Dr Slope supervised the removal of the body, then remained behind to study a drawing of the apartment floorplan. Heller squatted next to the victim’s fallen purse and began to draw another diagram on his sketch pad, noting all the scattered items and their positions.
Mallory knelt beside him and studied the objects around the purse. ‘Looks like a struggle.’
‘No.’ Heller drew black crayon circles around the fallen items. ‘It’s a nice tight pattern. These things just fell out when she dropped her purse. The way I see it, she was standing here when something made her jump.’
Riker stared at the front door. ‘I count three locks and a chain, but no sign of a break-in. This woman was nervous as hell. I don’t see her opening the door for a stranger.’
‘Maybe we’re looking for a cop,’ said Mallory.
‘I wouldn’t rule it out.’ Heller pulled on a new pair of gloves. ‘But I don’t think the door was locked when the perp arrived. This woman was planning a long trip, so she ran some errands after the cops brought her home.’ He picked up a packet of fallen traveler’s checks. ‘A trip to the bank, right?’ Next, he pulled a bottle of pills from a small pharmacy bag. ‘And she refilled this prescription. But she forgot the receipt for the dry cleaner. So she came back to get it.’
Riker pulled out his cigarettes. ‘Is this a guess or – ’ ‘It’s a fact,’ said Heller. ‘The dry cleaner said she dumped out her purse to look for the receipt. But she’d left it at home. I found it on the counter next to the sink. Now remember, she’s got a plane to catch. She plans to grab that receipt and run right out again. So she doesn’t lock the door this time.’ Heller rose to his feet. ‘She’s standing here, reaching for it, when the perp startles her, and she drops her purse. I say he walked in right behind her.’
Click.
Ronald Deluthe snapped pictures of civilians on the sidewalk. He had quickly divided the crowd into categories. The out-of-towners were the people disguised as the Statue of Liberty. Their spiked crowns of green foam rubber were purchases from a street vendor working the crowd with a carton of souvenirs. The visitors smiled as they posed for the camera, then took their own pictures of the young detective with exotic bright yellow hair. He had become a tourist attraction.
All the blase faces belonged to the natives who were almost bored by murder. And lots of them fit Miss Emelda’s loose description of the hangman. T-shirts and jeans were the uniform of this neighborhood, and five of the men wore baseball caps.
Click, click.
The freelance reporters were easy to spot. They were the ones hustling every cop in uniform. The pros with real media jobs were disgorged from vans with network logos. Their technicians were setting up pole lights and carrying cameras. A brunette with a microphone was headed his way. She ignored the officers standing behind the blue saw horses. The woman only had eyes for Deluthe as she worked her way around the semi-circle of barricades – so she could be close to him.
She was pretty. He took her picture.
Click.
The reporter smiled for him.
Click, click, click, click.
She called out to him – a siren song, ‘It’s a murder, right?’
‘No comment,’ he said. This time, the crime scene was under tight control. Even the uniformed officers could not give any helpful information to reporters, however pretty they might be.
Deluthe was out of film and praying that Mallory and Riker would not show up before Officer Waller got back from the store.
He was saved. The uniformed policeman was fast approaching, elbowing his way through the crowd. Perfect timing. There was a God. Waller handed over the back-up film, and Deluthe opened the camera to remove the used roll.
A face in the crowd distracted him. The spectator was staring up at a high window while everyone else watched the front door. The young detective looked up at Kennedy Harper’s fourth-floor apartment. All he could see was blue sky reflected on glass. He reloaded the camera, but before he could snap a picture, his subject slung a gray canvas bag over one shoulder and backed up into the crowd. The bag looked like one in the trunk of Deluthe’s car, where he kept a change of clothes for a baseball game in Central Park.
And now he remembered to shoot the man.
Click.
Shit.
He had only caught the back of the civilian’s head turning away from the camera. Deluthe wondered if he should chase the man down. But what pretext could he use? Excuse me, sir. You looked up instead of down. That scene might not play half as well as his attempted arrest of the building handyman.
