The latter was unwontedly silent and pensive at dinner and throughout the evening. When he bade goodnight to Parkins, he murmured in a gruff undertone:
“You know where I am if you want me during the night.”
“Why, yes, thank you, Colonel Wilson, I think I do; but there isn’t much prospect of my disturbing you, I hope. By the way,” he added, “did I show you that old whistle I spoke of? I think not. Well, here it is.”
The Colonel turned it over gingerly in the light of the candle.
“Can you make anything of the inscription?” asked Parkins, as he took it back.
“No, not in this light. What do you mean to do with it?”
“Oh, well, when I get back to Cambridge I shall submit it to some of the archaeologists there, and see what they think of it; and very likely, if they consider it worth having, I may present it to one of the museums.”
“M!” said the Colonel. “Well, you may be right. All I know is that, if it were mine, I should chuck it straight into the sea. It’s no use talking, I’m well aware, but I expect that with you it’s a case of live and learn. I hope so, I’m sure, and I wish you a good night.”
He turned away, leaving Parkins in act to speak at the bottom of the stair, and soon each was in his own bedroom.
By some unfortunate accident, there were neither blinds nor curtains to the windows of the Professor’s room. The previous night he had thought little of this, but tonight there seemed every prospect of a bright moon rising to shine directly on his bed, and probably wake him later on. When he noticed this he was a good deal annoyed, but, with an ingenuity which I can only envy, he succeeded in rigging up, with the help of a railway-rug, some safety-pins, and a stick and umbrella, a screen which, if it only held together, would completely keep the moonlight off his bed. And shortly afterwards he was comfortably in that bed. When he had read a somewhat solid work long enough to produce a decided wish to sleep, he cast a drowsy glance round the room, blew out the candle, and fell back upon the pillow.
He must have slept soundly for an hour or more, when a sudden clatter shook him up in a most unwelcome manner. In a moment he realized what had happened: his carefully-constructed screen had given way, and a very bright frosty moon was shining directly on his face. This was highly annoying. Could he possibly get up and reconstruct the screen? or could he manage to sleep if he did not?
For some minutes he lay and pondered over all the possibilities; then he turned over sharply, and with his eyes open lay breathlessly listening. There had been a movement, he was sure, in the empty bed on the opposite side of the room. Tomorrow he would have it moved, for there must be rats or something playing about in it. It was quiet now. No! the commotion began again. There was a rustling and shaking: surely more than any rat could cause.
I can figure to myself something of the Professor’s bewilderment and horror, for I have in a dream thirty years back seen the same thing happen; but the reader will hardly, perhaps, imagine how dreadful it was to him to see a figure suddenly sit up in what he had known was an empty bed. He was out of his own bed in one bound, and made a dash towards the window, where lay his only weapon, the stick with which he had propped his screen. This was, as it turned out, the worst thing he could have done, because the personage in the empty bed, with a sudden smooth motion, slipped from the bed and took up a position, with outspread arms, between the two beds, and in front of the door. Parkins watched it in a horrid perplexity. Somehow, the idea of getting past it and escaping through the door was intolerable to him; he could not have borne—he didn’t know why—to touch it; and as for its touching him, he would sooner dash himself through the window than have that happen. It stood for the moment in a band of dark shadow, and he had not seen what its face was like. Now it began to move, in a stooping posture, and all at once the spectator realized, with some horror and some relief, that it must be blind, for it seemed to feel about it with its muffled arms in a groping and random fashion. Turning half away from him, it became suddenly conscious of the bed he had just left, and darted towards it, and bent and felt over the pillows in a way which made Parkins shudder as he had never in his life thought it possible. In a very few moments it seemed to know that the bed was empty, and then, moving forward into the area of light and facing the window, it showed for the first time what manner of thing it was.
Parkins, who very much dislikes being questioned about it, did once describe something of it in my hearing, and I gathered that what he chiefly remembers about it is a horrible, an intensely horrible, face of crumpled linen. What expression he read upon it he could not or would not tell, but that the fear of it went nigh to maddening him is certain.
But he was not at leisure to watch it for long. With formidable quickness it moved into the middle of the room, and, as it groped and waved, one corner of its draperies swept across Parkins’s face. He could not, though he knew how perilous a sound was—he could not keep back a cry of disgust, and this gave the searcher an instant clue. It leapt towards him upon the instant, and the next moment he was half-way through the window backwards, uttering cry upon cry at the utmost pitch of his voice, and the linen face was thrust close into his own. At this, almost the last possible second, deliverance came, as you will have guessed: the Colonel burst the door open, and was just in time to see the dreadful group at the window. When he reached the figures only one was left. Parkins sank forward into the room in a faint, and before him on the floor lay a tumbled heap of bed-clothes.
Colonel Wilson asked no questions, but busied himself in keeping everyone else out of the room and in getting Parkins back to his bed; and himself, wrapped in a rug, occupied the other bed, for the rest of the night. Early on the next day Rogers arrived, more welcome than he would have been a day before, and the three of them held a very long consultation in the Professor’s room. At the end of it the Colonel left the hotel door carrying a small object between his finger and thumb, which he cast as far into the sea as a very brawny arm could send it. Later on the smoke of a burning ascended from the back premises of the Globe.
