Delphi Complete Works of O. Henry

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Delphi Complete Works of O. Henry Page 24

by O. Henry


  Delia came and hung about his neck.

  “Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn’t think of leaving Mr. Magister.”

  “All right,” said Joe, reaching for the blue scalloped vegetable dish. “But I hate for you to be giving lessons. It isn’t Art. But you’re a trump and a dear to do it.”

  “When one loves one’s Art no service seems too hard,” said Delia.

  “Magister praised the sky in that sketch I made in the park,” said Joe. “And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a moneyed idiot sees them.”

  “I’m sure you will,” said Delia, sweetly. “And now let’s be thankful for Gen. Pinkney and this veal roast.”

  During all of the next week the Larrabees had an early breakfast. Joe was enthusiastic about some morning-effect sketches he was doing in Central Park, and Delia packed him off breakfasted, coddled, praised and kissed at 7 o’clock. Art is an engaging mistress. It was most times 7 o’clock when he returned in the evening.

  At the end of the week Delia, sweetly proud but languid, triumphantly tossed three five-dollar bills on the 8×10 (inches) centre table of the 8×10 (feet) flat parlour.

  “Sometimes,” she said, a little wearily, “Clementina tries me. I’m afraid she doesn’t practise enough, and I have to tell her the same things so often. And then she always dresses entirely in white, and that does get monotonous. But Gen. Pinkney is the dearest old man! I wish you could know him, Joe. He comes in sometimes when I am with Clementina at the piano — he is a widower, you know — and stands there pulling his white goatee. ‘And how are the semiquavers and the demisemiquavers progressing?’ he always asks.

  “I wish you could see the wainscoting in that drawing-room, Joe! And those Astrakhan rug portières. And Clementina has such a funny little cough. I hope she is stronger than she looks. Oh, I really am getting attached to her, she is so gentle and high bred. Gen. Pinkney’s brother was once Minister to Bolivia.”

  And then Joe, with the air of a Monte Cristo, drew forth a ten, a five, a two and a one — all legal tender notes — and laid them beside Delia’s earnings.

  “Sold that watercolour of the obelisk to a man from Peoria,” he announced overwhelmingly.

  “Don’t joke with me,” said Delia, “not from Peoria!”

  “All the way. I wish you could see him, Dele. Fat man with a woollen muffler and a quill toothpick. He saw the sketch in Tinkle’s window and thought it was a windmill at first. He was game, though, and bought it anyhow. He ordered another — an oil sketch of the Lackawanna freight depot — to take back with him. Music lessons! Oh, I guess Art is still in it.”

  “I’m so glad you’ve kept on,” said Delia, heartily. “You’re bound to win, dear. Thirty-three dollars! We never had so much to spend before. We’ll have oysters to-night.”

  “And filet mignon with champignons,” said Joe. “Where is the olive fork?”

  On the next Saturday evening Joe reached home first. He spread his $18 on the parlour table and washed what seemed to be a great deal of dark paint from his hands.

  Half an hour later Delia arrived, her right hand tied up in a shapeless bundle of wraps and bandages.

  “How is this?” asked Joe after the usual greetings. Delia laughed, but not very joyously.

  “Clementina,” she explained, “insisted upon a Welsh rabbit after her lesson. She is such a queer girl. Welsh rabbits at 5 in the afternoon. The General was there. You should have seen him run for the chafing dish, Joe, just as if there wasn’t a servant in the house. I know Clementina isn’t in good health; she is so nervous. In serving the rabbit she spilled a great lot of it, boiling hot, over my hand and wrist. It hurt awfully, Joe. And the dear girl was so sorry! But Gen. Pinkney! — Joe, that old man nearly went distracted. He rushed downstairs and sent somebody — they said the furnace man or somebody in the basement — out to a drug store for some oil and things to bind it up with. It doesn’t hurt so much now.”

  “What’s this?” asked Joe, taking the hand tenderly and pulling at some white strands beneath the bandages.

  “It’s something soft,” said Delia, “that had oil on it. Oh, Joe, did you sell another sketch?” She had seen the money on the table.

  “Did I?” said Joe; “just ask the man from Peoria. He got his depot to-day, and he isn’t sure but he thinks he wants another parkscape and a view on the Hudson. What time this afternoon did you burn your hand, Dele?”

