The Leonard Bernstein Letters
Page 83
First complete performance: 8 April 1949, Boston, Symphony Hall, Leonard Bernstein (pf), Boston SO, Serge Koussevitzky (cond.)
First New York performance: 23 February 1950, New York, Carnegie Hall, Lukas Foss (pf), New York PO, Leonard Bernstein (cond.)
First performance of revised version: 15 July 1965, New York, Philharmonic Hall, Philippe Entremont (pf), New York PO, Leonard Bernstein (cond.)
Dedication: For Serge Koussevitzky, in tribute
Symphony No. 3, Kaddish (1963; rev. 1977) (i) n2, (ii) n108, (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi) n23
First performance: 10 December 1963, Tel Aviv, Frederick Mann Auditorium, Hannah Rovina (speaker), Jennie Tourel (mezzo-sop.), Abraham Kaplan (choirs dir.), Israel PO, Leonard Bernstein (cond.)
First US performance: 31 January 1964, Boston, Symphony Hall, Felicia Montealegre (speaker), Jennie Tourel (mezzo-sop.), New England Conservatory Chorus, Columbus Boychoir, Boston SO, Charles Munch (cond.)
First performance of revised version: 25 August 1977, Mainz, Michael Wager (speaker), Monserrat Caballé (soprano), Wiener Jeunesse Chor, Wiener Sängerknaben, Israel PO, Leonard Bernstein (cond.)
Dedication: To the Beloved Memory of John F. Kennedy
Thirteen Anniversaries (1974–89) (i) n61
Dedications: I. For Shirley Gabis Rhoads Perle; II. In Memoriam: William Kapell; III. For Stephen Sondheim; IV. For Craig Urquhart; V. For Leo Smit; VI. For My Daughter, Nina; VII. In Memoriam: Helen Coates; VIII. In Memoriam: Goddard Lieberson; IX. For Jessica Fleischmann; X. In Memoriam: Constance Hope; XI. For Felicia, On Our 28th Birthday (& Her 52nd); XII. For Aaron Stern; XIII. In Memoriam: Ellen Goetz
Trouble in Tahiti (1951, libretto by Leonard Bernstein) (i) n46, (ii), (iii) n47, (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi) n45
First performance: 12 June 1952, Brandeis University Festival of the Creative Arts, cast incl. Nell Tangeman (Dinah), David Atkinson (Sam), Constance Bingham, Robert Kole and Claude Heater (Trio), Elliot Silverstein (dir.), Leonard Bernstein (cond.)
First New York performance: 19 April 1955, Playhouse Theatre, cast incl. Alice Ghostley (Dinah), John Tyers (Sam), Constance Bingham, John Taliafero, James Tushar (Trio), David Brooks (dir.), Joseph D. Lewis and Urey Krasnopolsky (pfs), Max Rich (drums), Leonard Gaskin (bass)
Dedication: For Marc Blitzstein
West Side Story (1949–57; based on an idea by Jerome Robbins, book: Arthur Laurents, lyrics: Stephen Sondheim) (i) n4, (ii) n104, (iii), (iv), (v) n145, (vi) n5, (vii) n132, (viii) n140, (ix) n173, (x) n76, (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix) n58, (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii)
First performance: 19 August 1957, Washington, D.C., National Theatre, cast incl. Carol Lawrence (Maria), Chita Rivera (Anita), Larry Kert (Tony), Ken Le Roy (Bernardo), Mickey Calin (Riff), Art Smith (Doc); Jerome Robbins (concept and dir.), Max Goberman (cond.)
First New York performance: 26 September 1957, Winter Garden Theatre, cast as above
Orchestrations by Sid Ramin and Irwin Kostal with Bernstein
Dedication: To Felicia, with love
White House Cantata, A (scenes from 1600 Pennsylvania Avenue), arr. Charlie Harmon and Sid Ramin (1997) (i), (ii) n38
First performance: 8 July 1997, London, Barbican Centre, Nancy Gustafson, Dietrich Henschel, Jacqueline Miura, Thomas Young, London Voices, London SO, Kent Nagano (cond.)
