by Tanith Lee
The book, or Jennifer, omitted to say much about the existence they led together in their failing country mansion, rubbing each other up the wrong way all the while, since they didn’t like each other at all, due to some quarrel in the family. Somewhat in the manner of an antique Cinderella, the aged aunt, (she was sixty-odd, which must have been more like eighty in those days), was soon consigned to the servants quarters, and required to carry out quite menial work uncomplimentary to her years and status. Sabia Trente, meanwhile, lost no opportunity to ‘heap contumily’ on the old girl’s head, and in the end they were deadly enemies.
By the year Sabia was thirty, youth’s bloom gone and her last illusory chance of marriage with it, they occupied the mansion with only one actual servant. The grounds had run to seed and weed. Local farmers grazed their pigs and sheep on the meadows, and paid the Trentes a pittance to do it. The house was in bad repair, some of its roof down, and all its treasures sold.
All, that is, but for the French clock.
It would seem there was some sentimental or superstitious reason why Sabia Trente had not sold the clock, which might have brought a fair price as a curiosity, having become, of its kind, quite rare.
However, rather than be sold, something else happened with the clock.
One night, aunt and niece had a real falling out. For years they’d been arguing, but on this particular night it came to blows. Sabia struck first, slapping the old woman across the face and head so hard she fell down. It was then that Auntie Eugenia reached for a fire-iron. She in turn struck her niece a blow ‘harsh enough it clove the brain-case in twain’.
Skull fracture accomplished, Auntie, in the rational panic of the amateur turned professional, dragged her niece to the tall clock, standing handy, undid the door, and with the super-strength of fear and rage, stuffed Sabia inside. Then, Eugenia hauled the younger woman upright, propped her, (presumably smashed head lolling and bleeding) against the pendulum – which naturally at once stopped moving – slammed shut the door and locked it. She then flung the key in the fire, where the heat soon deformed and disguised it. Last of all, the inventive homicide pulled down one of the frowsty curtains and slung it right over the clock, draping it from top to toe, and thus hiding its new grisly contents from view.
Jennifer’s library book calmly commented that the old servant woman, if she at all noticed the clock had been shrouded, paid no attention, being used to the ‘eccentricities of her mistresses’. And when the dead body began to stink? The clock apparently held most of that safely inside. The occasional whiff was put down to dead rats in the wall, an occurrence of charming frequency.
Not even the disappearance of one of the Trentes was much noted. Both Sabia and Eugenia had long since ceased to frequent the village, or even the church. If the visiting pigs or farmers failed to see Sabia, trailing through the long grass of her estate in her ruined yellow gown, they doubtless only thought she had given up trailing, too, with her other renunciations .
As for the servant, ‘she asked no questions’.
Incredibly, if all this were a fact, Eugenia then lived on in the Trente house for five more years before she ‘died of an apopplexy’. The servant promptly left, stealing a few squalid items to assist her passage. Others came after the funeral, to clear and tidy the house. And that was when, of course, they found what was in the clock, a partly-mummified, partly-skeletal cadaver, held rigidly upright in its black-stained, pale yellow rags – which, once the curtain was fully off, was displayed as clearly as a mannequin in a shop window.
Some sort of investigation took place. It revealed, perhaps not amazingly, an account of what had actually happened, penned, (boastfully?), by Aunt Eugenia in her journal, and hidden in a concealed bureau drawer.
The clock meanwhile was broken open and the corpse removed and buried. A type of exorcism was reportedly performed. Exactly why was not specified. After that, the clock was sold at last, and went to unknown buyers.
Thereafter nothing was heard of it, until early in 1909, when it reappeared at an auction, boarded all round with plain wood, and said very definitely to be haunted. This was when the gay playwright, who had formerly inhabited Jennifer’s house, saw the clock and collected it.
His name was Shelley Terrence, and he had enjoyed some stage successes during the Art Nouveau era, enough to set him up financially and leave him bored. At first he was ‘fascinated’ by the clock, inviting his friends of all sexes down for weekends to see it. But then they, and he, changed their minds.
