He later wrote very careful notes on this thing. It was wet and it was nasty and it stunk beyond words. He said you could search your memory long afterwards and locate separate smells in that overall stench the way you can with the instruments of an orchestra. There was butyl mercaptan and rotten celery, excrement, formic acid, decayed meat, and that certain smell which is like the taste of some brasses. The burn on his cheek smelt like hydrochloric acid at work on a hydrocarbon; just what it was.
The thing was irregularly spherical or ovoid, but soft and squashy. Fluids of various kinds oozed from it here and there—colorless and watery, clotted yellow like soft-boiled eggs, and blood. It bled more than anything ought to that needs blood; it bled in gouts from openings at random, and it bled cutaneously, droplets forming on its surface like the sweat on a glass of ice water. Cutaneously, did I say? That's not what Clement reported. It looked skinless—flayed was the word he used. Much of its surface was striated muscle fiber, apparently unprotected. In two places that he could see was naked brown tissue like liver, drooling and dripping excretions of its own.
And this thing, roughly a foot and a half by two feet and weighing maybe thirty pounds, was flopping and hopping in a spastic fashion, not caring which side was up (if it had an up) but always moving toward him.
Clement blew sharply out of his nostrils and stepped back and to one side—a good long step, with the agony of his scalded cheek to remind him that wherever the thing had come from, it was high up, and he didn't want it taking off like that again.
And when he turned like that, so did the thing, leaving behind it a trail of slime and blood in the beaten grass, a curved filthy spoor to show him it knew him and wanted him.
He confesses he does not remember dialing up the flame pistol, or the first squeeze of the release. He does remember circling the thing and pouring fire on it while it squirmed and squirted, and while he yelled sounds that were not words, until he and his weapon were spent and there was nothing where the thing had been but a charred wetness adding the smell of burned fat to all the others. He says in his unsparing report that he tramped around and around the thing, stamping out the grass fire he had started, and shaking with revulsion, and that he squatted weakly in the grass weeping from reaction, and that only then did he think of his wounds. He broke out his Pioneer's spectral salve and smeared it liberally on burns and bite both. He hunkered there until the analgesic took the pain away and he felt confident that the wide array of spansuled antibiotics was at work, and then he roused himself and slogged back to the base.
And to that sickness. It lasted only eight days or so and wasn't the kind of sickness that ought to follow such an experience. His arm and his face healed well and quickly, his appetite was very good but not excessive, and his mind seemed clear enough. But during that time, as he put it in the careful notes he taped on the voicewriter, he felt things he had never felt before and could hardly describe. They were all things he had heard about or read about, foreign to him personally. There were faint shooting pains in his abdomen and back, a sense of pulse where no pulse should be—like that in a knitting bone, but beating in his soft tissues. None of it was beyond bearing. He had a constant black diarrhea, but like the pains it never passed the nuisance stage. One vague thing he said about four times: that when he woke up in the morning he felt that he was in some way different from what he had been the night before, and he couldn't say how. Just … different.
And in time it faded away and he felt normal again. That was the whole damned thing about what had happened—he was a very resourceful guy, Clement was, and if he'd been gigged just a little more by this he'd have laid his ears back and worked until he knew what the trouble was. But he wasn't pushed into it that way, and it didn't keep him from doing his usual man-and-a-half's hard work each day. To the others he was unusually quiet, but if they noticed it at all it wasn't enough to remark about. They were all working hard too, don't forget. Clement slept alone these eight or nine days, and this wasn't remarkable either, only a little unusual, and not worth comment to either Glenda or Amy, who were satisfied, secure, and fully-occupied women.
