by Colin Forbes
'And you could search for years and never find it. See you at the garage. Don't wrap the merchandise until I'm there.'
'Anything you say, buddy boy…'
I don't think he's American at all, Anton was thinking as he led the donkey cart into the side street, following the Volvo. Under the accent, the over-use of American slang, he had detected traces of some unidentifiable Mittel-European language.
He left the donkey cart outside the open garage doors. Inside Gallagher had lowered the elevated car back over the pit. A careful man, Mr Gallagher. Anton continued down the dark tunnel of the narrow street.
He'd noticed when he first arrived that at the end the street stopped where a steep hill rose, its slopes covered with undergrowth and trees. He found a narrow path twisting up and followed it a short distance. Crouching down, he unlocked the case, lifted the lid.
He took a number of bundles of banknotes and stuffed them inside his pockets until his pullover bulged in an ugly manner. This would appear to be the extra money. He locked the case, made his way back down the tortuous path, walked back to the garage.
'Looks like you're going to have a baby,' Gallagher commented.
He stood by the control panel, pressed one switch, watched the garage doors slowly close, pressed another and the platform elevated above the service pit. Anton put the case down on a table, hoisted his pullover a few inches as he asked the question casually.
'Supposing I want to come back and ask you a question tomorrow. About the operation of the Stingers. You'll be here?'
'No. Anything you want to ask, ask now.' He lowered himself into the pit. 'I'll be away for a week in another country. A fresh deal.'
'Your regular customers – for servicing cars – will be pleased.'
'They know me. The doors are closed, I'm not here. Give me a hand. Take these, put them on that big table, the one with the sheet of canvas.'
When the three launchers and five missiles were laid on the top of the table, Gallagher hauled himself out of the pit. He towered over Anton. He spent the next ten minutes working rapidly, wrapping each launcher and missile in polythene sheets; then he arranged them on the large canvas already spread out. Rolling up the canvas, he fetched some straps and began securing the bundle. 'You can start relieving yourself of that money,' he suggested.
Anton pulled out the bundles of banknotes, laid them in stacks on the table-top. Gallagher was fastening the last strap when the Greek stepped back to pick up the case he'd stowed under the table. Gallagher had his back to him, stooped over the canvas-wrapped weapons.
Anton took out a handkerchief, blew his nose, kept the handkerchief in his hand, grasped the handle of the commando knife inside its sheath fastened to the belt under his pullover. He drew it out, stepped forward and rammed it with all his strength into Gallagher just below the left shoulder blade. Gallagher gasped, made a muted gurgling sound and slumped forward across the table.
'You really should keep to an agreed price,' Anton said.
Anton used two of the straps as makeshift handles to carry the canvas bundle to the donkey cart. At that, he staggered under the weight which must have been between a hundred and fifty and two hundred pounds. And Anton kept himself fit.
He dropped it into the cart and moved the hay to conceal the weapons. He hauled large handfuls close to the bundle, which caused it to sink, then dumped the hay on top. It took him a good five minutes to complete the job. Returning to the garage, he repacked the stacks of banknotes in the case, locked it and buried it under the hay.
Half an hour later he was leading the donkey along the deserted front. The cafes and discotheques were going full blast. From open windows the sound of guitars being strummed, of girls singing fado, drifted. At least it guaranteed an empty waterfront.
He had acted quickly clearing up the garage behind closed doors. Gallagher's dead body had been heaved into the pit. Anton had found an oil-stained canvas sheet to cover the corpse. Then he had pressed the button and lowered the elevated platform. He had doused the three oil lamps. Fortunately the control panel was near the doors: he had pressed the switch and dived into the street before they closed.
Carlos leapt on to the jetty when he arrived. Between them they lowered the weapons into his fishing boat. The Portuguese hid them under a pile of fishing nets. He wiped his hands on his trousers and looked at Anton, who asked the question.
'What about the donkey and the cart?'
'Will wait until I return from the Oporto. Then I go home. I saw a fishing boat out there die.'
'Sorry?'
'It blew up. Boom! They do not take care with boilers. I am careful. It is my living…'
'Has the coastguard gone out?'
