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Red Sparrow

Page 51

by Jason Matthews


  About the Author

  © DAVID MOORE

  JASON MATTHEWS is a retired officer of the CIA’s former Operations Directorate, now the National Clandestine Service. Over a thirty-three-year career he served in multiple overseas locations and engaged in clandestine collection of national security intelligence, specializing in denied-area operations. Matthews conducted recruitment operations against Soviet–East European, East Asian, Middle Eastern, and Caribbean targets and, as Chief in various CIA Stations, managed covert-action projects against the weapons-of-mass-destruction programs of the world’s rogue states and collaborated with foreign liaison partners in counterterrorism operations. He lives in Southern California.

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  Doug Stanton on Red Sparrow by Jason Matthews

  Doug Stanton is a teacher, lecturer, and author of the New York Times bestsellers In Harm’s Way and Horse Soldiers. His writing has appeared in Esquire, The New York Times, The New York Times Book Review, TIME, the Washington Post, Men’s Journal, Outside, The Daily Beast/Newsweek. Stanton has appeared multiple times on the Today Show, CNN, Imus In The Morning, Discovery, A&E, Fox News, NPR, MSNBC’s Morning Joe, and NBC Nightly News. Horse Soldiers is in development as a movie by Jerry Bruckheimer Films. Stanton reads and lectures nationally to business, civic groups, libraries, writing & book clubs, and universities, including the United States Air Force Academy, University of Michigan, and The Union League Club. Stanton attended Interlochen Arts Academy, Hampshire College, and received an MFA from the Writers’ Workshop at the University of Iowa, where he graduated with coursework in both fiction and poetry workshops. He founded the National Writers Series, a book festival; and the Front Street Writers Studio, a free writing workshop for public high school students.

  The spy-thriller is back in full force thanks to newcomer and CIA insider Jason Matthews.

  Set in unnervingly accurate present-day Russia, where Putin’s influence is omnipresent, Red Sparrow follows two intelligence officers who are targeted against each other: Nate Nash, a young, ambitious, sometimes naive CIA officer, and Dominika Egorova, a willful, beautiful Russian ballerina turned spy due to unfortunate circumstances. When we first meet Nate he is beginning the most important job of his fledgling career—handling MARBLE, a high-ranking Russian intelligence officer who is giving information to the Americans, largely considered to be the CIA’s most valuable asset—while Dominika’s first foray in the field is off to a more tenuous start. After being injured and thus forced to leave her beloved ballet, her uncle, a high ranking state intelligence official lures her in, eventually forcing her to attend “Sparrow School” to train as an espionage courtesan. After successfully finishing her training, Dominika is sent to Helsinki where the young Nate has taken up residence after a near disaster in Moscow. The Russians had discovered that he was gaining inside information, tipping them off to the existence of a high-level mole. Dominika is charged with the task of discovering the mole’s identity by getting close to Nash—a delectable honey trap for the brash American. What begins as a relatively simple assignment leads to a development of fatal double lives, dangerous spy games, and treacherous secrets. As the two face-off, tentatively making moves, Dominika begins to learn the true nature of those who control her, and suddenly Nate and the people he works for begin to look more and more attractive. Disappointed and humiliated by her handlers, and with nowhere to turn, Dominika is recruited by Nate (or is she?). Against the rules, the two fall in and out of bed in various cities, and come close to falling dangerously in love. They struggle mightily to trust each other, and to trust themselves.