But then, here again was that rotten timing, small things on small things. This had to be the time of poor Amy Segal's trouble. It started over nothing at all, in the chem lab where she was doing the hurry-up-and-wait routine of a lengthy titration. Joe Flent came in to see how it was going, pass the time of day, do a little something here, something there with the equipment. He had to move along the bench just where Amy was standing, and, absorbed in what he was doing, he put out his hand to gesture her back, and went on with what he was doing. But—
She wrote it in her diary, in longhand, a big scrawl of it in the middle of those neat little glyphs of hers: "He touched me." All underlined and everything. All right, it was a nothing: I said that. It was an accident. But the accident had jarred her, and she was made of fulminate of mercury all of a sudden. She stood where she was and let him press close to her, going on with his work, and she almost fainted. What makes these things happen …? Never mind; the thing happened. She looked at him as if she had never seen him before, the light on his hair, the shape of his ears and his jaw, the—well, all like that. Maybe she made a sound and maybe Joe Flent just sensed it, but he turned around and there they were, staring at each other in some sort of mutual hypnosis with God knows what flowing back and forth between them. Then Joe gave a funny little surprised grunt and did not walk, but ran out of there.
That doesn't sound like anything at all, does it? Whatever it was, though, it was enough to throw little Amy Segal into a flat spin of the second order and pop her gimbal bearings. I've read that there used to be a lot of stress and strain between people about this business of sex. Well, we've pretty well cleared that up, in the way we humans generally clear things up, by being extreme about it. If you're single you're absolutely free. If you're married you're absolutely bound. If you're married and you get an external itch, you have your free choice—you stay married and don't scratch it, or you scuttle the marriage and you do scratch it. If you're single you respect the marriage bond just like anyone else; you don't, but I mean you don't go holing somebody else's hull.
All of which hardly needs saying, especially not to Amy Segal. But like a lot of fine fools before her, she was all mixed up with what she felt and what she thought she should feel. Maybe she's a throwback to the primitive, when everybody's concave was fair game to anyone else's convex. Whatever it was about her, it took the form of making her hate herself. She was walking around among those other people thinking, "I'm no good, Joe's married and look at me, I guess I don't care he's married. What's the matter with me, how could I feel this way about Joe, I must be a monster, I don't deserve to be here among decent people." And so on. And no one to tell it to. Maybe if Clement hadn't been sick, or maybe if she'd had it in her to confide in one of the other women, or maybe—well, hell with maybes. She was half-blind with misery.
Reading the diary transcript later I wished I could put time back and space too and tap her on the shoulder and say, "Come along, little girl," and then put her in a corner and say, "Listen, knothead, get untied, will you? You got a yen, never mind, it'll pass. But as long as it lasts, don't be ashamed of it." Damn it, that's all she needed, just a word like that …
Then Clement was well again and one night gave her the sign, and she jumped at it, and that was the most miserable thing of all, because after it was over she burst into tears and told him it was the last time, never again. He must've been no end startled. He missed the ferry there. He could've got the whole story if he'd tried, but he didn't. Maybe … maybe he was a little changed from what happened to him, after all. Anyway, poor Amy hit the bottom of the tank about then. She scribbled yards about it in her book. She'd just found out she responded to Clement just like always, and that proved to her that she couldn't love Joe after all, therefore her love wasn't real, therefore she wasn't worth loving, therefore Joe would never love her. Little bubblehead! And th
e only way out she could see was to force herself to be faithful to somebody, so she was going to "purify her feelings"—that's what she wrote—by being faithful to Joe, hence no more Clement and of course no Joe. And with that decision she put her ductless glands in a grand alliance with her insanity. Would you believe that anyone in this day and age could have such a pot boiling inside a fuzzy skull?
From that moment on, Amy Segal was under forced draft. Apparently no one said anything about it, but you just don't build up incandescence in small dark places without somebody noticing. Katherine Flent must have tumbled early, as women do, and probably said nothing about it, as some women sometimes don't. Ultimately Joe Flent saw it, and what he went through nobody will ever know. I know he saw it, and felt it, because of what happened. Oh my God, what happened!
