by Yiyun Li
Nini ate, slept, and cried for four days in Bashi's house before she was discovered by the police. They had not come for her but to seek nonexistent evidence for a nonexistent crime, as Bashi was alleged by Kwen to have been an accomplice in his criminal actions against the body of the executed female counterrevolutionary. Both men's places were searched. Two glass jars of formaldehyde, in which a woman's severed breasts and private parts were on display, were uncovered by the police in Kwen's shack after they shot his growling guard dog in its forehead; in the other house they found a girl, along with her baby sister, intimidated into self-imprisonment by the criminal. The girl kept talking about a marriage arrangement that nobody believed to have existed and later, when she was escorted away from the house, she screamed and kicked her captors. A medical examination proved her to be mentally normal and still a virgin, and it mystified the police that she kept talking about her marriage to Bashi, her kidnapper. When questioned about why they had not reported the two missing daughters, her father said nothing but that he had forgotten the girls when he had to tend to two daughters who had been burned in a house fire as well as a wife who had miscarried. How could parents forget a daughter? a young policewoman asked her colleagues, and they replied that worse things had happened to other children, and she'd better toughen herself up for her line of work.
The tales, of the body parts from the executed woman, and the incarcerated girl discarded by her own parents who had begun to have feelings for her kidnapper, traveled from mouth to mouth, ear to ear; for the time being, they were the only topics safe to discuss in Muddy River, and people invented details, their imaginations drowning their fears of a life they did not understand.
Under the policy of giving the harshest punishment to all anti-government organizations and individuals, three hundred and eleven people who had signed the petition were tried as counterrevolutionaries, their sentences ranging from three years for the followers to lifelong imprisonment for the leaders. Upon reviewing the cases, the provincial officials pointed out that a warning to the masses would not be effective without a death sentence. Kill a chicken to frighten all the mischievous monkeys into obedience, one top official urged in writing, and several others chimed in with their consent.
SHE HAD NOT EXPECTED the quietness. The sounds that had once made up the natural course of her day—Ming-Ming's crying in the middle of the night, Han's joking, her mother's complaining, the patriotic music she played for the town, her own voice, reading the news to the same uninterested ears—did not leave her; rather, they blocked out the everyday noises for Kai: water dripping, the crying and whispering of women in nearby cells, the unlocking of the window where meals were delivered, her own footsteps measuring the cube of her cell.
It was not a surprise that, after the first day of her confinement in the best guesthouse in Muddy River, Kai had been transferred, wrists cuffed, to her present cell. She did not know what to expect in the hours and days to come, yet in a strange way she was looking forward to it, as someone floating above unknown territory looks forward to landing on solid ground.
And now the phantom limbs of the once-familiar sounds pulled her down, and in the quietest nights she thought about Ming-Ming, for whom she would be slowly reduced, by his father and his grandparents, into a nonexistence. Of all the people she missed—her mother and her siblings, Jialin, and even Han—Ming-Ming was the one who would not have any memory of her once this page was turned. Had Autumn Jade wished, in her fearless waiting for death, that there could be a parallel world in which she could continue mothering her children?
Kai began to sing to take her mind off the pain. She sang the songs that had long ago been stored away with her youthful dreams. Her voice sounded different than what she remembered from years ago, but the open stage had not taken a grip on her then as the cold walls did now.
She sang the songs that Gu Shan must have been singing in her long years of imprisonment. The flowers of May bloom on the prairie, and the red petals fall and cover the martyrs’ blood. She had never felt this close to the people in her songs—the man and the woman who wedded themselves minutes before their execution, a jailed daughter asking her mother to bury her with her tombstone facing east so she would see the sunrise, a mother's lullaby to her child who had been tortured to death by the secret police in front of her eyes. They had been alive once before legend had claimed them, and they lived in her singing now, sharing their secrets with her and holding her hands, waiting with her.
Many years later, in his memoir, one of the imprisoned activists would write about listening to her singing. He had been released and depurged, and she had, by then, long ago been claimed by legends.