  “Five o’clock, I think,” said Dele, plaintively. “The iron — I mean the rabbit came off the fire about that time. You ought to have seen Gen. Pinkney, Joe, when— “

  “Sit down here a moment, Dele,” said Joe. He drew her to the couch, sat beside her and put his arm across her shoulders.

  “What have you been doing for the last two weeks, Dele?” he asked.

  She braved it for a moment or two with an eye full of love and stubbornness, and murmured a phrase or two vaguely of Gen. Pinkney; but at length down went her head and out came the truth and tears.

  “I couldn’t get any pupils,” she confessed. “And I couldn’t bear to have you give up your lessons; and I got a place ironing shirts in that big Twenty-fourth street laundry. And I think I did very well to make up both General Pinkney and Clementina, don’t you, Joe? And when a girl in the laundry set down a hot iron on my hand this afternoon I was all the way home making up that story about the Welsh rabbit. You’re not angry, are you, Joe? And if I hadn’t got the work you mightn’t have sold your sketches to that man from Peoria.”

  “He wasn’t from Peoria,” said Joe, slowly.

  “Well, it doesn’t matter where he was from. How clever you are, Joe — and — kiss me, Joe — and what made you ever suspect that I wasn’t giving music lessons to Clementina?”

  “I didn’t,” said Joe, “until to-night. And I wouldn’t have then, only I sent up this cotton waste and oil from the engine-room this afternoon for a girl upstairs who had her hand burned with a smoothing-iron. I’ve been firing the engine in that laundry for the last two weeks.”

  “And then you didn’t— “

  “My purchaser from Peoria,” said Joe, “and Gen. Pinkney are both creations of the same art — but you wouldn’t call it either painting or music.”

  And then they both laughed, and Joe began:

  “When one loves one’s Art no service seems— “

  But Delia stopped him with her hand on his lips. “No,” she said— “just ‘When one loves.’”

  THE COMING-OUT OF MAGGIE

  Every Saturday night the Clover Leaf Social Club gave a hop in the hall of the Give and Take Athletic Association on the East Side. In order to attend one of these dances you must be a member of the Give and Take — or, if you belong to the division that starts off with the right foot in waltzing, you must work in Rhinegold’s paper-box factory. Still, any Clover Leaf was privileged to escort or be escorted by an outsider to a single dance. But mostly each Give and Take brought the paper-box girl that he affected; and few strangers could boast of having shaken a foot at the regular hops.

  Maggie Toole, on account of her dull eyes, broad mouth and left-handed style of footwork in the two-step, went to the dances with Anna McCarty and her “fellow.” Anna and Maggie worked side by side in the factory, and were the greatest chums ever. So Anna always made Jimmy Burns take her by Maggie’s house every Saturday night so that her friend could go to the dance with them.

  The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard street was fitted out with muscle-making inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organisations in joyous combat. Between these more serious occupations the Saturday night hop with the paper-box factory girls ca
me as a refining influence and as an efficient screen. For sometimes the tip went ‘round, and if you were among the elect that tiptoed up the dark back stairway you might see as neat and satisfying a little welter-weight affair to a finish as ever happened inside the ropes.

  On Saturdays Rhinegold’s paper-box factory closed at 3 P. M. On one such afternoon Anna and Maggie walked homeward together. At Maggie’s door Anna said, as usual: “Be ready at seven, sharp, Mag; and Jimmy and me’ll come by for you.”

  But what was this? Instead of the customary humble and grateful thanks from the non-escorted one there was to be perceived a high-poised head, a prideful dimpling at the corners of a broad mouth, and almost a sparkle in a dull brown eye.

  “Thanks, Anna,” said Maggie; “but you and Jimmy needn’t bother to-night. I’ve a gentleman friend that’s coming ‘round to escort me to the hop.”

  The comely Anna pounced upon her friend, shook her, chided and beseeched her. Maggie Toole catch a fellow! Plain, dear, loyal, unattractive Maggie, so sweet as a chum, so unsought for a two-step or a moonlit bench in the little park. How was it? When did it happen? Who was it?

