SCHRODINGER'S CAT TRILOGY

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SCHRODINGER'S CAT TRILOGY Page 25

by Robert Anton Wilson


  But if everybody could go into dhyana at will, nobody could be controlled-by fear of prison, by fear of whips or electroshock, by fear of death, even. All existing society is based on keeping those fears alive, to control the masses.

  *Terran Achives 2803: Dhyana was the Sanskrit name, used by the Hindic primates, to describe the opening and imprinting of the neurosomatic circuit. The term, and the techniques of inducing it, became Ch'an in China and Zen in Japan. It was always supervised by an alpha male for the reasons Crane suspected. It represents the dawning of post-primate consciousness and the HEAD Revolution, thereby rendering the biot independent of the primate dominance-submission hierarchy.

  Ten people who know what I know would be more dangerous than a million armed anarchists.

  July 23, 1952-I can hardly write. Today I reached Samadhi. It makes dhyana look like nothing by comparison. All my certainty is gone. I should be terrified, but instead I'm ecstatic. If this is possible, anything is possible.*

  These notes were not published when Hugh came out of prison. Instead, he brought forth a book cheerfully titled There is No Governor Anywhere, which explained some-not all-of his magic escapes, and set this in the context of a philosophy which declared every individual a creator of his own universe. The polemics against government and organized religion were tactless, to say the least, for a performer depending upon public goodwill; Crane did not hesitate to identify his outlook bluntly as atheism and anarchism.

  To everybody's surprise, including Crane's, the book became a best-seller, and he became the most controversial man in the United States. Even in the fearful fifties- even with American Legion and John Birch chapters constantly reminding everyone of his drug arrests, his sex arrests, and the documented fact that prison authorities had delayed his parole because of his homosexual seduction of a younger inmate-Hugh Crane acquired a new following. TV gingerly tested him on the egghead ghetto of Sunday afternoon, then promoted him to the late-late talk shows.

  *Terran Archives 2803: Samadhi was the Hindustani name for the opening and imprinting of the sixth (metraprogramming) circuit in the frontal lobes of the post-primate brain. Most of those who achieved it before the HEAD Revolution were just as bewildered as Crane and could say only that the experience was "ineffable."

  He managed to end every appearance with the words "There is no governor anywhere; you are all absolutely free."

  And around then-to the vocal dismay of press and clergy-a club owner decided he was a "freak" act ("They'll hate him but they'll come") and Crane was able to work as a magician again. The crowd overflowed into the street and many were turned away. Cagliostro introduced a new escape, from a lead box that had been welded closed in view of the audience. "There is no restraint that cannot be escaped," he told them in an intense tone. "We are all absolutely free."

  A pudgy Broadway columnist named Benny Benedict, who was just starting to get a following, interviewed him the next day. "How the hell did you manage that welded-box escape?" Benedict asked bluntly.

  "I used real magic," the Great Cagliostro pronounced.

  "Come off it," Benedict said. But Cagliostro merely grinned at him impudently.

  THE ORDEAL OF RHODA CHIEF

  When Rhoda Chief became the country's top Rock singer at the age of seventeen in 1958, her education was virtually nil. She knew very few facts and several dozen factoids: the long side of the triangle is called the hypotenuse and is equal to both of the other sides, or one side multiplied by the other, or something like that; what she had in her panties could make a lot of money if she was smart, or a lot of trouble if she was dumb; if you spit on an eraser, it will erase ink; Columbus did his trip in 1492, and they either started the revolution or finished it in 1776; Lincoln freed the slaves; if you yell loud enough nobody can tell if you're on key or off; we're all gonna get blown to hell by the bomb sooner or later; yellows make all your troubles go away, but the reds are the ones to take before a concert or a recording session.

  After her abortion she learned enough about birth control to teach a course at the YWCA. After being screwed blued and tattooed by two record companies in a row, she also learned enough about contract law to teach that at Harvard.

  Her real education began when she became the mistress of Cagliostro the Great.