Wonderful Town (1952–3; book: Joseph Fields and Jerome Chodorov, lyrics: Betty Comden and Adolph Green) (i), (ii) n43, (iii) n60, (iv) n113, (v) n171, (vi) n58, (vii) n73, (viii), (ix), (x), (xi), (xii), (xiii) n60, (xiv) n128, (xv), (xvi) n53
First performance: 19 January 1953, New Haven, CT, Shubert Theater, cast incl. Rosalind Russell (Ruth), Edith Adams (Eileen), George Gaynes (Robert Baker), Jordan Bentley (Wreck), Cris Alexander (Frank); Donald Saddler (choreo.), George Abbott (dir.), Lehman Engel (cond.)
First New York performance: 26 February 1926, Winter Garden Theatre, cast as above
Orchestrations by Don Walker assisted by Seymour Ginzler and Sid Ramin
Arrangement:
El Salón México (Aaron Copland), transcribed for solo piano (by 10 December 1940; see Letter 74) (i), (ii), (iii), (iv), (v) n107, (vi), (vii) n160
First known public performance: 18 November 1941, Boston, Copley Plaza Hotel, as part of recital for the Chromatic Club, Leonard Bernstein (pf). The program for this concert makes no mention of the Copland transcription being a first performance. Since it had been finished a year earlier, it is likely that Bernstein had played it before, possibly at private concerts
General Index
Abarbanell, Lina (i)
Abbado, Claudio (i)
Abbott, George (i), (ii), (iii), (iv), (v) n4, (vi), (vii) n6, (viii), (ix) n173, (x)
Abell, David Charles (i), (ii)
Abravanel, Maurice (i) n104, (ii)
Action Committee to Free Spain Now (i)
Adams, Franklin P. (i)
Adams, John (i)
Adams, Sherman (i)
Adams, Stanley (i), (ii)
Adler, Ellen (i), (ii), (iii) n146, (iv), (v)
Adler, Larry (i)
Albert, Eddie (i)
Alexander, Holmes (i)
Alger, Horatio (i)
Allegro (musical) (i), (ii) n60
Allen, Elizabeth (i), (ii)
Alphand, Claude (i), (ii)
Al Smith Memorial Hospital Fund (i)
Alsop, Marin (i), (ii), (iii), (iv)
Alswang, Ralph (i)
Amber, Lenny (pseudonym for Leonard Bernstein) (i)
American Arts Committee for Palestine (i)
American Christian Palestine Committee (i)
American Civil Liberties Union (i), (ii), (iii)
American Committee for Spanish Freedom (i)
American Committee of Yugoslav Relief (i)
American Council for a Democratic Greece (i)
American Friends of Hebrew University (i)
American Friends Services Committee (i)
American Fund for Israel Institutions (i)
American Fund for Palestinian Institutions (i)
American Legion (i) n64
American Red Cross (i)
American Red Magen David for Palestine (i)
American Youth for Democracy (i)
Andrews, Dana (i) n62, (ii)
Antheil, George (i), (ii), (iii)
Arlen, Harold (i)
Armstrong, Louis (i)
Arrau, Claudio (i), (ii) n59, (iii), (iv), (v), (vi), (vii)
Askew, Constance (i), (ii)
Atkinson, Brooks (i) n61, (ii), (iii) n77, (iv)
Auber, Daniel François Esprit (i)
Auden, Wystan Hugh (i), (ii) n163, (iii), (iv), (v) n116, (vi)
Age of Anxiety, The (i), (ii) n110, (iii) n16, (iv) n90, (v) n116
