by O. Henry
“The law and the statutes,” said he, “air silent on the subjeck of divo’ce as fur as the jurisdiction of this co’t air concerned. But, accordin’ to equity and the Constitution and the golden rule, it’s a bad barg’in that can’t run both ways. If a justice of the peace can marry a couple, it’s plain that he is bound to be able to divo’ce ‘em. This here office will issue a decree of divo’ce and abide by the decision of the Supreme Co’t to hold it good.”
Ransie Bilbro drew a small tobacco-bag from his trousers pocket. Out of this he shook upon the table a five-dollar note. “Sold a b’arskin and two foxes fur that,” he remarked. “It’s all the money we got.”
“The regular price of a divo’ce in this co’t,” said the Justice, “air five dollars.” He stuffed the bill into the pocket of his homespun vest with a deceptive air of indifference. With much bodily toil and mental travail he wrote the decree upon half a sheet of foolscap, and then copied it upon the other. Ransie Bilbro and his wife listened to his reading of the document that was to give them freedom:
“Know all men by these presents that Ransie Bilbro and his wife, Ariela Bilbro, this day personally appeared before me and promises that hereinafter they will neither love, honour, nor obey each other, neither for better nor worse, being of sound mind and body, and accept summons for divorce according to the peace and dignity of the State. Herein fail not, so help you God. Benaja Widdup, justice of the peace in and for the county of Piedmont, State of Tennessee.”
The Justice was about to hand one of the documents to Ransie. The voice of Ariela delayed the transfer. Both men looked at her. Their dull masculinity was confronted by something sudden and unexpected in the woman.
“Judge, don’t you give him that air paper yit. ‘Tain’t all settled, nohow. I got to have my rights first. I got to have my ali-money. ‘Tain’t no kind of a way to do fur a man to divo’ce his wife ‘thout her havin’ a cent fur to do with. I’m a-layin’ off to be a-goin’ up to brother Ed’s up on Hogback Mount’in. I’m bound fur to hev a pa’r of shoes and some snuff and things besides. Ef Rance kin affo’d a divo’ce, let him pay me ali-money.”
Ransie Bilbro was stricken to dumb perplexity. There had been no previous hint of alimony. Women were always bringing up startling and unlooked-for issues.
Justice Benaja Widdup felt that the point demanded judicial decision. The authorities were also silent on the subject of alimony. But the woman’s feet were bare. The trail to Hogback Mountain was steep and flinty.
“Ariela Bilbro,” he asked, in official tones, “how much did you ‘low would be good and sufficient ali-money in the case befo’ the co’t.”
“I ‘lowed,” she answered, “fur the shoes and all, to say five dollars. That ain’t much fur ali-money, but I reckon that’ll git me to up brother Ed’s.”
“The amount,” said the Justice, “air not onreasonable. Ransie Bilbro, you air ordered by the co’t to pay the plaintiff the sum of five dollars befo’ the decree of divo’ce air issued.”
“I hain’t no mo’ money,” breathed Ransie, heavily. “I done paid you all I had.”
“Otherwise,” said the Justice, looking severely over his spectacles, “you air in contempt of co’t.”
“I reckon if you gimme till to-morrow,” pleaded the husband, “I mout be able to rake or scrape it up somewhars. I never looked for to be a-payin’ no ali-money.”
“The case air adjourned,” said Benaja Widdup, “till to-morrow, when you-all will present yo’selves and obey the order of the co’t. Followin’ of which the decrees of divo’ce will be delivered.” He sat down in the door and began to loosen a shoestring.
“We mout as well go down to Uncle Ziah’s,” decided Ransie, “and spend the night.” He climbed into the cart on one side, and Ariela climbed in on the other. Obeying the flap of his rope, the little red bull slowly came around on a tack, and the cart crawled away in the nimbus arising from its wheels.
Justice-of-the-peace Benaja Widdup smoked his elder-stem pipe. Late in the afternoon he got his weekly paper, and read it until the twilight dimmed its lines. Then he lit the tallow candle on his table, and read until the moon rose, marking the time for supper. He lived in the double log cabin on the slope near the girdled poplar. Going home to supper he crossed a little branch darkened by a laurel thicket. The dark figure of a man stepped from the laurels and pointed a rifle at his breast. His hat was pulled down low, and something covered most of his face.
