The Magpye: Circus

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by CW Lynch




  The Magpye: Circus

  CW Lynch

  Copyright © 2013 by Christopher William Lynch

  All rights reserved. This book or any portion thereof

  may not be reproduced or used in any manner whatsoever

  without the express written permission of the publisher

  except for the use of brief quotations in a book review.

  Smashwords Edition, 2013

  www.planetofthepenguins.com

  This is a work of fiction. Names, characters, businesses, places, events and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

  Dedication

  For my incredible wife Emily who puts up with me, keeps me alive, and provides boundless support for all my crazy ideas.

  For my boys William and Daniel, who can read this when they are much older.

  And for my Mum and Dad, who are the best.

  Acknowledgements

  With thanks to

  Stuart Tipples: Cover Artist and Partner in Crime

  Louise Weaver: Unpaid proof reader and Baroness of Grammar

  Pete Rogers, Barry Nugent, and Terry Copper: Fellow writers my and online support group

  Lee Grice, Yossarian Nutt, Regie Rigby, and Derek Hartley: Who all gave their names to characters in this book without ever asking what I would do to them. Sorry guys.

  Fionna Knibbs: Who was more than willing the join the roster of victims, but I just couldn't bring myself to kill her. Don't worry Fi', vampires will be next.

  Mike Allwood & Everyone at SCARdiff: For giving me somewhere to launch this book, and a deadline that therefore nearly killed me.

  Harry Markos: Who believed in The Magpye from day one.

  0

  This is the story of a bird.

  Once, a long time ago, this bird sat on the left shoulder of death and, other than for the reaper's steed, was Death's only companion. Together, the rider the bird and the horse went out into the world and hunted for souls to take to the afterlife. The reaper and his steed knew only this duty, but the bird was prideful and greedy. It begged Death to give it souls of its own to hold dominion over.

  Death refused, but the bird persisted, cawing in the reaper's ear incessantly. Eventually, even Death's patience was exhausted and, in a rage, Death cast the bird down into the shadowy space between the world of mortal men and the afterlife. It gave the bird dominion only over those incomplete souls could not move on to the next world and who were trapped in limbo as ghosts, spectres, and phantoms.

  The bird, for its part, was also enraged. It grew capricious, cruel, and spiteful and hatched a plan to swell the ranks of its own kingdom at the expense of Death itself.

  It became a spectral thing itself and, haunting the minds of wronged men, the bird taught mankind how to seek vengeance. It remade itself from an avatar of death into an avatar of bloody murder and revenge and vowed to one day become master of all of the dead.

  That bird became the Magpye, and this is its story.

  THE LIVING ARE THE INTERLOPERS

  Everything in the circus was dead except for Marv, Marissa, and maybe Magpye.

  Nobody was sure about Magpye.

  Part of the problem was that Magpye wasn't always completely Magpye. Sometimes he was Able Quirk, and he certainly looked a lot like him. A dead him, but still him. Other times Magpye was someone else entirely, the ghost of some other person, or persons, speaking through Able. But always, underneath it all, he was Magpye. Whatever the hell that meant.

  Above ground, everything had been burnt long ago. The caravans were nothing more than rusting skeletons, their blackened skins blistered from the heat of the fire, ruptured, and now rusting in the merciless elements. Their black frames looked the skeletons of elephants, great beasts come together in their graveyard, far from the herd. Tattered tarps, colourful shrouds for the dead circus, clung to the ruined frames of the tents and awnings, and the ground was little more than a black, scorched skin. Above it all towered the black bones of the big top, casting its grim shadow across the place like a cage. When the wind was right, you could still smell burning. If you listened carefully, you could sometimes hear screams too. Murder hung in the air like a fog and clung to everything, a sticky miasma that made the flesh crawl and the heart pound.

  Something bad had happened here. The kind of bad that stained a place.

