by Nancy Belgue
Colette and the
Silver Samovar
Colette and the
Silver Samovar
NANCY BELGUE
ORCA BOOK PUBLISHERS
Text copyright © 2010 Nancy Belgue
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system now known or to be invented, without permission in writing from the publisher.
Library and Archives Canada Cataloguing in Publication
Belgue, Nancy, 1951-
Colette and the silver samovar / written by Nancy Belgue.
(Orca young readers)
Issued also in an electronic format.
ISBN 978-1-55469-321-4
I. Title. II. Series: Orca young readers
PS8553.E4427C64 2010 jC813’.6 C2010-903530-5
First published in the United States, 2010
Library of Congress Control Number: 2010928825
Summary: Colette’s family is torn apart by events and attitudes she cannot control, but she is determined to find a way to mend the rifts that threaten to destroy the people she loves.
Orca Book Publishers is dedicated to preserving the environment and has printed this book on paper certified by the Forest Stewardship Council.
Orca Book Publishers gratefully acknowledges the support for its publishing programs provided by the following agencies: the Government of Canada through the Canada Book Fund and the Canada Council for the Arts, and the Province of British Columbia through the BC Arts Council and the Book Publishing Tax Credit.
Typesetting by Nadja Penaluna
Cover artwork by Simon Ng
Author photo by Max Wedge
ORCA BOOK PUBLISHERS
PO Box 5626, Stn. B
Victoria, BC Canada
V8R 6S4
ORCA BOOK PUBLISHERS
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Custer, WA USA
98240-0468
www.orcabook.com
Printed and bound in Canada.
13 12 11 10 • 4 3 2 1
To Terry
Table of Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Acknowledgments
Chapter 1
This morning, when the elevator in my apartment got stuck between the twelfth and the fourteenth floors, right where thirteen should have been, I knew right away that something bad was going to happen.
There were two other people in the elevator with me: Mr. Singh, who lives on the same floor as my family and me, and Auntie Graves, an old lady who reminds me of a little brown mouse. When the elevator bounced to a stop, she started moaning and shivering. Mr. Singh kept telling her that everything was going to be all right. He pressed the red button, and a loud alarm started ringing. This made Auntie Graves sink to the ground and start beating at her chest with her fist.
I plopped right down beside her. “This happens all the time,” I said. “My father says this old building is run-down. He says it is just a matter of time before it is condemned.” Auntie Graves covered her face with her hands and moaned. Mr. Singh shook his head and shushed me.
“See how we’re stuck between twelve and fourteen, right where the thirteenth floor should be? Do you know that the number thirteen is unlucky?” I asked.
Auntie Graves began rocking back and forth.
“Some airports don’t even have a terminal thirteen,” I said. “And some streets don’t have a house numbered thirteen. Race-car drivers never choose that number for their cars.” I was just warming up, but Mr. Singh grabbed my arm and pulled me up.
“You need to stop talking now,” he said. Mr. Singh has serious brown eyes and a snowy turban on his head. He has a gentle voice and always gives me wrapped candies, but today he was looking very stern.
Auntie Graves started gasping for breath.
“She’s hyperventilating,” I pointed out. That’s when people breathe too fast because they are scared. I know all about this because I am going to be a writer, and I once made a character in a story I wrote hyperventilate because she saw a ghost! I even made that character faint!
Mr. Singh knelt down and told Auntie Graves to put her head between her knees and breathe slowly. He was a doctor in Pakistan, but now he works as a janitor.
I watched with interest as she tried this. When I wrote my story, I found out that one of the ways to help someone who is hyperventilating is to give them a paper bag to breathe into, so I opened my backpack and took out my lunch. I dumped it on the elevator floor and gave the paper bag to Auntie Graves. I liked Mr. Singh and didn’t want him to be mad at me.
The electricity started humming, and the cables began to move. The elevator started up with a heave-ho. I’d been trapped on a roller coaster once, and it had started in the same way—with a big jerk. When we got to the ground floor, a crowd of people was standing in the lobby. Mr. Singh helped Auntie Graves over to a rickety chair, and she sat down, still clutching my paper bag.
He turned to me and said, “You are lovely child. Talk too much sometimes.”
I just like to share information. I don’t see anything wrong with that.
My father says that I need to learn discretion. That’s a fancy word for knowing when to say something and when to keep your mouth shut.
I find that very hard to do.
There are lots of things I find hard to do. I find it hard not to tell everyone that I am going to be a writer. My father says I shouldn’t show off. He thinks I have too much confidence sometimes. He says I should be more modest. Modest is when you pretend you aren’t as smart as you are. Or pretend that you aren’t proud of something you’ve done. My mother says modesty is overrated, and it is good to believe in yourself.
I am also very superstitious. My father says that I should not be superstitious. He says modesty is a much better trait to have.
