Tucked behind a peeling metal downspout was a twenty-foot length of rope which someone had tied over the bottom step of a fire escape that was held in place at the second floor by a rusty cable. All business, The Bad Czech began fashioning a noose with the oily length of rope.
Cecil Higgins and Elmo McVey looked quizzically at each other, and Elmo McVey giggled uncomfortably and said, "I thought capital punishment was abolished in this state."
"They brought it back," Cecil Higgins said. "But they ain't used it in a long long time." Then to his partner: "Hey, Czech, what the fuck're you do-in?"
"I told him a thousand times to take his act on the road. Down to Main Street," The Bad Czech said, cinching up the noose, checking the snugness of the knot as it slid down to the size of a thirteen-inch neck. Then he opened the noose wide and left it dangling there from the fire escape while he crossed the alley in three giant steps and picked up a wooden box.
"This ain't much of a scaffold," The Bad Czech said, "but it's all we got." He placed the wooden box under the noose and said, "I asked you a thousand times to ..."
"Ain't this gone far enough?" Elmo McVey whined nervously. He wisely decided to talk to the black cop, who, though an evil looking old nigger, was nevertheless more agreeable to Elmo McVey than the gigantic madman with the eyebrows all over his face.
"Hey, Czech, let's go git some soul food," Cecil Higgins offered, also sounding a bit nervous. "Little gumbo cleans up a hangover in no ..."
But suddenly The Bad Czech lifted the mangy wino up on the box until he stood eye to badge with the beat cop's silver hat-piece. Then The Bad Czech grabbed the squirming wino under the throat, quickly slipped the noose over his head and cinched it tight. The monster cop stepped back and reckoned that the wino's feet would never come closer than twelve inches to the ground.
"Boys, this is some kind a fun," Elmo McVey giggled, grabbing at the rope. "I mean, I been rousted by cops from Manhattan to Malibu. I learned to appreciate the weird sense a humor a you guys. Now kin we jist wrap this up and take me to the slam or . .. or ..." Then for the first time he looked deep into the demented gray eyes of The Bad Czech. "Or ... or beat the crap outa me! Or do somethin reasonable!"
"Let's go git some gumbo, Czech," Cecil Higgins said. "Now!"
"Fuck it. How do ya know Elmo's real, anyways?" The Bad Czech said.
And he kicked the box clear across the alley.
When Elmo McVey dropped, so did the fire escape. The rusty cable holding it up snapped with the wino's weight and both the fire escape and Elmo McVey crashed down in the alley. The fire escape nearly creamed Cecil Higgins, who yelped and jumped into a doorway. It missed The Bad Czech by less than a foot but he didn't seem to notice.
"Aw shit!" The Bad Czech said. "Let's tie it to the railing and try it again."
But by now Cecil Higgins was prying the rope from Elmo McVey, who was gasping and squeaking and about the color of the cops' uniform.
"He ... he ..." Elmo McVey croaked and coughed and babbled and touched the rope burn and took several gulps of air and finally said, "He lynched me!"
"Take it easy, Elmo," Cecil Higgins said, dusting off the wino's army-surplus jacket. "Don't make a big deal outa it."
"He ' fried to hang me!" Elmo McVey screamed hoarsely as The Bad Czech worked silently to redo the noose and find a better gallows.
"Elmo, I was you," said Cecil Higgins, "I'd forgit all about this here . . . fantasy about some cop tryin to hang ya. I mean, I was you I'd take one more hard look at my partner and take your act on the road, right down to Main Street."
"I want a lawyer!" Elmo McVey screamed.
"Elmo," Cecil Higgins said shakily, "if ya was to make some kind a crazy complaint about bein lynched and all, would anybody believe ya? And even if they did, whaddaya think The Czech would do when he hunted ya down in a alley sometime? I bet he wouldn't hang ya by the neck next time, is what I bet."
Then Cecil Higgins reached in his pocket and took out two dollars. "Go git yourself a bottle a Sneaky Pete and forgit this fantasy. And git your shit together and take your act on the road."
Elmo McVey's eyes were still the size of poker chips but his face was only slightly lavender when he left that alley holding his neck. "Well," he said, "Main Street's got its good points. There's a mission down there where the food ain't bad and nobody's gotta hear too much Jesus crap. And down there stealin bras and panties ain't a hangin offense."