  “You’ll see to-night,” said Maggie, flushed with the wine of the first grapes she had gathered in Cupid’s vineyard. “He’s swell all right. He’s two inches taller than Jimmy, and an up-to-date dresser. I’ll introduce him, Anna, just as soon as we get to the hall.”

  Anna and Jimmy were among the first Clover Leafs to arrive that evening. Anna’s eyes were brightly fixed upon the door of the hall to catch the first glimpse of her friend’s “catch.”

  At 8:30 Miss Toole swept into the hall with her escort. Quickly her triumphant eye discovered her chum under the wing of her faithful Jimmy.

  “Oh, gee!” cried Anna, “Mag ain’t made a hit — oh, no! Swell fellow? well, I guess! Style? Look at ‘um.”

  “Go as far as you like,” said Jimmy, with sandpaper in his voice. “Cop him out if you want him. These new guys always win out with the push. Don’t mind me. He don’t squeeze all the limes, I guess. Huh!”

  “Shut up, Jimmy. You know what I mean. I’m glad for Mag. First fellow she ever had. Oh, here they come.”

  Across the floor Maggie sailed like a coquettish yacht convoyed by a stately cruiser. And truly, her companion justified the encomiums of the faithful chum. He stood two inches taller than the average Give and Take athlete; his dark hair curled; his eyes and his teeth flashed whenever he bestowed his frequent smiles. The young men of the Clover Leaf Club pinned not their faith to the graces of person as much as they did to its prowess, its achievements in hand-to-hand conflicts, and its preservation from the legal duress that constantly menaced it. The member of the association who would bind a paper-box maiden to his conquering chariot scorned to employ Beau Brummel airs. They were not considered honourable methods of warfare. The swelling biceps, the coat straining at its buttons over the chest, the air of conscious conviction of the supereminence of the male in the cosmogony of creation, even a calm display of bow legs as subduing and enchanting agents in the gentle tourneys of Cupid — these were the approved arms and ammunition of the Clover Leaf gallants. They viewed, then, genuflexions and alluring poses of this visitor with their chins at a new angle.

  “A friend of mine, Mr. Terry O’Sullivan,” was Maggie’s formula of introduction. She led him around the room, presenting him to each new-arriving Clover Leaf. Almost was she pretty now, with the unique luminosity in her eyes that comes to a girl with her first suitor and a kitten with its first mouse.

  “Maggie Toole’s got a fellow at last,” was the word that went round among the paper-box girls. “Pipe Mag’s floor-walker” — thus the Give and Takes expressed their indifferent contempt.

  Usually at the weekly hops Maggie kept a spot on the wall warm with her back. She felt and showed so much gratitude whenever a self-sacrificing partner invited her to dance that his pleasure was cheapened and diminished. She had even grown used to noticing Anna joggle the reluctant Jimmy with her elbow as a signal for him to invite her chum to walk over his feet through a two-step.

  But to-night the pumpkin had turned to a coach and six. Terry O’Sullivan was a victorious Prince Charming, and Maggie Toole winged her first butterfly flight. And though our tropes of fairyland be mixed with those of entomology they shall not spill one drop of ambrosia from the rose-crowned melody of Maggie’s one perfect night.

  The girls besieged her for introductions to her “fellow.” The Clover Leaf young men, after two years of blindness, suddenly perceived charms in Miss Toole. They flexed their compelling muscles before her and bespoke her for the dance.

  Thus she scored; but to Terry O’Sullivan the honours of the evening fell thick and fast. He shook his curls; he smiled and went easily through the seven motions for acquiring grace in your own room before an open window ten minutes each day. He danced like a faun; he introduced manner and style and atmosphere; his words came trippingly upon his tongue, and — he waltzed twice in succession with the paper-box girl that Dempsey Donovan brought.

  Dempsey was the leader of the association. He wore a dress suit, and could chin the bar twice with one hand. He was one of “Big Mike” O’Sullivan’s lieutenants, and was never troubled by trouble. No cop dared to arrest him. Whenever be broke a pushcart man’s head or shot a member of the Heinrick B. Sweeney Outing and Literary Association in the kneecap, an officer would drop around and say:

  “The Cap’n ‘d like to see ye a few minutes round to the office whin ye have time, Dempsey, me boy.”

