Water Lessons

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Water Lessons Page 1

by Chadwick Wall




  Chadwick Wall

  PUBLISHER’S NOTE

  This is a work of fiction. None of the characters, business establishments, or events is based on actual people, living or dead, or their lives or circumstances. All material is a product of the author's imagination. Any resemblance to actual people, businesses, or places is a coincidence and purely unintentional.

  Copyright © 2014 by Chadwick Wall

  Cover photo © by Anna Langov‡á

  Cover design © by Kim Greyer

  All rights reserved.

  No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission from the author. Please do not participate in or encourage piracy of copyrighted materials in violation of the author's rights. Purchase only authorized editions.

  Printed and published in the United States of America

  Risinghawk Press

  in association with

  Violet Crown Publishers

  ISBN-13: 978-1-938749-20-9

  ISBN-10: 938749200

  Also available in Digital Format on Amazon.com

  ISBN-13: 978-1-938749-21-6

  ISBN-10: 193874219

  DEDICATION

  To the late Theodore Temple Wall, Jr.,

  a greater father and best friend than I could have asked for.

  Soulful man, brave and full of hope,

  I will always remember and honor you…

  after all, as you often said, I was your “Lieu.”

  ACKNOWLEDGEMENTS

  To those who most nurtured me in the writing craft:

  my parents, Sandy and Ted

  Dr. Walker Percy

  Brother William Parsons, F.S.C.

  Dr. Thomas McNabb Carlson

  and my Novel in Progress writers' group.

  And to those who helped this novel come to be:

  my brother Ryan, Cynthia J. Stone,

  Lara Reznik, Will McGaughey,

  and on their great sailing trips,

  Demian and David Perry, Amy Miller

  and of course, Captain George Sargent Grove, USN (Ret.)

  AUTHOR’S NOTE

  My father first drew this emblem in his college years to represent the Wall family monogram, fashioning the letters proudly, in his own way. He used it on official documents, maps, business records, correspondence, luggage, and on all of his artwork. He continued this practice into the last year of his life.

  This emblem will always represent my family, especially my father. And more than this, it symbolizes the extraordinary flair and zest with which he approached life. It enhances my memory of him as a man who was naturally creative and always wanted to create, but in his own manner. And so, following in his tradition, I have forged this novel, in my own style.

  DEAD RECKONING, n. In navigation, the judgment or estimation of the place of a ship, without any observation of the heavenly bodies; or an account of the distance she has run by the log, and of the course steered by the compass, and this rectified by due allowances for drift, lee-way, etc.

  --Noah Webster’s 1828 English Dictionary

  CHAPTER ONE

  The city knew full well the hurricane somewhere out there in the Gulf neared minute by minute but still New Orleans kept to her usual ways, echoing with jazz and sirens and the laughter and shouts of debauched revelry.

  Jim Scoresby quickened his pace eastward down Decatur, sweating through his rumpled blue suit in the fierce August heat, passing tourists stumbling in their drunkenness and street urchins sitting on the pavement against the wall. Jim crossed Esplanade with its stately live oaks and eighteenth-century Creole houses and continued down Frenchman Street.

  As on most nights, Frenchman hosted a frenzy of live music and revelers. Every other open door revealed a musical act within. Jim nodded at the doorman and ducked into Snug Harbor. He walked up the dimly lit stairs to the music room with its faint blue light, took a seat, and ordered an Old Fashioned. Jim leaned back and gave a contented smile at the stage.

  Freddy Beasley, nearing seventy, stood before the crowd like a beleaguered but steady tower, his quartet behind him. His black, wrinkled hands gripped the trumpet as he pushed his soul through it into every smoky recess and nook of the club. A gray porkpie hat crowned his head, and he was dressed in pressed dark green slacks and a short-sleeve button down white guayabera. His face sharpened with intensity as he blew his note harder into his trumpet. His eyes found Jim's as his lips, behind the brass mouthpiece, drew into a faint smile.

  Jim felt his phone buzz in his breast pocket. It was his father.

  After draping his suit coat over his chair, Jim walked down the stairs and out the front door to a few feet away. His father was not yelling, but he was close to it.

  "Son, I got your text. Why did you quit your job?"

  "A million reasons. It was taking up all my time from finishing the house renovation. People are unreliable. Prospects stood me up all the time, even earlier today. Remember, it was commission only."

  "I told you not to take this one to begin with, didn't I? Now you've got little chance of income for a while. I can't keep footin' money for your Paw Paw's house."

  "Dad, I'm getting there. Just—"

  "The hardest thing for you is to finish anything. No finishing your novel. No completing the renovation. You're probably all liquored up now, but you come home first thing tomorrow, help me load up. I told you this is a major storm. I'm evacuating to Granny's tomorrow. I need your help gettin' loaded up. Then you better leave with us for Meridian."

  After a long pause, Jim mumbled that he would comply, and replaced the phone in his breast pocket.

  Back inside the club, the band had finished its song and its members stepped down from the stage to accept a tray of drinks from a waitress. Freddy walked over and sat at Jim's table, and Jim reclaimed his seat.

  "Nice song, Freddy."

