by O. Henry
“In the first place,” he began after we were comfortably seated, “I knew the gentleman was no New Yorker because he was flushed and uneasy and restless on account of the ladies that were standing, although he did not rise and give them his seat. I decided from his appearance that he was a Southerner rather than a Westerner.
“Next I began to figure out his reason for not relinquishing his seat to a lady when he evidently felt strongly, but not overpoweringly, impelled to do so. I very quickly decided upon that. I noticed that one of his eyes had received a severe jab in one corner, which was red and inflamed, and that all over his face were tiny round marks about the size of the end of an uncut lead pencil. Also upon both of his patent leather shoes were a number of deep imprints shaped like ovals cut off square at one end.
“Now, there is only one district in New York City where a man is bound to receive scars and wounds and indentations of that sort — and that is along the sidewalks of Twenty-third Street and a portion of Sixth Avenue south of there. I knew from the imprints of trampling French heels on his feet and the marks of countless jabs in the face from umbrellas and parasols carried by women in the shopping district that he had been in conflict with the amazonian troops. And as he was a man of intelligent appearance, I knew he would not have braved such dangers unless he had been dragged thither by his own women folk. Therefore, when he got on the car his anger at the treatment he had received was sufficient to make him keep his seat in spite of his traditions of Southern chivalry.”
“That is all very well,” I said, “but why did you insist upon daughters — and especially two daughters? Why couldn’t a wife alone have taken him shopping?”
“There had to be daughters,” said Jolnes, calmly. “If he had only a wife, and she near his own age, he could have bluffed her into going alone. If he had a young wife she would prefer to go alone. So there you are.”
“I’ll admit that,” I said; “but, now, why two daughters? And how, in the name of all the prophets, did you guess that one was adopted when he told you he had three?”
“Don’t say guess,” said Jolnes, with a touch of pride in his air; “there is no such word in the lexicon of ratiocination. In Major Ellison’s buttonhole there was a carnation and a rosebud backed by a geranium leaf. No woman ever combined a carnation and a rosebud into a boutonniere. Close your eyes, Whatsup, and give the logic of your imagination a chance. Cannot you see the lovely Adele fastening the carnation to the lapel so that papa may be gay upon the street? And then the romping Edith May dancing up with sisterly jealousy to add her rosebud to the adornment?”
“And then,” I cried, beginning to feel enthusiasm, “when he declared that he had three daughters— “
“I could see,” said Jolnes, “one in the background who added no flower; and I knew that she must be— “
“Adopted!” I broke in. “I give you every credit; but how did you know he was leaving for the South to-night?”
“In his breast pocket,” said the great detective, “something large and oval made a protuberance. Good liquor is scarce on trains, and it is a long journey from New York to Fairfax County.”
“Again, I must bow to you,” I said. “And tell me this, so that my last shred of doubt will be cleared away; why did you decide that he was from Virginia?”
“It was very faint, I admit,” answered Shamrock Jolnes, “but no trained observer could have failed to detect the odour of mint in the car.”
THE LADY HIGHER UP
New York City, they said, was deserted; and that accounted, doubtless, for the sounds carrying so far in the tranquil summer air. The breeze was south-by-southwest; the hour was midnight; the theme was a bit of feminine gossip by wireless mythology. Three hundred and sixty-five feet above the heated asphalt the tiptoeing symbolic deity on Manhattan pointed her vacillating arrow straight, for the time, in the direction of her exalted sister on Liberty Island. The lights of the great Garden were out; the benches in the Square were filled with sleepers in postures so strange that beside them the writhing figures in Dore’s illustrations of the Inferno would have straightened into tailor’s dummies. The statue of Diana on the tower of the Garden — its constancy shown by its weathercock ways, its innocence by the coating of gold that it has acquired, its devotion to style by its single, graceful flying scarf, its candour and artlessness by its habit of ever drawing the long bow, its metropolitanism by its posture of swift flight to catch a Harlem train — remained poised with its arrow pointed across the upper bay. Had that arrow sped truly and horizontally it would have passed fifty feet above the head of the heroic matron whose duty it is to offer a cast-ironical welcome to the oppressed of other lands.
