One smoggy, stifling evening as Janda cleared away the thalis of sweetmeats yt gave me while I worked ("Eat, darling, eat and act.") I noticed the lowlight illuminate two ridges of shallow bumps along the inside of yts forearm. I remembered seeing them on Heer all my life and had always known they were as much a part of a nute as the absence of any sexual organs, as the delicate bones and the long hands and the bare skull. In the low, late light they startled me because I had never asked, What are they for?
"For? Dear girl." Janda clapped yts soft hands together. "For love. For making love. Why else would we bear these nasty, ugly little goose bumps? Each one generates a different chemical response in our brains. We touch, darling. We play each other like instruments. We feel . . . things you cannot. Emotions for which you have no name, for which the only name is to experience them. We Step Away to somewhere not woman, not man; to the nute place."
Yt turned yts arm wrist-upwards to me so that yts wide sleeve fell away. The two rows of mosquito-bite mounds were clear and sharp in the yellow light. I thought of the harmonium the musicians would play in the old Jodhra Palace, fingers running up and down the buttons, the other hand squeezing the bellows. Play any tune on it. I shuddered. Janda saw the look on my face and snatched yts arm back into yts sleeve. And then, laid on in the newspaper in front of me was an emotion for which I had no name, which I could only know by experiencing it. I thought no one knew more than I about Salim Azad, but here was a double spread of him pushing open the brass-studded gates of the Jodhra Mahal, my old home, where his family annihilated mine, under the screaming headline: AZAD BURIES PAST, BUYS PALACE OF RIVALS. Below that, Salim Azad standing by the pillars of the Diwan, shading his eyes against the sun, as his staff ran our burning sun-man-bird kite up above the turrets and battlements into the hot yellow sky.
In the costume and makeup of Radha, divine wife of Krishna, I rode the painted elephant through the pink streets of Jaipur. Before me the band swung and swayed, its clarinets and horns rebounding from the buildings. Around and through the players danced Leel and the male dancer in red, swords flashing and clashing, skirts whirling, bells ringing. Behind me came another twenty elephants, foreheads patterned with the colours of Holi, howdahs streaming pennons and gold umbrellas. Above me robot aircraft trailed vast, gossamer-light banners bearing portraits of the Holy Pair and divine blessings. Youths and children in red wove crimson patterns with smoke-sticks and threw handfuls of coloured powder into the crowd. Holi Hai! Holi Hai! Reclining beside me on the golden howdah, Suleyra waved yts flute to the crowd. Jaipur was an endless tunnel of sound: people cheering, holiday shouts, the hooting of phatphat horns.
"Didn't I tell you you needed to get out of that place, cho chweet?"
In the blur of days inside the Hijra Mahal, I had not known that a year had passed without me setting foot outside its walls. Then Suleyra, the fixer, the jester, the party-maker, had come skipping into my room, pointed yts flute at me, and said, "Darling, you simply must be my wife," and I had realised that it was Holi, the Elephant Festival. I had always loved Holi, the brightest, maddest of festivals.
"But someone might see me—"
"Baba, you'll be blue all over. And anyway, no one can touch the bride of a god on her wedding day."
And so, blue from head to toe, I reclined on gilded cushions beside Suleyra, who had been planning this public festival for six months, equally blue and not remotely recognisable as anything human, man, woman, or nute. The city was clogged with people, the streets stifling hot, the air so thick with hydrocarbon fumes that the elephants wore smog goggles and I loved every bit of it. I was set free from the Hijra Mahal.
A wave of Suleyra/Krishna's blue hand activated the chips in the elephant's skull and turned it left through the arched gateway to the Old City, behind the boogying band and the leaping, sword-wielding dancers. The crowds spilled off the arcades onto the street, ten, twenty deep. Every balcony was lined; women and children threw handfuls of colour down on us. Ahead I could see a platform and a canopy. The band was already marching in place while Leel and yts partner traded mock blows.
"Who is up there?" I asked, suddenly apprehensive.
"A most important dignitary," said Suleyra, taking the praise of the spectators. "A very rich and powerful man."
