The Vagrants

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by Yiyun Li


  Bashi's father had served in the Korean War as one of the first pilots of the nation, and had been awarded many titles as a war hero. The American bombs had not killed him but a small human error had—he died from a tonsillectomy the year Bashi was two. The doctor who injected the wrong anesthesia was later sentenced to death for subverting the Communist nation and murdering one of its best pilots, but what happened to the doctor, whether it had been a life or a death sentence, meant little to Bashi. His mother had left him to his paternal grandmother and remarried herself into another province, and ever since then his life had been subsidized by the government. The compensation, a generous sum compared to other people's earnings, made it possible for his grandmother and him to live in modest comfort. She had hoped he would be a good student and earn a decent living by his wits, but that did not happen, as Bashi had little use for his education. She worried and nagged at him, but he forgave her because she was the only person who loved him and whom he loved back. Someday she would die—her health had been deteriorating over the past two years, and her brain was muddled now with facts and fantasies that she could not tell apart. Bashi did not look forward to the day she would leave him for the other side of the world, but in the meantime, he was aware that the house, although owned by the government, would be his to occupy as long as he lived, and the money in their savings account would be enough to pay for his meals and clothes and coal without his having to lift a finger. What else could he ask of life? A wife for sure, but how much more food could she consume? As far as Bashi was concerned, he could have a comfortable life with a woman, and neither of them would have to make the slightest effort to work.

  The problem, then, was how to find a woman. Apart from his grandmother, Bashi had little luck with other women. Older ones, those his grandmother's or his mother's age, used him as a warning for their offspring. They would be too ashamed to meet their ancestors after their deaths if it turned out that they would have to endure a son, or a grandson, like Bashi—these comments, often loud enough for Bashi to hear, were directed at those children who needed a cautionary tale. Younger women of a suitable age for marriage avoided Bashi as a swan princess in the folktales would avoid a toad. It was Bashi's belief that he needed to gain more knowledge of a woman's body before he could gain access to her heart, but who among the young women looking at him despisingly would open up her secrets to him?

  Bashi's hope now lay with much younger girls. He had already made several attempts, offering little girls from different neighborhoods candies, but none of them had agreed to go with him into the high grasses by the riverbank. Even worse, one of the girls told her parents, and they gave him a good beating and spread the news around so that wherever he went now, he felt that people with daughters were keeping a watchful eye on him. The little girls made up a song about him, calling him a wolf and skunk and girl-chasing eel. He was not offended; rather, he liked to walk into the girls’ circle in the middle of their games, and he would smile when they chanted the song to his face. He imagined taking them one by one to a secret bush and studying what he needed to study with them, and he smiled more delightedly since none of the girls would ever have guessed what could have been happening to them at that very moment, these young girls singing for him in their fine, lovely voices.

  Bashi had other plans too. For instance, hiding in the public outhouse after midnight, or in the early morning, when females would arrive in a hurried, half-dreaming state, too sleepy to recognize him as he squatted in a place where the light from the single bulb did not reach. But the idea of squatting for a long stretch of time, cold, tired, and stinking, prevented Bashi from carrying out this plan. He might as well dress up in his grandma's clothes and wrap his head in a shawl to go to a public bathhouse. He could talk in a high-pitched voice and ask for a ticket to the women's section, go into the locker room and feast his eyes on the women undressing. He could stay for a while and then pretend he had to go home to take care of some important things, a chicken stewing on the stove maybe, or some forgotten laundry on the clothesline.

