It occurred to me, vaguely, that I had saved Seredith’s life.
I brewed tea, and drank it. The flames dancing in my head began to subside. The voices grew fainter as the rain slackened. The stove creaked and clicketed and smelt of warm metal. I sat on the floor, leaning against the plan chest, with my legs spread out in front of me. From this angle, and in this light, the workshop looked like a cave: mysterious, looming, the knobs and screws of the presses transformed into strange rock formations. The shadow of the board cutter on the wall looked like a man’s face. I rolled my head round, taking it all in, and for a second I was filled with a fierce pleasure to have saved it all: my workshop, my things, my place.
The door at the end of the room was ajar.
I blinked. At first I thought it was a trick of the light. I put down my cold mug of tea and leant forward, and saw the gap between the door and the jamb. It was the door on the left of the stove: not the room where Seredith took people, but the other door, the one that led down into the dark.
I almost kicked it shut. I could have done that, left it unlocked but closed, and gone to bed. I almost did. I reached out gently with my foot, but instead of pushing it shut I edged it open.
Blackness. An empty shelf just inside, and beyond that a flight of stairs going down. Nothing more than I’d seen before. Nothing like the bare light-filled room behind the other door, except for the cold that breathed from it.
I stood up and reached for the lamp. I wasn’t sleepy any more. Tension pricked in my fingertips and itched between my shoulder blades. I pushed the door wide open and went down into the dark.
It smelt of damp. That was the first thing I noticed: a thick, muddy scent like rotting reeds. I paused on the stair, my heart speeding up. Damp was almost as bad as fire; it brought mould and wrinkled paper and softened glue. And it smelt of age and dead things, smelt wrong … But as I turned the corner of the staircase and lifted the lamp, what I saw was nothing out of the ordinary: a little room with a table and cupboards, a broom and a bucket, chests that were marked with a stationer’s label. I almost laughed. Just a storeroom. At the far end – although it wasn’t far, only a few steps across – there was a round bronze plate in the wall, like a solid wheel, intricate and decorative. The other walls were piled high with chests and boxes. The air felt as dry as it had upstairs; perhaps I’d imagined the smell.
I turned my head, half thinking I’d heard something. But everything was perfectly still, insulated from the noise of the rain by the dense earth beyond.
I put down the lamp and looked about me. There was a drawer balanced on a pile of boxes, full of broken tools waiting to be repaired or thrown away, and a row of glass bottles filled with dark liquid that looked like dyes or ox gall for marbling paper. I nearly tripped over three fire-buckets of sand. On the table there was a humped parcel wrapped in sackcloth, and some tools. I didn’t recognise them; they were thin, delicate things with edges like fish’s teeth. I brought the lamp closer. Next to the bundle there was another cloth, spread out to cover something. This was where Seredith worked, when I was upstairs in the workshop.
I reached out and unwrapped the bundle, as gently as if it was alive. It was a book-block, neatly sewn, with thick dark endpapers threaded with white, like tiny roots reaching through soil. The blood sang in my fingertips. A book. The first book I had seen, since I’d been here; the first since I was a child, and learned that they were forbidden. But holding it now I felt nothing but a kind of peace.
I brought it to my face and inhaled the smell of paper. I almost opened it to look at the title page; but I was too curious about what was under the other bit of sacking. I put the block down and drew back the cloth. Here was the cover Seredith had been making. For a moment, before I understood what I was seeing, it was beautiful.
The background was black velvet, so fine it absorbed every glint of light and lay on the bench like a piece of solid darkness. The inlay stood out against it like ivory, shining softly, pale gold in the lamplight.
Bones. A skeleton, the spine curled like a row of pearls round pale twigs of legs and arms, and the tiny splinters of toes and fingers. The skull bulged like a mushroom. They were smaller than my outstretched hand, those bones. They were as small and fragile as a bird’s.
But it wasn’t … it hadn’t been a bird. It was a baby.
V
‘Don’t touch it.’