The odd spectator was forgotten when Deluthe spied a familiar face behind the barricades. It was the fireman who had left the prostitute hanging at the last crime scene. Gary Zappata’s eyes were fixed on the door to Kennedy Harper’s building.
Waiting for what?
Click.
Detective Mallory stepped out on the sidewalk, followed by her partner. Zappata’s angry eyes locked on to Sergeant Riker.
Click.
The detectives would not give his opinion any credence, but they had to believe a picture. Zappata clearly wanted Riker dead.
Mallory walked up to Deluthe, giving him no time to explain his theory on the fireman. She was saying, ordering, ‘Get out your notebook.’
Deluthe complied, and now his pencil hovered over a clean page.
‘Get your film developed,’ she said. ‘And don’t take any grief. You tell the techs you want it now. Go back to Special Crimes and clear a section of wall in the incident room. Pin up this paperwork.’ She handed him a large manila folder. ‘You’ll find some still shots of news film on my desk. Compare the faces to the ones you shot in this crowd. Meet Riker back here when you’re done. He’ll give you another list. Run.’
No baseball game tonight.
Detective Janos was a human tank, physically and psychologically. Nothing stopped him. However, if Lieutenant Coffey had sent him out in search of the Holy Grail, he would have been back with it long before now. The more difficult errand had been securing a voice recording for the tip line of a local news program.
He was exhausted.
The television people had called him Babe, then misused the word synergy twice in five minutes, saying nothing intelligible for another twenty minutes of wasted time. Everyone on the news staff had labored under the whacked impression that the Constitution of the United States allowed them, even encouraged them, to conceal evidence of murder.
Yet Janos had not killed any of these people. That was not his way. He had merely loomed over the news director, one hand outstretched, saying, ‘Give me the tape.’
Another member of the staff, the anchorwoman, had expounded on freedom of the press, making it clear that she had never read the pertinent passage of First Amendment rights.
And Janos had replied, ‘Give me the tape.’
Half an hour had passed by before the network attorney arrived to yell at his clients, ‘Give him the tape, you fucking idiots!'
More time had been spent convincing an overworked support technician at One Police Plaza that he could not simply leave the tape and go; he needed a copy for his lieutenant. Mere looming had done the trick with the small man in the lab coat.
And now, finally, Janos carried his hard-won trophy down the hall to the incident room. He opened the door and paused on the threshold, taking a moment to admire a crude flat scarecrow nailed to the rear wall. The boys had been busy while he was away.
He looked down at a gray canvas bag near the baseboard. A pair of wadded gym socks had been dropped on the floor, apparently rejected as feet for the image on the wall. Janos agreed with this aesthetic decision – less was more. In the space below a tacked-up baseball cap was a photograph showing the back of a man’s head; this was in keeping with Miss Emelda’s sighting of a suspicious character in her tree, a man without a face. Beneath this picture, a T-shirt had been spread out and pinned to the cork. Sturdy nails supported a pair of blue jeans to fill out t
he lower half of the body. Crime-scene gloves were positioned where the effigy’s hands would be, and a nail had been driven into one latex palm to hold the strap of a cheap instant camera, yet another detail from Miss Emelda’s description.
Interesting.
However, the truly original touch was a halo of fat black flies impaled around the scarecrow’s cap. One was a large horse fly speared on a long pin, but still alive, twitching, buzzing -
At the sound of footsteps, Janos turned around to see the yellow-haired youngster from Lieutenant Loman’s squad. Judging by the slim build, Janos assumed that the scarecrow’s clothing belonged to this detective. And there was more damning evidence: Ronald Deluthe’s face was flushed red with sudden guilt – perhaps because he carried a living, squirming fly impaled on a hatpin.
‘Deluthe, you’re very young to be this jaded.’Janos smiled at the blushing whiteshield, who now realized that this was a compliment and resumed breathing.
This meeting place had been chosen to increase the prostitute’s anxiety, but Daisy was too stoned to appreciate the decor of framed photographs and citations that screamed, This is a cop bar! Detective Mallory kept fifteen feet of mahogany and five drinking men between herself and the aging whore with electric-red hair.