Actually, after the rope burn healed, Elmo McVey could not be sure that the hanging wasn't some terrible alcoholic dream. Even he wasn't sure that it was real.
Five minutes later, after having disposed of the gallows and rope while The Bad Czech ate a beef-and-bean burrito from a taco truck, the old beat cop cadged a free cup of coffee from the Mexican vendor and decided it was time for some heavy conversation.
"Shouldn't oughtta eat from these roach wagons," Cecil Higgins advised The Bad Czech, who was drinking grape soda pop and devouring a burrito like any whiskey-ravaged hangover victim.
"Nother one," The Bad Czech said with his cheeks full of tortilla. The Mexican, having served burritos to freeloading cops from Tijuana to L. A., just chalked the freebies up to public relations.
After The Bad Czech was belching hot sauce and feeling less cranky, the old beat cop took his giant partner by the arm and walked him over to a bench by the water in MacArthur Park. When The Bad Czech finished his soda pop, Cecil Higgins said, "Know somethin, kid? I been noticin that ya ain't so happy lately."
"I ain't?" The Bad Czech said, belching up a green chile seed which stuck to his wiry black moustache.
"No, you ain't. Is it maybe your divorce?"
"I'm used to them. After three I oughtta be. I ain't got no money for the lawyers to take no more."
"Maybe it's the booze," Cecil Higgins offered. "Maybe nobody oughtta go to Leery's ever single night."
"I think I'd really get grouchy if I didn't go to Leery's ever single night," The Bad Czech said.
Cecil Higgins, still boozy from last night, was being hypnotized by the green pepper seed on The Bad Czech's moustache. He pulled himself together, plucked off the fiery seed and threw it in the water, where a white duck bit into it and got totally pissed off, quacking furiously.
"I know what it is!" Cecil Higgins suddenly cried. "It's the fuckin newspaper. You're gettin goofy from readin the L. A. Timesl"
"Ya think so?" said The Bad Czech. "Ya think I'm gettin goofy?"
"Kid, the Times ain't good for your head," the old cop said. "Ya take it too serious."
"Maybe you're right." The Bad Czech nodded. "But, Cecil, am I really gettin goofy?"
"Czech, I think you're aware that hangin went out in this state, oh, maybe eighty years ago. Like, they ain't even gassed nobody in years. I mean, the chief, the mayor, the public defender, the A. C. L. U., even Alcoholics Anonymous, almost everybody I can think of would not like it one fuckin bit, they was to catch ya hangin winos."
Then The Bad Czech turned his demented gray eyes toward Cecil Higgins and said, "But Cecil, how do ya know for sure that wino was real?"
"Gud-damnit!" Cecil Higgins yelled, getting up and throwing his police hat down on the bench.
Then he pulled out his nightstick and whacked a palm tree which brought a little palm frond down on his bald scaly bean and he said, "There ya go again with this real bull-shit!"
"Cecil, don't get cranky!" The Bad Czech pleaded. "Look, the chief justice a the state supreme court says that smugglers shouldn't have to get rid a their Gucci luggage and buy sniff-proof containers for their dope. Don't ya get it? Even a dog can get his balls slapped for search and seizure. Don't yz get it?"
"Get what?"
"It ain't real. I mean it ain't really real in ... in ... a ... a philosophical way."
"Philo-fuckin-sophical!" Cecil Higgins groaned. Then the old black cop paced back and forth snorting disgustedly. "I shoulda knowed. Ever since ya took that night-school class at L. A. City College. Up until then the
biggest word ya ever said was enchilada. Philosophical. Shit. Night school's fucked up your head worse than the L. A. Times."
"But ya said yourself, Cecil, that even you ain't always sure what's . . . really real and what ain't."
Then Cecil Higgins sat down on the bench. A burly man in his own right and, when standing erect, at least six feet tall, he had to look straight up at The Bad Czech, who had most of his great height in his torso. Like John Wayne, he always bragged.
"Okay, Czech, I'm gonna tell ya what's real" Cecil Higgins said. "What's real is that nobody, I mean no civilian outside a the fat broad with the whiskers is gonna care about what's really real when it comes to hangin winos. And if ya insist on hangin winos, or anybody else for that matter, what's gonna happen is they're gonna send some headhunters out to throw ya in the slam and then they're gonna send ya to San Quentin. And up in Q there's these gangs a bad-news niggers like the Muslims and so on. And one day in the prison yard old Elijah X or some other head-shaved motherfucker is gonna give the signal and all these spades is gonna jump on your bones and pull your pants off and about eighty a them's gonna lay more tube than the motherfuckin Alaska pipeline and your asshole's gonna end up lookin like the Second Street Tunnel and you're gonna be able to carry your bowlin ball and six armadillos no hands for the rest a your fuckin life which is gonna be real short anyways. And that's what's real! Kin you dig it?"