  The first one to see the whip marks on Rhoda's back was an old friend from Arkham High School, Doris Horus.

  "Why don't you leave him?" Doris asked.

  "It's voluntary," Rhoda said stonily. "It's my True Will."

  The scandal eventually became an official rumor-"A nightclub Nostradamus, previously involved in other sex and drug offenses, is treating his ballad-belting sweetheart in a very sick way. Readers of a certain French marquis will know what I mean," was its first printed form, in the nation's most widely read gossip column. "You've got quite a reputation as a sadist," Epicene Wildeblood, the literary critic, said to Crane the very day that appeared.

  "Afraid to be identified with me publicly?" Crane asked. They were in Wildeblood's jet-set pad, on Sutton Place.

  "Oh, not at all, darling," Eppy purred. "How funny that I should know what you really are. Don't I, babe?" He lifted Crane's chin with the toe of his shoe.

  "Yes, master," Crane mumbled.

  "Oh, that sounded a little sullen. I think you're just a bit rebellious today, babe. That must be punished."

  "Yes, master," Crane said, going to the closet for the ropes. After he was stripped, and lying face down on the bed, Eppy carefully tied his four limbs to the four bedposts.

  "You are my slave and you can't escape," he said.

  "I am your slave and I can't escape," Crane repeated, as Wildeblood mounted him, both of them perfectly aware that he could slip the knots at any time.

  Crane took Rhoda to the Rainbow Room that night and made a point of loudly and brutally humiliating her throughout the meal. She accepted it all (her hundred most intimate friends and enemies in the room noticed with disapproval), as if he had hypnotized her.

  Rhoda actually took nearly a year to discover what was happening to her. It had started with a routine roll in the hay, but in the middle of it he lifted her to an unusual position. "What the hell is this?" she asked.

  "Tibetan, angel," he said softly. "Relax and you'll enjoy it."

  She relaxed, and it was the most extraordinary sexual experience of her life. After that, for two months, she followed all of his instructions, with growing delight and a firm belief that she was approaching that Ultimate Orgasm the Mailer fellow was always writing about. Then, one night, he brought out the ropes.

  "Now, wait a minute," she said, "that's English. That's kink. Go to London if you want that."

  "I love you," he murmured, his mouth moving south across her belly toward her bush; in a little while, she agreed to the restraints. He tied them very firmly-and then, to her relief, no weapon was produced. He didn't even produce his own weapon; it was entirely oral. After five orgasms, she found him sitting up and lighting a joint. In a minute, he held it to her own lips. "For the big one," he said. She toked hungrily while he kissed and caressed her and muttered endearments-but she could still feel the ropes. When the joint was finished he finally mounted her and galloped into some dimension of spasm she had never known before.

  "God," she said, coming back to herself, "that was the big one." But he was reversed again, his mouth on her snatch, and her head spun.

  The mild discipline began a few weeks later. "It builds up the charge," he said, and she found that it did. Soon she agreed that stronger discipline built an ever-greater charge. When the sadism switched to a psychological level, she was too far gone to stop, living in a dark and pulsating cave of ecstasy and pain millions of light-years from com-mon earth. She accepted degradation, humiliation, and the growing vampirism which seemed calculated to slowly destroy her last remnants of ego.

  Once or twice, she remembered later, she had feebly protested, "Enough, too much. Please."

  "No!" he shouted. "We're at
the edge. We've got to go all the way over."

  ("Yes, master," he would be saying to Epicene Wildeblood a few hours later, "whatever you wish, master.")

  "You could have lots of bookings, instead of just working in public terlets," his agent told him. "I could get you in top-money rooms. People would forget those drug charges, and those teenaged girls, if you didn't keep reminding them by being even worse. The way you and Rhoda carry on in public, everyone thinks you're a kink. And you and that faggot, Wildeblood-everyone thinks you're a touch lavender yourself, buddy. Why don't you straighten out, for Christ's sake? You're going to end up a beggar."

