by Harper Lee
"How much money you got?" I asked Cecil. Cecil had thirty cents, too, which made us even. We squandered our first nickels on the House of Horrors, which scared us not at all; we entered the black seventh-grade room and were led around by the temporary ghoul in residence and were made to touch several objects alleged to be the component parts of a human being. "Here's his eyes," we were told when we touched two peeled grapes on a saucer. "Here's his heart," which felt like raw liver. "These are his innards," and our hands were thrust into a plate of cold spaghetti.
Cecil and I visited several booths. We each bought a sack of Mrs. Judge Taylor's homemade divinity. I wanted to bob for apples, but Cecil said it wasn't sanitary. His mother said he might catch something from everybody's heads having been in the same tub. "Ain't anything around town now to catch," I protested. But Cecil said his mother said it was unsanitary to eat after folks. I later asked Aunt Alexandra about this, and she said people who held such views were usually climbers.
We were about to purchase a blob of taffy when Mrs. Merriweather's runners appeared and told us to go backstage, it was time to get ready. The auditorium was filling with people; the Maycomb County High School band had assembled in front below the stage; the stage footlights were on and the red velvet curtain rippled and billowed from the scurrying going on behind it.
Backstage, Cecil and I found the narrow hallway teeming with people: adults in homemade three-corner hats, Confederate caps, Spanish-American War hats, and World War helmets. Children dressed as various agricultural enterprises crowded around the one small window.
"Somebody's mashed my costume," I wailed in dismay. Mrs. Merriweather galloped to me, reshaped the chicken wire, and thrust me inside.
"You all right in there, Scout?" asked Cecil. "You sound so far off, like you was on the other side of a hill."
"You don't sound any nearer," I said.
The band played the national anthem, and we heard the audience rise. Then the bass drum sounded. Mrs. Merriweather, stationed behind her lectern beside the band, said: "Maycomb County: Ad Astra Per Aspera." The bass drum boomed again. "That means," said Mrs. Merriweather, translating for the rustic elements, "from the mud to the stars." She added, unnecessarily it seemed to me, "A pageant."
"Reckon they wouldn't know what it was if she didn't tell 'em," whispered Cecil, who was immediately shushed.
"The whole town knows it," I breathed.
"But the country folks've come in," Cecil said.
"Be quiet back there," a man's voice ordered, and we were silent.
The bass drum went boom with every sentence Mrs. Merriweather uttered. She chanted mournfully about Maycomb County being older than the state, that it was part of the Mississippi and Alabama Territories, that the first white man to set foot in the virgin forests was the Probate Judge's great-grandfather five times removed, who was never heard of again. Then came the fearless Colonel Maycomb, for whom the county was named.
Andrew Jackson appointed him to a position of authority and Colonel Maycomb's misplaced self-confidence and slender sense of direction brought disaster to all who rode with him in the Creek Indian Wars. Colonel Maycomb persevered in his efforts to make the region safe for democracy, but his first campaign was his last. His orders, relayed to him by a friendly Indian runner, were to move south. After consulting a tree to ascertain from its lichen which way was south, and taking no lip from the subordinates who ventured to correct him, Colonel Maycomb set out on a purposeful journey to rout the enemy and entangled his troops so far northwest in the forest primeval that they were eventually rescued by settlers moving inland.
Mrs. Merriweather gave a thirty-minute description of Colonel Maycomb's exploits. I discovered that if I bent my knees I could tuck them under my costume and more or less sit. I sat down, listened to Mrs. Merriweather's drone and the bass drum's boom and was soon fast asleep.
They said later that Mrs. Merriweather was putting her all into the grand finale, that she had crooned, "Po-ork," with a confidence born of pine trees and butterbeans entering on cue. She waited a few seconds, then called, "Po-ork?" When nothing materialized, she yelled, "Pork!"
I must have heard her in my sleep, or the band playing Dixie woke me, but it was when Mrs. Merriweather triumphantly mounted the stage with the state flag that I chose to make my entrance. Chose is incorrect: I thought I'd better catch up with the rest of them.
They told me later that Judge Taylor went out behind the auditorium and stood there slapping his knees so hard Mrs. Taylor brought him a glass of water and one of his pills.