  Then there were other possibilities that offered more permanent hope, like finding a baby girl on the riverbank, which was what Bashi was trying to do now. He had searched the bank along the railway track, and now he walked slowly on the town side of the river and looked behind every boulder and tree stump. It was unlikely that someone would leave a baby girl out here in this cold season, but it never hurt to check. Bashi had found a baby girl, one February morning two years earlier, underneath the Cross-river Bridge. The baby had been frozen stiff, if not by the cold night, then by death itself. He had studied its gray face; the thought of opening the blanket and looking underneath the rags, for some reason, chilled him, so he left it where it had been deserted. He went back to the spot an hour later, and a group of people had gathered. A baby girl it must be, people said, a good solid baby but what a pity it wasn't born a boy. It takes only a few layers of wet straw paper, and no more than five minutes, people said, as if they had all suffocated a baby girl at least once in their lives, talking about the details in that vivid way. Bashi tried to suggest that the baby might have frozen to death, but nobody seemed to hear him. They talked among themselves until Old Hua and his wife came and put the small bundle of rags into a burlap sack. Bashi was the only one to accompany the Huas to where they buried deserted babies. Up the river at the western end of town it was, where white nameless flowers bloomed all summer long, known to the children in town as dead-baby flowers. On that day the ground was too frozen to dig even the smallest hole; the couple found a small alcove behind a rock, and covered the baby up with dry leaves and dead grass, and then marked the place. They would come back later to bury her, they told Bashi, and he replied that he had no doubt they would send her off properly, good-hearted people as they were, never letting down a soul.

  Bashi believed that if he waited long enough, someday he would find a live baby on the riverbank. He did not understand why people did not care for baby girls. He certainly wouldn't mind taking one home, feeding her, bathing her, and bringing her up, but such a plan he had to keep secret from his townsfolk, who treated him as an idiot. And idiocy seemed to be one of the rare crimes for which one could never get enough punishment. A robber or a thief got a sentence of a year or more for a crime, but the tag of idiot, just as counter revolutionary, was a charge against someone's very being, and for that reason Bashi did not like his fellow townsfolk. Even a counterrevolutionary sometimes got depurged, as he often heard these days. There were plenty of stories on the radio about so-and-so who had been wronged in the Cultural Revolution and was reabsorbed into the big Communist family, but for Bashi, such redemption seemed beyond reach. People rarely paid attention to him when he joined a conversation at an intersection or a roadside chess party on summer evenings, and when they did, they all held disbelieving and bemused smiles on their faces, as if he made them realize how much more intelligent they themselves were. Bashi had often made up his mind never to talk to these people, but the next time he saw these gatherings, he became hopeful again. Despite being badly treated, he loved people, and loved talking to them. He dreamed of the day when the townspeople would understand his importance; perhaps they would even grab his hands and shoulders and apologize for their mistake.

  A dog trotted across to the riverbank, its golden fur shimmering in the morning light. In its mouth was a paper cone. Bashi whistled to the dog. “Ear, here, what treasure did you find?”

  The dog looked at Bashi and stepped back. The dog belonged to a newcomer in town, and Bashi had studied both the dog and the boy. He thought Ear a strange name for a dog, and believed the boy who had named it must have something wrong with him. They were two of a kind, village-grown and not too bright. Bashi put a hand into his pocket, and said in a gentle voice, “A bone here, Ear.”

  The dog hesitated and did not come to Bashi. He held the dog's eyes with his own and inched closer, calling out again in his gentle voice, then without warning he picked up a
rock and hurled it at the dog, which gave out a short yelp and ran away, dropping the paper cone on the ground. Bashi continued to hurl rocks in the direction where the dog had disappeared. Once before, he had been able to lure Ear closer so he could give it a good kick in its belly.

  Bashi picked up the paper cone and spread it on the ground. The ink was smeared, but the message was clear. “A counterrevolutionary is not a game,” Bashi said aloud. The name on the announcement sounded unfamiliar, and Bashi wondered if the woman was from town. Whose daughter was she? The thought of someone's daughter being executed was upsetting; no crime committed by a young woman should lead to such a horrible ending, but was she still a maiden? Bashi read the announcement again; little information was given about this Gu Shan. Perhaps she was married—a twenty-eight-year-old was not expected to remain a girl, except … “A spinster?” Bashi spoke aloud to finish his thought. He wondered what the woman had done to earn herself the title of counterrevolutionary. The only other person he knew who had committed a similar crime was the doctor who had killed his father. Bashi read the announcement again. Her name sounded nice, so perhaps she was just someone like him, someone whom nobody understood and no one bothered to understand. What a pity she would have to die on the day he discovered her.

