by Clive Barker
"Penny for the guy', they'd say, though none had a guy to display.
She had emptied her pockets of change by the time she reached the front door.
Anne-Marie was in today, though there was no welcoming smile. She simply stared at her visitor as if mesmerised. "I hope you don't mind me calling…"
Anne-Marie made no reply.
"I just wanted a word."
"I'm busy," the woman finally announced. There was no invitation inside, no offer of tea.
"Oh. Well… it won't take more than a moment."
The back door was open and the draught blew through the house. Papers were flying about in the back yard. Helen could see them lifting into the air like vast white moths.
"What do you want?" Anne-Marie asked.
"Just to ask you about the old man."
The woman frowned minutely. She looked as if she was sickening, Helen thought: her face had the colour and texture of stale dough, her hair was lank and greasy.
"What old man?"
"Last time I was here, you told me about an old man who'd been murdered, do you remember?" "No."
"You said he lived in the next court."
"I don't remember," Anne-Marie said.
"But you distinctly told me -”
Something fell to the floor in the kitchen, and smashed. Anne-Marie flinched, but did not move from the doorstep, her arm barring Helen's way into the house. The hallway was littered with the child's toys, gnawed and battered. "Are you all right?"
Anne-Marie nodded. "I've got work to do," she said.
"And you don't remember telling me about the old man?"
"You must have misunderstood," Anne-Marie replied, and then, her voice hushed: "You shouldn't have come. Everybody knows."
"Knows what?"
The girl had begun to tremble. "You don't understand, do you? You think people aren't watching?" "What does it matter? All I asked was – "I don't know anything," Anne-Marie reiterated. "Whatever I said to you, I lied about it."
"Well, thank you anyway," Helen said, too perplexed by the confusion of signals from Anne-Marie to press the point any further.
Almost as soon as she had turned from the door she heard the lock snap closed behind her.
That conversation was only one of several disappointments that morning brought. She went back to the row of shops, and visited the supermarket that Josie had spoken of. There she inquired about the lavatories, and their recent history. The supermarket had only changed hands in the last month, and the new owner, a taciturn Pakistani, insisted that he knew nothing of when or why the lavatories had been closed. She was aware, as she made her enquiries, of being scrutinized by the other customers in the shop; she felt like a pariah. That feeling deepened when, after leaving the supermarket, she saw Josie emerging from the launderette, and called after her only to have the woman pick up her pace and duck away into the maze of corridors. Helen followed, but rapidly lost both her quarry and her way. Frustrated to the verge of tears, she stood amongst the overturned rubbish bags, and felt a surge of contempt for her foolishness. She didn't belong here, did she? How many times had she criticized others for their presumption in claiming to understand societies they had merely viewed from afar? And here was she, committing the same crime, coming here with her camera and her questions, using the lives (and deaths) of these people as fodder for party conversation. She didn't blame Anne-Marie for turning her back; had she deserved better?
Tired and chilled, she decided it was time to concede Purcell's point. It was all fiction she had been told. They had played with her – sensing her desire to be fed some horrors – and she, the perfect fool, had fallen for every ridiculous word. It was time to pack up her credulity and go home.
One call demanded to be made before she returned to the car however: she wanted to look a final time at the painted head. Not as an anthropologist amongst an alien tribe, but as a confessed ghost train rider: for the thrill of it. Arriving at number 14, however, she faced the last and most crushing disappointment. The maisonette had been sealed up by conscientious council workmen. The door was locked; the front window boarded over.
She was determined not to be so easily defeated however. She made her way around the back of Butts' Court and located the yard of number 14 by simple mathematics. The gate was wedged closed from the inside, but she pushed hard upon it, and, with effort on both parts, it opened. A heap of rubbish – rotted carpets, a box of rain-sodden magazines, a denuded Christmas tree – had blocked it.
She crossed the yard to the boarded up windows, and peered through the slats of wood. It wasn't bright outside, but it was darker still within; it was difficult to catch more than the vaguest hint of the painting on the bedroom wall. She pressed her face close to the wood, eager for a final glimpse.
A shadow moved across the room, momentarily blocking her view. She stepped back from the window, startled, not certain of what she'd seen. Perhaps merely her own shadow, cast through the window? But then she hadn't moved; it had.
She approached the window again, more cautiously. The air vibrated; she could hear a muted whine from somewhere, though she couldn't be certain whether it came from inside or out. Again, she put her face to the rough boards, and suddenly, something leapt at the window. This time she let out a cry. There was a scrabbling sound from within, as nails raked the wood.
A dog!; and a big one to have jumped so high.
"Stupid," she told herself aloud. A sudden sweat bathed her.
The scrabbling had stopped almost as soon as it had started, but she couldn't bring herself to go back to the window. Clearly the workmen who had sealed up the maisonette had failed to check it properly, and incarcerated the animal by mistake. It was ravenous, to judge by the slavering she'd heard; she was grateful she hadn't attempted to break in. The dog – hungry, maybe half-mad in the stinking darkness – could have taken out her throat.