It was the longest speech Cecil Higgins had ever made. The Bad Czech seemed impressed. "Okay, I won't hang no more winos," The Bad Czech said, "if ya promise not to ask to work with somebody else. You're the only person left I kin talk to."
For once, The Bad Czech's demented gray eyes didn't seem to smolder. The old beat cop brushed a palm nut off his scaly noggin and looked at those eyes and-well, he had to admit it: the big wacko had started to grow on him. Truth to tell, Cecil Higgins didn't have anybody to talk to either, outside of the other losers at Leery's Saloon.
"Okay, kid," Cecil Higgins said. "I promise to work with ya right up to my thirty-year pension. Which I don't expect to live to see anyways. I jist hope I don't end up in San Quentin with a asshole big enough for a motor scooter to turn around in."
Chapter THREE
THE STUBBORN CHOPSTICK
Melody waters and chip muirfield were feeling all warm and rosy from the brunch of steak tartare. They did not have Chardonnay as Mario Villalobos expected; they both drank Perrier. Full of steak tartare and designer water, the young detectives now did what they loved to do best: they headed for the coroner's to gawk at all the maimed and butchered carcasses of former human beings.
First they had entertained each other out in the hall playing with a stiff on a gurney. A Mexican had been shot three times in the chest for walking on the wrong street during a gang war in which he was not involved, nevertheless satisfying the gang's blood code by his demise. Chip Muirfield had stood behind the body and grabbed the top of the body bag and lifted the head a bit and made the cadaver, who stared with sad and sleepy eyes, respond to all of Melody Waters' questions.
"How's the accommodations down here?" Melody giggled.
"Is okay," Chip said in a gravel voice, shaking the body bag so that the stiff nodded.
"You wouldn't want to spend a lot of time here, would you?" Melody asked the corpse.
"Is not that okay," Chip said in the gravel voice, moving the bag so that the stiff shook his head.
They only knocked it off when Mario Villalobos caught them and said, "If you two could tear yourselves away from the gross-out gags, could you please pay a little attention to business?"
Mario Villalobos, while awaiting the arrival of the shoulder holster kids, had given his crime report another perfunctory look-see. It was better than standing around the autopsy room watching them scoop out Missy Moonbeam like the honeydew melon filled with Haagen-Dazs ice cream that Chip Muirfield and Melody Waters had had for dessert. It was better than watching them replace her insides not with little balls of Haagen-Dazs ice cream, but with the scrambled heaps of guts shoveled back in by the morgue tech, who wiped the inside of her now brainless skull with soggy paper towels, which he stuffed inside the empty skull along with his sandwich wrapper when he was through.
As it turned out, Thelma Bernbaum a. K. A. Missy Moonbeam was one of those unhappy wretches whose "funerals" would consist of a few words muttered by a grumpy undertaker who thought the county was screwing him by expecting him to plant this stiff in something remotely resembling a casket for the paltry amount the county was willing to pay to dispose of the little hooker.
Thelma Bernbaum's next of kin in Omaha were struggling to make it, what with the recession and unemployment, and weren't about to spend a bundle of hard-earned bucks to bring what was left of Thelma back to a place she always said was about as stimulating as the Gulag Archipelago. (Thelma had read a book or two. What else was there for her in Omaha?)
But upon arriving in Hollywood she had stopped reading anything except Daily Variety and The Hollywood Reporter. She stopped reading altogether when the money was gone, along with the hopes and dreams. And when they lose their hopes and dreams in Hollywood, it's like sliding bare-assed down a splintered two-by-four, they say. It hurts all the way to the basement.
She'd started out as a $500-a-night call girl. Even a police mug shot could not obsure the fact that she had been a pretty girl at first. Then the inevitable: hash, dust, uppers, downers, speed, coke. She never got to heroin, but she might as well have. On one of her arrests she admitted to a coke habit big enough to keep her on her back and knees eighteen hours a day without a shred of real rest or untroubled sleep.