‘Terrence alleged,’ said Jennifer’s book, ‘that several of his guests had been woken at night in terror, on more than one occasion, by ghastly moans and cries issuing from the sealed-up stem of the clock. One of the guests, a certain Lady Devere Payne, claimed to have witnessed a pallid figure, in a yellow gown of the early Victorian years, lurching through the bedroom, from wall to wall – through both of which walls she passed unhindered – and wearing besides a scarlet, fringed turban that, the lady subsequently realised, was really a mass of wetly-matted hair and blood.’
The guests fled, but worse was to follow.
Coming in late one evening, Terrence was standing talking with his manservant in the downstairs hall, when both men heard a ‘creaking and groaning as of a ship at sea in high wind.’ Looking up, each man saw the same thing – the clock, which seemed to be moving quite rapidly across the top of the main staircase. It disappeared before reaching the stairs’ opposite side, but not before they had also noticed shreds of yellowish material ‘billowing’ from the spot where its door might have opened, had it still had one.
When they had gathered enough courage, Shelley and his man went to the room where the clock had originally been set down, and found it in a much altered position.
No surprise, another exorcism followed. After which, it seemed, Terrence was advised against ousting the clock, and instead recommended to have it ported to a back corridor, and there nailed down with long iron farriers’ nails, right through the floor-boards and a joist.
This did seem to end the clock’s personal activity. But by then a name had been given the ghost – the Woman in Yellow. And she herself did not leave Shelley Terrence entirely alone.
She would manifest at random awful moments, such as when he stood shaving, and saw her abruptly behind him in his mirror – a sight that so jolted him, he said, that he nearly cut off his ear. At last his nerves broke down, and he quit the house for America.
Thereafter another family, the pragmatic Jordans, lived there for a number of decades. It was they who had boarded up the clock entirely, but also they swore they did not credit ghosts, and experienced nothing unusual during their tenure.
And after the Jordans, though the book didn’t mention her, came my aunt.
Perched on the hillock in the bed, I put the pages down, all this information meticulously copied, (or invented? – it didn’t seem likely), by my own aunt.
That she was trying to frighten me, however, was pretty obvious. It was evidently all of a piece with her design for me here. To humiliate me and make me her unpaid servant – a curious reversal of Sabia and Eugenia Trente – wasn’t sufficient. No, she wanted to give me nightmares, too.
Why did she have it in for me? I thought back, cautious. All I could recall was a dim, much younger version of Jennifer, making snide remarks about my mother’s behaviour, Jennifer’s nagging voice gnawing away at my father, and more sharply at child-me – “Don’t do that, Laura. That grass will get your skirt dirty, and heaven knows, your mother won’t have anything ready for you to change into.” Oh, and Dad’s funeral. When she stood there, dabbing her bright, dry, hard eyes, and I hadn’t made time to talk to her, all wrapped up in my own misery, and not wanting anyone else to see. As if to grieve was a humiliation.
Was that enough to make her want to get at me so much? Maybe. She was slightly crazy.
More to the point, was her scheme working? I mean, was I scared?
I switched on the torch, then swit
ched off the overhead light. I left the torch burning by my bed. I lay down, listening, and heard only the vague sounds of wood and plaster settling towards the cool of earliest morning.
Yes, I was, if not nervous, unnerved.
I didn’t think I could sleep. Then I did. I dreamed, of course. Not about the Woman in Yellow. I was meeting Eden at Heathrow to fly to the U.S. with him, and I was very happy about this, and then I found my passport had vanished, but there was my father, grey and old, saying “I’ve got it here, Laura. It’s all right.” But we looked through the window of the caravan, which was suddenly there, and in which (in the dream) he’d been living, and it was full of things – live things – not really mice, more like ghastly little gingerbread figures – and they were eating the furniture –
And I woke up with my heart in my mouth, and it was light, 6 a.m., and the clock was striking ten.