  ***

  TONG CALLED OUT Ear's name several times before the dog reappeared. “Did you bother the black dog again?” Tong asked Ear, who was running toward Tong in panic. The black dog belonged to Old Kwen, a janitor for the electric plant who, unlike most people living in the blocks, occupied a small, run-down shack at the border between the residential and industrial areas. Old Kwen and his dog were among the few things Tong's father had told him about the town when Tong had first arrived. Leashed all its life in front of the shack and allowed to move only in a radius of less than five feet, the dog was said to be the meanest and the best guard dog in town, ready to knock down and bite through the throat of anyone who dared to set foot near his master's shack; stay away from a man who keeps a dog like this, Tong's father had warned him, but when Tong asked why, his father did not give an explanation.

  Too curious and too friendly, Ear had approached the black dog several times, and each time the black dog had growled and jumped up, pulling at the end of his chain with fierce force; it would then take Tong a long time to calm Ear down. “You have to learn to leave other dogs alone,” Tong said now, but Ear only whined. Maybe he was chastising Ear for the wrong reason, Tong thought, and then he realized that he hadn't heard the black dog bark. “Well, maybe it's not the black dog, but someone else. You have to learn to leave others alone. Not all of them love you as you think they do,” Tong said.

  They walked on the riverbank. The clouds were heavy in the sky. The wind brought a stale smell of old, unmelted snow. Tong stripped a layer of pale, starchy bark off a birch tree, and sat down with his stump of pencil. He wrote onto the bark the words he remembered from the announcement: Female. Counterrevolutionary. School.

  Tong was one of the most hardworking students in his class. The teacher sometimes told the class that Tong was a good example of someone who was not bright but who made up for his shortcoming by thorough work. The comment had left Tong more sad than proud at first, but after a while he learned to cheer himself up: After all, praise from the teacher was praise, and an accumulation of these favorable comments could eventually make him an important pupil in the teacher's eyes. Tong longed to be one of the first to join the Communist Young Pioneers after first grade so that he would earn more respect from the townspeople, and to realize that dream he needed something to impress his teachers and his peers. He had thought of memorizing every character from the elementary dictionary and presenting the result to the teacher at the end of the semester, but his parents, both workers, were not wealthy enough to give him an endless supply of exercise books. The idea of using the birch bark had occurred to Tong after he had read in a textbook that Comrade Lenin, while imprisoned, had used his black bread as an ink pot and his milk as ink, and had written out secret messages to his comrades; on the margins of newspapers, the messages would show up only when the newspaper was put close to fire; whenever a guard approached Lenin would devour his ink pot with the ink in it. “If you have a right heart, you'll find the right way,” the teacher said of the story's moral. Since then Tong had tried to keep the right heart and had gathered a handful of pencil stumps that other children had discarded. He had also discovered the birch bark, perfect for writing, a more steady supply than the paper Old Hua saved for him.

  Ear sat down on his hind legs and watched Tong work for a while. Then the dog leapt out to the frozen river, leaving small flowerlike paw prints on the old snow. Tong wrote until his fingers were too cold to move. He blew big white breaths on them, and read the words to himself before putting away his pencil stump.

  Tong looked back at the town. Red flags waved on top of the city hall and the courthouse. At the center of the city square, a stone statue of Chairman Mao dwarfed the nearby five-storied hospital. According to the schoolteachers, it was the tallest statue of Chairman Mao in the province, the pride of Muddy River, and had attracted pilgrims from other towns and villages. It was the main reason that Muddy River had been promoted from a regional town to a city that now had governing rights over several surrounding towns and villages. A few months earlier, not long after Tong's arrival, a worker assigned to the semiannual cleaning of the statue had an accident and plummeted to his death from the shoulder of Chairman Mao. Many townspeople gathered. Tong was one of the children who had squeezed through the legs of adults to have a close look at the body—the man, in the blue uniform of a cleaning worker, lay face up with a small puddle of blood by his mouth; his eyes were wide open and glassy-looking, and his limbs stuck out at odd and impossible angles. When the orderlies from the city hospital came to gather the body, it slipped and shook as if it were boneless, reminding Tong of a kind of slug in his grandparents’ village—their bodies were fleshy and moist, and if you put a pinch of salt on their bodies, they would slowly become a small pool of white and sticky liquid. The child standing next to him was sick and was whisked away by his parents, and Tong willed himself not to act weakly. Even some grown-ups turned their eyes away when the orderlies had to peel the man's head off the ground, but Tong forced himself to watch everything without missing a single detail. He believed if he was brave enough, the town's boys, and perhaps the grown-ups too, would approve of him and accept him as one of the best among them. It was not the first time that Tong had seen a dead body, but never before had he seen a man die in such a strange manner. Back in his grandparents’ village, people died in unsurprising ways, from sickness and old age. Only once a woman, working in the field with a tank of pesticide on her back, was killed instantly when the tank exploded. Tong and other children had gathered at the edge of the field and watched the woman's husband and two teenage sons hose down the body from afar until the fire was put out and the deadly gas dispersed; they seemed in neither shock nor grief, their silence suggesting something beyond Tong's understanding.

