it was possible even to hate someone in a calm, unemotional way. And had contrived thus to live calmly, day by day, with the father whom he loathed.

  For the Entities he felt no loathing at all. Far from it. He had never known a world without them, the vanished world where humans had been masters of their own destinies. The Entities, for him, were an innate aspect of life, simply there, as were hills and trees, the moon, or the owl that roved the night above him now, cruising for squirrels or rabbits. And they were very beautiful to behold, like the moon, like an owl moving silently overhead, like a massive chestnut tree.

  He waited, and the hours passed, and in his calm way he began to realize that he might not get his chance tonight, for he knew he needed to be home and in his bed before Richie awakened and could find him and the weapon gone. Another hour, two at most, that was all he could risk out here.

  Then he saw turquoise light on the highway, and knew that an Entity vehicle was approaching, coming from the direction of Salisbury. It pulled into view a moment later, carrying two of the creatures standing serenely upright, side by side, in their strange wagon that floated on a cushion of air.

  Khalid beheld it in wonder and awe. And once again marveled, as ever, at their elegance of these Entities, their grace, their luminescent splendor. How beautiful you are! Oh, yes. Yes.

  They moved past him on their curious cart as though traveling on a river of light, and it seemed to him, dispassionately studying the one on the side closer to him, that what he beheld here was surely a jinni of the jinn: Allah's creature, a thing made of smokeless fire, a separate creation. Which nonetheless must in the end stand before Allah in judgment, even as we.

  How beautiful. How beautiful.

  I love you.

  He loved it, yes. For its crystalline beauty. A jinni? No, it was a higher sort of being than that; it was an angel. It was a being of pure light-of cool clear fire, without smoke. He was lost in rapt admiration of its angelic perfection.

  Loving it, admiring it, even worshipping it, Khalid calmly lifted the grenade gun to his shoulder, calmly aimed, calmly stared through the gunsight. Saw the Entity, distant as it was, transfixed perfectly in the crosshairs. Calmly he released the safety, as Richie had inadvertently showed him how to do. Calmly put his finger to the firing stud.

  His soul was filled all the while with love for the beautiful creature before him as-calmly, calmly, calmly-he pressed the stud. He heard a whooshing sound and felt the weapon kicking back against his shoulder with astonishing force, sending him thudding into a tree behind him and for a moment knocking the breath from him; and an instant later the left side of the beautiful creature's head exploded into a cascading fountain of flame, a shower of radiant fragments. A greenish-red mist of what must be alien blood appeared and went spreading outward into the air.

  The stricken Entity swayed and fell backward, dropping out of sight on the floor of the wagon.

  In that same moment the second Entity, the one that was riding on the far side, underwent so tremendous a convulsion that Khalid wondered if he had managed to kill it, too, with that single shot. It tumbled forward, then back, and crashed against the railing of the wagon with such violence that Khalid imagined he could hear the thump. Its great tubular body writhed and shook, and seemed even to change color, the purple hue deepening almost to black for an instant and the orange spots becoming a fiery red. At so great a distance it was hard to be sure, but Khalid thought, also, that its leathery hide was rippling and puckering as if in a demonstration of almost unendurable pain.

  It must be feeling the agony of its companion's death, he realized. Watching the Entity lurch around blindly on the platform of the wagon in what had to be terrible pain, Khalid's soul flooded with compassion for the creature, and sorrow, and love. It was unthinkable to fire again. He had never had any intention of killing more than one; but in any case he knew that he was no more capable of firing a shot at this stricken survivor now than he would be of firing at Aissha.

  During all this time the wagon had been moving silently onward as though nothing had happened; and in a moment more it turned the bend in the road and was gone from Khalid's sight, down the road that led toward Stonehenge.

  He stood for a while watching the place where the vehicle had been when he had fired the fatal shot. There was nothing there now, no sign that anything had occurred. Had anything occurred? Khalid felt neither satisfaction nor grief nor fear nor, really, any emotion of any other sort. His mind was all but blank. He made a point of keeping it that way, knowing he was as good as dead if he relaxed his control even for a fraction of a second.

  Strapping the gun to the bicycle basket again, he pedaled quietly back toward home. It was well past midnight; there was no one at all on the road. At the house, all was as it had been; Arch's car parked in front, the front lights still on, Richie and Arch snoring away in Richie's room.

  Only now, safely home, did Khalid at last allow himself the luxury of letting the jubilant thought cross his mind, just for a moment, that had been flickering at the threshold of his consciousness for an hour:

  Got you, Richie! Got you, you bastard!

  He returned the grenade gun to the cabinet and went to bed, and was asleep almost instantly, and slept soundly until the first bird-song of dawn.