Mrs. Merriweather seemed to have a hit, everybody was cheering so, but she caught me backstage and told me I had ruined her pageant. She made me feel awful, but when Jem came to fetch me he was sympathetic. He said he couldn't see my costume much from where he was sitting. How he could tell I was feeling bad under my costume I don't know, but he said I did all right, I just came in a little late, that was all. Jem was becoming almost as good as Atticus at making you feel right when things went wrong. Almost--not even Jem could make me go through that crowd, and he consented to wait backstage with me until the audience left.
"You wanta take it off, Scout?" he asked.
"Naw, I'll just keep it on," I said. I could hide my mortification under it.
"You all want a ride home?" someone said.
"No sir, thank you," I heard Jem say. "It's just a little walk."
"Be careful of haints," the voice said. "Better still, tell the haints to be careful of Scout."
"There aren't many folks left now," Jem told me. "Let's go."
We went through the auditorium to the hallway, then down the steps. It was still black dark. The remaining cars were parked on the other side of the building, and their headlights were little help. "If some of 'em were goin' in our direction we could see better," said Jem. "Here Scout, let me hold onto your--hock. You might lose your balance."
"I can see all right."
"Yeah, but you might lose your balance." I felt a slight pressure on my head, and assumed that Jem had grabbed that end of the ham. "You got me?"
"Uh huh."
We began crossing the black schoolyard, straining to see our feet. "Jem," I said, "I forgot my shoes, they're back behind the stage."
"Well let's go get 'em." But as we turned around, the auditorium lights went off. "You can get 'em tomorrow," he said.
"But tomorrow's Sunday," I protested, as Jem turned me homeward.
"You can get the janitor to let you in . . . Scout?"
"Hm?"
"Nothing."
Jem hadn't started like that in a long time. I wondered what he was thinking. He'd tell me when he wanted to, probably when we got home. I felt his fingers press the top of my costume, too hard, it seemed. I shook my head. "Jem, you don't hafta--"
"Hush a minute, Scout," he said, pinching me.
We walked along silently. "Minute's up," I said. "Whatcha thinkin' about?" I turned to look at him, but his outline was barely visible.
"Thought I heard something," he said. "Stop a minute."
We stopped.
"Hear anything?" he asked.
"No."
We had not gone five paces before he made me stop again.
"Jem, are you tryin' to scare me? You know I'm too old--"
"Be quiet," he said, and I knew he was not joking.
The night was still. I could hear his breath coming easily beside me. Occasionally there was a sudden breeze that hit my bare legs, but it was all that remained of a promised windy night. This was the stillness before a thunderstorm. We listened.
"Heard an old dog just then," I said.
"It's not that," Jem answered. "I hear it when we're walkin' along, but when we stop I don't hear it."
"You hear my costume rustlin'. Aw, it's just Halloween got you. . . ."
I said it more to convince myself than Jem, for sure enough, as we began walking, I heard what he was talking about. It was not my costume.
"It's just old Cecil,"
said Jem presently. "He won't get us again. Let's don't let him think we're hurrying."
We slowed to a crawl. I asked Jem how Cecil could follow us in this dark, looked to me like he'd bump into us from behind.
"I can see you, Scout," Jem said.
"How? I can't see you."
"Your fat streaks are showin'. Mrs. Crewnshaw painted 'em with some of that shiny stuff so they'd show up under the footlights. I can see you pretty well, an' I expect Cecil can see you well enough to keep his distance."
I would show Cecil that we knew he was behind us and we were ready for him. "Cecil Jacobs is a big wet he-en!" I yelled suddenly, turning around.
We stopped. There was no acknowledgment save he-en bouncing off the distant schoolhouse wall.
"I'll get him," said Jem. "He-y!"
Hay-e-hay-e-hay-e, answered the schoolhouse wall.
It was unlike Cecil to hold out for so long; once he pulled a joke he'd repeat it time and again. We should have been leapt at already. Jem signaled for me to stop again.
He said softly, "Scout, can you take that thing off?"
"I think so, but I ain't got anything on under it much."
"I've got your dress here."
