by E. J. Swift
Contents
Cover
About the Book
About the Author
Also by E. J. Swift
Map
Title Page
Dedication
Prologue
Part One: La Isla / The Island
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Part Two: La Ciudad / The City
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Part Three: El Cinturón / The Belt
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Epilogue
Acknowledgements
Copyright
About the Book
A shipwreck . . . and one lone survivor . . .
For political exile Taeo Ybanez, this could be his ticket home. Relations between the Antarcticans and the Patagonians are worse than ever, and to be caught on the wrong side could prove deadly.
For pilot and cartographer Romana Callejas, the presence of the mysterious stranger is one more thing in the way of her saving her mother from a deadly disease.
All roads lead to Cataveiro, the city of fate and fortune, where their destinies will become intertwined and their futures cemented for ever . . .
About the Author
E. J. Swift is the author of Osiris, the first novel in The Osiris Project trilogy. Her short fiction has appeared in Interzone magazine, and in anthologies Pandemonium: The Lowest Heaven, and The Best British Fantasy 2013.
Also by E. J. Swift:
Osiris
For Kim, who reads everything first
01/ 10/ 2417
FM SPECIAL UNIT ATRAK / GRAHAM STATION 6
TO DEP CIVIL SECURITY HQ / HOME SECURITY CHIEF MAXIL QYN
INFO CIVIL SECURITY REP ANTARCTICA PRIORITY
SUBJECT: MONITORING OF THE SOUTH ATLANTIC OCEAN CITY OSIRIS (INTERNATIONAL STATUS: DESTROYED)
REF: OS17521
Classified by: KARIS IO, CMR SPECIAL UNIT ATRAK (FM 04/05/2414)
1. Summary: During the perimeters of 24/09/2417 and 01/10/2417 Special Unit Atrak has observed the usual protocols and measurements in relation to the South Atlantic Ocean city known as Osiris as stipulated by the Department of Civilian Security of the Republic of Antarctica. No significant changes in status have been recorded.
2. No vessels have been observed to have left the City. No vessels have been observed to have approached the City. No vessels have been observed to be destroyed in either departing or approaching the City.
3. During this period the City is not assumed to have undergone an unusual level of activity. Long-range measurements have recorded no sudden power surges beyond average consumption. Energy output is consistent with records and with the slight but steady decline observed over the past twenty years.
4. After the fluctuations observed in energy levels and what Atrak believed to be high-level weapons usage during the winter of 2417 (see report OS17498), we conclude that the City has regained its usual status and can be considered benign.
5. No external radio signal has been detected.
Special Unit Atrak advises that the warning code for Civilian Security with regard to Osiris remains at amber.
RECOMMENDED ACTIVITY: Continued observation.
PART ONE
LA ISLA / THE ISLAND
1 ¦
THE LINE STRETCHES away into the desert: enigmatic, questioning, older than anything the pilot has ever seen or found. The guide, walking in front, stops every few paces to crouch and move a tiny piece of rock back to its given location. He proceeds with soft, cautious steps, as though he cannot bring himself to place too much weight upon the ground. The pilot follows a short distance behind, letting the guide set the pace. She has mapped this line from the air, but to walk it is a different feeling than to see it, a deeper feeling, and a stranger one.
The civilization that created these phenomena had no known method of flight, yet the spirals and glyphs that remain reveal a geometrical precision that astounds the pilot. She can see now how they were made; the reddish pebbles of the desert’s upper layer have been cleared to expose the pale, pink-tinged earth beneath. The cleared rocks are piled up at the edges, delineating the boundary between the line and the darker desert floor that stretches out on either side.
The guide comes to a halt and points ahead, and the pilot sees where the line begins to trail away. She takes a piece of paper from her pocket. The co-ordinates tally with the sketches she made in flight.
‘Two kilometres,’ she says.
‘And once, it continued here for another kilometre, or further,’ says the guide, pointing further ahead. ‘But the erosion has done its work. As you see, the lines were never very deep. The rest of this one is lost.’
The pilot squats where the little piles of rock begin to peter out. She does not remove anything; that would be disrespectful at a sacred site. But she presses her palm lightly against the earth, listening. It is warm to touch. She can feel the same heat through the soles of her boots. Looking in the direction where the line should have run, she imagines she can still see its path, as if it has left some paranormal trace that glows through the arid earth.
The guide watches her – appraisingly, or to check that she does not disturb anything, the pilot is not sure. She thinks how perspective shifts between ground and air. A thing up there is not the same as a thing down here, though the eyes of the person seeing them are unchanged.
‘Could the lost lines be restored?’ she asks.
‘Perhaps,’ says the guide. ‘But what would be the point when another event could destroy them all over again? It needs to be an ongoing restoration.’