My mother is superstitious too. She was the one who told me that we don’t have a thirteenth floor in our apartment building because the number thirteen is unlucky. Most people don’t know why thirteen is unlucky. Because I’m going to be a writer, I am also very inquisitive. That’s when you ask a lot of questions so you can find out what’s going on. My father says this is also called being nosy.
Well, anyway, maybe it’s because I’m nosy that I asked my teacher why thirteen is unlucky, and she told me that no one really knows. But some people think it’s because there were thirteen people at the Last Supper. Then she said some people think it’s because twelve is a perfect number, and thirteen is the bad number that comes after it. She told me that people are so superstitious about the number thirteen that they don’t even have thirteenth floors in apartment buildings. But I already knew that!
My father says we are only going to live in this old building until things get better. But my mother says it doesn’t matter where we live as long as we’re together. I like where I live because there is always something exciting happening. Our apartment is downtown in a big city called Toronto. My mother didn’t come from this part of the city though. I know this because I overheard Luella, who runs the convenience store on the corner, telling Mrs. Singh that my mother came from a place called Rosedale. Then Luella raised her eyebrows, stuck her nose in th
e air and pretended she was drinking tea, with one little finger crooked. Once my mother took me on the subway to a doctor, and I saw signs for a stop called Rosedale. I asked her if this was where she came from. She looked at me like I was a mind reader, and so I had to tell her what Luella had said. That’s when my mother told me that she had grown up there. All I could see from the subway were lots of green trees and some fancy stores. It didn’t seem that strange a place to me. My mother also said her mother and father still lived on one of these streets. I asked her why we never saw them if they live so close by. And she told me that they got mad at her when she married my father.
“Why did they get mad?” I asked.
“They didn’t like your father, because he was different from them,” she said. Her eyes were very sad when she said this.
“What’s so different about Dad?” I asked. “Is it because he’s stubborn?”
My mother shook her head.
“Did he ever tell them one of his funny stories?” I asked. I love it when my father tells stories. Sometimes they make me think about life, but sometimes they make me laugh so hard I get a stomachache. I bet if he ever told one of those stories to my grandparents, they would like him.
“No, Colette,” my mother said. “They only met him once. But there was a big argument, my parents forbade me to marry him, and he stormed out.”
She took a deep, shaky breath and looked like she might cry, so I stopped asking questions, even though there was so much more I wanted to know.
One morning a tall, skinny man with a curled-up gray mustache was standing outside our apartment building when I left for school.
“Are you Colette Faizal?” he asked.
My parents taught me early on never to talk to strangers, but this man was so old, I knew I could outrun him if I had to. Besides, he was leaning on a cane.
“Yes,” I said.
He looked me over like he was deciding whether or not to buy me. I stared back at him. Staring isn’t polite. Lots of people tell me that. But writers need to be observant. This man was very pale, and his skin had brown spots all over it, like giant exploding freckles. He even had exploding freckles on his scalp, which I could see because he was bald. His blue eyes reminded me of someone. And when he spoke, he said his A’s exactly like my mother. That’s when it hit me. He sounded just like my mother!
I opened my mouth to speak, but he beat me to it. “You don’t look like her.”
I knew what he meant. He meant I didn’t look like my mother.
And this is true. My mother is tall and thin and has hair the color of honey. Her skin is very pale, and her eyes are blue. I am round, have straight dark hair and brown eyes. She is artistic like I am though. She is a painter and art teacher. She tells me that I get my creativity from her and my nosiness from my father. My father was an engineer before he moved to Canada from Iran. Now he drives a taxi.
“You look like him,” the old man said. His mouth screwed up when he said it, like he’d just sucked on a lemon. “You look foreign.”
“That’s rude,” I told him. My parents make a big deal out of being polite to everyone, especially old people, but my father tells me to stick up for myself if someone is mean. After all, he says, if you don’t stick up for yourself, who will?
“Don’t be cheeky, girl,” the man said.
He was talking like an actor I saw in an old black-and-white movie once. I didn’t like that actor, and I didn’t much like the old man. I walked away, and I could feel two hot spots on my back where his eyes were burning into me.
When I got to the corner, I couldn’t help myself. I turned around, but he was gone. I wondered if I’d imagined the whole thing.
I have a very active imagination. I think this is a very good thing if you are going to be a writer, but it can be a problem sometimes. I get scared easily, especially if my imagination is working overtime. That’s what my father says, anyway. He says there are no ugly things under the bed. (I don’t agree. I’ve seen them.) He says the trees in the park don’t talk to me. (But they do. They whisper at me all the time.) He says the things I worry about are silly. My mother says that if they are real to me, they are not silly at all.
I love my mother.
I love my father too. He is a kind man and a good father, but he is a man of numbers and facts. I believe he is imagination-challenged. Sometimes I wonder how my mother and my father ever got together. Then I see them looking at each other, and I think I understand.