Seaward this lady gazed, and the furrows between steamship lines began to cut steerage rates. The translators, too, have put an extra burden upon her. “Liberty Lighting the World” (as her creator christened her) would have had a no more responsible duty, except for the size of it, than that of an electrician or a Standard Oil magnate. But to “enlighten” the world (as our learned civic guardians “Englished” it) requires abler qualities. And so poor Liberty, instead of having a sinecure as a mere illuminator, must be converted into a Chautauqua schoolma’am, with the oceans for her field instead of the placid, classic lake. With a fireless torch and an empty head must she dispel the shadows of the world and teach it its A, B, C’s.
“Ah, there, Mrs. Liberty!” called a clear, rollicking soprano voice through the still, midnight air.
“Is that you, Miss Diana? Excuse my not turning my head. I’m not as flighty and whirly-whirly as some. And ’tis so hoarse I am I can hardly talk on account of the peanut-hulls left on the stairs in me throat by that last boatload of tourists from Marietta, Ohio. ’Tis after being a fine evening, miss.”
“If you don’t mind my asking,” came the bell-like tones of the golden statue, “I’d like to know where you got that City Hall brogue. I didn’t know that Liberty was necessarily Irish.”
“If ye’d studied the history of art in its foreign complications ye’d not need to ask,” replied the offshore statue. “If ye wasn’t so light-headed and giddy ye’d know that I was made by a Dago and presented to the American people on behalf of the French Government for the purpose of welcomin’ Irish immigrants into the Dutch city of New York. ’Tis that I’ve been doing night and day since I was erected. Ye must know, Miss Diana, that ’tis with statues the same as with people— ’tis not their makers nor the purposes for which they were created that influence the operations of their tongues at all — it’s the associations with which they become associated, I’m telling ye.”
“You’re dead right,” agreed Diana. “I notice it on myself. If any of the old guys from Olympus were to come along and hand me any hot air in the ancient Greek I couldn’t tell it from a conversation between a Coney Island car conductor and a five-cent fare.”
“I’m right glad ye’ve made up your mind to be sociable, Miss Diana,” said Mrs. Liberty. “’Tis a lonesome life I have down here. Is there anything doin’ up in the city, Miss Diana, dear?”
“Oh, la, la, la! — no,” said Diana. “Notice that ‘la, la, la,’ Aunt Liberty? Got that from ‘Paris by Night’ on the roof garden under me. You’ll hear that ‘la, la, la’ at the Café McCann now, along with ‘garsong.’ The bohemian crowd there have become tired of ‘garsong’ since O’Rafferty, the head waiter, punched three of them for calling him it. Oh, no; the town’s strickly on the bum these nights. Everybody’s away. Saw a downtown merchant on a roof garden this evening with his stenographer. Show was so dull he went to sleep. A waiter biting on a dime tip to see if it was good half woke him up. He looks around and sees his little pothooks perpetrator. ‘H’m!’ says he, ‘will you take a letter, Miss De St. Montmorency?’ ‘Sure, in a minute,’ says she, ‘if you’ll make it an X.’
“That was the best thing happened on the roof. So you see how dull it is. La, la, la!”
“’Tis fine ye have it up there in society, Miss Diana. Ye h
ave the cat show and the horse show and the military tournaments where the privates look grand as generals and the generals try to look grand as floor-walkers. And ye have the Sportsmen’s Show, where the girl that measures 36, 19, 45 cooks breakfast food in a birch-bark wigwam on the banks of the Grand Canal of Venice conducted by one of the Vanderbilts, Bernard McFadden, and the Reverends Dowie and Duss. And ye have the French ball, where the original Cohens and the Robert Emmet-Sangerbund Society dance the Highland fling one with another. And ye have the grand O’Ryan ball, which is the most beautiful pageant in the world, where the French students vie with the Tyrolean warblers in doin’ the cake walk. Ye have the best job for a statue in the whole town, Miss Diana.
“’Tis weary work,” sighed the island statue, “disseminatin’ the science of liberty in New York Bay. Sometimes when I take a peep down at Ellis Island and see the gang of immigrants I’m supposed to light up, ’tis tempted I am to blow out the gas and let the coroner write out their naturalization papers.”