Augustine, Stephanie (i)
Avedon, Richard (i), (ii)
Avshalomoff, Jacob (Jack) (i) n49, (ii), (iii), (iv)
Ax, Emanuel (i)
Bacall, Lauren (Betty) (i), (ii), (iii) n56
Bach, Johann Sebastian (i), (ii), (iii) n29, (iv), (v), (vi), (vii), (viii), (ix)
Barber, Samuel (i) n58, (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix) n94, (x) n133, (xi), (xii)
Adagio for Strings (i) n10
Second Essay (i) n10
Violin Concerto (i) n10, (ii), (iii) n58
Barrymore, Ethel (i)
Bartók, Béla (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii) n133, (xiv), (xv), (xvi), (xvii), (xviii)
Concerto for Orchestra (i) n71
Music for Strings, Percussion and Celesta (i), (ii), (iii) n169
Portrait Op. 5 No. 1 (i), (ii), (iii)
>
Rhapsody No. 1 (i), (ii)
Baudelaire, Charles (i)
Bauer, Harold (i)
Bauer, Marion (i), (ii)
Baxter, Anne (i) n62
Bearson, Lawrence (i)
Beat Generation (i)
Beckoning Fair One, The (unrealized film project) (i) n59, (ii) n74
Beery, Wallace (i), (ii)
Beethoven, Ludwig van (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x) n27, (xi), (xii) n151, (xiii)
Fidelio (i), (ii)
Leonore No. 3 Overture (i), (ii) n27, (iii)
Missa solemnis (i), (ii), (iii)
Piano Concerto No. 1 (i), (ii) n32, (iii), (iv) n70, (v)
String Quartets (i), (ii)
String Quartet Op. 131 arr. Mitropoulos (i) n40
Symphony No. 1 (i) n27
Symphony No. 3 (“Eroica”) (i) n69, (ii) n69
Symphony No. 4 (i), (ii)
Symphony No. 5 (i), (ii) n99
Symphony No. 7 (i), (ii), (iii)
Symphony No. 9 (i), (ii), (iii)
Triple Concerto (i), (ii) n63
Beinum, Eduard van (i)
Bellafonte, Harry (i)
Bellini, Vincenzo (i) n149
Sonnambula, La (i), (ii), (iii), (iv), (v)
Bells are Ringing (musical) (i) n21, (ii) n5, (iii) n2
Ben-Gurion, David (i), (ii), (iii)
Bennett, Richard Rodney (i), (ii), (iii) n25
Nicholas and Alexandra (i)
Symphony No. 2 (i)
Bennett, Robert Russell (i)
Berezowsky, Alice (i)
Berezowsky, Nicolai (i), (ii) n86
Berger, Arthur (i) n27, (ii) n28, (iii), (iv), (v) n101, (vi)
Bergman, Ingmar (i)
Berio, Luciano (i), (ii)
Berkowitz, Ralph (i)
Berlin, Irving (i), (ii), (iii) n42
How Dry I Am (i)
Bernstein, Alexander (son of LB, sometimes “Axel” or “Fink”) (i), (ii) n4, (iii) n79, (iv), (v), (vi), (vii), (viii), (ix), (x) n30, (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv)
Bernstein, Burton (brother of LB) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii)
Bernstein, Felicia (wife of LB) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii), (lxiii), (lxiv), (lxv), (lxvi), (lxvii), (lxviii), (lxix), (lxx), (lxxi), (lxxii), (lxxiii), (lxxiv), (lxxv), (lxxvi), (lxxvii), (lxxviii), (lxxix), (lxxx), (lxxxi), (lxxxii), (lxxxiii), (lxxxiv), (lxxxv), (lxxxvi), (lxxxvii), (lxxxviii), (lxxxix), (xc), (xci), (xcii), (xciii) n44, (xciv), (xcv), (xcvi) n55, (xcvii) n57, (xcviii), (xcix), (c), (ci), (cii), (ciii). See also Montealegre Cohn, Felicia