  "What's ailin' you? Sum'n's gettin' to you."

  "I just spoke with my Dad, and told him the news. Today I quit my job at the agency."

  "Ah, well, that was a long time coming. You got to have a day job, but at least you closer to where you want to be. Cheer up."

  Freddy patted his shoulder and leaned back in his chair. Jim envied his confidence and perennial sense of peace.

  "I take it yo' daddy didn't handle the news so well?"

  "As you'd expect, he being always after me. He's hit his limit with me. All that money he lent for the renovations. My grandfather's house needed to be finished months ago."

  "Oh, you best believe, it might be finished in the next few days."

  Jim set his glass back on the table and shot Freddy a searching look. "But not in the way I'd want it finished. I catch your drift, Freddy."

  "That's all in God's hands now. I keep telling ya to pray. Whole city needs to right now. I stopped years ago, but started back last night. Ha." Freddy excused himself and walked back with his water bottle to the stage, where the quartet members were resuming their previous spots.

  Jim sat, half watching and half meditating while Freddy went through another of his famous numbers, this time on the guitar.

  Maybe this would really be the Big One. But the mayor had issued an evacuation order last year for Hurricane Ivan, and despite all the mass evacuations it hadn't even grazed New Orleans.

  And perhaps Jim couldn't work anything to completion. He felt like driving to Mid-City and throwing himself back into renovating. Perhaps he just needed to forget today and just sink into the oblivious depths of sleep. And then, of course, there would be tomorrow.

  Freddy's bloodshot eyes met his as Jim rose and tossed cash onto the table and snatched his suitcoat. Within the old man's gaze, Jim recognized a tinge of assurance and warmth.

  CHAPTER
TWO

  "One more load," his father said, wincing and winded, sweat coursing down his brow as he carried a box to the trunk of his Land Rover. Jim lifted his box from the floor of the den and trailed his father. They had been at this for what seemed like hours. Time to get back to Mid-City.

  Jim lowered the box into the vehicle and began to walk back to the house.

  "Now, son, when your Mama and your brother return from gettin' gas, we're leavin'."

  "Dad, I told you. I'm staying behind, going to guard Paw Paw's house. I'm a grown man, you know. And I've got to check on my friend. Remember ol' Freddy?"

  "Damn it, his family can take care of him. Things 'bout to heat up really fast down there, boy."

  "Ha. You might be right about the latter, but you're wildly incorrect about his family."

  "You know, Jim, the time you've spent with him," his father said, "you could've spent a lot of that with your own father. Your own blood, who loves you. Who invested in you your whole life."

  They were now inside. Jim walked to the counter and yanked his father's work truck keys from the hook on the wall, just under the cupboard.

  "Oh, no you don't," his father boomed. He lunged and seized Jim by the shoulders. They grappled, his father straining to tug him back, while Jim struggled to break free. Back and forth they shoved, for half a minute. Suddenly his father swung Jim sideways. Jim banged hard against the lamp table. It tipped over and the lamp and the antique decanter shattered into a hundred shards on the wooden floor. Jim immediately leapt up from the ground and tore past him.

  "I'm leaving Granddaddy's Chevy," Jim said, already winded, "and just using the work truck. It's banged up, on its last leg anyway. You're too damned worried 'bout your possessions."

  Jim shot through the door, sprinting to the dented and rusting 1976 Ford truck. He unlocked the door, gunned up the engine, and, as his father jogged closer, Jim lurched down the long drive, accelerating as he spotted in the rearview mirror the silhouette raising its hands over its head and throwing them down in frustration.

  Jim felt his heart sink with sadness as he turned from his father's property onto the narrow road and pressed steadily onto the accelerator, hearing the engine seem to growl, then roar, as he shot under the vast branches of the oaks and past the towering pines.

  Nearly an hour later, he slapped the three dollars into the open palm of the tollbooth attendant and drove onto the Causeway Bridge. Jim contemplated the twenty-four miles left to travel over the brackish lagoon of Lake Pontchartrain, the memory of the shattered lamp and antique decanter, his father's shocked face, frightened that his son could be hurt.

  He saw his father's silhouette shrinking in the dirty rear-view mirror, and recalled his father's strength, despite his fifty-seven years. He now saw the tall wall of pines bordering the lake, it too shrinking in that same mirror.

  Jim muttered an expletive at the sight of the two continuous, bumper-to-bumper lines of cars and trucks coursing northward on the other side of the twin-span bridge, and the nearly complete absence of vehicles, both before him and behind him, on his own southbound span of the bridge. Soon the lights of New Orleans materialized on the horizon.

  CHAPTER THREE

  After a minute of Jim's pounding on the door, the porch light turned on and Freddy appeared. He looked like he had been sleeping.

  "Well, my, Jim. You came back. For me?"

  "Mostly. No wonder you didn't answer your phone. Sleeping?"

  Freddy didn't answer but motioned for Jim to follow him inside. The house carried its usual smell of cigars.

  "Want a drink? We still got power. A cold beer?"

  Freddy brought back a tray with a frosted glass and a Dixie beer can for each of them. He set it down on the coffee table and sat down in the corduroy recliner, at a perpendicular angle to Jim.