I hadn’t heard Seredith come into the room, but some distant, watchful part of me wasn’t surprised to hear her voice. I didn’t know how long I had been standing there. It was only when I stepped back – carefully, as though there was something here I was afraid to wake – that I felt the stiff chill in my joints, the pins-and-needles in my feet, and knew it had been a long time. In spite of my care I knocked my ankle against a box, but the hollow sound was muffled by the earth beyond the walls.
I said, ‘I wasn’t going to touch it.’
‘Emmett …’
I didn’t answer. The wick of the lamp needed trimming, and the shadows jumped and ducked. The bones gleamed against their bed of black. As the light danced back and forth I could have made myself believe that they were moving; but when at last the flame steadied they lay quiet.
‘It’s only a binding,’ she said. She shifted in the doorway, but I didn’t look at her. ‘It’s mother-of-pearl.’
‘Not real bones.’ It came out like mockery. I hadn’t meant it to, but I was glad, fiercely glad, at the way it cut through the silence.
‘No,’ she said softly, ‘not real bones.’
I stared at the shining intricate shapes on the velvet until my eyes blurred. At last I reached out and pulled the cloth down over them; then I stood looking down at the coarse brown hessian. Here and there, where the weave was loose, I could still see the smooth edge of a femur, the nacreous curve of the skull, a miniature, perfect fingerbone. I imagined her working on them, crafting tiny shapes out of mother-of-pearl. I shut my eyes and listened to my blood pounding, and beyond that the dead quiet of walls and earth.
‘Tell me,’ I said. ‘Tell me what you do.’
The lamp murmured and guttered. Nothing else moved.
‘You know already.’
‘No.’
‘You know, if you think about it.’
I opened my mouth to say no, again; but something caught in my throat. The lamp-flame flared, licked upwards and then sank to a tiny blue bubble. The dark took a step towards me.
‘You bind – people,’ I said. My throat was so dry it hurt to speak; but the silence hurt more. ‘You make people into books.’
‘Yes. But not in the way you mean.’
‘What other way is there?’
She walked towards me. I didn’t turn, but the light from her candle grew stronger, pushing back the shadows. ‘Sit down, Emmett.’
She touched my shoulder. I flinched and spun round, stumbling back into the table. Tools clattered to the floor and skittered away. We stared at each other. She had stepped back too; now she put her candle down on one of the chests, and the flame magnified the trembling of her hand. Wax had spattered the floor; it congealed in a split second, like water turning to milk.
‘Sit down.’ She lifted an open drawer of jars off a box. ‘Here.’
I didn’t want to sit, while she was standing. I held her gaze, and she was the first to look away. She dumped the drawer down again. Then, wearily, she bent to pick up the little tools I’d knocked off the table.
‘You trap them,’ I said. ‘You take people and put them inside books. They leave here … empty.’
‘I suppose, in a way—’
‘You steal their souls.’ My voice cracked. ‘No wonder they’re afraid of you. You lure them here and suck them dry, you take what you want and send them away with nothing. That’s what a book is, isn’t it? A life. A person. And if they burn, they die.’
‘No.’ She straightened up, one hand clutching a tiny wood-handled knife.
I picked up the book on the table and
held it out. ‘Look,’ I said, my voice rising and rising, ‘this is a person. Inside there’s a person – out there somewhere they’re walking round dead – it’s evil, what you do, they should have fucking burnt you.’
She slapped me.
Silence. There was a thin high ringing in the air that wasn’t real. Automatic tears rose in my eyes and spilt down my cheeks. I wiped them away with the inside of my wrist. The pain faded to a hot tingling, like salt water drying on my skin. I put the book down and smoothed the endpaper with my palm where I’d rumpled it. The crease would never come out entirely; it stood out like a scar, branching across the corner. I said, ‘I’m sorry.’
Seredith turned away and dropped the knife into the open drawer by my side. ‘Memories,’ she said, at last. ‘Not people, Emmett. We take memories and bind them. Whatever people can’t bear to remember. Whatever they can’t live with. We take those memories and put them where they can’t do any more harm. That’s all books are.’
Finally I met her eyes. Her expression was open, candid, a little weary, like her voice. She made it sound so right – so necessary; like a doctor describing an amputation. ‘Not souls, Emmett,’ she said. ‘Not people. Just memories.’