***
THE MAY DAY CELEBRATION was marked by the public denunciation of Wu Kai and her accomplices in the antigovernment uprising. On the morning of the denunciation, Tong got up early and washed his face, wiping the backs of his ears with extra care. His mother had sewn a pair of blue pants and a white shirt for him the previous two nights, and after he dressed, she ran a hand across his clothes to get rid of the tiniest wrinkle. Tong was going to be one of the speakers at the denunciation meeting, along with Han and a few other model citizens of Muddy River who would be granted the title of Guardian Hero of Communist China. A special ceremony was to take place, before the denunciation meeting, for Tong to become a Communist Young Pioneer. He looked at his shirt, which would soon be decorated with the red scarf; when he looked up, his mother was gazing at him with awe and a sadness he did not understand. Be a very good boy, she said, and told him that she and his father were both very proud of him; Tong glanced at his father in bed—he had not recovered enough to recognize Tong's face—and said that he would win all the prizes and make them the happiest and proudest parents in the world.
Two women officers unlocked the cell door and came in, neither meeting Kai's eyes. A package from your mother, one officer said, and handed a bundle of clothes to Kai. Since her arrest, Kai had refused to see her mother, who had come several times to visit. What a hard-hearted woman she was, the judge had said to her at the first trial, which had been carried out in secrecy with only a few officials from the courthouse present; she had betrayed not only the party that had nurtured her but also her own mother, her husband, and her son. Kai remained quiet and aloof, and she was not surprised by the retrial, carried out in a similar manner. What was there to fear about death? she asked when the sentence was read to her; she imagined the same message being read to Jialin, knowing he was as ready as she was.
Kai unrolled the bundle, new clothes and shoes her mother must have wrapped up for her. It was her mother's misfortune to have a daughter like her, Kai thought, and she forced herself to focus on the small task of changing her clothes. She was not a daughter, or a wife or mother; she was herself, and she would remain herself for the rest of the day.
At half past nine she was escorted to a covered police van, her arms heavily bound behind her and already growing numb. The officers, two men and two women, were silent; the leader of the four, about ten years older than the rest of them, was almost courteous when he told her that she was not to make any counterrevolutionary speeches at the denunciation ceremony.
Why didn't they cut her vocal cords to ensure her obedience, as they had done to Gu Shan? Kai asked, almost out of curiosity. The three younger officers seemed unaware of what she was talking about, their faces remaining blank. Kai fixed her eyes on the older officer as the van pulled off; his eyes dropped from her stare but after a while he replied that all prisoners deserved civilized treatment, and if any extra procedure was to be carried out it would be done out of humanitarian consideration.
When they reached the East Wind Stadium, Kai could tell, from the slogan shouting and from her own past experience, that the ceremony must have reached its climax. When she walked onto the stage, she realized that her comrades had been escorted there before she had, and that the slogans must have been meant for them. Their arms were all bound, each with two off
icers standing behind them. Kai did not have a chance to meet their eyes when she was pushed to the middle. When the audience finally calmed down, a female voice announced the crime of the counterrevolutionaries.
Kai listened to the new announcer, her voice as perfect as her own had once been. A young boy with a slight rustic accent came onto the stage and read his script aloud, followed by a few others, every one of them having assisted in one heroic way or another to cleanse Muddy River of its most dangerous enemies. Han was the last to speak, of his struggle and then awakening at finding his ex-wife to be a leader of the uprising against his mother country.
It was only when the sentences were read that Kai was surprised for the first time that day. Hers was the last to be announced, the only death sentence among the ten. She was too young to die, Mrs. Gu shouted, breaking down before she was dragged off the stage. Only then did Kai realize that her sentence had been kept secret from her companions, for the greatest shock effect, perhaps, or just for mere protocol. Despite the two officers who tried hard to push her head down, she managed to look up at Jialin, who had turned to her, his eyes behind his glasses filled with a strange look of longing. Before either of them could speak, Jialin was pushed off the stage. Kai was the last one to be taken offstage, and for a moment, she remembered an essay her father had drafted for her when she was in the fifth grade. A man with a revolutionary dream is never a lonely soul— she remembered the title, and when she closed her eyes, she could almost see the essay, posted as the top winner of the provincial contest, her father's perfect words in her less than perfect handwriting.
