Every one must recollect the tragical story of young E————the Irish patriot; it was too touching to be soon forgotten. During the troubles in Ireland he was tried, condemned and executed on a charge of treason. His fate made a deep impression on public sympathy. He was so young—so intelligent—so generous—so brave—so every thing that we are apt to like in a young man. His conduct under trial too was so lofty and intrepid. The noble indignation with which he repelled the charge of treason against his country—the eloquent vindication of his name, his pathetic appeal to posterity in the hopeless hour of condemnation-all these entered deeply into every generous bosom, and even his enemies lamented the stem policy that dictated his execution.
But there was one heart, whose anguish it would be impossible to describe. In happier days and fairer fortunes he had won the affections of a beautiful and interesting girl, the daughter of a late celebrated Irish Barrister. She loved him with the disinterested fervour of a woman’s first and early love. When every worldly maxim arrayed itself against him; when blasted in fortune, and disgrace and danger darkened around his name, she loved him the more ardently for his very sufferings. If then his fate could awaken the sympathy even of his foes, what must have been the agony of her whose whole soul was occupied by his image! Let those tell who have had the portals of the tomb suddenly closed between them, and the being they most loved on earth—who have sat at its threshold, as one shut out in a cold and lonely world, from whence all that was most lovely and loving had departed.
But then the horrors of such a grave! so frightful—so dishonouredl-There was nothing for memory to dwell on that could soothe the pang of separation—none of those tender though melancholy circumstances which endear the parting scene—nothing to melt sorrow into those blessed tears, sent like the dews of heaven, to revive the heart in the parching hour of anguish.
To render her widowed situation more desolate, she had incurred her father’s displeasure by her unfortunate attachment, and was an exile from the paternal roof. But could the sympathy and kind offices of friends have reached a spirit so shocked and driven in by horror, she would have experienced no want of consolation, for the Irish are a people of quick and generous sensibilities. The most delicate and cherishing attentions were paid her by families of wealth and distinction. She was led into society; and they tried by all kinds of occupations and amusements to dissipate her grief and wean her from the tragical story of her loves. But it was all in vain. There are some strokes of calamity which scathe and scorch the soul; which penetrate to the vital seat of happiness, and blast it, never again to put forth bud or blossom. She never objected to frequent the haunts of pleasure, but was as much alone there, as in the depths of solitude; walking about in a sad reverie, apparently unconscious of the world around her. She carried with her an inward woe that mocked at all the blandishments of friendship, and “heeded not the song of the charmer, charm he never so wisely.”
The person who told me her story had seen her at a masquerade. There can be no exhibition of far gone wretchedness more striking and painful than to meet it in such a scene. To find it wandering like a spectre, lonely and joyless, where all around is gay—To see it dressed out in the trappings of mirth, and looking so wan and woe begone, as if it had tried in vain to cheat the poor heart into a momentary forgetfulness of sorrow. After strolling through the splendid rooms and giddy crowd with an air of utter abstraction, she sat herself down on the steps of an orchestra, and looking about for some time with a vacant air that shewed her insensibility to the garish scene, she began, with the capriciousness of a sickly heart, to warble a little plaintive air. She had an exquisite voice; but on this occasion it was so simple, so touching, it breathed forth such a soul of wretchedness, that she drew a crowd mute and silent around her, and melted every one into tears.
The story of one so true and tender could not but excite great interest in a country remarkable for enthusiasm. It completely won the heart of a brave officer, who paid his addresses to her, and thought that one so true to the dead, could not but prove affectionate to the living. She declined his attentions, for her thoughts were irrevocably engrossed by the memory of her former lover. He, however, persisted in his suit. He solicited not her tenderness, but her esteem. He was assisted by her conviction of his worth, and her sense of her own destitute and dependent situation, for she was existing on the kindness of friends—In a word he at length succeeded in gaining her hand, though with the solemn assurance that her heart was unalterably another’s.