  I read till 11 and woke up at 5 a.m. three days in a row to finish this book as fast as I possibly could. If it doesn’t supplant The Girl With The Dragon Tattoo as the next mammoth read, and if it doesn’t take its place alongside le Carre’s The Spy Who Came In From the Cold, the love of literature and jaw-dropping thrills really is dead. When I finished the book the day was just dawning, as it always is in this novel, only in the novel the fated characters, filled with melancholy, romance, venom, and belly-aching humor (this book can be laugh out loud funny), are usually eating well and wondering when it’ll be lights out for them. Jason Matthews has “reported” this book for 30 years, working it all out in the “real world,” and one wonders who he is, mostly: the young, “naive” Nate Nash; the knock-out, petulant heroine Dominika, whom Quentin Tarantino and Doctor Zhivago both might’ve loved; or the Gus Grissom-like Gable, a CIA chief who dispenses life-lessons to the young Nate—a muscled hen clucking and stirring a bubbling sauce over a stove. There is not a false note in the amazing ventriloquisms that are the conjurer’s art we call literature. There are sentences as exciting to read as Eliot’s “The Wasteland” (cf. the description of a moist, pale toadie scuttling along a hall; downright spooky, an image I cannot get rid of); or the majestic, floor-board creaking opening of Cormac McCarthy’s All The Pretty Horses. The granular sweep of the authorial vision is a telescope still warm from Tolstoy’s hands. There’s a scene in here better by ten than Bogart looking down at Ingrid. I learned as much about the former Soviets and the new Russians, and our U.S. of A., as I have ever gleaned from the hardest working journalists writing today. Halfway through, I was afraid Vladimir Putin would find out I was reading Red Sparrow and have me arrested. With its ripped-from-the headlines appeal, real life spy craft details, and thrilling international action that takes us to Helsinki, Moscow, Athens, Rome, and Washington, D.C., I have to say that I have not read a more exciting, gripping novel in a long time. And the best part is this: the ending of this novel makes it clear that this isn’t the last we’ll be hearing from Jason Matthews.

  Review

  “A great and dangerous spy-game is being played today between Russian intelligence and the CIA. Very few people know about it, including many of our politicians in Washington. But Jason Matthews does, and his thrilling Red Sparrow takes us deep inside this treacherous world. He’s an insider’s insider. He knows the secrets. And he is also a masterful story-teller. I loved this book and could not put it down. Neither will you.”

  —Vince Flynn

  “I read till eleven and woke up at five a.m. to finish this book. If it doesn’t supplant The Girl with the Dragon Tattoo as the next mammoth read, ad if it doesn’t take its place alongside le Carré’s The Spy Who Came in from the Cold, the love of literature and jaw-dropping thrills really is dead. I learned more about the former Soviets and the new Russians, and about our US of A, than I ever gleaned from the hardest-working journalists today. Halfway through, I was afraid Vladimir Putin would find out I was reading Red Sparrow and have me arrested. I have not read a more exciting, gripping novel in a long time.”

  —Doug Stanton author of Horse Soldiers

  “Not since the good old days of the Cold War has a classic spy thriller like RED SPARROW come along. Jason Matthews is not making it up; he has lived this life and this story, and it shows on every page. High-level espionage, pulse-pounding danger, sex, double agents and double crosses. What more can any reader want?”

  —Nelson DeMille

  “Matthews’s exceptional first novel will please fans of classic spy fiction…The author’s 33-year career in the CIA allows him to showcase all the tradecraft and authenticity that readers in this genre demand… [a] complex, high-stakes plot.”

  —Publishers Weekly, starred review

  “Matthews’ first novel, a globe-trotting spy thriller, features enough action to satisfy even the most demanding of adrenaline junkies… The author’s CIA background and the smart dialogue make this an entertaining tale for spy-novel enthusiasts.”

  —Kirkus

  “The author, a veteran CIA field agent, liberally salts his thriller with realistic tradecraft, horrific villainy, and stunning plot twists as the opponents vie for control… An intense descent into a vortex of carnal passion, career brutality,
and smart tradecraft, this thriller evokes the great Cold War era of espionage… Readers of bloodthirsty spy and suspense will welcome this debut from a writer who supersizes his spies.”

  —Library Journal (starred review)

  “All the tradecraft and cat-and-mouse tension of a classic spy thriller—a terrific read.”

  —Joseph Kanon author of Instanbul

  Copyright

  SCRIBNER

  A Division of Simon & Schuster, Inc.

  1230 Avenue of the Americas

  New York, NY 10020

  www.SimonandSchuster.com

  This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

  Copyright © 2013 by Jason Matthews

  All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

  First Scribner hardcover edition May 2013

  SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work.

  The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

  Designed by Maura Fadden Rosenthal

  Art direction by Tal Goretsky

  Jacket photograph of circles by Tamara Staples

  Jacket Photograph of woman by Andy Ryan/Getty Images

  Library of Congress Control Number: 2012031933

  ISBN 978-1-4767-0612-2

  ISBN 978-1-4767-0614-6 (ebook)

  JACKET DESIGN BY JAE SONG

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