“I want yo’ money,” said the figure, “‘thout any talk. I’m gettin’ nervous, and my finger’s a-wabblin’ on this here trigger.”
“I’ve only got f-f-five dollars,” said the Justice, producing it from his vest pocket.
“Roll it up,” came the order, “and stick it in the end of this here gun-bar’l.”
The bill was crisp and new. Even fingers that were clumsy and trembling found little difficulty in making a spill of it and inserting it (this with less ease) into the muzzle of the rifle.
“Now I reckon you kin be goin’ along,” said the robber.
The Justice lingered not on his way.
The next day came the little red bull, drawing the cart to the office door. Justice Benaja Widdup had his shoes on, for he was expecting the visit. In his presence Ransie Bilbro handed to his wife a five-dollar bill. The official’s eye sharply viewed it. It seemed to curl up as though it had been rolled and inserted into the end of a gun-barrel. But the Justice refrained from comment. It is true that other bills might be inclined to curl. He handed each one a decree of divorce. Each stood awkwardly silent, slowly folding the guarantee of freedom. The woman cast a shy glance full of constraint at Ransie.
“I reckon you’ll be goin’ back up to the cabin,” she said, along ‘ith the bull-cart. There’s bread in the tin box settin’ on the shelf. I put the bacon in the b’ilin’-pot to keep the hounds from gittin’ it. Don’t forget to wind the clock to-night.”
“You air a-goin’ to your brother Ed’s?” asked Ransie, with fine unconcern.
“I was ‘lowin’ to get along up thar afore night. I ain’t sayin’ as they’ll pester theyselves any to make me welcome, but I hain’t nowhar else fur to go. It’s a right smart ways, and I reckon I better be goin’. I’ll be a-sayin’ good-bye, Ranse — that is, if you keer fur to say so.”
“I don’t know as anybody’s a hound dog,” said Ransie, in a martyr’s voice, “fur to not want to say good-bye— ‘less you air so anxious to git away that you don’t want me to say it.”
Ariela was silent. She folded the five-dollar bill and her decree carefully, and placed them in the bosom of her dress. Benaja Widdup watched the money disappear with mournful eyes behind his spectacles.
And then with his next words he achieved rank (as his thoughts ran) with either the great crowd of the world’s sympathizers or the little crowd of its great financiers.
“Be kind o’ lonesome in the old cabin to-night, Ranse,” he said.
Ransie Bilbro stared out at the Cumberlands, clear blue now in the sunlight. He did not look at Ariela.
“I ‘low it might be lonesome,” he said; “but when folks gits mad and wants a divo’ce, you can’t make folks stay.”
“There’s others wanted a divo’ce,” said Ariela, speaking to the wooden stool. “Besides, nobody don’t want nobody to stay.”
“Nobody never said they didn’t.”
“Nobody never said they did. I reckon I better start on now to brother Ed’s.”
“Nobody can’t wind that old clock.”
“Want me to go back along ‘ith you in the cart and wind it fur you, Ranse?”
The mountaineer’s countenance was proof against emotion. But he reached out a big hand and enclosed Ariela’s thin brown one. Her soul peeped out once through her impassive face, hallowing it.
“Them hounds shan’t pester you no more,” said Ransie. “I reckon I been mean and low down. You wind that clock, Ariela.”
“My heart hit’s in that cabin, Ranse,” she
whispered, “along ‘ith you. I ai’nt a-goin’ to git mad no more. Le’s be startin’, Ranse, so’s we kin git home by sundown.”
Justice-of-the-peace Benaja Widdup interposed as they started for the door, forgetting his presence.
“In the name of the State of Tennessee,” he said, “I forbid you-all to be a-defyin’ of its laws and statutes. This co’t is mo’ than willin’ and full of joy to see the clouds of discord and misunderstandin’ rollin’ away from two lovin’ hearts, but it air the duty of the co’t to p’eserve the morals and integrity of the State. The co’t reminds you that you air no longer man and wife, but air divo’ced by regular decree, and as such air not entitled to the benefits and ‘purtenances of the mattermonal estate.”