The skeletal woman perched on the edge of her stool, one eye cocked on the door. Riker was ten minutes late, and the woman would not wait for him much longer. Mallory put on her sunglasses when the hooker glanced in her direction, though it was doubtful she would be recognized; they had both changed so much. Kathy the child had grown into a woman, and Daisy the whore had become a superannuated corpse.
In the old days, this redhead had been a long-haired blonde who had shared heroin with Sparrow. They had done everything together. Mallory had a childhood memory of the two prostitutes vomiting in the same toilet bowl.
Daisy’s bright red mouth formed a suggestive smile for a male customer. The man turned to catch the attention of the bartender, another recent redhead, though, unlike Daisy’s color, Peg Baily’s was a shade found in nature. Also, Baily was softly rounded, glowing with good health, and, in her younger days, she had been a decorated police officer.
The customer arched one eyebrow to ask why a sickly hooker had been allowed to stay so long. Tradition demanded that Daisy be kicked into the street, literally, with the press of a boot on her backside. Peg Baily held up two fingers to let him know that the whore was on the way out in just a few minutes.
Trouble.
This was a new location for the bar. Perhaps it was a coincidence that Baily had moved her business to Riker’s neighborhood, but Mallory thought otherwise.
The bartender looked up at the clock on the wall, then turned to the detective. ‘Your partner’s not gonna show, kid. I’m tossing that hooker out of here right now.’
A whore wasting from AIDS was bad for trade.
Mallory turned to the window – and inspiration. The former Angie Riker was opening the door to a barber shop across the street. Riker’s ex-wife was leading a parade of four teenage boys, the brood of her second husband. Mallory wondered if it was pure accident that her partner had set this time for the interview. Or was he still keeping close tabs on Angie?
The bartender rapped the mahogany to get Mallory’s attention, saying, ‘Time’s up, kid.’
‘Quick question, Baily? You knew Riker when he was married, didn’t you?’
‘You know I did.’ Peg Baily’s eyes were suddenly unfriendly, silently asking, What are you up to? ‘I was his partner. You know that too. What’s this – ’
‘How come you never told him his wife was playing around behind his back?’ As a child, Mallory had learned many things by listening in on her foster parents’ late-night conversations. ‘You knew Angie was a slut. But even after the divorce, you never told Riker. He still doesn’t know you held out on – ’
‘You wouldn’t be threatening me, would you?’ Baily leaned on the bar. ‘I wouldn’t like that, kid. And if you say one word to him, I’ll mess your face up so bad.’
Mallory smiled, for she was younger, faster, and had no healthy sense of fear. Oh, and she was the one with the gun.
Riker had arrived. He stepped out of the car at the curb and watched Deluthe drive off in search of a parking space.
The two women fell into an uneasy silence. The bar’s lighting was low key. Mallory and Baily had no worry of being caught in an act of voyeurism, for Riker was standing in bright sunlight, and the plate glass would act as a mirror. He was slowly turning round, responding to Angie, who hailed him with waving arms. His ex-wife left her children on the curb and crossed the street, dodging traffic and mouthing a happy Hello! As the former Mrs Riker drew closer, Mallory realized that Peg Baily’s new hair color was the exact same shade of carrot red.
Riker faced the window again, pretending interest in the posted hours of his favorite bar as his ex-wife came up behind him. Angie was still a pretty woman, but he would not look at her. She stood beside him, cheerful and chattering, probably asking how he had been – as if they did not see one another all the time. His own apartment was only a block away from hers. However, it was enough that Riker could be near this woman, and that he could see her face every single day; he never spoke to Angie anymore – he never would again. It was just too hard on him.
The woman put one hand on her ex-husband’s sleeve.
Peg Baily’s hands curled into fists.
Riker lost his slouch and stood up straight, rigid and stone silent. He stared at the window, seeing nothing, hearing nothing. Angie’s shrug said, No hard feelings. Then, giving up on him, she crossed back to the other side of the street.