III
I left the next morning.
Let me rephrase that. I tried to leave.
Having got up and dressed and herded my bags together, I bundled everything down the main stair to the hall.
It was by then only six-twenty, and there was no sign of Jennifer. Though I suspected she was an early riser, it seemed not this early.
My plan was to use the phone I’d noted yesterday in the drawing-room, and call the remembered number of the cab firm who’d brought me here.
When I walked into the room, the sunlight was cutting through it from the east-facing windows, and I could see the ocean glittering away below, never now to be reached. But when I lifted the old-fashioned receiver of the telephone, there was no dialling tone. I tried various things, nothing worked. I thought perhaps Jennifer unplugged the phone at night, and traced the wire around to its socket in the wall. But it was attached, and although I took it out and reconnected it, still the phone was dead.
Probably the machine itself had gone wrong and she frugally hadn’t bothered to get it mended. Where then in the house would I find another phone that worked?
I searched the downstairs rooms, cursing myself now that I, abnormality among millions, had never invested in one of those mobiles I’d previously cursed on the train. Of course the one I’d used from the company had been recalled.
The rooms were all spacious, gracious, full of grand furniture and silk curtains, and all soiled and dusty and lit by sun. And phoneless.
I went to the kitchen then and made myself some of the foul coffee, double strength. Really I thought I knew where the one operational phone would be. It would be in Jennifer’s bedroom.
As I stood there, in that dampish, still, shadowy, stone-floored vault, my body was prickling all over finally with a kind of fear. I knew I couldn’t say to her, I am leaving now: Let me use the phone to call a cab.
She would somehow (how?) prevent it.
She wanted me here, she really did. To play with, to get back at for imagined trespasses. And did she hope for me something worse than humiliation and housework?
Jennifer and Eugenia – just how much, by now, did the two of them have in common?
Then I visualised lugging my bags through the winding twisty lanes, getting lost among fields and hedges, always glimpsing the sea and the way I should go, and not able to figure out physically how to get there. I thought of surly country folk, who would detest me and refuse me use of their phones, snarling dogs, bulls – the perfect layman’s picture of the English Wild. Whatever else, it would be a long walk. It had taken the cab nearly an hour...
So I thought of a cunning plot. I’m a sort of survivalist. Up to a point, I’ll do what I have to, to escape, evade, get by.
She came down at eight. By then I was cleaning the French windows of the drawing-room. The rest of the room was dusted and hoovered, though not polished. You don’t, even if on an economy drive, polish wood like that with Busy Bee – which was all she had.
I heard her stop in the doorway. Was she thrilled? Triumphant? Or at all startled I’d actually given in?
“Hi,” I said airily, only half turning. “Beautiful morning.”
“Yes, it is,” she said, grudgingly.
“I’ve almost done in here. I thought you’d like this room sorted out first.”
“Yes.” Then she said, “So you decided you’d do it.”
“Oh, why not?” I said. “For a while, anyway. It’s a great house, it’s good to tidy it up.” Then I turned round properly. There she was, in a rather grubby white wrap, with her dyed hair in curlers and a scarf. I said, “Just one thing, I’m really sorry. When I was hoovering, I knocked into that table with the phone and it fell off. When I picked it up I couldn’t get the tone. I must have broken it. Of course, I’ll pay for the repair.”
She blinked. That was all. Then her dire little smile came out like a hiding slug. “That’s all right, Laura. It doesn’t work anyway. I don’t use the telephone much.”
I gawped, astonished, and anxiously said, “But miles up here, and you live alone – do you keep another phone for emergencies at least?”
“Oh yes.”
That was all. I turned back as if completely satisfied. Whistling, I went on sparkling up the windows with newspaper. I was satisfied. She did have another phone. Just a matter of finding it.