Ariela caught Ransie’s arm. Did those words mean that she must lose him now when they had just learned the lesson of life?
“But the co’t air prepared,” went on the Justice, “fur to remove the disabilities set up by the decree of divo’ce. The co’t air on hand to perform the solemn ceremony of marri’ge, thus fixin’ things up and enablin’ the parties in the case to resume the honour’ble and elevatin’ state of mattermony which they desires. The fee fur performin’ said ceremony will be, in this case, to wit, five dollars.”
Ariela caught the gleam of promise in his words. Swiftly her hand went to her bosom. Freely as an alighting dove the bill fluttered to the Justice’s table. Her sallow cheek coloured as she stood hand in hand with Ransie and listened to the reuniting words.
Ransie helped her into the cart, and climbed in beside her. The little red bull turned once more, and they set out, hand-clasped, for the mountains.
Justice-of-the-peace Benaja Widdup sat in his door and took off his shoes. Once again he fingered the bill tucked down in his vest pocket. Once again he smoked his elder-stem pipe. Once again the speckled hen swaggered down the main street of the “settlement,” cackling foolishly.
A SACRIFICE HIT
The editor of the Hearthstone Magazine has his own ideas about the selection of manuscript for his publication. His theory is no secret; in fact, he will expound it to you willingly sitting at his mahogany desk, smiling benignantly and tapping his knee gently with his gold-rimmed eye-glasses.
“The Hearthstone,” he will say, “does not employ a staff of readers. We obtain opinions of the manuscripts submitted to us directly from types of the various classes of our readers.”
That is the editor’s theory; and this is the way he carries it out:
When a batch of MSS. is received the editor stuffs every one of his pockets full of them and distributes them as he goes about during the day. The office employees, the hall porter, the janitor, the elevator man, messenger boys, the waiters at the café where the editor has luncheon, the man at the news-stand where he buys his evening paper, the grocer and milkman, the guard on the 5.30 uptown elevated train, the ticket-chopper at Sixty ––––th street, the cook and maid at his home — these are the readers who pass upon MSS. sent in to the Hearthstone Magazine. If his pockets are not entirely emptied by the time he reaches the bosom of his family the remaining ones are handed over to his wife to read after the baby goes to sleep. A few days later the editor gathers in the MSS. during his regular rounds and considers the verdict of his assorted readers.
This system of making up a magazine has been very successful; and the circulation, paced by the advertising rates, is making a wonderful record of speed.
The Hearthstone Company also publishes books, and its imprint is to be found on several successful works — all recommended, says the editor, by the Hearthstone’s army of volunteer readers. Now and then (according to talkative members of the editorial staff) the Hearthstone has allowed manuscripts to slip through its fingers on the advice of its heterogeneous readers, that afterward proved to be famous sellers when brought out by other houses.
For instance (the gossips say), “The Rise and Fall of Silas Latham” was unfavourably passed upon by the elevator-man; the office-boy unanimously rejected “The Boss”; “In the Bishop’s Carriage” was contemptuously looked upon by the street-car conductor; “The Deliverance” was turned down by a clerk in the subscription department whose wife’s mother had just begun a two-months’ visit at his home; “The Queen’s Quair” came back from the janitor with the comment: “So is the book.”
But nevertheless the Hearthstone adheres to its theory and system, and it will never lack volunteer readers; for each one of the widely scattered staff, from the young lady stenographer in the editorial office to the man who shovels in coal (whose adverse decision lost to the Hearthstone Company the manuscript of “The Under World”), has expectations of becoming editor of the magazine some day.
This method of the Hearthstone was well known to Allen Slayton when he wrote his novelette entitled “Love Is All.” Slayton had hung about the editorial offices of all the magazines so persistently that he was acquainted with the inner workings of every one in Gotham.
He knew not only that the editor of the Hearthstone handed his MSS. around among different types of people for reading, but that the stories of sentimental love-interest went to Miss Puffkin, the editor’s stenographer. Another of the editor’s peculiar customs was to conceal invariably the name of the writer from his readers of MSS. so that a glittering name might not influence the sincerity of their reports.