Exactly what explanation was patched up for the staff and visitors at the hotel I must confess I do not recollect. The Professor was somehow cleared of the ready suspicion of delirium tremens, and the hotel of the reputation of a troubled house.
There is not much question as to what would have happened to Parkins if the Colonel had not intervened when he did. He would either have fallen out of the window or else lost his wits. But it is not so evident what more the creature that came in answer to the whistle could have done than frighten. There seemed to be absolutely nothing material about it save the bedclothes of which it had made itself a body. The Colonel, who remembered a not very dissimilar occurrence in India,12 was of the opinion that if Parkins had closed with it it could really have done very little, and that its one power was that of frightening. The whole thing, he said, served to confirm his opinion of the Church of Rome.
There is really nothing more to tell, but, as you may imagine, the Professor’s views on certain points are less clear cut than they used to be. His nerves, too, have suffered: he cannot even now see a surplice hanging on a door quite unmoved, and the spectacle of a scarecrow in a field late on a winter afternoon has cost him more than one sleepless night.
1 James invented the term of “Ontography,” although it has recently been used by philosophers to describe a branch of knowledge dealing with human response to the natural environment.
2 Although Burnstow is fictitious, James based it on the coastal Suffolk town of Felixstowe.
3 A preceptory is a community of the Knights Templars, a Catholic military order that was active from 1119 to about 1312.
4 [Author’s note] Mr. Rogers was wrong, vide Dombey and Son, chapter xii.
5 Protective structures designed to keep a beach from washing away.
6 Parkins remembers a line from John Bunyan’s A Pilgrim’s Progress (1678–84).
7 A hotel employee who cleans boots and carries
luggage (in modern parlance, a bellboy).
8 This story appears in the Book of Daniel, and tells of a feast conducted by King Belshazzar that’s interrupted when a mysterious hand appears and writes strange words on a wall.
9 “Trust the expert…”
10 A “bourdon” is the deepest-sounding and hence largest bell of a peal.
11 The Sadducees were a Jewish sect that didn’t believe in an afterlife or resurrection of the dead.
12 The Colonel undoubtedly served in the Raj; however, James may also be alluding here to Rudyard Kipling’s “My Own True Ghost Story” (1888), which similarly presents a stay in an inn which is interrupted when a violent wind precedes the appearance of ghosts.
The Shell of Sense
by OLIVIA HOWARD DUNBAR
Olivia Howard Dunbar (1873–1953) was an American journalist and short-story writer, who wrote predominately ghost stories. She was also active in the women’s suffrage movement. Dunbar was an early defender of the horror genre, especially in her 1905 essay, “The Decay of the Ghost in Fiction.” The following, her best-known work, first appeared in Harpers Magazine (Dec. 1908).
It was intolerably unchanged, the dim, dark-toned room. In an agony of recognition my glance ran from one to another of the comfortable, familiar things that my earthly life had been passed among. Incredibly distant from it all as I essentially was. I noted sharply that the very gaps that I myself had left in my bookshelves still stood unfilled; that the delicate fingers of the ferns that I had tended were still stretched futilely toward the light; that the soft agreeable chuckle of my own little clock, like some elderly woman with whom conversation has become automatic, was undiminished.
Unchanged—or so it seemed at first. But there were certain trivial differences that shortly smote me. The windows were closed too tightly; for I had always kept the house very cool, although I had known that Theresa preferred warm rooms. And my work-basket was in disorder; it was preposterous that so small a thing should hurt me so. Then, for this was my first experience of the shadow-folded transition, the odd alteration of my emotions bewildered me. For at one moment the place seemed so humanly familiar, so distinctly my own proper envelope, that for love of it I could have laid my cheek against the wall; while in the next I was miserably conscious of strange new shrillnesses. How could they be endured—and had I ever endured them?—those harsh influences that I now perceived at the window; light and color so blinding that they obscured the form of the wind, tumult so discordant that one could scarcely hear the roses open in the garden below?
But Theresa did not seem to mind any of these things. Disorder, it is true, the dear child had never minded. She was sitting all this time at my desk—at my desk—occupied, I could only too easily surmise how. In the light of my own habits of precision it was plain that that sombre correspondence should have been attended to before; but I believe that I did not really reproach Theresa, for I knew that her notes, when she did write them, were perhaps less perfunctory than mine. She finished the last one as I watched her, and added it to the heap of black-bordered envelopes that lay on the desk. Poor girl! I saw now that they had cost her tears. Yet, living beside her day after day, year after year, I had never discovered what deep tenderness my sister possessed. Toward each other it had been our habit to display only a temperate affection, and I remember having always thought it distinctly fortunate for Theresa, since she was denied my happiness, that she could live so easily and pleasantly without emotions of the devastating sort. . . . And now, for the first time, I was really to behold her. . . . Could it be Theresa, after all, this tangle of subdued turbulences? Let no one suppose that it is an easy thing to bear, the relentlessly lucid understanding that I then first exercised; or that, in its first enfranchisement, the timid vision does not yearn for its old screens and mists.