  Some people's deaths are heavier than Mount Tai, and others’ are as light as a feather. Tong thought about the lesson his teacher had taught a few weeks before. The woman killed in the explosion had become a tale that the villagers enjoyed telling to passersby, and often the listeners would exclaim in awe, but would that give her death more weight than an old woman dying in her sleep in the lane next to Tong's grandparents’? The counterrevolutionary's death must be lighter than a feather, but the banners and the ceremony of the day all seemed to say differently.

  The city came to life in the boy's baffled gaze, some people more prepared than others for this important day. A fourth grader found to her horror that her silk Young Pioneer's kerchief had been ripped by her little brother, who had bound it around his cat's paw and played tug-of-war with the cat. Her mother tried to comfort her— didn't she have a spare cotton one, her mother asked, and even if she wore the silk kerchief, nobody would no
tice the small tear—but nothing could stop the girl's howling. How could they expect her, a captain of the Communist Young Pioneers in her class, to wear a plain cotton kerchief or a ripped one? The girl cried until it became clear that her tears would only make her look worse for the day; for the first time in her life, she felt its immense worthlessness, when a cat's small paw could destroy the grandest dream.

  A few blocks away, a truck driver grabbed his young wife just as she rose from bed. One more time, he begged; she resisted, but when she failed to free her arms from his tight grip, she lay open for him. After all, they could both take an extra nap at the denunciation ceremony, and she did not need to worry about his driving today. In the city hospital, a nurse arrived late for the morning shift because her son had overslept, and in a hurry to finish her work before going to the denunciation ceremony, she gave the wrong dose of antibiotics to an infant recovering from pneumonia; only years later would the doctors discover the child's deafness, caused by the mistake, but it would remain uninvestigated, and the parents would have only fate to blame for their misfortune. Across the street in the communication building, the girl working the switchboard yelled at a peasant when he tried to call his uncle in a neighboring province; didn't he know that today was an important day and she had to be fully prepared for the political event instead of wasting her time with him, she said, her harsh words half-lost in a bad connection; while she was berating him, the army hospital from the provincial capital called in, and this time the girl was shouted at because she was not prompt enough in picking up the call.

  TWO

  The girl was dressed in a dark-colored man's suit, a size too big for her, her hair coiled up and hidden underneath a fedora hat of matching color. Her hands, clad in black gloves, held tightly on to the handle of a short, unsheathed sword. The blade pointed upward, the only object of light color in the black-and-white picture. The girl's unsmiling face was half shadowed by the hat, her eyes looking straight into the camera. Think of how Autumn Jade was prepared to give up her life, Kai remembered her teacher explaining when she was chosen to play the famous heroine in a new opera. Kai was twelve then, a rising star in the theater school at the provincial capital, and it was not a surprise that she was given every major role, from Autumn Jade, who had been beheaded after a failed assassination of a provincial representative in the last emperor's court, to Chen Tiejun, the young Communist who had been shot alongside her lover shortly after they had announced each other husband and wife in front of the firing squad. Kai had always been praised for her mature performances, but looking at her picture now, she could see little understanding in the girl's eyes of the martyrs she had impersonated. Kai had once taken pride in entering adulthood ahead of her peers, but that adulthood, she could see now, was as false and untrustworthy as her youthful interpretation of death and martyrdom.

 

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