"Who is he, Suleyra?" I asked. Suddenly, I was cold in the stinking heat of Jaipur. "Who is he?"
But the dancers and the band had moved on and now our elephant took their place in front of the podium. A tap from Suleyra's Krishna-flute: the elephant wheeled to face the dais and bent its front knees in a curtsey. A tall, young man in a Rajput costume with a flame-red turban stood up to applaud, face bright with delight.
I knew that man's shoe size and star sign. I knew the tailor who had cut his suit and the servant who wound his turban. I knew everything about him, except that he would be here, reviewing the Holi parade. I tensed myself to leap. One blow; Suleyra's Krishna-flute would suffice as a weapon. But I did nothing, for I saw a thing more incredible. Behind Salim Azad, bending forwards, whispering in his ear, eyes black as obsidian behind polarising lenses, was Heer.
Salim Azad clapped his hands in delight.
"Yes, yes, this is the one! Bring her to me. Bring her to my palace."
So I returned from the Palace of the Hijras to the Palace of the Jodhras, which was now the Palace of the Azads. I came through the brass gates under the high tower from which I had first looked out across Jaipur on the night of the steel monkey, across the great courtyard. The silver jars of holy Ganga water still stood on either side of the Diwan where my father had managed his water empire. Beneath the gaze of the gods and the monkeys on the walls, I was dragged out of the car by Azad jawans who carried me, screaming and kicking, up the stairs to the zenana. "My brother lay there, so and so died there, my father died there," I shouted at them as they dragged me along that same corridor down which I had fled a year before. The marble floors were pristine, polished. I could not remember where the blood had been. Women retainers waited for me at the entrance to the zenana, for men could not enter the women's palace, but I flew and kicked and punched at them with all the skills Leel had taught me. They fled shrieking, but all that happened was the soldiers held me at gunpoint until house robots arrived. I could kick and punch all I liked and never lay a scratch on their spun-diamond carapaces.
In the evening I was brought to the Hall of Conversations, an old and lovely room where women could talk and gossip with men across the delicate stone jali that ran the length of the hall. Salim Azad walked the foot-polished marble. He was dressed as a Rajput, in the traditional costume. I thought he looked like a joke. Behind him was Heer. Salim Azad paced up and down for five minutes, studying me. I pressed myself to the jali and tried to stare him down.
Finally he said, "Do you have everything you want? Is there anything you need?"
"Your heart on a thali," I shouted. Salim Azad took a step back.
"I'm sorry about the necessity of this . . . But please understand, you're not my prisoner. We are the last. There has been enough death. The only way I can see to finish this feud is to unite our two houses. But I won't force you, that would be . . . impolite. Meaningless. I have to ask and you have to answer me." He came as close to the stonework as was safe to avoid my Silambam punch. "Padmini Jodhra, will you marry me?"
It was so ridiculous, so stupid and vain and so impossible, that in my shock, I felt the word yes in the back of my throat. I swallowed it down, drew back my head, and spat long and full at him. The spit struck a moulding and ran down the carved sandstone.
"Understand I have nothing but death for you, murderer."
"Even so, I shall ask every day, until you say yes," Salim Azad said. With a whisk of robes, he turned and walked away. Heer, hands folded in yts sleeves, eyes pebbles of black, followed.
"And you, hijra," I yelled, reaching a clawing hand through the stone jali to seize, to rip. "You're next, traitor."
That night I thought about starvi
ng myself to death, like the great Gandhiji when he battled the British to make India free and their Empire had stepped aside for one old, frail, thin, starving man. I shoved my fingers down my throat and puked up the small amount of food I had forced myself to eat that evening. Then I realised that starved and dead I was no weapon. The House of Azad would sail undisturbed into the future. It was the one thing that kept me alive, kept me sane in those first days in the zenana—my father's words: You are a weapon. All I had to discover was what kind.
In the night a small sweeper came and cleaned away my puke.