The last mug shot of Missy Moonbeam looked like something that needed an exorcist. Mario Villalobos sighed his peculiar sad sigh and lit yet another cigarette and looked at his watch. It had been a marathon brunch. He wished he hadn't let the lieutenant talk him into taking on Chip Muirfield for his "seasoning" session, with help from Melody Waters. Mario Villalobos' regular partner, Maxie Steiner, was recovering from a heart attack, thanks to Leery's Saloon, lousy diet, lack of exercise, two packs of cigarettes a day, middle-of-the-night meetings with murdered people, a rotten marriage and a divorce. In short, everything Mario Villalobos had experienced, except that Maxie Steiner was ten years older and Mario Villalobos had had two rotten marriages and divorces.
Such troubling thoughts caused Mario Villalobos to look into the room, at the slab of lung a technician had placed on a steel table. It looked like a chunk of coal. That poor bastard had probably smoked as much as Maxie Steiner, which meant he smoked almost as much as Mario Villalobos. The thought of finally going end-of-watch as the result of something as relentless as lung cancer scared the crap out of Mario Villalobos. Better to look his .38 in the eye and smoke it. As he stared at that lung on the gut pan, gleaming like a chunk of anthracite, he got so tense his hands started to shake. To settle them he lit a cigarette, the thirteenth of the day.
Well, if he didn't die from lung cancer, and if mid-life crisis wasn't terminal, and if he survived this feeling of dread and despair which more or less clouded every waking moment, he might soon start looking on the bright side. His youngest son, Alec, was nearly eighteen, which meant the child-support payment would end. His oldest son, Frank (he would never permit his boys to be cursed with a handle as Hispanic as Mario when followed by a Villalobos), was safely warehoused in San Diego State majoring in surf bunnies, and bleeding his old man for about $200 a month. The detective didn't mind the $200 donation as much as the child-support payment for Alec which the court ordered him to pay. In any case the court-ordered payment would soon be stopped and he could send money to Alec directly, of his own free will. He'd still be as bankrupt as International Harvester but at least it would be by choice, and that made all the difference. A man like Mario Villalobos needed at least to pretend to order his own destiny, but he'd been a cop long enough to know that a vagary of fortune probably had as much to do with destiny as any exercise of free will, in the world he i
nhabited. That is, in the emotionally perilous world of the policeman, where nothing is as it seems.
If he could only stop his hands from trembling. This was something new in his life. He'd noticed for several years that Maxie Steiner's hands shook for most of the morning. He felt like taking his own pulse but he was afraid to know, and he didn't want to resemble Rumpled Ronald with the look of doom on his face.
When Chip and Melody had finally arrived, Mario Villalobos thought he could see it in their shining eyes: incipient romance. Or was it just their common love of gore? It was so touching he wanted a double vodka.
"Glad you two could make it," Mario Villalobos had said to the brunchers.
"Sorry, Mario," Chip Muirfield apologized. "We couldn't get served as fast as ..."
"Okay, okay," the detective said, feeling every one of his forty-two years whenever he looked at the surfer's body and seamless face of Chip Muirfield.
Mario Villalobos was once a good police department handball player, but he was now soft in the belly. He had to let out his pants to a size 35. He weighed more than 190 pounds now, and whereas he used to be nearly six feet tall, he was now less than five eleven. Middle age. He was shrinking in height, expanding in girth. He didn't have a frame large enough to carry 200 pounds. What would he look like in five more years? Could it be worse than this, smack in the vortex of a world-class mid-life crisis?
While the shoulder holster kids dived into their work, he looked around at the stacks of stiffs waiting to be sawed, chopped, sliced and emptied. There were racks of cadavers in the "reefer" rooms, bodies of unidentified John and Jane Does which could be kept refrigerated for months. There were bunches of bodies in the "decomp" room, decomposed bodies, lying putrid under ceiling fans which could never dispose of the unforgettable smell. There were gurneys loaded with corpses, in one case two on a gurney: a shriveled pair of pensioners, married fifty years, who died as a result of an unvented heater and lay sandwiched in death as they had lain sandwiched in life during damp and drafty nights in their pensioners' hotel. He wondered how many of them had survived a world-class mid-life crisis. Or if anyone ever did. Or was what he was experiencing more than a mid-life crisis?
the Delta Star (1983) Page 4