"I can't get it on in the dark."
"Okay," he said, "never mind."
"Jem, are you afraid?"
"No. Think we're almost to the tree now. Few yards from that, an' we'll be to the road. We can see the street light then." Jem was talking in an unhurried, flat toneless voice. I wondered how long he would try to keep the Cecil myth going.
"You reckon we oughta sing, Jem?"
"No. Be real quiet again, Scout."
We had not increased our pace. Jem knew as well as I that it was difficult to walk fast without stumping a toe, tripping on stones, and other inconveniences, and I was barefooted. Maybe it was the wind rustling the trees. But there wasn't any wind and there weren't any trees except the big oak.
Our company shuffled and dragged his feet, as if wearing heavy shoes. Whoever it was wore thick cotton pants; what I thought were trees rustling was the soft swish of cotton on cotton, wheek, wheek, with every step.
I felt the sand go cold under my feet and I knew we were near the big oak. Jem pressed my head. We stopped and listened.
Shuffle-foot had not stopped with us this time. His trousers swished softly and steadily. Then they stopped. He was running, running toward us with no child's steps.
"Run, Scout! Run! Run!" Jem screamed.
I took one giant step and found myself reeling: my arms useless, in the dark, I could not keep my balance.
"Jem, Jem, help me, Jem!"
Something crushed the chicken wire around me. Metal ripped on metal and I fell to the ground and rolled as far as I could, floundering to escape my wire prison. From somewhere near by came scuffling, kicking sounds, sounds of shoes and flesh scraping dirt and roots. Someone rolled against me and I felt Jem. He was up like lightning and pulling me with him but, though my head and shoulders were free, I was so entangled we didn't get very far.
We were nearly to the road when I felt Jem's hand leave me, felt him jerk backwards to the ground. More scuffling, and there came a dull crunching sound and Jem screamed.
I ran in the direction of Jem's scream and sank into a flabby male stomach. Its owner said, "Uff!" and tried to catch my arms, but they were tightly pinioned. His stomach was soft but his arms were like steel. He slowly squeezed the breath out of me. I could not move. Suddenly he was jerked backwards and flung on the ground, almost carrying me with him. I thought, Jem's up.
One's mind works very slowly at times. Stunned, I stood there dumbly. The scuffling noises were dying; someone wheezed and the night was still again.
Still but for a man breathing heavily, breathing heavily and staggering. I thought he went to the tree and leaned against it. He coughed violently, a sobbing, bone-shaking cough.
"Jem?"
There was no answer but the man's heavy breathing.
"Jem?"
Jem didn't answer.
The man began moving around, as if searching for something. I heard him groan and pull something heavy along the ground. It was slowly coming to me that there were now four people under the tree.
"Atticus . . . ?"
The man was walking heavily and unsteadily toward the road.
I went to where I thought he had been and felt frantically along the ground, reaching out with my toes. Presently I touched someone.
"Jem?"
My toes touched trousers, a belt buckle, buttons, something I could not identify, a collar, and a face. A prickly stubble on the face told me it was not Jem's. I smelled stale whiskey.
I made my way along in what I thought was the direction of the road. I was not sure, because I had been turned around so many times. But I found it and looked down to the street light. A man was passing under it. The man was walking with the staccato steps of someone carrying a load too heavy for him. He was going around the corner. He was carrying Jem. Jem's arm was dangling crazily in front of him.
By the time I reached the corner the man was crossing our front yard. Light from our front door framed Atticus for an instant; he ran down the steps, and together, he and the man took Jem inside.
I was at the front door when they were going down the hall. Aunt Alexandra was running to meet me. "Call Dr. Reynolds!" Atticus's voice came sharply from Jem's room. "Where's Scout?"
"Here she is," Aunt Alexandra called, pulling me along with her to the telephone. She tugged at me anxiously. "I'm all right, Aunty," I said, "you better call."
She pulled the receiver from the hook and said, "Eula May, get Dr. Reynolds, quick!"
"Agnes, is your father home? Oh God, where is he? Please tell him to come over here as soon as he comes in. Please, it's urgent!"
There was no need for Aunt Alexandra to identify herself; people in Maycomb knew each other's voices.