The pilot stands, shading her eyes to scan the plateau around them. At eleven o’clock, it is thirty-three degrees and rising. She can feel the short bob of her hair sucking in the sun’s heat and she replaces the wide-brimmed hat, taking some relief in its meagre shade. The desert is still and silent and empty. She cannot imagine clouds swelling in the skies, or shifts in the lie of the land. It does not seem possible that those things could exist in such a place. But they can, they have. For centuries, perhaps for millennia, the Nazca lines lay undisturbed, but the guide says that over the past three hundred years there has been a steady deterioration, with fragments of the glyphs lost each year.
She walks a little further into the desert where the line disappears. The guide watches her.
‘A proper project would require funding,’ he says. ‘Workers. Supplies. This is the outback. All we have is a single House, and five acolytes. This country venerates the teachings of the Nazca and yet every year the heritage site declines a little more. One day, there won’t be anything left and this place will be empty desert. It’s not right.’
‘You do good work with the little you have,’ she says.
‘Not enough. You work for the government. Can’t you say something, now you’ve seen it for yourself? It was they who wanted the maps, wasn’t it?’
> ‘Yes …’
‘But …?’
The pilot is touched by the sincerity of the guide’s passion. She does not want to tell him what she suspects is the truth: that this project is nothing more than an exercise in public relations. She has noticed, more and more lately, the way the Nazca creed is co-opted into the speak of politicians, as though a single reference will endorse whatever ludicrous new taxation policy they have dreamed up. To meet someone who has dedicated his life to conservation is refreshing. This is a man who loves the desert, both its history and its future.
‘I can say what I’ve seen, of course, but I don’t have any influence. I’m just a cartographer.’ She looks back at him. He looks dubious, perhaps intuiting, rightly, that there is more to her job than that. She relents. ‘And a carrier, sometimes.’
‘You’ll take a message, then?’
‘Write me what you think you need. I can deliver a petition, but I make no promises they’ll do anything. Really, I wouldn’t get your hopes up. I’m sorry.’
‘You know the Neons made plans to preserve the animals,’ says the guide. ‘Misguided, but I suppose we have to presume their intentions were good. They built a dome over the monkey. Of course it was removed, a long time ago now. If the lines cannot see the sky then they serve no purpose.’
‘The monkey couldn’t breathe.’
‘Yes,’ says the guide, again with a hint of suspicion, as though the pilot’s answer encompasses things too neatly.
‘I understand.’
It is an indescribable feeling, standing on the lines, even here where the desert has reclaimed its natural state. She can feel the weight of it. Imprints of a thousand footsteps, resonance of a thousand words. Echoes of rites and beliefs. Hope. Despair. As though the lines are a conduit to the past, a place for spirits to gather, watching, whispering about the walkers of the present.
You line-makers were not so very different from me. We all hope for kind weather and clean water and a fair sun. We all love. We all lose.
To the east, a barren dune mountain rises out of the desert. The pilot points.
‘That’s Cerro Blanco, isn’t it?’
‘Yes. Have you made pilgrimage before?’
‘Not yet.’
‘You have less excuse than most.’
She knows that the guide is referring to her plane, and feels the usual jolt of nervousness that occurs when it is out of sight. But she could not have landed in the desert itself, not in a heritage site. In any case, she reminds herself, the chameleon makes it all but invisible. Stop worrying.
It isn’t easy to trust Neon technology. Even after all this time. She runs her hand over her back pocket, feeling the reassuring bulge of the gun. The guide notices, and shakes his head disapprovingly. But he is a good man, with respect for cultural traditions. Others are not. She has to be able to protect herself.
‘How much longer will you need?’ asks the guide.
‘I’ve still got the far side of the plain to cover. I’d say another few days.’
She could work faster, if she is honest, but this is a job she does not want to rush. Tomorrow she might be wading through swamplands or trying to find a pathway down a cliff-face. Today, she is happy to walk the lines of the spider, or the orca, almost alone in this place of contemplation.
‘You should complete your pilgrimage first,’ the guide tells her. ‘It’s important to pay due respect. Make sure you give blood.’
It takes the pilot half a day to climb the trail to Cerro Blanco. She is the only one up on the dune, or if she is not, she sees no other people. The sky remains fiercely, clearly blue. In the heat, with her heavy pack, the going is hard, and she stops frequently to take a mouthful of water and massage her aching calves. When she reaches the crest, she finds evidence of recent visitors. Mostly there are shards of pottery, painted and plain, some broken, some still intact. Other offerings scatter the ground: a few yellowing pieces of bone; the skull of a rodent, sand spilling from its eye sockets. The dune must hold thousands of such articles, each imbued with personal yearnings and desires, sinking deeper over time with the shifting of the sands.
The pilot sets down her pack and carefully removes her own offering: a small vase with a pattern of swimming fish. She chose the piece deliberately. The vase for water, the fish for prosperity. Now that she is here she wonders if it is appropriate. What now? Should she break the vase? Should she say something, or sing? Unlike some she keeps no private religion in the theistic sense of the word, only the teachings of the Nazca, instilled since birth, to guide her way through life. She did not ask anyone for advice about pilgrimage, and if she had, she would not have been able to articulate why she came at all.