Slayton made “Love Is All” the effort of his life. He gave it six months of the best work of his heart and brain. It was a pure love-story, fine, elevated, romantic, passionate — a prose poem that set the divine blessing of love (I am transposing from the manuscript) high above all earthly gifts and honours, and listed it in the catalogue of heaven’s choicest rewards. Slayton’s literary ambition was intense. He would have sacrificed all other worldly possessions to have gained fame in his chosen art. He would almost have cut off his right hand, or have offered himself to the knife of the appendicitis fancier to have realized his dream of seeing one of his efforts published in the Hearthstone.
Slayton finished “Love Is All,” and took it to the Hearthstone in person. The office of the magazine was in a large, conglomerate building, presided under by a janitor.
As the writer stepped inside the door on his way to the elevator a potato masher flew through the hall, wrecking Slayton’s hat, and smashing the glass of the door. Closely following in the wake of the utensil flew the janitor, a bulky, unwholesome man, suspenderless and sordid, panic-stricken and breathless. A frowsy, fat woman with flying hair followed the missile. The janitor’s foot slipped on the tiled floor, he fell in a heap with an exclamation of despair. The woman pounced upon him and seized his hair. The man bellowed lustily.
Her vengeance wreaked, the virago rose and stalked triumphant as Minerva, back to some cryptic domestic retreat at the rear. The janitor got to his feet, blown and humiliated.
“This is married life,” he said to Slayton, with a certain bruised humour. “That’s the girl I used to lay awake of nights thinking about. Sorry about your hat, mister. Say, don’t snitch to the tenants about this, will yer? I don’t want to lose me job.”
Slayton took the elevator at the end of the hall and went up to the offices of the Hearthstone. He left the MS. of “Love Is All” with the editor, who agreed to give him an answer as to its availability at the end of a week.
Slayton formulated his great winning scheme on his way down. It struck him with one brilliant flash, and he could not refrain from admiring his own genius in conceiving the idea. That very night he set about carrying it into execution.
Miss Puffkin, the Hearthstone stenographer, boarded in the same house with the author. She was an oldish, thin, exclusive, languishing, sentimental maid; and Slayton had been introduced to her some time before.
The writer’s daring and self-sacrificing project was this: He knew that the editor of the Hearthstone relied strongly upon Miss Puffkin’s judgment in the manuscript of romantic and sentimental fiction. Her taste represented the immense average of mediocre wom
en who devour novels and stories of that type. The central idea and keynote of “Love Is All” was love at first sight — the enrapturing,
irresistible, soul-thrilling feeling that compels a man or a woman to recognize his or her spirit-mate as soon as heart speaks to heart. Suppose he should impress this divine truth upon Miss Puffkin personally! — would she not surely indorse her new and rapturous sensations by recommending highly to the editor of the Hearthstone the novelette “Love Is All”?
Slayton thought so. And that night he took Miss Puffkin to the theatre. The next night he made vehement love to her in the dim parlour of the boarding-house. He quoted freely from “Love Is All”; and he wound up with Miss Puffkin’s head on his shoulder, and visions of literary fame dancing in his head.
But Slayton did not stop at love-making. This, he said to himself, was the turning point of his life; and, like a true sportsman, he “went the limit.” On Thursday night he and Miss Puffkin walked over to the Big Church in the Middle of the Block and were married.
Brave Slayton! Châteaubriand died in a garret, Byron courted a widow, Keats starved to death, Poe mixed his drinks, De Quincey hit the pipe, Ade lived in Chicago, James kept on doing it, Dickens wore white socks, De Maupassant wore a strait-jacket, Tom Watson became a Populist, Jeremiah wept, all these authors did these things for the sake of literature, but thou didst cap them all; thou marriedst a wife for to carve for thyself a niche in the temple of fame!
On Friday morning Mrs. Slayton said she would go over to the Hearthstone office, hand in one or two manuscripts that the editor had given to her to read, and resign her position as stenographer.
“Was there anything — er — that — er — you particularly fancied in the stories you are going to turn in?” asked Slayton with a thumping heart.
“There was one — a novelette, that I liked so much,” said his wife. “I haven’t read anything in years that I thought was half as nice and true to life.”