It was as he said. Every evening as the sun touched the battlements of the Nahargarh Fort on the hill above Jaipur, Salim Azad came to the Hall of Conversations. He would talk to me about the history of his family; back twenty generations to central Asia, from where they had swept down into the great river plains of Hindustan to build an empire of unparalleled wealth and elegance and beauty. They had not been warriors or rulers. They had been craftsmen and poets, makers of exquisite fine miniatures and jewel-like verses in Urdu, the language of poets. As the great Mughals erected their forts and palaces and fought their bloody civil wars, they had advanced from court painters and poets to court advisors, then to viziers and khidmutgars, not just to the Mughals, but to the Rajputs, the Marathas, and later to the East India Company and the British Raj. He told me tales of illustrious ancestors and stirring deeds; of Aslam, who rode out between the armies of rival father and son Emperors and saved the Panjab; of Farhan, who carried love notes between the English Resident of Hyderabad and the daughter of the Nizam and almost destroyed three kingdoms; of Shah Hussain, who had struggled with Gandhi against the British for India, who had been approached by Jinnah to support partition and the creation of Pakistan but who had refused, though his family had all but been annihilated in the ethnic holocaust following Independence. He told me of Elder Salim, his grandfather, founder of the dynasty, who had come to Jaipur when the monsoon failed the first terrible time in 2008 and set up village water reclamation schemes that over the decades became the great water empire of the Azads. Strong men, testing times, thrilling stories. And every night, as the sun dipped behind Nahargarh Fort, he said, "Will you marry me?" Every night I turned away from him without a word. But night by night, story by story, ancestor by ancestor, he chipped away at my silence. These were people as real, as vital as my own family. Now their stories had all ended. We two were the last.
I tried to call Janda at the Hijra Mahal, to seek wisdom and comfort from my sister/brothers, to find out if they knew why Heer had turned and betrayed me but mostly to hear another voice than the sat channels or Salim Azad. My calls bounced. White noise: Salim had my apartments shielded with a jamming field. I flung the useless palmer against the painted wall and ground it under the heel of my jewelled slipper. I saw endless evenings reaching out before me. Salim would keep coming, night after night, until he had his answer. He had all the time in the world. Did he mean to drive me mad to marry him?
Marry him. This time I did not push the thought away. I turned it this way, that way, studied it, felt out its implications. Marry him. It was the way out of this marble cage.
In the heat of midday, a figure in voluminous robes came hurrying down the cool corridor to the zenana. Heer. I had summoned yt. Because yt was not a man yt could enter the zenana, like the eunuchs of the Rajput days. Yt did not fear the skills Leel had taught me. Yt knew. Yt namasted.
"Why have you done this to me?"
"Memsahb, I have always been, and remain, a loyal servant of the House of Jodhra."
"You've given me into the hands of my enemies."
"I have saved you from the hands of your enemies, Padmini. It would not just be the end of this stupid, pointless, bloody vendetta. He would make you a partner. Padmini, listen to what I am saying: you would be more than just a wife. Azad Jodhra. A name all India would learn."
"Jodhra Azad."
Heer pursed yts rosebud lips.
"Padmini Padmini, always, this pride."
And yt left without my dismissal.
That night in the blue of the magic hour Salim Azad came again to the zenana, a pattern of shadows beyond the jali. I saw him open his lips. I put a finger up to mine.
"Ssh. Don't speak. Now it's time for me to tell you a story, my story, the story of the House of Jodhra."
So I did, for one hundred and one nights, like an old Muslim fairy tale, seated on cushions leaning up against the jali, whispering to Salim Azad in his Rajput finery wonderful tales of dashing Kshatriya cavalry charges and thousand-cannon sieges of great fortresses, of handsome princes with bold moustaches and daring escapes with princesses in disguise in baskets over battlements, of princedoms lost over the fall of a chessman and Sandhurst-trained sowar officers more British than the British themselves and air-cav raids against Kashmiri insurgents and bold antiterrorist strikes; of great polo matches and spectacular durbars with a hundred elephants and the man-bird-sun kite of the Jodhras sailing up into the sky over Jaipur; for a thousand years our city. For one hundred nights I bound him with spells taught to me by the nutes of the Hijra Mahal, then on the one hundred and first night I said, "One thing you've forgotten."