Then, as I gave the last burnish to the panes, I saw in the glass that Jennifer was now advancing through the room towards me, and – well, this frightened me. Was she violent? For a second I pretended to go on obliviously rubbing the newspaper about, but keeping my eyes on her reflection. The image was virtually divided between outside and in, and she seemed to be passing through the cedar tree in sections, her stupid red scarf, wound over curlers, very vivid in the glass, and contrastingly, her wrapper looking rather like a long dress, and more yellow than white –
And then I knew what I was seeing.
It wasn’t my Aunt Jennifer.
I whirled round, burning cold, in a terror the like of which I’d never ever felt – a sort of vertigo of fear. As if a hole had opened in the world and I was about to plunge through.
Nothing was in the room.
Not Jennifer. Nothing... else.
I made a noise, a silly noise.
After quite some time, I looked back at the window, and there was only the vague reflection of furniture held there among the branches of the cedar.
What do you do after something like that? If you’re me, and you don’t believe in ghosts, fairly quickly you put it down to hallucination caused by stress. And then you feel slightly better.
However, I was all the more keen to get out of the house.
She wanted breakfast, of course. Toast, cornflakes, marmalade – and tea, not coffee. I prepared that and she had it in the drawing-room, taking the opportunity, as she did so, to write down on a note-pad anything she thought I’d missed in my cleaning.
After all that, I explained I was just popping up to the loo. I guessed I’d get some comment about weak bladders or irregular bowels, but no.
Upstairs I went, but obviously not to the bathroom. I walked along the main upper hallway, and looked into the rooms until I found hers.
Her room was disgusting.
I have lived, I’ve said, in tips, but she really had no excuse. The bed was tightly made, otherwise there was mess and junk everywhere, old newspapers in stacks, magazines, boxes of sticky old orange powder and make-up dried in tubes. And worse than this, half-eaten packets of biscuits, sweets that seemed half-eaten, then taken out and wrapped up again in their paper for future use – Another defunct banana lay rotting in a turpentine reek on the windowsill, to the glee of several flies. The room stank of that, of many saccharine things going off. Of her.
I opened windows, and then I looked for the phone. And it wasn’t there. Which was insane, for it was nowhere else and I truly didn’t believe even crazy Jennifer wouldn’t have one. She must have concealed it cleverly. Where?
Perhaps I was chicken, I didn’t want to start rummaging around yet. I’d have to tell her I would do her room t
his afternoon, make it nice for her, some crap like that.
Then I went down to get on with the drudgery, and unlike me, she had found something – my bags, thrust in the hall cupboard.
“Whatever are these doing here? I said take them up.”
“Oh, I will, when I sort them out later. They take up too much space in my room like this.”
I can sometimes think on my feet.
But perhaps I wasn’t fooling her. Had she been looking?
A curious day. I laboured like her slave. My arms began to ache, and my back from bending and stretching. With the mirrors and the windows, I whistled and sang Mozart and XTC extra loud, and saw nothing beyond what usually reflects in glass.
I made lunch, (canned pilchards), and ate some with her.
The pilchards seemed to give her a high. She started rambling on at me. I scarcely listened to her reminiscences – everything had been much better then, maybe for her it had – and diatribes against men in general, Lesbians in particular, the French, the Germans, the Americans, the Scottish, and those she chose to call “Negroes” (!), also workmen, all of them, and the money-grabbing, work-shy, n’ere-do-wells who had ruined the British economy, and perhaps included, unspoken, me.
I wanted to kill her. It’s a fact. I felt I too was going mental. Didn’t care what I might come to do.
Acting Oscar-earning well, I smarmily told her I’d decided to clean her bedroom.
“No, Laura, that can wait. There’s still plenty to see to on this floor.”
“Okay,” I said.
Sod her. She wasn’t going to stop me now.
The old witch had a rest after lunch, so she had told me, but not in her bedroom, in one of the downstairs rooms.
To this stroke of luck I replied I’d clean up in the kitchen, while she slept, so as not to disturb her.