He took her with him to Sicily, hoping that a change of scene might wear out the remembrance of early woes. She was an amiable and exemplary wife, and made an effort to be a happy one; but nothing could cure the silent and devouring melancholy that had entered into her very soul. She wasted away in a slow but hopeless decline, and at length sunk into the grave, the victim of a broken heart.
It was on her that Moore the distinguished Irish poet composed the following lines.
She is far from the land where her young hero sleeps,
And lovers around her are sighing;
But coldly she turns from their gaze and weeps,
For her heart in his grave is lying.
She sings the wild song of her dear native plains,
Every note which he lov’d awaking—
Ah! little they think, who delight in her strains,
How the heart of the minstrel is breaking!
He had liv’d for his love, for his country he died;
They were all that to life had entwiri d him—
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him!
Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They’ll shine o’er her sleep, like a smile from the west,
From her own lov’d island of sorrow!
THE ART OF BOOK MAKING
If that severe doom of Synesius be true, “it is a greater offence to steal dead men’s labors, than their clothes,” what shall become of most writers?
BURTON’S ANATOMY OF MELANCHOLY.
I have often wondered at the extreme fecundity of the press, and how it comes to pass that so many heads, on which nature seemed to have inflicted the curse of barrenness, should teem with voluminous productions. As a man travels on, however, in the journey of life his objects of wonder daily diminish, and he is continually finding out some very simple cause, for some great matter of marvel. Thus have I chanced, in my peregrinations about this great metropolis, to blunder upon a scene which unfolded to me some of the mysteries of the bookmaking craft, and at once put an end to my astonishment.
I was one summer’s day loitering through the great saloons of the British Museum, with that listlessness with which one is apt to saunter about a museum in warm weather; sometimes lolling over the glass cases of minerals, sometimes studying the hieroglyphics on an Egyptian Mummy, and sometimes trying, with nearly equal success, to comprehend the allegorical paintings on the lofty ceilings. Whilst I was gazing about in this idle way my attention was attracted to a distant door, at the end of a suite of apartments. It was closed, but every now and then it would open and some strange favoured being, generally clothed in black, would steal forth and glide through the rooms without noticing any of the surrounding objects. There was an air of mystery about this that piqued my languid curiosity, and I determined to attempt the passage of that strait and to explore the unknown regions beyond. The door yielded to my hand, with that facility with which the portals of enchanted castles yield to the adventurous Knight errant. I found myself in a spacious chamber, surrounded with great cases of venerable books. Above the cases, and just under the cornice, were arranged a great number of black looking portraits of ancient authors. About the room were placed long tables, with stands for reading and writing, at which sat many pale, studious personages, poring intently over dusty volumes, rummaging among mouldy manuscripts, and taking copious notes of
their contents. A hushed stillness reigned through this mysterious apartment, excepting that you might hear the racing of pens over sheets of paper; or occasionally the deep sigh of one of these sages as he shifted his position to turn over the page of an old folio; doubtless arising from that hollowness and flatulency incident to learned research.
Now and then one of these personages would write something on a small slip of paper and ring a bell, whereupon a familiar would appear, take the paper in profound silence, glide out of the room and return shortly loaded with ponderous tomes, upon which the other would fall, tooth and nail, with famished voracity. I had no longer a doubt that I had happened upon a body of Magi, deeply engaged in the study of occult sciences. The scene reminded me of an old Arabian tale, of a philosopher shut up in an enchanted library, in the bosom of a mountain, which opened only once a year; where he made the spirits of the place bring him books of all kinds of dark knowledge, so that at the end of the year, when the magic portal once more swung open on its hinges, he issued forth so versed in forbidden lore, as to be able to soar above the heads of the multitude, and to control the powers of nature.