It must have been about now that Amy got the same strange almost-sickness Clement had gone through. Vague throbbings and shiftings in the abdomen, and the drizzles, and again that weird thing about feeling different in the morning and not knowing why. And when she was about halfway through the eight-day siege, damn if Glenda Spooner doesn't seem to come down with it. Clement did the reporting on this; he was seeing a lot more of Glenda these days and could watch it. He noticed the similarity with his own illness all right, though it wasn't as noticeable, and called all hands for a report. Amy, possibly Glenda, and Clement had it and could pass it; the Flents never showed the signs. Clement decided finally that it was just one of those things that people get and no one knows why, like the common cold before Billipp discovered it was an allergy to a gluten fraction. And the fact that Glenda Spooner had had such a slight attack opened the possibility that one or both Flents had had it and never known it—and that's something else we'll never know for sure.
Well, one fine day Clement headed out to quarter the shale hills to the north, looking for petroleum if he could find it and anything else if he couldn't. Clement was a fine observer. Trouble with Clement, he was an ecologist, which is mostly a biologist, and biologists are crazy.
The fine day, about three hours after he left, sprung a leak, and the bottom dropped out of the sky—which didn't worry anyone because everyone knew it wouldn't worry Clement.
Only he didn't come back.
That was a long night at the base. Twice searchers started out, but they turned back in the first two hundred yards. Rain can come down like that if it wants to, but it shouldn't keep it up for so long. Morning didn't stop it, but as soon as it was dark gray outside instead of total black, the Flents and the two girls dropped everything and headed for the hills. Amy and Glenda went to the west and separated and searched the ridge until midafternoon, so it was all over by the time they got back. The Flents took the north and east, and it was Joe who found Clement.
That crazy Clement, he'd seen a bird's nest. He saw it because it was raining and because the fish-head stork always roosts in the rain; if it didn't, its goofy glued-together nest would come unstuck. It's a big bird, larger than a terran stork, snow-white, wide-winged and easy to see, especially against a black shale bluff. Clement wanted a good look at how it sheltered its nest, which looks like half a pinecone as big as half a barrel—you'd think too big for the bird to keep dry. So up he went—and discovered that the fish-head stork's thick floppy neck conceals three, maybe four S-curves underneath all that loose skin. He was all of nine feet away from the nest, clinging to the crumbly rock wall, when he discovered it, the hard way. The stork's head shot out like a battering ram and caught him right on the breastbone, and down he went, and I guess that waterlogged shale was waiting just for this, because he started a really good rockslide. He broke his leg and was buried up to the shoulder blades. He was facing up the cliff, with the rain beating down on him almost enough to tear his eyelids. He had nothing to look at except the underside of the nest, which his rock-slide had exposed, and I imagine he looked at it until he understood, much against his will, that the nest was all that was holding up more loosened rock above it; and he put in the night that way, waiting for seepage to loosen the gunk that stuck the nest up there and send those tons of rock smack in his face. The leg was pretty bad and he probably passed out two or three times, but never long enough to suit him … damn it! I got a list this long of people who ought to have things like that happen to them. So it has to happen to Clement.
It was still raining in the morning when Joe Flent found him. Joe let out a roar westward where his wife was combing the rocks, but didn't wait to see if she'd heard. If she didn't, maybe there was a sort of telepathy between them like Amy said in her diary. Anyway, she arrived just in time to see it happen, but not in time to do anything about it.
She saw Joe bending over Clement's head and shoulders where they stuck out of the rock pile, and then she heard a short, sharp shout. It must have been Clement who shouted; he was facing uphill and could see it coming, nest and all. Katherine screamed and ran toward them, and then the new slide reached the bottom, and that was that for Clement.
But not for Joe. Something else got Joe.
It seemed to explode out of the rocks a split second before the slide hit. It took Joe Flent in the chest so hard it lifted him right off his feet and flung him down and away from the slide. Katherine screamed again as she ran, because the thing that had knocked Joe down was bouncing up and down in a crazy irregular hop, each one taking it closer to Joe as he lay on his back half-stunned, and she recognized it for the thing that had attacked Clement the day the primate bit him.
