by John Wisden
Charles Pardon edited only four editions, but his third – in 1889 – launched a feature that would become an essential part of the Almanack’s appeal. The Cricketers of the Year was inspired by another new technology (photography), and Pardon included medallion portraits of “Six Great Bowlers”, provided by prominent photographers E. Hawkins & Company of Brighton. Wisden went on to make an annual award to the season’s leading players, later prompting Sydney Pardon to declare that this was “proving so acceptable... there is no likelihood of the Almanack ever again being published without one”.
This showed that Wisden was not only a careful keeper of scores and records, and a stern Victorian preacher when it came to Laws and etiquette, but a wholehearted celebrant of individual feats. This may have cut across the classic ideology of team spirit, but in reality it was a central part of cricket’s fabric. The quality of the images meant that “the faces will be easily recognised” – no small matter at a time when cricket followers only rarely glimpsed their heroes. Sydney Pardon would go on to be the grandest editor of them all (for 35 years), but Charles’s innovation has been a Wisden hallmark ever since – a little touch of Oscar in the spring.
When in 1938 John Wisden & Co appointed Whitaker’s – owners of another famous almanack – as publishers of Wisden, Haddon Whitaker took charge. Along with Wisden’s own editor, Wilfrid Brookes, he instigated a thorough overhaul, introducing many elements – such as the yellow cover and the wood engraving by Eric Ravilious – that would become permanent. At the outbreak of the Second World War, Brookes resigned, and Whitaker became editor. As during the previous war, there was little cricket to describe; inevitably, the main event was an expanded Obituary. And against a background of strict paper rationing, wartime sales shrank to barely 4,000 a year.
On December 30, 1940, the Whitaker’s office near St Paul’s was destroyed in the worst night of the Blitz. Yet somehow Wisden, as per the motto of the time, kept calm and carried on. In 1943, Whitaker appointed Hubert Preston, a long-time Wisden aide, as editor for the 1944 edition, and thus the Almanack entered a new era. It was the start, too, of a second Wisden dynasty: his son Norman took over in 1952 and edited the book until his death in 1980. But if it hadn’t been for Haddon Whitaker, they might never have got the chance. With pleasing modesty, Whitaker later referred to himself as an “interloper” among the distinguished line of cricket reporters who came before and after.
As the chief engineer of the Co-operative Wholesale Society’s retail empire, Ken Medlock was cut from a different cloth. In 1960, he was elected to the main board. A keen club cricketer for Birch Vale in the Peak District, he was surprised to see on the agenda of his debut board meeting in Manchester a proposal to dissolve John Wisden & Co, which the Co-op had bought out of receivership in 1943. Even though he was the new boy on the team, Medlock took a deep breath. “We must be out of our minds,” he said. “Don’t you realise we are talking about liquidating the most famous name in cricket?”
After a flutter of consternation, Medlock arrived at the John Wisden & Co works in Penshurst, Kent, where he found elderly craftsmen and a dispirited management. He moved fast, replacing staff and streamlining product lines until, a decade later, it could be sold to Grays of Cambridge. None of this concerned the Almanack directly, whose contract with Whitaker’s assured its immediate future. But Medlock’s influence was profound. In 1963, the Almanack’s centenary year, he and his friend Sir Learie Constantine gained permission from MCC to award the Wisden Trophy to the winners of England–West Indies series. As Medlock’s trophy celebrated its 50th birthday, the man himself (born in 1914) was not far off his 100th.
At the height of his bad-boy fame, Mick Jagger did not always boast of his fondness for cricket, but he spent hours following it on television at home in Chelsea. Even when he visited his reclusive American neighbour, Paul Getty, he would – as Getty later put it – insist on watching “this ridiculous game”.
Getty’s own life had been stalked by tragedy. In 1971, his second wife, Talitha Pol, died from an overdose, and two years later the older of two sons from his first marriage, John Paul Getty III, was kidnapped in Italy. When the initial ransom demand was refused, the boy’s right ear was hacked off and sent to a newspaper in Rome. But the “ridiculous game” to which Jagger had introduced the older Getty would at least, in time, play a consoling part in his life.
Armed with a colossal inheritance from his family’s oil interests, Getty went on to befriend cricket’s leading personalities, finance new architecture at Lord’s, and build his own, Gatsbyish, ground at his Wormsley home in the Chilterns. In 1993, when Wisden was seeking a new owner, he stepped in. It did not need saving, as such: it was a profitable enterprise in its own right. But it did need a devoted and steady proprietor – and it found one. Under Getty’s wing (and the editorship of Matthew Engel) the Almanack grew in prestige as the game entered the electronic age. Jagger’s oblique place in the story reminds us that cricket’s relationship with rock music long predates the snatches of “Another one bites the dust” that blast across today’s Twenty20 grounds.
Robert Winder is author of The Little Wonder: A History of Wisden.
WISDEN – A TIMELINE
1826
John Wisden (JW) is born in Brighton.
1850
JW takes ten wickets in an innings for North v South at Lord’s. All are bowled – still a unique feat in first-class cricket. He also sets up in business, selling cricket gear in Leamington.
1852
JW and Jemmy Dean form the United All-England Eleven.
