A Time to Dance

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A Time to Dance Page 9

by Padma Venkatraman


  The remaining class time

  flies.

  A TIME

  to

  SPEAK

  First day of school after the summer holidays,

  I pretend Govinda’s standing behind me

  speaking about my perfect stance

  as Chandra and I walk toward school.

  Inside the building, we part ways for the first time.

  She hurries off to join

  the science-math-computer-engineering classes.

  I walk toward the history-literature-language section

  that’s dominated by girls and boys who haven’t got good grades

  or much ambition.

  In my new classroom, I see Mekha and Meghna.

  The twins’ long-ago insults ring in my ears.

  Should we start calling cricket stumps something else

  because she has a stump?

  “Look who’s here!” Mekha calls out. “Veda!

  Hey, Veda, does my hair look limp today?”

  Meghna sniggers.

  I think of the little kids in my dance class

  who didn’t know any better

  laughing the first time they saw me fall.

  Mekha and Meghna aren’t innocent.

  They’re nasty girls

  who should know better.

  The rest of the class is quiet—

  waiting to see what I’ll do.

  “Some stupid people are

  smart enough to hide their stupidity,” I say.

  A twitter runs through the class. My classmates are laughing.

  At Mekha and Meghna.

  I stride past the twins

  as if they don’t exist.

  NOT ENOUGH

  Jim gives me a long, serious look

  when I next see him.

  “Remember what I said

  about having to make some big decisions?

  The decision impacts you.”

  My heart pirouettes.

  “I’ve decided,” he says,

  “to return to America.”

  I bite my lip so hard it hurts.

  “But don’t you worry.

  I’ll be leaving you in good hands.”

  Not

  the hands I want.

  “I’ll miss you,” he says,

  “but every project comes to an end, you know.”

  I should have known.

  I can’t believe I was stupid enough

  to think he cared for me.

  That I was special to him.

  “You’ll do great, kiddo.”

  “I’m not a kid,” I mutter.

  “I know. I know.” He pats the top of my head

  as if he’s pacifying a baby. “You’re one special young woman.”

  “Not special enough for you,” I blurt.

  Jim looks as though an earthquake just struck. “What?”

  Awkwardness

  hangs

  in the space

  between us.

  I wish the earth would spin backward,

  erase the last minute and those words

  I never meant to say to his face.

  “Veda—I’m sorry if—if anything I said or did made you think—”

  I shake my head. It was all me.

  My mistake.

  I read too much into everything.

  Dreamed, imagined, and

  let my thoughts get

  as out of control as my body.

  “Veda,” he says. His tone is kind, patient, gentle.

  “It’s normal to get attached to your caregiver.

  You’ll get over it soon.”

  I sense he’s trying to make me feel better,

  though it only makes things worse

  to hear Jim say I’m as ordinary

  as any other patient.

  “We’ll meet before I leave. Okay, Veda?”

  His forehead crinkles with concern.

  Feeling more like a kid than when he called me kiddo,

  I nod my head and

  walk out the door he holds open.

  BARE

  The words not special enough for you ring in my ears

  louder and clearer than when I actually blurted them to Jim.

  My foolish words even interrupt my sleep,

  waking me in the early dawn.

  Paati will be up soon.

  But this problem she can’t help with.

  She wasn’t allowed to think about boys or men.

  Except the one her parents arranged for her to marry.

  She couldn’t possibly understand

  how stupid and confused I feel.

  I get my leg on and pace

  up and down our balcony.

  “Veda?” Ma’s potu

  is a smudged red blur on her forehead.

  She rubs a bare earlobe with her thumb.

  “Ma? Why aren’t you wearing your earrings?”

  Ma looks at me with sleep-dimmed eyes.

  Dr. Murali said Jim’s project would subsidize the cost,

  not cover everything.

  I never bothered to think how much my medical bills cost

  or where the money to pay them would come from.

  “Ma? You sold your diamonds to pay

  my bills?”

  “When we named you Veda,” Ma says,

  “I remembered the four holy books called the Vedas.

  I’d forgotten that dance is also called the fifth Veda.

  Until after the accident, I didn’t want to accept

  you’d chosen that fifth Veda

  over any book.

  But I should have known

  when you and I argued about dance

  and I saw your jaw set in the same stubborn line

  as mine when I argued with my parents

  for permission to marry your pa.

  My family wanted me to marry a richer man

  so I’d have the security of wealth.