Suddenly, as Theresa sat there, her head, filled with its tender thoughts of me, held in her gentle hands, I felt Allan’s step on the carpeted stair outside. Theresa felt it, too—but how? for it was not audible. She gave a start, swept the black envelopes out of sight, and pretended to be writing in a little book. Then I forgot to watch her any longer in my absorption in Allan’s coming. It was he, of course, that I was awaiting. It was for him that I had made this first lonely, frightened effort to return, to recover.… It was not that I had supposed he would allow himself to recognize my presence, for I had long been sufficiently familiar with his hard and fast denials of the invisible. He was so reasonable always, so sane—so blindfolded. But I had hoped that because of his very rejection of the ether that now contained me1 I could perhaps all the more safely, the more secretly, watch him, linger near him. He was near now, very near—but why did Theresa, sitting there in the room that had never belonged to her, appropriate for herself his coming? It was so manifestly I who had drawn him, I whom he had come to seek.
The door was ajar. He knocked softly at it “Are you there, Theresa?” he called. He expected to find her, then, there in my room? I shrank back, fearing, almost, to stay.
“I shall have finished in a moment,” Theresa told him, and he sat down to wait for her.
No spirit still unreleased can understand the pang that I felt with Allan sitting almost within my touch. Almost irresistibly the wish beset me to let him for an instant feel my nearness. Then I checked myself, remembering—oh, absurd, piteous human fears!—that my too unguarded closeness might alarm him. It was not so remote a time that I myself had known them, those blind, uncouth timidities. I came, therefore, somewhat nearer—but I did not touch him. I merely leaned toward him and with incredible softness whispered his name. That much I could not have forborne; the spell of life was still too strong in me.
But it gave him no comfort, no delight. “Theresa!” he called, in a voice dreadful with alarm—and in that instant the last veil fell, and desperately, scarce believingly, I beheld how it stood between them, those two.
She turned to him that gentle look of hers.
“Forgive me,” came from him hoarsely. “But I had suddenly the most—unaccountable sensation. Can there be too many windows open? There is such a—chill—about.”
“There are no windows open,” Theresa assured him. “I took care to shut out the chill. You are not well, Allan!”
“Perhaps not.” He embraced the suggestion. “And yet I feel no illness apart from this abominable sensation that persists—persists. . . . Theresa, you must tell me: do I fancy it, or do you, too, feel—something—strange here?”
“Oh, there is something very strange here,” she half sobbed. “There always will be.”
“Good heavens, child, I didn’t mean that!” He rose and stood looking about him. “I know, of course, that you have your beliefs, and I respect them, but you know equally well that I have nothing of the sort! So—don’t let us conjure up anything inexplicable.”
I stayed impalpably, imponderably near him. Wretched and bereft though I was, I could not have left him while he stood denying me.
“What I mean,” he went on, in his low, distinct voice, “is a special, an almost ominous sense of cold. Upon my soul, Theresa,”—he paused—”if I were superstitious, if I were a woman, I should probably imagine it to seem—a presence!”
He spoke the last word very faintly, but Theresa shrank from it nevertheless.
“Don’t say that, Allan!” she cried out. “Don’t think it, I beg of you! I’ve tried so hard myself not to think it—and you must help me. You know it is only perturbed, uneasy spirits that wander. With her it is quite different. She has always been so happy—she must still be.”
I listened, stunned, to Theresa’s sweet dogmatism. From what blind distances came her confident misapprehensions, how dense, both for her and for Allan, was the separating vapor!
Allan frowned. “Don’t take me literally, Theresa,” he explained; and I, who a moment before had almost touched him, now held myself aloof and heard him with a strange untried pity, new born in me. “I’m not speaking of what you call—spir
its. It’s something much more terrible.” He allowed his head to sink heavily on his chest. “If I did not positively know that I had never done her any harm, I should suppose myself to be suffering from guilt, from remorse.… Theresa, you know better than I, perhaps. Was she content, always? Did she believe in me?”
“Believe in you?—when she knew you to be so good!—when you adored her!”
“She thought that? She said it? Then what in Heaven’s name ails me?— unless it is all as you believe, Theresa, and she knows now what she didn’t know then, poor dear, and minds——”
“Minds what? What do you mean, Allan?”
I, who with my perhaps illegitimate advantage saw so clear, knew that he had not meant to tell her: I did him that justice, even in my first jealousy. If I had not tortured him so by clinging near him, he would not have told her. But the moment came, and overflowed, and he did tell her—passionate, tumultuous story that it was. During all our life together, Allan’s and mine, he had spared me, had kept me wrapped in the white cloak of an unblemished loyalty. But it would have been kinder, I now bitterly thought, if, like many husbands, he had years ago found for the story he now poured forth some clandestine listener; I should not have known. But he was faithful and good, and so he waited till I, mute and chained, was there to hear him. So well did I know him, as I thought, so thoroughly had he once been mine, that I saw it in his eyes, heard it in his voice, before the words came. And yet, when it came, it lashed me with the whips of an unbearable humiliation. For I, his wife, had not known how greatly he could love.
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