"What?"
"To ask me to marry you."
He gave a little start, then waggled his head in disbelief and smiled. He had very good teeth.
"So, will you marry me?"
"Yes," I said. "Yes."
The day was set three weeks hence. Sul had judged it the most propitious for a wedding of dynasties. Suleyra had been commissioned to stage the ceremony: Muslim first, then Hindu. Janda had been asked to draw on yts celebrity inside knowledge to invite all India to the union of the houses of Azad and Jodhra. This is the wedding of the decade, yt cried in yts gupshup columns, come or I will bad-mouth you. Schedules of the great and glorious were rearranged, aeai soapi stars prepared avatars to attend, as did those human celebs who were unavoidably out of the subcontinent. From the shuttered jharokas of the zenana I watched Salim order his staff and machines around the great court, sending architects here, fabric designers there, pyrotechnicians yonder. Marquees and pavilions went up, seating was positioned, row upon row, carpet laid, patterns drawn in sand to be obliterated by the feet of the processional elephants. Security robots circled among the carrion-eating black kites over the palace, camera drones flitted like bats around the great court, seeking angles. Feeling my eyes on him, Salim would glance up at me, smile, lift his hand in the smallest greeting. I glanced away, suddenly shy, a girl-bride. This was to be a traditional, Rajputana wedding. I would emerge from purdah only to meet my husband. For those three weeks, the zenana was not a marble cage but an egg from which I would hatch. Into what? Power, unimaginable wealth, marriage to a man who had been my enemy. I still did not know if I loved him or not. I still saw the ghost shadows on the marble where his family had destroyed mine. He still came every night to read me Urdu poetry I could not understand. I smiled and laughed but I still did not know if what I felt was love, or just my desperation to be free. I still doubted it on the morning of my wedding.
Women came at dawn to bathe and dress me in wedding yellow and make up my hair and face and anoint me with turmeric paste. They decked me with jewels and necklaces, rings and bangles. They dabbed me with expensive perfume from France and gave me good-luck charms and advice. Then they threw open the brass-studded doors of the zenana and, with the palace guard of robots, escorted me along the corridors and down the stairs to the great court. Leel danced and somersaulted before me; no wedding could be lucky without a hijra, a nute.
All of India had been invited and all of India had come, in flesh and in avatar. People rose, applauding. Cameras swooped on ducted fans. My nutes, my family from the Hijra Mahal, had been given seats at row ends.
"How could I improve on perfection?" said Dahin the face doctor as my bare feet trod rose petals towards the dais.
"The window, the wedding!" said Sul. "And, pray the gods, many many deca
des from now, a very old and wise widow."
"The setting is nothing without the jewel," exclaimed Suleyra Party Arranger, throwing pink petals into the air.
I waited with my attendants under the awning as Salim's retainers crossed the courtyard from the men's quarters. Behind them came the groom on his pure white horse, kicking up the rose petals from its hooves. A low, broad ooh went up from the guests then more applause. The maulvi welcomed Salim onto the platform. Cameras flocked for angles. I noticed that every parapet and carving was crowded with monkeys—flesh and machine—watching. The maulvi asked me most solemnly if I wished to be Salim Azad's bride.
"Yes," I said, as I had said the night when I first accepted his offer. "I do, yes."
He asked Salim the same question, then read from the Holy Quran. We exchanged contracts, our assistants witnessed. The maulvi brought the silver plate of sweetmeats. Salim took one, lifted my gauze veil, and placed it on my tongue. Then the maulvi placed the rings upon our fingers and proclaimed us husband and wife. And so were our two warring houses united, as the guests rose from their seats cheering and festival crackers and fireworks burst over Jaipur and the city returned a roaring wall of vehicle horns. Peace in the streets at least. As we moved towards the long, cool pavilions for the wedding feast, I tried to catch Heer's eye as yt paced behind Salim. Yts hands were folded in the sleeves of yts robes, yts head thrust forwards, lips pursed. I thought of a perching vulture.
The Best Science Fiction and Fantasy of the Year-Volume Three Page 17