  Even when the circus had been open, before everything had burnt, there had been rumours. The place was an old, forgotten cemetery, some said, and the ghosts of those interred here haunted the circus and plagued its visitors. Well, there were ghosts here, that much was certain. Magpye could hear them. He could hear them all the time.

  Below ground, in their tiny sanctuary underneath the vast corpse of the circus, Marv and Marissa were cooking. Pans steamed, lids rattled. Ever the showman, ever the magician, Marv made even a simple stew cooked over a camping stove look like a conjuring trick. Behind him, Marissa laid the table. Impossibly, some china had survived the fire-storm that had consumed the circus, and she placed it carefully on the table.

  The sanctuary was a small mausoleum: an expensive tribute, Marv had suggested, to a family long past. Despite all the ghosts that Magpye could sense, he had no inkling of who the original denizens of this place might have been. Unlike the ghosts of the circus, their spirits had found peace, he suspected. Marissa had done her best to decorate the place, papering the vaulted stone ceilings with old posters from the circus, scrounging up what furniture she could. With the original tenants gone, they had turned the place into a shrine to their own lost loved ones. Salvage from the burnt out caravans was piled everywhere, a ramshackle museum built up from the everyday detritus of people's lives mixed with what was left of the paraphernalia of the circus. They had used some of the larger boxes to block up doors, limiting themselves to just a few small rooms. Marv wanted to explore the place, but Magpye's keen sense of the dead and their demands had bade him leave the rest of the crypt alone. The living were the interlopers here.

  Perched on the edge of an old steam trunk, Magpye watched Marissa laying the table. The plates were fragile, just like the girl, he thought. Survivors, but chipped and crazed and changed by the whole thing. He was changed too, of course, more than any of them.

  "Sit down to the table, son, you're making us all nervous," Marv said. "Or make yourself useful and help Marissa."

  Magpye cocked his head to one side, an affectation that let Marv and Marissa know that he was no longer listening to them, but to one of the many voices that only he could hear. Dead voices, never quiet. "Sorry," he mumbled, hopping down from his perch.

  "That's OK," said Marissa, unsure whether the apology had been for her or not. "Everything's ready. Why don't you sit down and we can get started?"

  Magpye shot Marv a look. "I can't..."

  "Try," said Marv, pouring steaming stew from the pan into the waiting bowls. "Just... try."

  And so the three of them sat and stared at their plates of stew. Marv, the once great circus conjurer, and Marissa his daughter and former assistant. Magpye knew them both, but couldn't be sure if the memories were his or if they belonged to one of his ghosts, to the one of the voices in his head.

  He felt Marissa’s hand on his. It was warm, far warmer than his own cold and cadaverous flesh.

  "You used to love this stew," she said earnestly. "You've got to eat something, keep your strength up."

  Magpye pushed the bowl away angrily, spilling some of the steaming stew onto the old wooden table.

  "I can't," he said flatly, his temper immediately subsiding. "I can't eat this."

  He stalked away from the table, damning t
he voices in his head for their sudden silence as Marissa began to sob behind him.

  ***

  Sitting in his lair, Magpye listened to the girl's sobs fade away, and to the muffled sounds of Marv's calm, deep voice. He was a hypnotist, amongst his other conjuring skills, and Magpye wondered if Marv had ever considered reaching into Marissa’s mind and turning off the things that plagued her. The voices said no, but Magpye still wondered.

  The "lair", as Magpye had come to term it, was the smallest of their rooms. Marv's old trick cabinet stood against one wall, co-opted by Magpye for his own storage. A bed of sorts, cobbled together from part of one of the old caravans, lay awkwardly to one side. A jagged shard of warped glass was propped up in one corner, a poor substitute for a decent mirror. Magpye liked to look at himself, he said, to see if he could see any trace of them, the voices in his head, behind his eyes or on his face. Marv said that Magpye had once stared into the mirror for almost two days. All he ever saw was his own warped reflection, of course. The dead were far too cunning to be caught in mirrors.