It was an important question. Anton was thinking police launches might be prowling around.
'No.' Carlos spread his hands. 'They will not make the hurry. Maybe when the sun rises. Are we good to leave for the Oporto?'
'As soon as you can get under way…'
Anton felt relieved as he saw the shoreline receding. It would be a week before anyone started worrying about Gallagher's closed garage. That had been a bit of luck. As the boat chugged steadily towards the main harbour Anton wiped his forehead. They were away.
Gomez, skipper of the freighter Oporto, was well-organized. A short fat jolly man, he helped to bring the canvas-wrapped cargo aboard up a gangway lowered on the far side from the jetty where his ship was moored. Anton waited until Carlos was guiding his fishing vessel back to Cascais, then handed Gomez the envelope containing ?10,000 in Swiss banknotes.
'The same amount as before. Where is the crew?'
'Below decks. I invented work for them when I saw Carlos coming. What they don't see, they don't know. Better I hide this in a safe place?'
'Very safe.' He knew Gomez would assume he was smuggling drugs. 'When do you sail? I have to complete some business.'
'At dawn the day after tomorrow.' He checked his watch. 'It is eleven-thirty. Yes, not tomorrow, the day after. That is OK?'
'Perfectly.' Anton, holding his executive case, decided to take it with him. He had to return to The Ritz, act normally, sleep there, have breakfast, then pay his bill. 'I would prefer it if I could slip aboard tomorrow and stay under cover until you sail.'
'What time? Your cabin is ready now.'
'Probably about midday. You can time arrival at our destination as you did when you took me before? At eleven o'clock at night? Again someone will be waiting to take me ashore.'
'There is a problem.' Gomez, his weatherbeaten face making him look more like sixty than forty, scratched his head. 'Last time I told the harbourmaster at Watchet we had engine trouble. Ah! I have it. This time, after you leave us, we will steam back a way down the Bristol Channel, turn round, and berth during the morning.'
'I'm counting on you.'
'Of course. You will be put ashore at Porlock Weir just as you were before.'
37
'I've never seen anything like this place,' Tweed said as they walked out of The Anchor. He had Paula on one side, Butler on the other, 'It's fascinating. A tiny world on its own.'
Tweed had driven down with Paula to Porlock Weir after he had warned Butler they were coming. 'Book us two rooms at The Anchor,' he had told Butler. 'I want to avoid The Luttrell Arms in Dunster this time. The idea is to surprise Barrymore and Co. You said they've all returned to Exmoor?'
Butler had confirmed the three men had arrived back the previous day. As they left The Anchor after a satisfying lunch he explained.
'Nield and I each have our own hired cars. We spent our time touring the whole area, checking for any sign of life at their residences. We split up, went to pubs to catch any gossip. It's common knowledge the three men took a trip away from Exmoor. You can't go to the loo down here without everyone knowing. Nield is out having another look-see.'
They crossed a narrow wired-fenced footbridge over seventeen-feet lock gates. A notice warned, Closed Spring Tide. Tweed paused, gazing at the oys
ter-shaped harbour behind the gates. Low tide. The harbour was a basin of sodden mud. A trickle of water ran under the footbridge out of the basin. Expensive power cruisers, moored to buoys, heeled over at drunken angles.
No one else was about as they followed a footpath past a small row of three terraced houses; all of them old, one with a thatched roof. Beyond, a shoal of pebbles led steeply down to a calm grey sea. Tweed stopped, taking in the atmosphere.
He looked back at the gabled hotel which was combined with The Ship Inn. Gulls drifted in the overcast sky, crying mournfully. Behind the coast the hillside, covered with dense trees, climbed. To the west the rocky coast stretched away and everywhere was a feeling of desolation.
'A quiet hideaway,' Tweed commented. 'Like the end of the world.'
'That reminds me.' Paula sounded excited as she delved inside her handbag. 'I found this in a pocket in my suitcase when I was packing to come down here. A brochure I picked up at The Luttrell Arms.'