  "I could turn on the TV but it's just gonna worry us," Freddy said. "I was watchin' it earlier. You know I ain't got no cable but WWL showed that the storm was pretty much headed this way. Grazes us to the east, much better than if it hits just to the west of us."

  "No use worryin' about what we can't change," Jim said. "I say we listen to some music, tell some stories."

  "And don't forget, drinks and cigars!" Freddy said, throwing his hands above his head like a victorious Olympian.

  "How could we forget?"

  Freddy pulled two cigars from his humidor on the table beside his recliner, clipped the ends, and gave Jim his.

  They sat, speaking of music and their families and the city they loved.

  Soon Freddy reached over and lifted his wooden guitar from the couch and began to strum it and hum.

  "Hey, Freddy," Jim said. "Let's hear some of those recordings again of your music."

  The old man rose slowly out of his recliner and put a record on his stereo and in a matter of two minutes it could have been Mardi Gras in 1975. "Rampart Rag" filled every inch of the room. It was a song Freddy originally played in a jazz format. Now they were hearing Freddy's funk version.

  And Freddy didn't immediately sit back down in his recliner. Instead he disappeared into his bedroom. When he returned and yelled "Hurricane party!" he sported his green and yellow and purple Mardi Gras Indian headdress and his long gnarled scepter that resembled a club or walking stick.

  Jim exploded with laughter as the old man strutted around the room, peacock-like, with long, pausing strides. Jim continued to laugh and clap with rhythm as Freddy pumped his spear above his head in his war dance.

  Freddy strode into his kitchen and appeared minutes later with two more cold Dixie beers. He turned down the volume a couple notches and Jim related the events of the past day, about the quarrel with his father and what he had seen on the Causeway.

  "Soon, Jim, soon you be onto some great things," Freddy said. "You still very young. We always are learning, but now you really in a learning stage. You gonna get into somethin' soon to prove yo'self and it ain't just in rehabbin' your grandpa's house."

  Jim felt that warm solace come over him that Freddy's words often gave.

  Then the electricity went out, and with that, the lights and music. Through the thin walls came the sounds of the wind lashing outside, the creaking trees, and the waves of rain punishing the roofs and adhesive-taped windows.

  "Party time over," Freddy said.

  Jim felt for the lighter on the lamp table and flicked it on. The dull flame lit up the room with the faintest glow, casting eerie shadows on the wall behind Freddy, who sat staring over at him from his recliner with a sort of sadness.

  "Let's find your flashlight," Jim said. "Then we can pack you a bag and get over to my house. There's lots of food and a gas lamp. And I can start up the fireplace if we need more light."

  They ground out the cigars and Jim followed Freddy with the lighter until they located the flashlight, which Jim shone on Freddy until the large canvas bag was filled.

  They plunged into the storm, with Jim steadying Freddy on their march through the pelting rain and winds until they reached the work truck. Jim drove it the few hundred feet up the street and parked in front of Jim's grandfather's house. Minutes later, they were warm and safe inside, reclining on the living room couches between the small gas lamp.

  Freddy had lost his joyous spirit. He reminded Jim about his late wife, now dead several decades, and Freddy's ex-girlfriend now living in New York. Freddy had moved back down to his hometown a few years ago and she and all his children from his first marriage were living in the New York area.

  "This hurricane here could be 'the Big One' the state always feared, Jimbo. And very timely. My nurse didn't show up yesterday with a new delivery of insulin. My grandson living here, my only kin here, decides not to answer his cell phone. Well, he finally did, admits he already in Shreveport."

  Jim wondered if his parents and brother were now safe in Meridian. Immediately after he felt a glow of pride within him that he hadn't followed, and left Freddy.

  "Least your family dudn't desert you," Fredd
y said. "Don't know what's with families these days. Now I'm more in trouble than I been in almost forty years."

  Jim said nothing, remembering the drama in his own family. Freddy administered his own insulin injection into his stomach.

  Soon they finally slept, Jim on the couch, the old man in the guest bedroom.

  When Freddy stepped toward one of the windows the next morning, he swore loudly. Jim sprang from the couch and rushed to the window. A good ten inches of water stood in the street. An Orleans Parish school bus full of people plowed down the road, dividing the swelling water, while the men, women, and children stared with fright out of the windows.

  Jim turned his cordless radio to 870 AM. Garland Robinette, who had retired as anchor of the local news in the early '90s, was filling in a radio spot on WWL. A woman in the Ninth Ward called in. Jim barely understood her words for her weeping. She had fled with her children to their attic as the water first started to invade her house. She screamed that she had no ax or hatchet to chop a hole in the roof. And the water was slowly rising around them.

  The line abruptly went dead. Jim slowly raised his head. The old man stared back with an unsettling expression, somewhere between horror and resolve, as his chest heaved with a faster breath.

  CHAPTER FOUR

  That Monday, they waited as long as they could, atop the foldout stairs. Until they knew it was inevitable. Then, with the water mere inches below them on Tuesday morning, Jim Scoresby took up the ax that for forty years lay among the cobwebs and dust of the crawl space in his late grandfather's shotgun house, and he hacked his way out of the decking of the roof.

 

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