  But there would be sundry gentlemen there with large gold fob chains and black cigars; and somebody would tell a funny story, and then Dempsey would go back and work half an hour with the six-pound dumbbells. So, doing a tight-rope act on a wire stretched across Niagara was a safe terpsichorean performance compared with waltzing twice with Dempsey Donovan’s paper-box girl. At 10 o’clock the jolly round face of “Big Mike” O’Sullivan shone at the door for five minutes upon the scene. He always looked in for five minutes, smiled at the girls and handed out real perfectos to the delighted boys.

  Dempsey Donovan was at his elbow instantly, talking rapidly. “Big Mike” looked carefully at the dancers, smiled, shook his head and departed.

  The music stopped. The dancers scattered to the chairs along the walls. Terry O’Sullivan, with his entrancing bow, relinquished a pretty girl in blue to her partner and started back to find Maggie. Dempsey intercepted him in the middle of the floor.

  Some fine instinct that Rome must have bequeathed to us caused nearly every one to turn and look at them — there was a subtle feeling that two gladiators had met in the arena. Two or three Give and Takes with tight coat sleeves drew nearer.

  “One moment, Mr. O’Sullivan,” said Dempsey. “I hope you’re enjoying yourself. Where did you say you live?”

  The two gladiators were well matched. Dempsey had, perhaps, ten pounds of weight to give away. The O’Sullivan had breadth with quickness. Dempsey had a glacial eye, a dominating slit of a mouth, an indestructible jaw, a complexion like a belle’s and the coolness of a champion. The visitor showed more fire in his contempt and less control over his conspicuous sneer. They were enemies by the law written when the rocks were molten. They were each too splendid, too mighty, too incomparable to divide pre-eminence. One only must survive.

  “I live on Grand,” said O’Sullivan, insolently; “and no trouble to find me at home. Where do you live?”

  Dempsey ignored the question.

  “You say your name’s O’Sullivan,” he went on. “Well, ‘Big Mike’ says he never saw you before.”

  “Lots of things he never saw,” said the favourite of the hop.

  “As a rule,” went on Dempsey, huskily sweet, “O’Sullivans in this district know one another. You escorted one of our lady members here, and we want a chance to make good. If you’ve got a family tree let’s see a few historical O’Sullivan buds come out on it. Or do you want us to dig it out of you by the roots?”

/>   “Suppose you mind your own business,” suggested O’Sullivan, blandly.

  Dempsey’s eye brightened. He held up an inspired forefinger as though a brilliant idea had struck him.

  “I’ve got it now,” he said cordially. “It was just a little mistake. You ain’t no O’Sullivan. You are a ring-tailed monkey. Excuse us for not recognising you at first.”

  O’Sullivan’s eye flashed. He made a quick movement, but Andy Geoghan was ready and caught his arm.

  Dempsey nodded at Andy and William McMahan, the secretary of the club, and walked rapidly toward a door at the rear of the hall. Two other members of the Give and Take Association swiftly joined the little group. Terry O’Sullivan was now in the hands of the Board of Rules and Social Referees. They spoke to him briefly and softly, and conducted him out through the same door at the rear.

  This movement on the part of the Clover Leaf members requires a word of elucidation. Back of the association hall was a smaller room rented by the club. In this room personal difficulties that arose on the ballroom floor were settled, man to man, with the weapons of nature, under the supervision of the board. No lady could say that she had witnessed a fight at a Clover Leaf hop in several years. Its gentlemen members guaranteed that.

  So easily and smoothly had Dempsey and the board done their preliminary work that many in the hall had not noticed the checking of the fascinating O’Sullivan’s social triumph. Among these was Maggie. She looked about for her escort.

  “Smoke up!” said Rose Cassidy. “Wasn’t you on? Demps Donovan picked a scrap with your Lizzie-boy, and they’ve waltzed out to the slaughter room with him. How’s my hair look done up this way, Mag?”

  Maggie laid a hand on the bosom of her cheesecloth waist.

  “Gone to fight with Dempsey!” she said, breathlessly. “They’ve got to be stopped. Dempsey Donovan can’t fight him. Why, he’ll — he’ll kill him!”

 

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