  A soft tap on the door and the creak of hinges announced Marv's arrival.

  "I'm sorry," said Magpye instantly, "I shouldn't have..."

  "It's fine," Marv interrupted, dragging an old crate away from the wall to make an impromptu seat for himself. "But you can't hide what you are from her forever you know."

  Magpye looked down at the floor. "And what is that, exactly?"

  "You're a young man with some incredible gifts, Quirk."

  "Don't call me that!" snapped Magpye. The bed creaked under his weight as he shifted himself back and forwards. Marv knew the movement and understood the inner torment that it signified. He couldn't imagine what it was to have so many voices in your head, especially when they were screaming.

  Marv sighed and rubbed at his face. "You can't afford to forget who you really are, son."

  "Who I really am is why all of my friends and all of my family are dead, Marv. Who I really am is why we live in a tomb underneath what used to be our home, why we have to scavenge in the wreckage of our lives, of their lives, for the things we need. Being Able Quirk is why all of this happened."

  Magpye stood up and stalked across to the trick cabinet. Yanking the doors open, he revealed the contents - a small arsenal of throwing knives, a long handled axe, a belt hung with loops of trapeze wire, and his great coat. Stitched with a series secret pouches and pockets, even Marv didn't know the full extent of the coat's contents. Hanging from the top of the cabinet, was the mask. In a cabinet full of weaponry, it was the mask that frightened Marv most of all.

  "You're going out?" he asked, warily.

  Magpye pulled on the great coat. Inside, Marv could see holsters swinging.

  "And you've got yourself some guns, I see."

  "Malcolm put me on to them. He kept them in a secret compartment in the floor of his caravan."

  "Malcolm..." said Marv wistfully. Malcolm had been the circus' sharpshooter. British by birth, he dressed as a cowboy and affected a Texan drawl as part of his act. He'd been great, in his day, but he'd never told anyone the secret of where he'd learnt to shoot. Marv had always suspected that he was more than just a sharpshooter or a trick shot. For one thing, he'd never come across a trick shot who knew how to shoot a man in the gut so that it took him a whole day to bleed out.

  Magpye unhooked the long handled axe and slung it over his back on a leather strap.

  "I'm not going to try and stop you," said Marv.

  "I know."

  "But you can't do this forever. Eventually, you're going to have to stop hiding and remember who you are, underneath all of this."

  "Doing this," said Magpye, unhooking the mask, "Is the only thing that makes any of this make sense."

  Marv stood, placing his arms on Magpye's shoulders. He could feel hard plates stitched underneath the cloth. "I used to feel that way, you know I did. They were my family too."

  "You left."

  "And I came back."

  "When they were dead. When it was too late to help anybody."

  Marv found he couldn't see Magpye's eyes any more. The pale, milky orbs were almost devoid of colour, another of the mysterious changes that had come over the boy Marv had once known as Able Quirk, but it was more than that. He didn't see the dead, or hear them like Magpye did, but that didn't mean that he didn't remember them. The circus had been his home too, once. Marv, the great magician, the master escape artist. He'd pulled his greatest ever escape without even knowing it, leaving the circus just a few weeks before it was burnt to the ground, the entire crew murdered.

  "I helped you, didn't I?" he asked weakly.

  "Yes, Marv, you did," replied Magpye. "And you're still helping me now. Let's face it, if I stop, what else are we going to do?"

  "Live?" suggested Marv, his tone glib.

  "As ghosts, maybe. Hiding down here in a tomb? We may as well be dead."

  "But we're not. We've got a chance. I've got friends in LA, a few friends in Vegas... we could start over." Marv gripped Magpye by the shoulders, tightening his grip, "Everyone who goes up against the Kings ends up dead, kid. Everyone knows that. What happened here, what happened to us? They've done things a hundred times worse. They own this city, and nobody is taking it from them."

  "I am."

  "Bah!" scoffed Marv. "Well, at least use that secret passage of yours," he said, heading out of the room. "I don't want Marissa any more upset than she is already. And don't think you can come back and haunt me if you get yourself killed out there."