She stared at the boarded-up window. The slits between the boards were barely a half-inch wide, but she sensed that the animal was up on its hind legs on the other side, watching her through the gap. She could hear its panting now that her own breath was regularizing; she could hear its claws raking the sill.
"Bloody thing…" she said. "Damn well stay in there."
She backed off towards the gate. Hosts of wood-lice and spiders, disturbed from their nests by moving the carpets behind the gate, were scurrying underfoot, looking for a fresh darkness to call home.
She closed the gate behind her, and was making her way around the front of the block when she heard the sirens; two ugly spirals of sound that made the hair on the back of her neck tingle. They were approaching. She picked up her speed, and came round into Butts' Court in time to see several policemen crossing the grass behind the bonfire and an ambulance mounting the pavement and driving around to the other side of the quadrangle. People had emerged from their flats and were standing on their balconies, staring down. Others were walking around the court, nakedly curious, to join a gathering congregation. Helen's stomach seemed to drop to her bowels when she realized where the hub of interest lay: at Anne-Marie's doorstep. The police were clearing a path through the throng for the ambulance men. A second police-car had followed the route of the ambulance onto the pavement; two plain-clothes officers were getting out.
She walked to the periphery of the crowd. What little talk there was amongst the on-lookers was conducted in low voices; one or two of the older women were crying. Though she peered over the heads of the spectators she could see nothing. Turning to a bearded man, whose child was perched on his shoulders, she asked what was going on. He didn't know. Somebody dead, he'd heard, but he wasn't certain.
"Anne-Marie?" she asked.
A woman in front of her turned and said: "You know her?" almost awed, as if speaking of a loved one. "A little," Helen replied hesitantly. "Can you tell me what's happened?"
The woman involuntarily put her hand to her mouth, as if to stop the words before they came. But here they were nevertheles
s: "The child -”she said.
"Kerry?"
"Somebody got into the house around the back. Slit his throat."
Helen felt the sweat come again. In her mind's eye the newspapers rose and fell in Anne-Marie's yard. "No," she said.
"Just like that."
She looked at the tragedian who was trying to sell her this obscenity, and said, "No," again. It defied belief; yet her denials could not silence the horrid comprehension she felt.
She turned her back on the woman and paddled her way out of the crowd. There would be nothing to see, she knew, and even if there had been she had no desire to look. These people – still emerging from their homes as the story spread – were exhibiting an appetite she was disgusted by. She was not of them; would never be of them. She wanted to slap every eager face into sense; wanted to say: "It's pain and grief you're going to spy on. Why? Why?" But she had no courage left. Revulsion had drained her of all but the energy to wander away, leaving the crowd to its sport.
Trevor had come home. He did not attempt an explanation of his absence, but waited for her to cross-question him. When she failed to do so he sank into an easy bonhomie that was worse than his expectant silence. She was dimly aware that her disinterest was probably more unsettling for him than the histrionics he had been anticipating. She couldn't have cared less.
She tuned the radio to the local station, and listened for news. It came surely enough, confirming what the woman in the crowd had told her. Kerry Latimer was dead. Person or persons unknown had gained access to the house via the back yard and murdered the child while he played on the kitchen floor. A police spokesman mouthed the usual platitudes, describing Kerry's death as an 'unspeakable crime', and the miscreant as 'a dangerous and deeply disturbed individual'. For once, the rhetoric seemed justified, and the man's voice shook discernibly when he spoke of the scene that had confronted the officers in the kitchen of Anne-Marie's house.
"Why the radio?" Trevor casually inquired, when Helen had listened for news through three consecutive bulletins. She saw no point in withholding her experience at Spector Street from him; he would find out sooner or later. Coolly, she gave him a bald outline of what had happened at Butts' Court.
"This Anne-Marie is the woman you first met when you went to the estate; am I right?"
She nodded, hoping he wouldn't ask her too many questions. Tears were close, and she had no intention of breaking down in front of him.
"So you were right," he said.
"Right?"
"About the place having a maniac."
"No," she said. "No."
"But the kid -”
She got up and stood at the window, looking down two storeys into the darkened street below. Why did she feel the need to reject the conspiracy theory so urgently?; why was she now praying that Purcell had been right, and that all she'd been told had been lies? She went back and back to the way Anne-Marie had been when she'd visited her that morning: pale, jittery; expectant. She had been like a woman anticipating some arrival, hadn't she?, eager to shoo unwanted visitors away so that she could turn back to the business of waiting. But waiting for what, or whom? Was it possible that Anne-Marie actually knew the murderer? Had perhaps invited him into the house? "I hope they find the bastard," she said, still watching the street.
"They will," Trevor replied. "A baby-murderer, for Christ's sake. They'll make it a high priority." A man appeared at the corner of the street, turned, and whistled. A large Alsatian came to heel, and the two set off down towards the Cathedral.
"The dog," Helen murmured.
"What?"
She had forgotten the dog in all that had followed. Now the shock she'd felt as it had leapt at the window shook her again.
"What dog?" Trevor pressed.