Atticus came out of Jem's room. The moment Aunt Alexandra broke the connection, Atticus took the receiver from her. He rattled the hook, then said, "Eula May, get me the sheriff, please."
"Heck? Atticus Finch. Someone's been after my children. Jem's hurt. Between here and the schoolhouse. I can't leave my boy. Run out there for me, please, and see if he's still around. Doubt if you'll find him now, but I'd like to see him if you do. Got to go now. Thanks, Heck."
"Atticus, is Jem dead?"
"No, Scout. Look after her, sister," he called, as he went down the hall.
Aunt Alexandra's fingers trembled as she unwound the crushed fabric and wire from around me. "Are you all right, darling?" she asked over and over as she worked me free.
It was a relief to be out. My arms were beginning to tingle, and they were red with small hexagonal marks. I rubbed them, and they felt better.
"Aunty, is Jem dead?"
"No--no, darling, he's unconscious. We won't know how badly he's hurt until Dr. Reynolds gets here. Jean Louise, what happened?"
"I don't know."
She left it at that. She brought me something to put on, and had I thought about it then, I would have never let her forget it: in her distraction, Aunty brought me my overalls. "Put these on, darling," she said, handing me the garments she most despised.
She rushed back to Jem's room, then came to me in the hall. She patted me vaguely, and went back to Jem's room.
A car stopped in front of the house. I knew Dr. Reynold's step almost as well as my father's. He had brought Jem and me into the world, had led us through every childhood disease known to man including the time Jem fell out of the treehouse, and he had never lost our friendship. Dr. Reynolds said if we had been boil-prone things would have been different, but we doubted it.
He came in the door and said, "Good Lord." He walked toward me, said, "You're still standing," and changed his course. He knew every room in the house. He also knew that if I was in bad shape, so was Jem.
After ten forevers Dr. Reynolds returned. "Is Jem dead?" I asked.
"Far
from it," he said, squatting down to me. "He's got a bump on the head just like yours, and a broken arm. Scout, look that way--no, don't turn your head, roll your eyes. Now look over yonder. He's got a bad break, so far as I can tell now it's in the elbow. Like somebody tried to wring his arm off . . . now look at me."
"Then he's not dead?"
"No-o!" Dr. Reynolds got to his feet. "We can't do much tonight," he said, "except try to make him as comfortable as we can. We'll have to X-ray his arm--looks like he'll be wearing his arm 'way out by his side for a while. Don't worry, though, he'll be as good as new. Boys his age bounce."
While he was talking, Dr. Reynolds had been looking keenly at me, lightly fingering the bump that was coming on my forehead. "You don't feel broke anywhere, do you?"
Dr. Reynolds's small joke made me smile. "Then you don't think he's dead, then?"
He put on his hat. "Now I may be wrong, of course, but I think he's very alive. Shows all the symptoms of it. Go have a look at him, and when I come back we'll get together and decide."
Dr. Reynolds's step was young and brisk. Mr. Heck Tate's was not. His heavy boots punished the porch and he opened the door awkwardly, but he said the same thing Dr. Reynolds said when he came in. "You all right, Scout?" he added.
"Yes sir, I'm goin' in to see Jem. Atticus'n'them's in there."
"I'll go with you," said Mr. Tate.
Aunt Alexandra had shaded Jem's reading light with a towel, and his room was dim. Jem was lying on his back. There was an ugly mark along one side of his face. His left arm lay out from his body; his elbow was bent slightly, but in the wrong direction. Jem was frowning.
"Jem . . .?"
Atticus spoke. "He can't hear you, Scout, he's out like a light. He was coming around, but Dr. Reynolds put him out again."
"Yes sir." I retreated. Jem's room was large and square. Aunt Alexandra was sitting in a rocking-chair by the fireplace. The man who brought Jem in was standing in a corner, leaning against the wall. He was some countryman I did not know. He had probably been at the pageant, and was in the vicinity when it happened. He must have heard our screams and come running.
Atticus was standing by Jem's bed.
Mr. Heck Tate stood in the doorway. His hat was in his hand, and a flashlight bulged from his pants pocket. He was in his working clothes.