She handed him a coloured brochure headed Take the West Somerset Railway to Minehead. Below was a picture of an old-fashioned steam train. He opened it up and looked at the map inside as Butler peered over his shoulder.
The steam train started at Minehead, ran along the coast through the port of Watchet and later turned inland over the Quantock Hills, ending at Taunton. It began running on 29 March and shut down for winter on 29 October.
' Endstation. ' said Paula. 'That clue Masterson gave you inside the cigar box he posted from Athens. He was drawing your attention to that old privately run railway.'
'And which is Endstation?' Tweed asked. 'Minehead or Taunton?'
'No idea. Don't you think I'm right?'
'Maybe.' Tweed folded up the brochure, handed it back to her. 'Hang on to it. It goes through Watchet, I see. The port where Anton probably came ashore from that Portuguese freighter.'
'Except he didn't,' Butler said. 'I checked that out. A two-storey building looking straight down on the harbour there is Customs and the harbourmaster. I followed him into a pub and got chatting. Told him a cock-and-bull story about how a friend had boasted he'd come ashore from that freighter without being spotted. The harbourmaster said bullshit. They keep a sharp lookout for suspicious characters trying to sneak ashore. It's this drugs problem. He was a solid ex-seaman type. Said it was impossible. I believe him.'
'Another theory gone down the drain. Let's wander west along the coast a bit. Looks pretty lonely.'
Butler led the way back across the footbridge and they walked down a road a short distance. It stopped abruptly and they had to pick their way across a treacherous surface of pebbles and small rocks.
'It really is the end of the world out here,' Tweed remarked.
'Maybe that's what Masterson meant when he wrote Endstation,' Butler suggested. Wearing a thick woollen pullover as protection against the damp sea mist drifting in, he walked with his hands inside his trouser pockets. There's an old dear back in one of those cottages who says she's seen ghosts – and lights flashing late at night. The barman told me so I called on her. A Mrs Larcombe. In her late seventies, but sharp as a tack.'
'I don't think you're right,' Paula objected. ' Endstation is one of those two terminal stations on that railway -Taunton or Minehead.'
'What's got into him?' Butler asked her.
Tweed was striding ahead, peering at the ground, his Burberry collar buttoned to the neck. He seemed totally absorbed in his thoughts.
Paula told Butler about the death of Jill Kearns. He listened as she explained Monica's anxiety about Tweed becoming obsessed. 'And now his mind is full of three deaths,' she went on. 'Masterson's, of course, and Sam Partridge and Jill.'
'Don't see how they link up. One in Greece, one on Exmoor, one in London.'
'That's what he's trying to do – link them all together. Drop the subject, he's coming back…'
'I found traces of a wheeled vehicle,' Tweed announced. 'In a patch where sand showed.'
'No vehicle would cross that terrain,' commented Butler.
'And on the way back, could we call on Mrs Larcombe if she's at home? I'd like a word with her…'
The cottage was built of stone, roofed with red tiles mellowed by the years. Swagged lace curtains draped the windows, the front garden was barely three feet wide but the lavender borders were trimmed and there was not a weed in sight.
Approaching the cottage, Tweed noted there was an end window facing west where he had walked. Butler raised the highly polished brass knocker shaped like a dolphin and rapped it twice. A nameboard on the picket gate carried the legend Dolphin Cottage.
A tall sharp-faced woman opened the door. Her nose was prominent, she was long-jawed, her eyes alert, her mass of hair grey neatly brushed. Butler spoke to her for a moment, then gestured for Tweed and Paula to enter. Mrs Larcombe led them into what she called 'the parlour', invited them to sit down and Butler made the introductions.
'What can I do for you, Mr Tweed?' she asked, seating herself in a chintz-covered armchair.
'I'm in insurance. No, I'm not trying to sell you any policy. I'm Chief Claims Investigator for my company. A holidaymaker called Burns disappeared here a few weeks ago. Last seen late at night walking that way.' He twisted in his chair, pointed west. 'We've had a claim on the basis presumed dead. Since no body has been found I'm puzzled.'
'Funny goings-on round here.' Her eyes glistened, bird-like. 'No one believes me. They think I'm seeing ghosts. I know what I saw and heard.' She sat more erect.