“Say, it’s a shame, ain’t it, to give you the worst end of it?” came the sympathetic antiphony of the steeplechase goddess. “It must be awfully lonesome down there with so much water around you. I don’t see how you ever keep your hair in curl. And that Mother Hubbard you are wearing went out ten years ago. I think those sculptor guys ought to be held for damages for putting iron or marble clothes on a lady. That’s where Mr. St. Gaudens was wise. I’m always a little ahead of the styles; but they’re coming my way pretty fast. Excuse my back a moment — I caught a puff of wind from the north — shouldn’t wonder if things had loosened up in Esopus. There, now! it’s in the West — I should think that gold plank would have calmed the air out in that direction. What were you saying, Mrs. Liberty?”
“A fine chat I’ve had with ye, Miss Diana, ma’am, but I see one of them European steamers a-sailin’ up the Narrows, and I must be attendin’ to me duties. ’Tis me job to extend aloft the torch of Liberty to welcome all them that survive the kicks that the steerage stewards give ‘em while landin.’ Sure ’tis a great country ye can come to for $8.50, and the doctor waitin’ to send ye back home free if he sees yer eyes red from cryin’ for it.”
The golden statue veered in the changing breeze, menacing many points on the horizon with its aureate arrow.
“So long, Aunt Liberty,” sweetly called Diana of the Tower. “Some night, when the wind’s right. I’ll call you up again. But — say! you haven’t got such a fierce kick coming about your job. I’ve kept a pretty good watch on the island of Manhattan since I’ve been up here. That’s a pretty sick-looking bunch of liberty chasers they dump down at your end of it; but they don’t all stay that way. Every little while up here I see guys signing checks and voting the right ticket, and encouraging the arts and taking a bath every morning, that was shoved ashore by a dock labourer born in the United States who never earned over forty dollars a month. Don’t run down your job, Aunt Liberty; you’re all right, all right.”
THE GREATER CONEY
“Next Sunday,” said Dennis Carnahan, “I’ll be after going down to see the new Coney Island that’s risen like a phoenix bird from the ashes of the old resort. I’m going with Norah Flynn, and we’ll fall victims to all the dry goods deceptions, from the red-flannel eruption of Mount Vesuvius to the pink silk ribbons on the race-suicide problems in the incubator kiosk.
“Was I there before? I was. I was there last Tuesday. Did I see the sights? I did not.
“Last Monday I amalgamated myself with the Bricklayers’ Union, and in accordance with the rules I was ordered to quit work the same day on account of a sympathy strike with the Lady Salmon Canners’ Lodge No.2, of Tacoma, Washington.
“’Twas disturbed I was in mind and proclivities by losing me job, bein’ already harassed in me soul on account of havin’ quarrelled with Norah Flynn a week before by reason of hard words spoken at the Dairymen and Street-Sprinkler Drivers’ semi-annual ball, caused by jealousy and prickly heat and that divil, Andy Coghlin.
“So, I says, it will be Coney for Tuesday; and if the chutes and the short change and the green-corn silk between the teeth don’t create diversions and get me feeling better, then I don’t know at all.
“Ye will have heard that Coney has received moral reconstruction. The old Bowery, where they used to take your tintype by force and give ye knockout drops before having your palm read, is now called the Wall Street of the island. The wienerwurst stands are required by law to keep a news ticker in ‘em; and the doughnuts are examined every four years by a retired steamboat inspector. The nigger man’s head that was used by the old patrons to throw baseballs at is now illegal; and, by order of the Police Commissioner the image of a man drivin’ an automobile has been substituted. I hear that the old immoral amusements have been suppressed. People who used to go down from New York to sit in the sand and dabble in the surf now give up their quarters to squeeze through turnstiles and see imitations of city fires and floods painted on canvas. The reprehensible and degradin’ resorts that disgraced old Coney are said to be wiped out. The wipin’-out process consists of raisin’ the price from 10 cents to 25 cents, and hirin’ a blonde named Maudie to sell tickets instead of Micky, the Bowery Bite. That’s what they say — I don’t know.