  I gave up wealth so I could have this family.

  Yet I wanted you to have a well-paid career

  that would bring you the comforts I’d once had.”

  Ma shakes her head at herself.

  “I imagined you’d wear my earrings

  on your wedding day.

  But that was silly.

  Even I didn’t marry wearing my ma’s jewelry.

  So, yes, I sold my earrings to pay

  our bills.”

  Ma reaches for my hand.

  Our fingers interlock.

  Between us,

  shadows shorten and lighten

  as the sun creeps higher into the sky.

  “For your sake,” Ma says,

  “I’d have begged my family for money

  if I had no earrings to sell.

  Your future matters more than my pride.

  After all, you’re my most precious jewel, Veda.”

  EXCHANGES

  Govinda walks me out of class.

  “Akka asked how you were doing.

  I said you’re doing so well

  we need to start working one-on-one.”

  We. Govinda said we.

  And he not only thinks of me outside class,

  he wants to give me private lessons!

  “But—” I hesitate. “It would take up so much of your time.”

  “I learn when I teach.

  You’d be doing me a favor.”

  He looks sincere.

  “Or am I not a good enough teacher?”

  He sounds hurt.

  “You’re an amazing teacher!

  The best.”

  In the dark pools of Govinda’s eyes

  gold f
lecks shimmer like fish scales. “Is that a yes?”

  I stop short,

  feeling suddenly shy. “Yes.”

  “Akka has a carpeted study

  she sometimes lets older students use.

  If we met there, we wouldn’t have to worry

  about you falling on a hard floor.

  I’ll ask her if we can use it

  and call to schedule a lesson, okay?”

  Govinda actually worries about me hurting myself.

  I wish my leg would let me twirl with joy.

  “Your parents don’t have a problem with boys calling,

  do they?”

  “No,” I say, though I don’t actually know.

  I’ve never given a boy my number before.

  He couldn’t like me.

  Could he?

  A PARTIAL VICTORY

  Alone in akka’s carpeted study with me, Govinda chants aloud,

  “Thath thai thaam, dhith thai thaam,”

  and I try to lunge,

  lurch like a drunkard but manage to hold my ground.

  “Almost!” Govinda says.

  I stamp my foot in frustration.

  “Almost means nothing.

  A partial victory is a complete defeat.”

  “Are you dancing or fighting a war?”

  Govinda gives me one of his rare smiles.

  If he’s trying to be funny, he’s failing.

  “I’m used to winning over my body.

  Now I’m always losing to it.”

  My tone wipes the grin off Govinda’s face.

  “Dance isn’t about winning or losing,” he says,

  “it’s about enjoying how your body moves.”

  I kick my right leg out so ferociously I almost lose balance.

  “This

  isn’t

  my

  body.”

  “We all choreograph to our strengths, Veda.

  The audience won’t see

  what you don’t show them.”

  “I don’t want to be a good

  handicapped

  dancer.

  I want to be a good dancer,” I shout.

  “You think akka’s body has no

  limitations?” Govinda shouts back.

  “You think because she’s older and less flexible

  she’s not as good a dancer anymore?

  Being a good dancer is more

  than mastering

  every pose there is.”

  “We’re not talking about every pose there is.

  Because of my leg, some poses are off limits.

  Entirely.

  So I must master

  everything else that’s possible.

  Can’t you see that?”

  “Some dancers thrill audiences

  with exotic poses and excessive speed.

  I think you should

  care more about entering people’s hearts

  and elevating their souls

  than about entertaining their minds.

  I think you should start

  getting over your obsession with what you can or can’t

  do physically.

  Bharatanatyam dance is not just

  about perfecting your body’s skills.”

  Govinda sits down and taps out the rhythm

  using his block and stick.

  Govinda’s words

  wound me more deeply

  than when Kamini

  said my dance wasn’t spiritual enough

  after I won the competition.

  We don’t speak for the rest of the hour.

  I try twisting in the full-sitting pose and leaping into a lunge,

  try and fail,

  fail many times,

  fail spectacularly.

  My only accomplishment, when I leave class:

  I’ve fought so hard with Govinda,

  I’ve had no time to think of being embarrassed about Jim.

  AS MANY

  Perfect Poses

  AS PEOPLE

  “Govinda doesn’t understand me!” I complain to Paati.

  “He wants me to skip every pose that’s hard

  instead of helping me perfect them.

  He wants me to skirt hurdles, not leap over them.”