  In the tremendous uproar that swept Salisbury the next day, with Entity vehicles everywhere and platoons of the glossy balloonlike aliens that everybody called Spooks going from house to house, it was Khalid himself who provided the key clue to the mystery of the assassination that had occurred in the night.

  "You know, I think it might have been my father who did it," he said almost casually, in town, outside the market, to a boy named Thomas whom he knew in a glancing sort of way. "He came home yesterday with a strange sort of big gun. Said it was for killing Entities with, and put it away in a cabinet in our f
ront room."

  Thomas would not believe that Khalid's father was capable of such a gigantic act of heroism as assassinating an Entity. No, no, no, Khalid argued eagerly, in a tone of utter and sublime disingenuousness. He did it, I know he did it, he's always talked of wanting to kill one of them one of these days, and now be has.

  He has?

  Always his greatest dream, yes, indeed.

  Well, then Yes. Khalid moved along. So did Thomas. Khalid took care to go nowhere near the house all that morning. The last person he wanted to see was Richie. But he was safe in that regard. By noon Thomas evidently bad spread the tale of Khalid Burke's wild boast about the town with great effectiveness, because word came traveling through the streets around that time that a detachment of Spooks had gone to Khalid's house and had taken Richie Burke away.

  "What about my grandmother?" Khalid asked. "She wasn't arrested too, was she?"

  "No, it was just him," he was told. "Billy Cavendish saw them taking him, and he was all by himself. Yelling and screaming, he was, the whole time, like a man being hauled away to be hanged."

  Khalid never saw his father again.

  During the course of the general reprisals that followed the killing, the entire population of Salisbury and five adjacent towns was rounded up and transported to walled detention camps near Portsmouth. A good many of the deportees were executed within the next few days, seemingly by random selection, no pattern being evident in the choosing of those who were put to death. At the beginning of the following week the survivors were sent on from Portsmouth to other Places, some of them quite remote, in various parts of the world.

  Khalid was not among those executed. He was merely sent very far away.

  He felt no guilt over having survived the death-lottery while others around him were being slain for his murderous act. He had trained himself since child hood to feel very little indeed, even while aiming a rifle at one of Earth's beautiful and magnificent masters. Besides, what affair was it of his, that some of these people were dying and he was allowed to live? Everyone died, some sooner, some later. Aissha would have said that what was happening was the will of Allah. Khalid more simply put it that the Entities did as they pleased, always, and knew that it was folly to ponder their motives.

  Aissha was not available to discuss these matters with. He was separated from her before reaching Portsmouth and Khalid never saw her again, either. From that day on it was necessary for him to make his way in the world on his own.

  He was not quite 13 years old. Often, in the years ahead, he would look back at the time when he had slain the Entity; but he would think of it only as the time when he had rid himself of Richie Burke, for whom he had had such hatred. For the Entities he had no hatred at all, and when his mind returned to that event by the roadside on the way to Stonehenge, to the alien being centered in the crosshairs of his weapon, he would think only of the marvelous color and form of the two starborn creatures in the floating wagon, of that passing moment of beauty in the night.

  Second Skin

  Paul J. McAuley

  Born in Oxford, England, in 1955, Paul J. McAuley now makes his home in London. He is considered to be one of the best of the new breed of British writers (although a few Australian writers could be fit in under this heading as well) who are producing that sort of revamped, updated, wide-screen Space Opera sometimes referred to as "radical hard science fiction." A frequent contributor to Interzone, as well as to markets such as Amazing, The Magazine of Fantasy & Science Fiction, Asimov's Science Fiction, When the Music's Over, and elsewhere, he won the Philip K. Dick Award with his first novel, Four Hundred Billion Stars. His other books include the novels Of the Fall, Eternal Light, Red Dust, and Pasquale's Angel, a collection of his short work The King of the Hill and Other Stories, and an original anthology coedited with Kim Newman, In Dreams. His most recent book was the acclaimed novel Fairyland, which won the John W. Campbell Memorial Award last year. Upcoming is a major new trilogy, the first volume of which is Child of the River. His stories have appeared in our Fifth, Ninth, and Thirteenth Annual Collections.

  In the suspenseful and richly inventive story that follows, he takes us on a journey across space to the farthest reaches of the solar system, for a tale of high-tech intrigue and counter intrigue beneath the frozen surface of Proteus ...

  The transport, once owned by an outer system cartel and appropriated by Earth's Pacific Community after the Quiet War, ran in a continuous, everchanging orbit between Saturn, Uranus, and Neptune. It never docked. It mined the solar wind for hydrogen to mix with the nanogram of antimatter that could power it for a century, and once or twice a year, during its intricate gravity-assisted loops between Saturn's moons, maintenance drones attached remora-like to its hull, and fixed whatever its self-repairing systems couldn't handle.