'Could you tell me a little more?' Tweed asked quietly.
'It would be a few weeks ago – about the time your Mr Burns disappeared. Can't fix it exactly. Yes, I can. About the time the Customs at Watchet practically took that Portuguese freighter apart. Didn't find anything except a lot of cork. The rumour was it was carrying drugs.'
'What did you see and hear?'
'Close to midnight it was. I don't sleep well. I was looking out of my bedroom window which faces the way you pointed. I saw a light flashing out at sea. Like someone signalling. Then another light flashing from the shore. There was a ship at sea, a fairish way out.'
'You had your bedroom light on?' Tweed enquired.
'No, I didn't. I'd got out of bed in the dark and put on my dressing gown. I know where all the furniture is. I had the window open. It was a sticky night.'
'This ship you saw – it had navigation lights? Which is how you came to see it?'
'No, it didn't. But my sight is very good. No glasses, as you see. I saw it as a vague silhouette. I thought that was funny. What you've just mentioned. No navigation lights.'
'And that was all?'
She stiffened. She wore an old-fashioned black dress with a lace collar pinned with a brooch. 'You don't believe me?'
'Yes, I do. Because your night vision would be good -since you hadn't put a light on. Was there something else?'
'I went back to bed, leaving the window open for some air. I fell asleep quickly. Then I was wakened by a noise. I felt fuddled but I got up again. It was the engine noise of some vehicle approaching – from the same direction. I thought that funny. No cars drive over those pebbles. By the time I got to the window it was passing my gate. No lights. I ran to the front window because the noise stopped. I was worried – it sounded to have stopped by my front gate. I made a racket opening the front window-the thing sticks. A. S I looked out the engine started and the vehicle disappeared towards Porlock.'
'Without lights?' Tweed asked gently.
'No. As it passed the harbour the lights came on. The red ones at the back and dimmed headlights in front. Then it was gone.' She leaned forward, her eyes shrewd. 'Could it have been your Mr Burns?'
'Possibly,' said Tweed. 'No way of telling for sure. Could you describe what sort of vehicle it was? Even in the dark?'
'An odd-looking beast.' She frowned with concentration. 'High up off the ground. Behind the cab it was squarish. At a guess, canvas-covered.'
'Colour?'
'Couldn'
t tell.'
'White or cream?' Tweed suggested.
'Definitely not. It would have shown up more. A darkish colour. No idea who was driving – I was looking down on it, you see.'
Tweed stood up, took his glasses case out of his pocket, fumbled, dropped it on the dark floral-patterned carpet. The room was dim. He put his hand behind him, stopped Paula searching for it. He almost knocked over a vase of dried flowers. Mrs Larcombe stepped forward, took hold of the case, handed it to him.
'You'll be lost without this.'
Thank you. And thank you for giving us your time. Your help is greatly appreciated.'
'You do believe me then?' Mrs Larcombe asked as she stood up to see them out.
'Oh, yes, I believe you.'
'Well, I'm glad someone doesn't think I've lost my marbles…'
Paula waited until they were walking back to The Anchor before asking the question. 'What was that business about your glasses case? There was no need to take it out of your pocket."
'A final test on her eyesight. My case is dark-coloured. Even I couldn't see where it had dropped – it merged with the carpet. Mrs Larcombe has exceptional eyesight.'
'What do you think she saw then?"
'Some kind of covered jeep or four-wheel-drive vehicle which could negotiate that pebble ground easily. Now I'm phoning Colonel Barrymore. He's first on the list for some hard interrogation. His reaction to my calling him will be interesting.'
Inside his room at The Anchor Paula looked out of the window while Tweed made his call. She had a view down over the road which ended a short distance to the west, and the harbour with the dried-up channel where the sea would come flooding in.
Tweed's conversation with Barrymore was brief. He spoke tersely and concluded by saying, 'Then I will call you back within the hour.'
'He says he has to try and cancel an appointment,'Tweed told her. 'I think he's up to something. Let's have some coffee sent up and review what we've discovered. Butler is taking a well-earned rest.. .'