  In answer, Paati tells me a story.

  “The sage Vyasa once climbed

  the snowy peaks of the Himalayas,

  where Shiva lives.

  Eager to perfect every yoga pose, Vyasa asked Him,

  ‘How many yoga asanas are there?

  I wish to master every pose so I can be the best yogi of all time.’

  Shiva replied,

  ‘There are as many perfect poses as there are people.’

  And Vyasa understood that yoga

  is about embracing the uniqueness within.

  Shiva sees perfection in every sincere effort.

  He loves us despite—or maybe because of—

  our differences.”

  ONLY

  Temporarily

  ABLE

  At the Java Joy café, Chandra jabs her spoon at me.

  “How are your private dance lessons going?

  Have you been flirting with your dance-teacher boy?”

  I choke, scorching the roof of my mouth.

  Chandra pats my back until I stop spluttering.

  “Flirt? Me? I’m useless with guys.

  I blurt out idiotic things in front of them.

  Or get angry and push them away.”

  “You and Govinda fought?

  About what?”

  “Govinda insisted everyone has limits

  and even able-bodied dancers get old and inflexible.

  I got mad

  because I’m young and inflexible.”

  Telling Chandra what Govinda said,

  I realize he wasn’t being unreasonable.

  On the TV screen, I see Shastri, whom Ma and Pa said

  was the “baby” of the national cricket team

  when they were young.

  Now he’s an old man sitting in the commentator’s box.

  “Call him and apologize,” Chandra advises.

  “It must be hard for you to relearn dance, Veda,

  but it’s not his fault.

  Don’t fight with him. Flirt with him.”

  “He’s too serious to flirt with, Chandra.”

  “Too serious? Who do you think you are? Ms. Frivolity?”

  Chandra lifts another spoonful of froth.

  I watch the bubbles burst like weak excuses.

  “But the new leg is good?” Chandra asks. “Jim is helping?”

  I swirl my teacup so fast, chai slops on the table.

  “Chandra, I was so stupid.

  I—I—I went and told Jim that I liked him.”

  Chandra laughs. “Nice try, Veda. I almost believed you.”

  She starts mopping up the spilled chai.

  Her disbelief makes me feel worse.

  “I’m not kidding, Chandra.

  Jim was shocked at first. Then really nice about it.

  So nothing creepy happened.

  I just feel foolish.”

  Chandra gapes.

  Finally, she says, “I’m sorry.

  That was crazy but it took guts.

  More guts than most of us have.”

  She hugs me. “It’ll be okay.

  Maybe it’s even a good thing you said it.

  Gets it off your chest.

  Jim was cricket practice; Govinda’s the real match.

  Match. Get it?”

  She looks so pleased with her pun,

  she makes me smile.

 
; REACHING

  OUT

  At home, I dial Govinda’s number.

  Hang up after two rings.

  Silly, silly. I’m not calling to ask him out.

  I rehearse my speech:

  Govinda, this is Veda. I’m sorry I shouted at you.

  I dial and don’t hang up. A woman’s voice answers.

  I assume it’s his mother, then realize it’s the maid

  because she calls me “ma’am”

  and I hear her in the background

  addressing Govinda with respect: “Govinda, sir.”

  “Hello?” His voice is just as musical on the phone

  as it is face-to-face.

  “Govinda, this is Veda. I’m sorry I shouted at you.”

  “That’s okay.”

  “See you in class tomorrow?”

  “Sure.” It’s a short word.

  Too short for me to tell if he’s pleased or not.

  “Thanks.”

  “Sure.”

  Later I wonder

  what it’s like to be rich and have a live-in maid

  who answers the phone.

  I ask Ma if it was hard to give up

  her wealthy way of life when she married Pa.

  “Giving up money wasn’t hard,” Ma says.

  “But though I was never very close to my

  parents or siblings,

  it was hard that they cut off contact altogether.

  Still is.”

  A SENSE

  of

  NORMAL

  Jim invites Ma and Pa to come with me

  to meet one last time at his office

  and go to his farewell party.

  “Hello, kiddo.” Jim looks

  as friendly as when we first met.

  No awkwardness at all.

  The gratitude I feel toward him deepens.

  He introduces me and Pa and Ma

  to the kind-eyed Indian lady who’ll be taking over his “cases,”

  though he says, “You’re doing so great, kiddo,

  you’ll only need to see her for a few checkups

 

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