‘It’s wrong,’ I said, trying to match my tone to hers. Steady, reasonable … but my voice shook and betrayed me. ‘You can’t say it’s right to do that. Who are you to say what they can live with?’
‘We don’t. We help people who come to us and ask for it.’ A flicker of sympathy went over her face as if she knew she’d won. ‘No one has to come, Emmett. They decide. All we do is help them forget.’
It wasn’t that simple. Somehow I knew it wasn’t. But I had no argument to make, no defence against the softness of her voice and her level eyes. ‘What about that?’ I pointed to the child-shape under the sacking. ‘Why would you make a book like that?’
‘Milly’s book? Do you really want to know?’
A shiver went over me, fierce and sudden. I clenched my teeth and didn’t answer.
She walked past me, stared down at the sacking for a moment, and then slid it gently to one side. In her shadow the little skeleton shone bluish.
‘She buried it alive,’ Seredith said. There was no weight to the words, only a quiet precision that left all the feeling to me. ‘She couldn’t go on, she thought she couldn’t go on. And so she wrapped it up, one day when it wouldn’t stop crying, and she laid it on the dung heap and pulled rubbish and manure over it until she couldn’t hear it any more.’
‘Her baby?’
A nod.
I wanted to shut my eyes, but I couldn’t look away. The baby would have lain like that, curled and helpless, trying to cry, trying to breathe. How long would it have taken, before it was just part of the dungheap, rotting with everything else? It was like a horrible fairy tale: bones turned to pearl, earth turned to velvet. But it was true. It was true, and the story was locked in a book, shut away, written on dead pages. My hand tingled where I had smoothed out the endpaper: that thick, veined paper, black as soil.
‘That’s murder,’ I said. ‘Why didn’t the parish constable arrest her?’
‘She kept the child a secret. No one knew about it.’
‘But …’ I stopped. ‘How could you help her? A woman – a girl who killed her own child – like that – you should have …’
‘What should I have done?’
‘Let her suffer! Make her live with it! Remembering is part of the punishment. If you do something evil—’
‘It was her father’s, too. The man who came to burn this book. He was her father, and the child’s.’
For a moment I didn’t understand what she meant. Then I looked away, feeling sick.
There was the rustle of sackcloth as Seredith drew it back over the bones, and the creak of the box as she perched on the edge of it, holding on to the table to steady herself.
At last she said, ‘I’m not being fair to you, Emmett. Sometimes I do turn people away. Very, very rarely. And not because they’ve done something so terrible I can’t help; only because I know they’ll go on doing terrible things. Then, if I’m sure, I will refuse to help them. But it has only happened three times, in more than sixty years. The others, I helped.’
‘Isn’t burying a baby terrible?’
‘Of course,’ she said, and bowed her head. ‘Of course it is, Emmett.’
A breath. ‘You said, what books are … So every book,’ I said, ‘every book that’s ever been bound, is someone’s memories. Something they’ve chosen to forget.’
‘Yes.’
‘And …’ I cleared my throat. Suddenly I could feel the imprint of my father’s hand on my cheek, the stinging blow he’d given me years ago, as if the pain had never really faded. Never let me see you with a book again. This was what he had wanted to protect me from. And now I was an apprentice; I was going to be a binder.
‘You think,’ I said slowly, ‘you think I’m going to do what you do.’
She didn’t even glance at me. ‘It will be easier,’ she said, from a long way away, ‘if you don’t despise it. Despise books – despise the people who need help – and you despise yourself. Your work.’
‘I can’t,’ I said. ‘I won’t. It’s not …’
She laughed. It was so close to her usual amused snort that my stomach twisted. ‘Yes, you can. Binders are born, not made. And you’re a binder born, boy. You may not like the idea of it much now. But you’ll grow to understand. And it won’t let you rest. It’s a great force, inside you. It’s what made you ill, when … You’re stronger in it than most binders I’ve known. You’ll see.’
‘How do you know? You might be wrong—’
‘I know, Emmett.’
‘How?’
‘The binder’s fever gave you away. You will be a good binder. In every sense.’