My curiosity being now fully aroused I whispered to one of the familiars, as he was about to leave the room, and begged an interpretation of the strange scene before me. A few words were sufficient for the purpose. I found that these mysterious personages whom I had mistaken for Magi, were principally authors and in the very act of manufacturing books. I was, in fact, in the reading room of the great British library, an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature, to which modern authors repair, and draw buckets full of classic lore, or “pure English undefiled” wherewith to swell their own scanty rills of thought.
Being now in possession of the secret, I sat down in a corner and watched the process of this book manufactory. I noticed one lean, bilious looking wight, who sought none but the most worm eaten volumes, printed in black letter. He was evidently constructing some work of profound erudition, that would be purchased by every man who wished to be thought learned, placed upon a conspicuous shelf of his library, or laid open upon his table—but never read. I observed him now and then draw a large fragment of biscuit out of his pocket, and gnaw; whether it was his dinner, or whether he was endeavouring to keep off that exhaustion of the stomach, produced by much pondering over dry works, I leave to harder students than myself to determine.
There was one dapper little gentleman in bright coloured clothes, with a chirping, gossipping expression of countenance, who had all the appearance of an author on good terms with his bookseller. After considering him attentively, I recognized in him a diligent getter up of miscellaneous works, which bustled off well with the trade. I was curious to see how he manufactured his wares. He made more stir and shew of business than any of the others; dipping into various books, fluttering over the leaves of manuscripts, taking a morsel out of one, a morsel out of another, line upon line, precept upon precept, here a little and there a little. The contents of his book seemed to be as heterogeneous as those of the witches’ cauldron in Macbeth. It was, here a finger and there a thumb; toe of frog and blind worm’s sting, with his own gossip poured in like “baboon’s blood,” to make the medley “slab and good.”
After all, thought I, may not this pilfering disposition be implanted in authors for wise purposes; may it not be the way in which providence has taken care that the seeds of knowledge and wisdom shall be preserved from age to age, in spite of the inevitable decay of the works in which they were first produced. We see that nature has wisely, though whimsically, provided for the conveyance of seeds from clime to clime in the maws of certain birds; so that animals which in themselves are little better than carrion, and apparently the lawless plunderers of the orchard and the corn field, are in fact nature’s carriers to disperse and perpetuate her blessings. In like manner the beauties and fine thoughts of ancient and obsolete writers, are caught up by these flights of predatory authors, and cast forth again to flourish and bear fruit in a remote and distant tract of time. Many of their works, also, undergo a kind of metempsychosis and spring up under new forms. What was formerly a ponderous history, revives in the shape of a romance—an old legend changes into a modern play, and a sober philosophical treatise, furnishes the body for a whole series of bouncing and sparkling essays. Thus it is in the clearing of our American woodlands; where we burn down a forest of stately pines, a progeny of dwarf oaks start up in their place; and we never see the prostrate trunk of a tree, mouldering into soil, but it gives birth to a whole tribe of fungi.
Let us not then lament over the decay and oblivion into which ancient writers descend; they do but submit to the great law of nature, which declares that all sublunary shapes of matter shall be limited in their duration, but which decrees also that their elements shall never perish. Generation after generation, both in animal and vegetable life, passes away, but the vital principle is transmitted to posterity, and the species continues to flourish. Thus also do authors beget authors, and having produced a numerous progeny, in a good old age they sleep with their fathers; that is to say, with the authors who preceded them—and from whom they had stolen.
Whilst I was indulging in these rambling fancies I had leaned my head against a pile of reverend folios. Whether it was owing to the soporific emanations from these works, or to the profound quiet of the room; or to the lassitude arising from much wandering, or to an unlucky habit of napping at improper times and places, with which I am grievously afflicted, so it was that I fell into a doze. Still however my imagination continued busy, and indeed the same scene remained before my mind’s eye, only a little changed in some of the details. I dreamt that the chamber was still decorated with the portraits of ancient authors, but that the number was encreased. The long tables had disappeared and in place of the sage Magi I beheld a ragged, thread bare throng, such as may be seen plying about the great repository of cast off clothes Monmouth Street. Whenever they seized upon a book, by one of those incongruities common to dreams, methought it turned into a garment of foreign or antique fashion, with which they proceeded to equip themselves. I noticed, however, that no one pretended to clothe himself from any particular suit, but took a sleeve from one, a cape from another, a skirt from a third, thus decking himself out piece meal, while some of his original rags would peep out from among his borrowed finery.