She logged this report on the voicewriter, and I heard the tape, and I wish they'd transcribe it and then destroy it. Nobody should hear a duty-bound horror-struck soul like that tell such a story. Read it, okay. But that torn-up monotone, oh God. She was having nine agonies at once, what with her hands all gone and what happened to Joe out there, and what he'd said … arrgh! I can't tell it without hearing it in my head.
Well. That stinking horror hopped up on Joe and he half sat up and it hopped again and landed right over his face and slumped there quivering, bleeding and streaming rain and acid. Joe flipped so hard his feet went straight up in the air and he seemed to hang there, standing on the back of his head and his shoulder-blades with his arms and legs doing a crazy jumping-jack flailing. Then he fell again with the monstrosity snugger than ever over his face and neck and head, and he squirmed once and then lay still, and that was when Katherine got to him.
Katherine went at that thing with her bare hands. One half-second contact, even in all that rain, was enough to pucker and shrivel her skin, and it must have felt like plunging her hands into smoking deep fat. She didn't say what it felt like. She only said that when she grabbed at the thing to tear it away from Joe's face, it came apart in small slippery handfuls. She kicked at it and her foot went in and through it and it spilled ropy guts and gouted blood. She tore into it again, clawing and batting it away, and that was probably when she did the most damage to her hands. Then she had an idea from somewhere in that nightmare, fell back and took Joe's feet and dragged him twenty feet away—don't ask me how—and turned him over on his face so the last of that mess dropped off him. She skinned out of her shirt and knelt down and rolled him over and sat him up. She tried to wipe his face with the shirt but found she couldn't hold it, so she scooped her ruined hand under it and brought it up and mopped, but what she mopped at wasn't a face any more. On the tape she said, in that flat shredded voice, "I didn't realize that for a while."
She put her arms around Joe and rocked him and said, "Joey, it's Katherine, it's all right, honey. Katherine's here." He sighed once, a long, shuddering sigh and straightened his back, and a hole bigger than a mouth opened up in the front of his head. He said, "Amy? Amy?" and suddenly fought Katherine blindly. She lost her balance and her arm fell away from his back, and he went down. He made one great cry that raised echoes all up and down the ridge: "A … meeeee …," and in a minute or two he was dead.
Katherine sat there until she was ready to go, and covered his face with the shirt. Sh
e looked once at the thing that had killed him. It was dead, scattered in slimy bits all over the edge of the rock fall. She went back to the base. She didn't remember the trip. She must have been soaked and chilled to the bone marrow. She apparently went straight to the voicewriter and reported in and then just sat there, three, four hours until the others got back.
Now if only somebody had been there to … I don't know. Maybe she couldn't have listened, after all that. Who knows what went on in her head while she sat there letting her blood run out of her hands on to the floor? I'd guess it was that last cry of Joe's, because of what happened when Glenda and Amy came in. It might have been so loud in her head that nobody else's voice could get in. But I still wish somebody had been there, somebody who knows about the things people say when they die. Sometimes they're already dead when they say those things; they don't mean anything. I saw an engineer get it when a generator threw a segment. He just said, "Three-eighths … three-eighths …" What I'm trying to say, it didn't have to mean anything … Well, what's the difference now?
They came in dripping and tired, calling out. Katherine Flent didn't answer. They came into the recording shack, Amy first. Amy was half across the floor before she saw Katherine. Glenda was still in the doorway. Amy screamed, and I guess anyone would, seeing Katherine with her hair plastered around her face the way it had dried, and blood all over her clothes and the floor, and no shirt. She fixed her crazy eyes on Amy and got up slowly. Amy called her name twice but Katherine kept on moving, slow, steady, evenly. Between the heels of her ruined hands she held a skinning knife. She probably couldn't have held it tightly enough to do any damage, but I guess that didn't occur to Amy.
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