I shook my head. I went on shaking it, even though I didn’t know why.
‘Sometimes,’ she said, ‘what we do is very difficult. Sometimes it makes me angry or sad. Sometimes I regret – if I’d known what the memories were, I wouldn’t have—’ She stopped and glanced away. ‘Much of the time it doesn’t even touch me. But sometimes I am so glad to see the pain go away that if that were the only person I had ever helped it would still be worth it.’
‘I’m not doing it. It’s wrong. It’s – unnatural.’
She lowered her head, inhaling so deeply I saw her shoulders move. The skin under her eyes looked as fragile as the bloom on a moth’s wing: one touch and it would brush away and leave bare bone. She said, without looking at me, ‘It’s a sacred calling, Emmett. To have another person’s memory entrusted to you … To take the deepest, darkest part away from them and keep it safe, forever. To honour it, to make it beautiful, even though no one will ever see it. To guard it with your own life …’
‘I don’t want to be a glorified gaoler.’
She jolted upright. For a long moment I thought she would hit me again. ‘This is why I didn’t tell you before,’ she said, finally. ‘Because you’re not ready yet, you’re still struggling … But now you know. And you’re lucky to be here. If you had gone to a bindery in Castleford you’d have had your scruples beaten out of you long ago.’
I held out my finger and slid it through the candle flame, once, twice, slowing down until I could hardly bear it. There were too many questions; I concentrated on the pain and let my mouth decide. ‘So why am I here?’
She blinked. ‘Because I was the nearest. And—’ She stopped.
Her eyes slid away from mine. She kneaded her forehead, and for the first time I noticed how flushed her cheeks were. ‘I’m exhausted, Emmett. I think that’s enough for today. Don’t you?’
She was right. I was so tired that I could feel the world spinning. I nodded, and she stood up. I reached out to help her but she ignored me. She picked her way through the narrow space back to the door.
‘Seredith?’
She paused, but didn’t turn. Her sleeve had fallen back as she
leant against the wall, and her wrist was like a child’s.
‘Yes?’
‘Where are the books? If you keep them safe …’
She held her arm out to point at the circular plaque on the wall. ‘On the other side of that,’ she said, ‘there’s a vault.’
‘Can I see?’
‘Yes.’ She turned, reaching for a key that hung round her neck; then her hand tightened on it. ‘No. Not now. Another time.’
I’d only asked out of curiosity. But there was something in her face – or something not in her face, something that should have been there … I pushed my tongue into the sharp space between two of my teeth and stared at her. Strands of her hair clung to her forehead, sticky with sweat. She reeled. I stepped towards her, but she stumbled back as if she couldn’t bear me to get too close. ‘Good night, Emmett.’
I watched her turn, bracing herself in the doorway as though she was fighting to stay on her feet. I should have let her go, but I couldn’t stop myself. ‘Seredith … What happens if the books burn? Do the people die?’
She didn’t look at me. She shuffled to the stairs and began to climb them. ‘No,’ she said. ‘They remember.’
I was so tired I couldn’t think. Seredith had gone to bed; I should go too. If only I’d gone to bed an hour ago, instead of sitting down next to the stove in the workshop … Sleep. I wanted to step right off the edge of consciousness. I wanted that darkness more than anything. I wanted not to be here.
I sat down. Or rather, I found that I was already sitting, cramped on the floor with my legs folded, my back against a box. I didn’t have the energy to find a better position. Instead I wrapped my arms round my knees, put my head down, and slept.
When I woke, the first thing I felt was a kind of peace. It was almost pitch-black – the candle had gone out – and I felt as though I were drifting, disintegrating painlessly in the subtle currents of the dark. Then some of what had happened came back – but small, too far away to hurt me, like reflections in a silver cup. I got up and groped my way up the stairs, yawning. I’d thought it was the middle of the night, and the greyish light streaming through the workshop windows made me blink and rub my eyes. It was still raining, although now it was a thin quiet mizzle, and the snow only clung to the ground in a few places, grimy and pockmarked. Seredith had been right about the thaw; the post would get to us at least once more before winter really set in.
The Binding Page 7