  Ben Lo and the six other members of the first trade delegation to Proteus since the war were transferred onto the transport as it looped around Titan, still sleeping in the hibernation pods they'd climbed into in Earth orbit. Sixty days later, they were released from the transport in individual drop capsules of structural diamond, like so many seeds scattered by a pod.

  Ben Lo, swaddled in the crash web that took up most of the volume of the drop capsule's little bubble, watched with growing vertigo as the battered face of Proteus drew closer. He had been awakened only a day ago, and was as weak and unsteady as a new-born kitten. The sun was behind the bubble's braking chute. Ahead, Neptune's disc was tipped in star-sprinkled black above the little moon. Neptune was subtly banded with blue and violet, its poles capped with white cloud, its equator streaked with cirrus. Slowly, slowly, Proteus began to eclipse it. The transport had already dwindled to a bright point amongst the bright points of the stars, on its way to spin up around Neptune, loop past Triton, and head on out for the next leg of its continuous voyage, halfway across the solar system to Uranus.

  Like many of the moons of the outer planets, Proteus was a ball of ice and rock. Over billions of years, most of the rock had sunk to the core, and the moon's icy, dirty white surface was splotched with a scattering of large impact craters with black interiors, like well-used ash trays, and dissected by large stress fractures, some running halfway round the little globe.

  The spy fell toward Proteus in a thin transparent bubble of carbon, wearing a paper suit and a diaper, and trussed up in a cradle of smart cabling like an early Christian martyr. He could barely move a muscle.

  Invisible laser light poured all around him-the capsule was opaque to the frequency used-gently pushing against the braking sail which bad unfolded and spun into a twenty kilometer diameter mirror after the capsule had been released by the transport. Everything was fine.

  The capsule said, "Only another twelve hours, Mr. Lo. I suggest that you sleep. Elfhame's time zone is ten hours behind Greenwich Mean Time."

  Had he been asleep for a moment? Ben Lo blinked and said, "Jet lag," and laughed.

  "I don't understand," the capsule said politely. It didn't need to be very intelligent. All it had to do was control the attitude of the braking sail, and keep its passenger amused and reassured until landing.

  Then it would be recycled.

  Ben Lo didn't bother to try to explain. He was feeling the same kind of yawning apprehension that must have gripped ninety-year-old airline passengers at the end of the twentieth century. A sense of deep dislocation and estrangement. How strange that I'm here, he thought. And, how did it happen? When he'd been born, spaceships had been crude, disposable chemical rockets. The first men on the moon. President Kennedy's assassination. No, that happened before I was born. For a moment, his yawning sense of dislocation threatened to swallow him whole, but then he had it under control and it dwindled to mere strangeness. It was the treatment, he thought. The treatment and the hibernation.

  Somewhere down there in the white moonscape, in one of the smaller canyons, was Ben Lo's first wife. But he mustn't think of that. Not yet. Because if he did ... no, he couldn't remember. S
omething bad, though.

  "I can offer a variety of virtualities," the capsule said. Its voice was a husky contralto. It added, "certain sexual services are also available."

  "What I'd like is a chateaubriand steak butterflied and well-grilled over hickory wood, a Caesar salad, and a 1998 Walnut Creek Cabernet Sauvignon."

  "I can offer a range of nutritive pastes, and eight flavors of water, including a balanced electrolyte," the capsule said. A prissy note seemed to have edged into its voice. It added, "I would recommend that you restrict intake of solids and fluids until after landing."

  Ben Lo sighed. He had already had his skin scrubbed and repopulated with strains of bacteria and yeast native to the Protean ecosystem, and his GI tract had been reamed out and packed with a neutral gel containing a benign strain of E. coli. He said, "Give me an inflight movie."

  "I would recommend virtualities," the capsule said. "I have a wide selection."

  Despite the capsule's minuscule intelligence, it had a greater memory capacity than all the personal computers on Earth at the end of the millennium. Ben Lo had downloaded his own archives into it.

  "Wings of Desire," he said.

  "But it's in black and white! And flat. And only two senses-"

  "There's color later on. It has a particular relevance to me, I think. Once upon a time, capsule, there was a man who was very old, and became young again, and found that he'd lost himself. Run the movie, and you'll understand a little bit about me."

  The moon, Neptune, the stars, fell into a single point of light. The light went out. The film began.

  Failing through a cone of laser light, the man and the capsule watched how an angel became a human being, out of love.

 

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