  (Remembering: possibly a previous incarnation: Hesse at the station in Zurich: "The mescaline, ja, the mescaline is the great teacher": and Crowley in Berlin: "The question is, who is it that seeks the True Self?" All so long ago, so far away, and Richard Jung saying, "I am an accountant, I don't buy any of this mysticism," begging on the street near the Old Granary where Paul Revere and the original Five lie buried, Rancid the Butler, Mama Sutra, weeping among the corpses at Chateau Thierry. "Please Jesus don't let me die, don't let me die…")

  The boy, who was to become Cagliostro the Great, heard "You're going to end up a beggar" and looked back and saw the tramp falling to the ground, very slowly, like the tree he had seen fall slowly after being chopped by the caretaker at the upstate Crane country home. And, just like the tree, when he finally reached the sidewalk, the tramp didn't move at all, not one bit; he even seemed to get stiff like the tree did, only faster.

  "On your knees," Cagliostro said sternly, and Rhoda obediently crossed the floor on her knees. "Ask for it," he said.

  "I beg you, master," she said, "to stick your cock inside my cunt and fuck me and make me come again and again and again. Oh, please, master."

  He lit a cigar, pretending to deliberate, and then blew smoke in her face. "No," he said. "I want you to suck me off. Nothing at all for you tonight."

  But a few nights later, when he was on top of her and inside her, and chanting in Tibetan, she suddenly thought she saw a kind of light around his head and two horns sprouting on his temple, and then it was like a million balloons bursting inside her and outside her at once, each balloon releasing a twinkle of light, each light a species of orgasm. "Rhoda Chief" ceased to exist. Eternities later, reentering time, she found he was again at the bottom of the bed, head between her legs, licking ferociously. She fainted.

  He had a large library dealing with both stage magic and occultism, and Rhoda occasionally browsed in it. The next morning, while he was still asleep, she went back to it and searched in several volumes by Rosenkreuz, Therion, lambacchus, Prinn, Dee, and Kelly. "The Mass of the Holy Ghost" was variously described, but the Rose of Ruby was always identified with water and the first H in JHVH, the H of motherhood. The Cross of Gold had different meanings, too, but was chiefly fire and the J of JHVH, the J of fatherhood. Bringing the J and the H i? together, the wedding of Cross and Rose, produced the manifestation of the Holy Ghost in the form of a eucharist, which was then consumed by the alchemist. My God, she thought, the Cross is his cock and the Rose is my cunt; that's why he goes down on me afterward, as well as just before, "The eucharist," old Prinn's words said blandly, "is both male and female, both living and dead, both fire and water, and yet its creation involves no violation of nature but merely obedience to nature's own laws, together with the proper spiritual attitude."

  Professor Nosferatu of Columbia, an old friend of Rhoda's, listened raptly as she recited the words to him. "That's not Tibetan, whatever he told you," he said. He repeated it with correct pronunciation: "IO PAN IO PAN PAN IO PANGENITOR IO PANPHAGE. It's an invocation of the god Pan in classic Greek. 'Io Pan, Io Pan, Pan. Io Pan-All-Creator, Io Pan-All-Devourer.' " He looked at her curi-ously. "You know, I've heard some rather odd rumors about you and him…"

  "Whatever you've heard," she said with a faint smile, "is probably true. I want you to give me the name of the best shrink you know. I want somebody to work on my head and help me to stay away from him."

  TRADE AIDS

  GALACTIC ARCHIVES:

  After the RICH Economy had revolutionized the lives and expectations of Unistaters on and off Terra, Eve Hubbard realized that the time was now ripe to abolish poverty entirely. She did this by declaring every citizen a shareholder in the L5 space-cities and distributing National Dividends every year.

  Again, Hubbard's political genius was evident. Others who had proposed such a plan in the past (e.g., the engineers C. H. Douglas and R. Buckminster Fuller, the inventor Tom Edison, the semanticist Alfred Korzybski, the physicist Frederic Soddy) had assumed such dividends would have to be "money." This proposal, in that form, always aroused heated opposition from the alpha males of the banking business, who understood well that an expanding money supply would lower the interest rate, seriously threatening their profits.