  But Magpye didn't answer. As he closed the door, Marv heard the unmistakeable sound of Able Quirk zipping up his mask, and he knew that any vestige of the boy was gone in an instant. Inside the mask, there was only Magpye, and Magpye only wanted one thing.

  Magpye was going to kill the King.

  IN THE KINGDOM OF THE BLIND

  Vic was the last to arrive. He'd planned it that way. Outside of a movie, he'd never known the bosses of a city to ever sit down together. It didn't happen. You didn't put four sharks into a tank full of blood and expect them to just get along, and you didn't sit down four of the most powerful and dangerous men in the city and expect them to get along either. There was a reason that they had territories, that they stayed out of each other's way.

  War was bad for business.

  The slaughterhouse had been chosen by Blake, the oldest of them by far. Some people thought that he might be in his 90s, a relic from the last generation of criminals to run this city. His power was undeniable though. Despite his age, the others all feared or respected him enough to come here in the dead of night to talk about what he called "mutual problems".

  Of course, when the mutual problem was a group of cops and their tame psychopath who had been systematically pulling your business apart for six months? Well, maybe sharks could swim alongside each other for a little while after all.

  Still, the whole place smelt of raw meat and blood and fear and death and Vic knew that he could walk around the corner into the barrel of a gun at any moment. He was still here though, because a gun in the face was what passed for a retirement plan in Vic's line of work. A lunatic in a mask? That was a whole different ball game.

  "You're late!" barked Blake.

  Sitting hunched at a large metal table in the middle of the slaughterhouse kill floor, Blake looked like 90 would be an underestimate. Wheelchair bound, he had two large oxygen cylinders next to him, and he sucked greedily at the air in between sentences. His body was so emaciated, his head seemed to balance on top like a great dome-headed vulture on a bare tree. His clothes were loose, draped over his frame like clothes on a line.

  "You think it's safe... all of us here... together?" he rasped.

  "No, I don't," replied Vic, pulling out a metal chair from the table. The feet screeched across the tiled floor and he noticed the criss-cross of scratches and gouges in the metal table top. Great, he thought, we're all going to sit around a butcher's block. "But I needed to be sure th
at you hadn't put a few of your boys around the place, maybe thinking you'd take advantage of our mutual problem for your own benefit."

  Blake raised his hands. They were covered in liver-spots, his yellow skin stretched over the bones and as thin as parchment. "On my honour, this place is empty Vic. It's just you, me, Crow, and Keane."

  Silent until now, the other two bosses shuffled in their seats. Vic smiled inwardly. If Crow and Keane where sharks, then Vic and Blake were a pair of killer whales. Their territories, the east and west of the city respectively, were only divided up by the territory held by the other two, which was split roughly north and south. If either Vic or Blake decided to take on the other, it was Crow and Keane who got caught in the crossfire.

  It was Crow who spoke first. "Good evening, Victor." A mix of Asian and Native American descent, Crow's territory was the north central part of the city. Well-heeled and well-monied, he focussed on the things that wealthy people always wanted: drugs, gambling, untraceable loans, girls, and the occasional hit. There was more paid for murder amongst the upper classes than anyone cared to admit. Crow fancied himself a businessman and gentleman criminal. He was immaculately turned out, from his designer suit and shirt to his hand made shoes. It paid well to run the girls in North Central, Vic guessed.

  Keane merely grunted. An Irish American thug who had fought and killed his way up from the streets, his main racket was protection. For a sizeable fee you could buy protection from Keane and, so Vic had heard, his record was impeccable. Nothing went down on his turf that he didn't know about and sign off on. The polar opposite to Crow, Keane looked like he was still on the streets. Wearing dirty jeans, an old t-shirt and leather jacket, he still looked like the thug he had been ten years ago. You didn't need expensive clothes when you had a body count like Keane's though.

 

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