Bernstein, Jamie (daugher of LB) (i), (ii) n4, (iii) n57, (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv)
Bernstein, Jennie (mother of LB) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx)
Bernstein, Nina (daughter of LB) (i) n4, (ii) n30, (iii), (iv) n96, (v), (vi), (vii), (viii), (ix), (x), (xi)
Bernstein, Samuel (father of LB) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix) n148, (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix) n47, (xx), (xxi), (xxii)
Bernstein, Shirley (sister of LB) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv) n130, (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix) n149, (l), (li), (lii), (liii)
Berrigan, Daniel (i)
Berrigan, Philip (i)
Bigelow, Otis (i), (ii)
Billion Dollar Baby (musical) (i) n5, (ii) n31, (iii)
Bing, Rudolf (i)
Birch, John (i), (ii), (iii)
Bizet, Georges (i) n53
Carmen (i), (ii) n11, (iii), (iv), (v), (vi)
Black Panthers (i), (ii), (iii), (iv), (v)
Blitzstein, Marc (i), (ii), (iii), (iv), (v), (vi), (vii) n66, (viii), (ix), (x) n104, (xi), (xii), (xiii), (xiv), (xv) n11, (xvi), (xvii), (xviii), (xix) n65, (xx), (xxi), (xxii), (xxiii) n29, (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix) n122, (xxx)
Cradle Will Rock, The (i), (ii) n29, (iii), (iv) n56, (v) n4, (vi), (vii) n123
Regina (i), (ii) n4, (iii), (iv), (v), (vi), (vii) n104, (viii) n123, (ix) n41
Reuben Reuben (i) n4, (ii), (iii), (iv), (v) n30
Sacco and Vanzetti (i)
Bloch, Ernest (i) n71, (ii), (iii), (iv), (v), (vi) n9
Blue Angel, The (nightclub) (i)
B'nai B'rith (i), (ii), (iii) n8
Bohm, Jerome (i)
Böhm, Karl (i), (ii), (iii), (iv), (v) n16
Bok, Mary Louise Curtis (i), (ii), (iii), (iv), (v)
Bonanza Bound (musical) (i)
Bonney, William H. (Billy the Kid) (i)
Boston Symphony Orchestra (i), (ii) n26, (iii) nn72–3, (iv) n75, (v), (vi) n94, (vii) n107, (viii) n2, (ix), (x) n163, (xi), (xii), (xiii), (xiv), (xv), (xvi) n75, (xvii), (xviii), (xix) n82, (xx) n112, (xxi) n153, (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii) n73, (xxviii), (xxix), (xxx) n13, (xxxi) n14, (xxxii), (xxxiii)
Boulanger, Nadia (i) n66, (ii), (iii) n88, (iv) n71, (v), (vi) n123, (vii), (viii), (ix), (x) n146, (xi), (xii), (xiii) n76, (xiv), (xv), (xvi) n101, (xvii) n150, (xviii) n176, (xix)
Boulez, Pierre (i), (ii), (iii) n74, (iv), (v) n142, (vi) n42
Polyphonie X (i)
Boult, Adrian (i), (ii)
Bourke-White, Margaret (i), (ii), (iii)
Bowles, Paul (often “Pfb”) (i), (ii) n74, (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii) n85, (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv) n11, (xxvi) n33, (xxvii) n102, (xxviii) n36
Wind Remains, The (i), (ii) n88, (iii) n101
Boy Scouts of America (i)
Braggiotti, Mario (i)
Brahms, Johannes (i), (ii), (iii), (iv), (v) n28, (vi), (vii), (viii), (ix) n151, (x) n23, (xi)