In the end, she places the vase on the ground next to the other pieces of pottery.
‘Cerro Blanco, please accept this offering. Please bring water back to the deserts. Keep the winds low. Keep the desalination plants safe, and the sea from those on the coasts.’
She speaks aloud. Her words seem to linger for a long time after she speaks. She looks out across the plateau, and feels calmness stealing through her. The guide’s words come back. Well, why not? She takes out her knife and makes a tiny incision across the ball of her thumb. She squeezes out a few drops of blood and watches them seep into the sand. Her thumb stings. Perhaps this is enough, to remind yourself that you are alive, and you have one chance to live it well.
As she makes her way down the dune, the scores of the Nazca lines glare white beneath the endless blue sky. Each glyph recalls a childhood story, her mother’s strong, faintly ironic voice. Sweat eases down the bridge of the pilot’s nose and over her upper lip. She saves time by sandboarding down the easier slopes. The ride is exhilarating. She is almost at the bottom when she sees the figure running across the desert floor before her. It is an acolyte of the House of the Nazca, a young woman clad in bleached desert robes.
The acolytes do not run if they can help it, not in the Nazca Desert, not over the sacred lines. The pilot’s first thought is the plane. Her hand goes to her back pocket. She hurries towards the woman.
‘What is it, what’s happened?’
The acolyte is panting, and the words come in short, staccato bursts.
‘Come quickly – we need you – an accident.’
They hasten back to the heritage site where the plane is concealed, the acolyte explaining on the way. A young boy at the desalination plant on the coast. A piece of machinery – a terrible accident. His leg – the boy should not have been there. The owner of the plant loaned his parents a truck, and they’ve driven all this way, hearing she was in the area …
The family are waiting at the House of the Nazca. There is a man holding the boy in his arms, a woman with them, both distraught. The boy’s lower leg is bundled in cloth that is soaked through with blood, a tourniquet tied tight around his shin. Blood is everywhere, smeared on his hands and face. They converge upon the pilot.
‘Please take him – please help …’
‘Alé, this woman’s going to get you to a doctor …’
The acolyte hovers anxiously.
‘How far to the nearest hospital?’
The pilot pictures the landscape. Her heart sinks.
‘It’s a day away.’ She drops her voice. ‘Too far. He won’t make it.’
‘Then try the medical station at Titicaca. If you can get him there, he’ll have a chance.’
She nods. ‘I know the one. All right, let’s get him on-board. This way.’
They follow her around the back of the building. The boy’s parents look about, confused, not seeing what she sees, the edges of the aeroplane merging into their surroundings, almost invisible unless you know it is there. She opens the hatch and switches off the chameleon, and the plane’s exterior turns white. They gasp as it materializes.
‘It’s all right, it’s just a cloak. Don’t be scared. Up here.’
The man lifts the boy carefully into the passenger seat. The acolyte reaches up as the
pilot straps herself in. She puts a hand on her arm.
‘Thank you, Ramona – go safe.’
She looks at the injured boy and thinks grimly, don’t thank me yet. The hatch glides down and eases shut, encasing her and the boy in the silent bubble of the cockpit. She starts up the engine. The instrument panel lights up and the boy’s sketchy breathing fills the enclosed space. As they take off she sees the acolyte waving to them, her slight figure growing smaller and smaller against the pinkish-brown earth. The desert falls swiftly away.
She pushes the plane as fast as she can, but the boy’s blood is dripping into the footwell and the ground below them seems to crawl by. He is not the first casualty to have occupied that seat. Not everyone has made it.
She guesses the boy’s age: maybe ten, maybe younger. A scrawny kid, but you never see fat ones. The desalination plants this far up the coast are low-grade, independent businesses, supplying small outback towns that cling to the backs of Neon ruins. The people who survive here have refused to go south, despite all their losses and the volatile climate. The boy’s family probably earn their living as labourers on the plant, or technicians, if they have any education. The tiny community will be wholly reliant on passing ships and the traders who take the western desert route up to the Panama Exchange Point.
She can imagine Alé’s life. She can picture him, playing football with his friends and clambering over the crumbling sea defences to comb the beaches for treasures at low tide, daring the storms to catch him. He collects junk from the old city and turns it into objects that have no purpose but to bring him a pleasure that others – adults – would not understand. When he’s not helping his family earn enough income to buy Alaskan grain, he’s cajoled into school, sitting with a group of distracted children, being told about the Boreal States and the Blackout and the terrible dangers of robotics and the teachings of the Nazca, of which the first and most imperative of all the rules is the preservation of water. She can bet he has never seen an electrical display like the one on the instrument panel in front of him. If he were able to focus, the sight of it would make him nauseous. It took Ramona weeks to adjust.