OLD HUA AND MRS. HUA left Muddy River the evening before the May Day celebration. There was little left for them to cling to in the town, or anywhere else in the world, their hearts rekindled by the hope of going back to the freedom of a begging life. Leaving with them was Nini, who had been disowned by her parents and who had pleaded with the beggar couple to take her along. It did not matter that she no longer remembered her daughters’ faces, Mrs. Hua thought; Nini would be their last daughter. They did not know that Nini had taken out all the cash from Bashi's trunk and hidden it in her socks; the stacks of bills rubbed the soles of her feet now, hardened into calluses from many days of blistering, but nobody found her limping suspicious.
She would take care of the couple, when they were too old to work, with the money in her socks, Nini thought. There was no reason for her to linger in Muddy River, though she knew she would be back in seventeen years, after Bashi served his sentence for molesting and kidnapping a young child. She had tried to visit him once, but the guards said only families and relatives were allowed. There was no point in making them understand she was his child bride; there was no point in explaining anything to anyone, the Huas included. The only thing to do was to count the days and years to come.
For raping and mutilating a dead woman's body, Kwen was sentenced to seven years. The morning of May Day, when the music and slogan shouting came from the loudspeakers outside the high walls of the prison, Kwen signaled for Bashi, who had been curled up in his narrow cot, to listen. They had both been beaten repeatedly by their cell mates, on account of their being newcomers as well as their women-related crimes. They were considered lower than the lowest creatures. The beatings seemed not to bother Kwen, and it would not take long before he became the one who organized such beatings, but at this moment, when Kai was driven in the police van to Hunchback Island, both Kwen and Bashi were slow in moving around because of their fresh wounds. Hear that? Kwen said to Bashi; another life on the way to the otherworld. Bashi did not reply, looking up at the old man with fear and disgust. Remember the other day, when we became friends over the woman's body? Kwen patted Bashi's shoulder and told him not to look so frightened. Heaven's door is narrow and allows only one hero at a time, but those going down to hell, Kwen said, always travel in pairs, hand in hand.
Acknowledgments
I am very grateful to: Elizabeth McCracken and Edward Carey, who gave sunshine and water and plenty of love to the novel when it was only a seed; Richard Abate, Chen Reis, Katherine Bell, Jebediah Reed, Barbara Bryan, Timothy O'Sullivan, John Hopper, and Ben George, for reading and rereading the manuscript; the Lannan Foundation and the Whiting Foundation for their generous support; Andrew Wylie, Sarah Chalfant, and Scott Meyers, for their hard work; Mitzi Angel and Kate Medina, for their insights.
And also to:
Brigid Hughes and Aviya Kushner, for their friendship, which makes my small world big;
James Alan McPherson and Amy Leach, for their beautiful minds;
Vincent and James, for keeping their mother from living solely in words; and Dapeng, for making the maps and the curtains, for keeping the memories, and for love.
Mr. William Trevor, for stories and hope.
ABOUT THE AUTHOR
YIYUN Li is a recipient of the Frank O'Connor Inter national Short Story Award, the Hemingway Foundation/ PEN Award, the Guardian First Book Award, and a Whiting Writers’ Award. She was also selected by Granta as one of the best young American novelists under thirty-five. She lives in Oakland, California, with her husband and their two sons.
Copyright © 2009 by Yiyun Li
All rights reserved.
RANDOM HOUSE and colophon are registered trademarks of
Random House, Inc.
Grateful acknowledgment is made to Random House, Inc., for permission to reprint seven lines from “The Shield of Achilles” from Collected Poems by W. H. Auden, copyright © 1932 by W. H. Auden. Reprinted by permission of Random House, Inc.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Li, Yiyun.
The vagrants : a novel / Yiyun Li.
p. cm.
eISBN: 978-1-58836-773-0
1. City and town life—China—Fiction. 2. China—Politics and
government—20th century—Fiction. 3. China—Social
conditions—20th century—Fiction. 4. China—History—
20th century—Fiction. I. Title.
PL2946Y59V34 2008
813′.6—dc22 2008023467
www.atrandom.com
v3.0
Table of Contents
Cover
Other Books By This Author
Title Page
Dedication
PART I
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
PART II
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
PART III
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
Copyright