“But to Coney I goes a-Tuesday. I gets off the ‘L’ and starts for the glitterin’ show. ’Twas a fine sight. The Babylonian towers and the Hindoo roof gardens was blazin’ with thousands of electric lights, and the streets was thick with people. ’Tis a true thing they say that Coney levels all rank. I see millionaires eatin’ popcorn and trampin’ along with the crowd; and I see eight-dollar-a-week clothin’-store clerks in red automobiles fightin’ one another for who’d squeeze the horn when they come to a corner.
“‘I made a mistake,’ I says to myself. ’Twas not Coney I needed. When a man’s sad ’tis not scenes of hilarity he wants. ’Twould be far better for him to meditate in a graveyard or to attend services at the Paradise Roof Gardens. ’Tis no consolation when a man’s lost his sweetheart to order hot corn and have the waiter bring him the powdered sugar cruet instead of salt and then conceal himself, or to have Zozookum, the gipsy palmist, tell him that he has three children and to look out for another serious calamity; price twenty-five cents.
“I walked far away down on the beach, to the ruins of an old pavilion near one corner of this new private park, Dreamland. A year ago that old pavilion was standin’ up straight and the old-style waiters was slammin’ a week’s supply of clam chowder down in front of you for a nickel and callin’ you ‘cully’ friendly, and vice was rampant, and you got back to New York with enough change to take a car at the bridge. Now they tell me that they serve Welsh rabbits on Surf Avenue, and you get the right change back in the movin’-picture joints.
“I sat down at one side of the old pavilion and looked at the surf spreadin’ itself on the beach, and thought about the time me and Norah Flynn sat on that spot last summer. ’Twas before reform struck the island; and we was happy. We had tintypes and chowder in the ribald dives, and the Egyptian Sorceress of the Nile told Norah out of her hand, while I was waitin’ in the door, that ’twould be the luck of her to marry a red-headed gossoon with two crooked legs, and I was overrunnin’ with joy on account of the allusion. And ’twas there that Norah Flynn put her two hands in mine a year before and we talked of flats and the things she could cook and the love business that goes with such episodes. And that was Coney as we loved it, and as the hand of Satan was upon it, friendly and noisy and your money’s worth, with no fence around the ocean and not too many electric lights to show the sleeve of a black serge coat against a white shirtwaist.
“I sat with my back to the parks where they had the moon and the dreams and the steeples corralled, and longed for the old Coney. There wasn’t many people on the beach. Lots of them was feedin’ pennies into the slot machines to see the ‘Interrupted Courtship’ in the movin’ pictures; and a good many was takin’ the sea air in the Canals of Venice and some
was breathin’ the smoke of the sea battle by actual warships in a tank filled with real water. A few was down on the sands enjoyin’ the moonlight and the water. And the heart of me was heavy for the new morals of the old island, while the bands behind me played and the sea pounded on the bass drum in front.
“And directly I got up and walked along the old pavilion, and there on the other side of, half in the dark, was a slip of a girl sittin’ on the tumble-down timbers, and unless I’m a liar she was cryin’ by herself there, all alone.
“‘Is it trouble you are in, now, Miss,’ says I; ‘and what’s to be done about it?’
“‘’Tis none of your business at all, Denny Carnahan,’ says she, sittin’ up straight. And it was the voice of no other than Norah Flynn.
“‘Then it’s not,’ says I, ‘and we’re after having a pleasant evening, Miss Flynn. Have ye seen the sights of this new Coney Island, then? I presume ye have come here for that purpose,’ says I.
“‘I have,’ says she. ‘Me mother and Uncle Tim they are waiting beyond. ’Tis an elegant evening I’ve had. I’ve seen all the attractions that be.’
“‘Right ye are,’ says I to Norah; and I don’t know when I’ve been that amused. After disportin’ me-self among the most laughable moral improvements of the revised shell games I took meself to the shore for the benefit of the cool air. ‘And did ye observe the Durbar, Miss Flynn?’
“‘I did,’ says she, reflectin’; ‘but ’tis not safe, I’m thinkin’, to ride down them slantin’ things into the water.’
“‘How did ye fancy the shoot the chutes?’ I asks.
“‘True, then, I’m afraid of guns,’ says Norah. ‘They make such noise in my ears. But Uncle Tim, he shot them, he did, and won cigars. ’Tis a fine time we had this day, Mr. Carnahan.’