"I went back to the flat today – where I took the pictures of the graffiti. There was a dog in there. Locked in." "So?"
"It'll starve. Nobody knows it's there."
"How do you know it wasn't locked in to kennel it?"
"It was making such a noise – she said.
"Dogs bark," Trevor replied. "That's all they're good for."
"No -” she said very quietly, remembering the noises through the boarded window. "It didn't bark…" "Forget the dog," Trevor said. "And the child. There's nothing you can do about it. You were just passing through." His words only echoed her own thoughts of earlier in the day, but somehow – for reasons that she could find no words to convey – that conviction had decayed in the last hours. She was not just passing through. Nobody ever just passed through; experience always left its mark. Sometimes it merely scratched; on occasion it took off limbs. She did not know the extent of her present wounding, but she knew it more profound than she yet understood, and it made her afraid.
"We're out of booze," she said, emptying the last dribble of whisky into her tumbler.
Trevor seemed pleased to have a reason to be accommodating. "I'll go out, shall I?" he said. "Get a bottle or two?" "Sure," she replied. "If you like."
He was gone only half an hour; she would have liked him to have been longer. She didn't want to talk, only to sit and think through the unease in her belly. Though Trevor had dismissed her concern for the dog – and perhaps justifiably so – she couldn't help but go back to the locked maisonette in her mind's eye: to picture again the raging face on the bedroom wall, and hear the animal's muffled growl as it pawed the boards over the window. Whatever Trevor had said, she didn't believe the place was being used as a makeshift kennel. No, the dog was imprisoned in there, no doubt of it, running round and round, driven, in its desperation, to eat its own feces, growing more insane with every hour that passed. She became afraid that somebody – kids maybe, looking for more tinder for their bonfire would break into the place, ignorant of what it contained. It wasn't that she feared for the intruders' safety, but that the dog, once liberated, would come for her. It would know where she was (so her drunken head construed) and come sniffing her out.
Trevor returned with the whisky, and they drank together until the early hours, when her stomach revolted. She took refuge in the toilet – Trevor outside asking her if she needed anything, her telling him weakly to leave her alone. When, an hour later, she emerged, he had gone to bed. She did not join him, but lay down on the sofa and dozed through until dawn.
The murder was news. The next morning it made all the tabloids as a front page splash, and found prominent positions in the heavyweights too. There were photographs of the stricken mother being led from the house, and others, blurred but potent, taken over the back yard wall and through the open kitchen door. Was that blood on the floor, or shadow?
Helen did not bother to read the articles – her aching head rebelled at the thought – but Trevor, who had brought the newspapers in, was eager to talk. She couldn't work out if this was further peacemaking on his part, or a genuine interest in the issue.
"The woman's in custody," he said, poring over the Daily Telegraph. It was a paper he was politically averse to, but its coverage of violent crime was notoriously detailed.
The observation demanded Helen's attention, unwilling or not. "Custody?" she said. "Anne-Marie?" "Yes."
"Let me see."
He relinquished the paper, and she glanced over the page.
"Third column," Trevor prompted.
She found the place, and there it was in black and white. Anne-Marie had been taken into custody for questioning to justify the time-lapse between the estimated hour of the child's death, and the time that it had been reported. Helen read the relevant sentences over again, to be certain that she'd understood properly. Yes, she had. The police pathologist estimated Kerry to have died between six and six-thirty that morning; the murder had not been reported until twelve.
She read the report over a third and fourth time, but repetition did not change the horrid facts. The child had been murdered before dawn. When she had gone to the house that morning Kerry had already been dead four hours. The body had been in the kitchen, a few yards
down the hallway from where she had stood, and Anne-Marie had said nothing. That air of expectancy she had had about her – what had it signified? That she awaited some cue to lift the receiver and call the police?
"My Christ…" Helen said, and let the paper drop.
"What?"
"I have to go to the police."
"Why?"
"To tell them I went to the house," she replied. Trevor looked mystified. "The baby was dead, Trevor. When I saw Anne-Marie yesterday morning, Kerry was already dead."
She rang the number given in the paper for any persons offering information, and half an hour later a police car came to pick her up. There was much that startled her in the two hours of interrogation that followed, not least the fact that nobody had reported her presence on the estate to the police, though she had surely been noticed. "They don't want to know -” the detective told her," – you'd think a place like that would be swarming with witnesses. If it is, they're not coming forward. A crime like this…"
"Is it the first?" she said.
He looked at her across a chaotic desk. "First?"
"I was told some stories about the estate. Murders. This summer."
The detective shook his head. "Not to my knowledge. There's been a spate of muggings; one woman was put in hospital for a week or so. But no; no murders."
She liked the detective. His eyes flattered her with their lingering, and his face with their frankness. Past caring whether she sounded foolish or not, she said: "Why do they tell lies like that. About people having their eyes cut out. Terrible things."
The detective scratched his long nose. "We get it too," he said. "People come in here, they confess to all kinds of crap. Talk all night, some of them, about things they've done, or think they've done. Give you it all in the minutest detail. And when you make a few calls, it's all invented. Out of their minds."