Double Concerto (i), (ii)
Haydn Variations (i)
Piano Concerto No. 1 (i), (ii), (iii), (iv) n59, (v)
Piano Concerto No. 2 (i), (ii), (iii) n46
Symphony No. 1 (i), (ii) n27, (iii) n69, (iv)
Symphony No. 2 (i)
Symphony No. 3 (i)
Brain, Dennis (“Brahan”) (i)
Braly, Kristin (i)
Brandeis University (i) n83, (ii) n11, (iii), (iv), (v) n62, (vi), (vii), (viii), (ix)
Brando, Marlon (i) n142, (ii) n80, (iii) n105, (iv), (v)
Braslavsky, Solomon (i), (ii) n66, (iii), (iv), (v), (vi)
Brennan, Charles D. (i)
Brennan, Walter (i) n62, (ii)
Britten, Benjamin (i), (ii), (iii), (iv), (v), (vi), (vii) n55, (viii) n68, (ix), (x) n133, (xi), (xii), (xiii), (xiv) n152, (xv), (xvi), (xvii), (xviii) n42
Cantata misericordium (i)
Paul Bunyan (i) n107, (ii) n108
Peter Grimes (i) n107, (ii), (iii), (iv), (v)
Rape of Lucretia, The (i), (ii) n55
Rejoice in the Lamb (i) n116
Sinfonia da Requiem (i)
Violin Concerto (i) n53, (ii)
Broder Jane (i)
Broder, Na
than (i)
Brooklyn Philanthropic League (i)
Brooks, David (i)
Brown, Earle (i) n109, (ii)
Brown, Kay (i)
Bruckner, Anton (i), (ii)
Burgin, Richard (i)
Burk, John N. (i)
Burke, Johnny (i)
Burns, John Horne (i) n109
Gallery, The (i)
Burr, Aaron (i)
Burrell, John (i), (ii)
Burrows, Abe (i) n43
Burton, Humphrey (i), (ii) n130, (iii) n151, (iv), (v), (vi) n57, (vii)
Busoni, Ferruccio (i) n10, (ii)
Byrns, Harold (i), (ii)
Cadman, Charles Wakefield (i)
Caesar, Irving (i)
Cage, John (i) n79, (ii), (iii), (iv), (v), (vi) n112, (vii)
Cahn, Judah (i)
Cain, James M. (i), (ii), (iii) n114, (iv), (v)
Double Indemnity (i) n114
Mildred Pierce (i) n114
Postman Always Rings Twice, The (i) n114
Serenade (i), (ii), (iii), (iv) n119, (v), (vi)
Calder, Alexander (i), (ii)
Calin, Mickey (i), (ii)
Callas, Maria (i), (ii), (iii), (iv), (v), (vi) n149
Camp Onota (i), (ii), (iii) n43, (iv) n168, (v), (vi), (vii)
Campbell-Watson, Frank (i), (ii) n8
Can-Can (musical) (i), (ii) n54
Carnival in Flanders (musical) (i)
Carousel (musical) (i), (ii), (iii) n150
Carreño, Teresa (i)
Carter, Elliott (i) n79, (ii), (iii)
Concerto for Orchestra (i)
Carter, Jimmy (i)
Carter, Rosalynn (i)
Casafuerte, Marquise Yvonne de la (i), (ii), (iii), (iv)
Chadwick, George Whitfield (i)
Chagall, Marc (i) n116
Chapin, Schuyler (i)
Chaplin, Charlie (i)
Chaplin, Ethel (née Ethel Schwartz) (i)
Chaplin, Saul (i), (ii), (iii), (iv), (v), (vi) n82, (vii) n83
Charnin, Martin (i)
Chasins, Abram (i)
Chausson, Ernest (i)
Chavchavadze, Prince George (i)
Chávez, Carlos (i), (ii), (iii), (iv), (v), (vi)
Sinfonia India (i), (ii)
Chavez, Quita (i)
Cherubini, Luigi (i) n149
Medea (i), (ii), (iii), (iv), (v) n149
Cincinnati Symphony Orchestra (i), (ii), (iii), (iv)
Civil Rights Congress (i)
Claman, Julian (i)
Clark, Anne Gibson (i)
Cliburn, Van (i)
Clooney, Rosemary (i)