Not wanting to witness any more of this, Peg Baily walked off to fetch a glass of club soda for her ex-partner, who never drank on duty. Mallory continued to watch the man lingering on the sidewalk, staring at his shoes and collecting his sorry wits. She was now convinced that there had been no affair between Riker and Sparrow. He was still in love with his ex. And why would he take up with a whore when Peg Baily was still waiting for her own turn?
He entered the bar and waved to Baily. She started to slide his soda down the bar when he put up one hand to stop her, then ordered cheap bourbon.
More trouble.
He loosened his tie as he sat down beside Daisy, and the hooker promptly ordered a champagne cocktail.
Riker was working on his second shot of bourbon as he listened to the prostitute’s slow drawl, so like Sparrow’s. Years ago, the hookers had been the best of friends, two small-town southern girls against the city. So far, the interview had turned up nothing useful, and now he stirred up a memory of old times. ‘Remember that little blond girl who used to run with Sparrow?’ ‘Wasn’t just Sparrow. That kid used to work a battalion of whores.’ Daisy signaled Baily for another champagne cocktail.
‘What was her name?’
‘Oh, darlin’, she had a lotta names. One hooker called her the Flyin’ Flea, and Sparrow called her Baby.’
‘And you?’
‘Hey Kid – that’s what I called her. First time I ever saw her was in a crackhouse.’ The hooker paused to inhale her drink. ‘She came in lookin’ for Sparrow. What a dirty little face. And those eyes – tiny green fires, but so cold. Nothin’ warm and cuddly ‘bout that little girl. And mean? Oh, darlin’, you got no idea. Ah, but her face – I saw it when it was clean. God don’t make angels that pretty. But I don’t mean to say that God made her. I don’t blaspheme. My mama raised me better.’
This was going to take a while. Riker had no idea how Daisy made a living on the city streets, where time was money. She hailed from a more temperate climate, where customers and cops could wait around all day for a whore to finish a thought.
‘So, like I was saying, I’m in this crackhouse, and I hear a noise in the dark. At first, all I see is her eyes – cold, empty. Scary eyes. That little girl had no soul. She comes up to me and hands me a cigarette case – real silver. And she gives me this ratty old boo
k with cowboys on the cover. Not my taste. Well, she swipes away the needles and trash so she can sit down beside me. Then she kicks out one little foot to make the rats run. And she says, „Read me a story.“ She don’t say please, nothin’ like that. Just says, „Read me a story,“ like that’s my job in life.’
‘So the kid couldn’t read?’
‘Oh, yeah, she could,’ said Daisy. ‘Better’n me. She helped me with the hard words. But that night – that first time – she lays her head down in my lap and waits for her story to begin. So I read till she fell asleep. Then I sat up all night long to keep the rats away from her. I had to, don’t you see?’
Riker nodded. ‘You were her mother that night.’
‘Other nights it was other whores – when she couldn’t find Sparrow.’
Riker looked up from his drink. Mallory sat at the other end of the bar. If she lowered the dark glasses, would Daisy recognize her? Not likely, but the long green slants of her eyes had never changed. They might spook a whore who believed in ghosts.
‘So you looked after the kid,’ said Riker.
‘Sometimes,’ said Daisy. ‘Well, she could never count on Sparrow. That junkie whore was always gettin’ stoned and wakin’ up in strange places. Lucky the kid knew how to fend for herself.’
Yeah, what a lucky little girl.
Sometimes Kathy had lived out of garbage cans, finding a cold supper there. ‘You remember the day Sparrow got stabbed?’
‘Oh, darlin’, I’ll never forget. I went to the hospital to visit. The kid was there, too. Poor baby, she fell asleep sittin’ bolt upright on the edge of Sparrow’s bed. Too tired to lie down or even fall down. That’s the last time I saw the kid alive.’
‘Remember anything else? Did Sparrow say who stabbed her?’
The hooker was wary now.
‘Hey,’ said Riker, ‘I don’t need a witness. That stabbing is old history. This is a personal thing, okay?’ A twenty-dollar bill slid across the bar. ‘Do you know who stabbed her?’
Crime School Page 11