  Hubbard called her National Dividend tickets "trade aids," a term devised by a public relations firm she had commissioned to make the idea palatable to domesticated primates.

  Trade aids were like money only in that they could be exchanged for commodities or services. They were unlike money in that they could not be loaned at interest; the bankers kept their monopoly on the interest market and were mollified.

  Trade aids were also unlike money in that they could not be hoarded. Each ticket was dated, and lost value at 1 percent per month after the issue date, becoming totally valueless in one hundred months, or eight years and four months. There was thus a built-in incentive to spend the trade aids as soon as possible.

  When the first trade aid dividends were distributed, it turned out that even the poorest Unistat citizens had the equivalent of $80,000 for that year, in purchasing power, even though the tickets were not called "money."

  Citizens with that much purchasing power have huge demand, in the economic sense of ability to buy. The economy expanded more rapidly than ever, with new businesses springing up continually, both on Terra and in the space-cities.

  The rest of Terra was soon copying these innovations- the socialist countries most slowly and grudgingly. By 1995 starvation had been eliminated everywhere-just as had been the goal of the Hunger Project, started by a California primate named Erhard back in the 1970s. By then Hubbard had been out of the White House for six years and busy again at genetics and longevity research. She often said to friends that her whole political career had been merely an experiment in altering the parameters of primate sociobiology.

  TO CROSS AGAIN

  DECEMBER 24, 1983:

  Simon Moon toked at his pipe, pulling the hash deep into his lungs, floating with it.

  December 23 had been a hell of a day. Ubu and Knight and the other guys from the FBI had been all over the shop demanding to know why the Beast couldn't tell them any more about the missing scientists and warning ominously that President Lousewart was Personally Concerned and so on and so forth: the usual governmental craperoo. Simon only stayed on the job for the sheer pleasure he got out of working with the Beast, fucking up the government from within. But even that pleasure was wearing thin, and he hopped a suborbital to New York just to be away from everything Washingtonian for the holidays.

  He exhaled a fog of cannabis molecules and returned his attention to his favorite bedtime reading, Brown's Laws of Form:

  To cross again is not to cross.

  It must have been the hash, but suddenly that simple axiomatic statement was fraught with new and urgent meaning. A knight's move on the word processor would switch F to N, the FBI to the NBI, abolishing Knightness in the process.

  Only the quantum inseparability principle would explain why Furbish Lousewart went away in the same rotation.

  Simon found that he had wandered or teleported from the bedroom to the toilet and was staring in absorption at the sink. The two handles, one saying H and the other C, seemed to have enormous Cabalistic meaning, connected, perhaps, with the fact that Joe Malik had been Jo Malik before the collapse of the s
tate vector.

  Of course, out-of-the-book experiences are not yet recognized by orthodox science. The parapsychologists who dare to speculate about such things are ritually torn asunder and dismembered by Marvin Gardens in the back pages of the Scientific American. Still, this does not discourage Simon Moon, who is, after all, a close associate of the Beast and hip to the programmer's trade secret that all that exists is information: everything else is mammalian sense-impression and thus hallucinatory. Besides, Simon is doing it right now: and can see in one instant, in the twinkling of an eye, the total contents of the novel, a miracle of microminiaturization in the frontal lobes, as the metaprogramming circuit clicks into action.

  The novel was called The Universe Next Door. It existed-was bought and sold and loaned-in a super-continuum called the United States of America, which was Unistat enlarged into other dimensions.

  Everything in the novel was inevitable, as everything in the supercontinuum containing the novel was inevitable.

  Everything that happened in Unistat had to happen, as everything in the United States of America had to happen.

  That which was above was precisely reflected in that which was below.

  To cross again was not to cross.

  "So all right," Joe Malik said, staring at Simon through a triangle, "are you just trying to scare me to death or do you have a message for me?"

  Simon was on the balcony of Mary Margaret Wildeblood's apartment again and somebody was staring out at him in horror. "My God, it's Bigfoot!"

 

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