That night, when I told my mother that I’d seen the rude old man with the exploding freckles, she raised her eyebrows. “That’s my grandfather,” she said. Then she sniffed a little and said, “If I could have one wish, I would wish for my family and your father’s family to meet each other.”
“Why doesn’t everyone just come here for a visit?” I asked her.
“It’s not that simple,” my mother said.
“Why not?” I asked.
“It’s just not,” she said.
It didn’t make any sense to me at all. Grown-ups make things so complicated!
Imagine! I have grandparents and a great-grandfather living just up the street, and until that day, I’d never met any of them. My father’s parents live in Iran. He shows me pictures of them, and they are always smiling. I hope they would smile if they met me. Not like that man who looked like he’d just sucked a lemon.
Chapter 2
I’d been so busy daydreaming that when Mr. Singh told me I needed to hurry up, I realized that I was going to be late for school.
Sometimes I’m just walking down the street and, for no reason at all, I pass right by where I’m supposed to be going and have to turn around and run all the way back. My father gets very exasperated with me when I do that and tells me I need to watch where I’m going, otherwise I could get run over. My mother laughs and tells me that she does the same thing sometimes.
It was October, and the trees looked like they were dressed for a party, in gold and red and orange. I cross a park to get to my school, and there is a community garden on one side, full of bright yellow spiky flowers. They were giving off a spicy smell, and I thought I’d pick one for my teacher so she wouldn’t be too mad at me for being late, but a big dog that lives near the park chased me.
I am scared of dogs. My mother is scared of dogs too, because she was bitten by one when she was little. My father tells me that she has passed her fear on to me and that I shouldn’t be afraid of dogs until I have a good reason to be. Well, if you could see the long yellow teeth and knotted black hair on the dog that lives near the park, you’d know I had all the reasons I needed. I climbed the tree at the edge of the park and looked down at him. He was drooling, I was sure of it. He was thinking about how many meals he’d get out of me, just like the troll in The Three Billy Goats Gruff.
“Go away, Spike,” I squeaked at him. He growled and stood on his hind legs. He was so big, he almost reached the branch I was sitting on. I squeezed my eyes shut and wished I had a magic leaf blower that was so powerful I could just blow Spike into the next street.
“Spike!” hollered the man who lived in the apartment building beside the park. “Get over here!”
Spike’s ears turned toward the man’s voice, but he kept his eyes on me.
“SPIKE!” the man yelled again.
Reluctantly, Spike loped off.
By the time I was really, really sure that Spike wasn’t coming back and I had walked the rest of the way to school, morning announcements were over and the secretary in the office was finished handing out late slips. I had to wait until she’d come back from walking all the other late kids to their classrooms.
“Colette Faizal,” she said. “Late again, I see.”
Mrs. Muncie is actually pretty nice, but she doesn’t like tardiness. She always says that there may be some things in life we can’t control, but being on time isn’t one of them.
“Yes, ma’am,” I said. Mrs. Muncie likes being called ma’am.
“Don�
�t call me ma’am, Colette,” Mrs. Muncie said. “I know you think I like that, but I don’t.”
That shocked me. Ever since second grade, I’ve been calling her ma’am.
“Ma’am makes me feel old,” she said. “Just call me Mrs. Muncie from now on.”
Hey, now. Just a minute. She was old! I was about to point that out when I stopped and thought. This is what my father means when he tells me to use discretion. I was secretly very pleased that I’d figured that out. I was so pleased that I didn’t even notice that Zain was sitting at my desk, beside my best friend Oprah, until I practically sat in her lap.
“Hey!” I shouted. “What are you doing in my seat?”
Ms. MacKenzie, our teacher, looked up from helping Lotus Liu with her math. “Colette,” she said. “I had Zain move your things to the front of the class. You missed the move because you were late. Again.”
Oprah gave me a sorrowful smile. I smiled back bravely.
“You are much too talkative sitting next to Oprah,” Ms. MacKenzie said. She pointed at an empty seat in front of her desk. “I think you might have an easier time paying attention if you sit closer to me.”
All the kids were staring at me, so I put on my biggest smile and walked to the front of the room and sat down. That’s when I realized the desk was set a couple of feet away from the rest of the aisle. I was marooned!
“Thank you, Colette,” Ms. MacKenzie said. “Please take out your English homework and put it on my desk. Then get out your math.”
I got out my homework and carefully smoothed out the wrinkles. I’d written about the man with the exploding freckles, and I thought I had done a very good job. When I put it on Ms. MacKenzie’s desk, I snuck a look at Oprah. She was gazing at me as if she couldn’t believe we were separated. I winked at her, because that’s what people do when they are trying to make someone else feel better, but from the look on her face, I guess it didn’t work.