There was a portly, rosy, well fed parson whom I observed ogling several mouldy polemical writers through an eye glass. He soon contrived to slip on the voluminous mantle of one of the old fathers, and having purloined the grey beard of another, endeavoured to look exceeding wise, but the smirking commonplace of his countenance set at naught all the trappings of wisdom. One sickly looking gentleman was busied embroidering a very flimsy garment with gold thread drawn out of several old court dresses of the reign of Queen Elizabeth. Another had trimmed himself magnificently from an illuminated manuscript, had stuck a nosegay in his bosom, culled from “The Paradise of dainty Devices,” and having put Sir Philip Sidney’s hat on one side of his head, strutted off with an exquisite air of vulgar elegance. A third, who was but of puny dimensions, had bolstered himself out bravely with the spoils from several obscure tracts of philosophy, so that he had a very imposing front, but he was lamentably tattered in rear, and I perceived that he had patched his small clothes with scraps of parchment from a Latin author.
There were some well dressed gentlemen, it is true, who only helped themselves to a gem or so, which sparkled among their own ornaments, without eclipsing them. Some too, seemed to contemplate the costumes of the old writers merely to imbibe their principles of taste, and catch their air and spirit; but I grieve to say that too many were apt to array themselves from top to toe, in the patch work manner I have mentioned. I should not omit to speak of one genius in drab breeches and gaiters, and an arcadian hat, who had a violent propensity to the pastoral, but
whose rural wanderings had been confined to the classic haunts of Primrose hill and the solitudes of the Regent’s Park. He had decked himself in wreaths and ribbands from all the old pastoral poets, and hanging his head on one side, went about with a fantastical, lack-a-daisical air, “babbling about green fields.” But the personage that most struck my attention was a pragmatical old gentleman in clerical robes, with a remarkably large and square, but bald head. He entered the room wheezing and puffing, elbowed his way through the throng with a look of sturdy self confidence, and having laid hands upon a thick Greek quarto, clapped it upon his head, and swept majestically away in a formidable frizzled wig.
In the height of this literary masquerade a cry suddenly resounded from every side of “Thieves! Thieves!” I looked, and lo the portraits about the walls became animated! The old authors thrust out first a head, then a shoulder from the canvass, looked down curiously for an instant upon the motley throng, and then descended, with fury in their eyes, to claim their rifled property. The scene of scampering and hubbub that ensued baffles all description. The unhappy culprits endeavoured in vain to escape with their plunder. On one side might be seen half a dozen old monks stripping a modern professor—on another there was sad devastation carried into the ranks of modern dramatic writers. Beaumont and Fletcher side by side, raged round the field like Castor and Pollux, and sturdy Ben Jonson enacted more wonders than when a volunteer with the army in Flanders. As to the dapper little compiler of farragoes mentioned sometime since, he had arrayed himself in as many patches and colours as harlequin, and there was as fierce a contention of claimants about him, as about the dead body of Patroclus. I was grieved to see many men, to whom I had been accustomed to look up with awe and reverence, fain to steal off with scarce a rag to cover their nakedness. Just then my eye was caught by the pragmatical old gentleman in the Greek grizzled wig, who was scrambling away in sore affright with half a score of authors in full cry after him. They were close upon his haunches; in a twinkling off went his wig; at every turn some strip of raiment was peeled away, until in a few moments, from his domineering pomp, he shrunk into a little, pursy “chopped bald shot,” and made his exit with only a few tags and rags fluttering at his back.
Legend of Sleepy Hollow and Other Stories Page 11