1855
JW opens his “cricket and cigar” shop at 2 New Coventry Street, London.
1859
JW plays in the USA and Canada on the first overseas tour by an English team.
1863
JW retires from the game.
1864
JW publishes his first Cricketer’s Almanack. The editor for the first 16 editions is W. H. Knight.
1870
The title is changed to John Wisden’s Cricketers’ Almanack (the second apostrophe moved in 1869).
1872
Wisden’s shop moves to 21 Cranbourn Street, London; it remains open until 1928.
1880
The first of seven editions edited by George West.
1884
JW dies in his flat above the Cranbourn Street shop. The business is bought from his estate by Henry Luff.
1887
The first of four editions edited by Charles Pardon, and the first to have its content compiled by the Cricket Reporting Agency.
1889
Wisden selects its first Cricketers of the Year (“Six Great Bowlers”).
1891
The first of 35 editions edited by Sydney Pardon.
1896
The first hardback edition. JW & Co open their second London shop – in Great Newport Street.
1901
Sydney Pardon starts “Notes by the Editor”.
1910
Henry Luff dies. His son, Ernest, takes over the business.
1911
JW & Co receive a royal warrant to certify their “appointment as Athletic Outfitters to the King” (George V).
1914
JW & Co are incorporated as a limited company with their shares divided among several investors.
1920
JW & Co merge with Duke & Son, a sports manufacturer specialising in cricket balls.
1923
JW & Co publish their first Rugby Football Almanack. It lasts three editions.
1924
The Almanack exceeds 1,000 pages for first time.
1926
The first of eight editions edited by Stewart Caine.
1934
The first of two edited by Sydney Southerton.
1936
The first of four edited by Wilfrid Brookes.
1938
J. Whitaker & Sons Ltd (“Whitaker’s”) become Wisden’s publisher and immediat
ely conduct a thorough overhaul. Changes include dropping “John” from the title, the introduction of yellow linen covers for the limp version (technically, it was not a paperback), and adding Eric Ravilious’s wood engraving of top-hatted cricketers to the front cover.
1939
Because of failings in the equipment business, JW & Co go into receivership.
1940
The first of four editions edited by Haddon Whitaker. The Notes in all four are written by Raymond Robertson-Glasgow. Whitaker’s offices are destroyed in the Blitz.
1943
JW & Co are bought out of receivership by the Co-operative Wholesale Society.
1944
Wisden’s factory in Mortlake is destroyed by a bomb. Although still published by Whitaker’s, Wisden is moved to the Sporting Handbooks imprint, in which JW & Co have a half share. The first of eight editions edited by Hubert Preston.
1952
The first of 29 edited by Hubert Preston’s son, Norman.
1957
Whitaker’s buy JW & Co’s half share in Sporting Handbooks, who continue to publish Wisden under licence.
1960
Facsimiles of early editions are produced for the first time.
1961
JW & Co amalgamate their Duke and Wisden cricket-ball manufacturing business with those of Gray-Nicolls, Surridge and Ives in a joint venture company, Tonbridge Sports Industries. The Great Newport Street shop is closed.
1963
The 100th edition is marked by the introduction of the Wisden Trophy, to be contested in all future Test series between England and West Indies.
1965
The CRA merge with the Press Association. The hardback version has a dust jacket for the first time.
1968
Norman Preston retires from PA, thus ending the PA/CRA editorial arrangement with the Almanack, which had been responsible for 82 editions. Preston continues to edit Wisden on a freelance contract.
1970
Grays of Cambridge Ltd purchase JW & Co (including their stake in Tonbridge Sports Industries) from the Co-operative Wholesale Society.
1979
Queen Anne Press (a division of Macdonald and Jane’s Publishers which, in 1982, came under Robert Maxwell’s control) succeed Sporting Handbooks as Wisden’s licensed publishers. The magazine Wisden Cricket Monthly is launched, published under licence from JW & Co.
1981
The first of six editions edited by John Woodcock.
1984
The centenary of John Wisden’s death is commemorated with the unveiling of a new headstone for his grave in London’s Brompton Cemetery.
1985
McCorquodale plc purchase JW & Co from Grays and re-establish JW & Co as Wisden’s own publisher.
1986
Grays of Cambridge buy back 50% of JW & Co to become joint owners with McCorquodale (who are later acquired by Bowater plc).
1987
The first of eight editions edited by Graeme Wright.
1988
Colour photographs are included for the first time.
1993
The first of 12 editions edited by Matthew Engel. Paul Getty purchases JW & Co from Grays and Bowater. The combined total of pages in all editions exceeds 100,000.
1995
A limited-edition leatherbound version is introduced.
1998
An Australian Wisden Almanack is launched, lasting eight editions.
1999
The (British) Almanack exceeds 1,500 pages for first time.
2000
Wisden names Five Cricketers of the Century: Don Bradman, Garry Sobers, Jack Hobbs, Shane Warne and Viv Richards.
2001
Wright returns as editor, while Engel takes a sabbatical. Wisden Online is launched.
2003
The only edition edited by Tim de Lisle features Wisden’s first cover photograph and names its first Book of the Year. JW & Co buy The Cricketer magazine (which is merged with Wisden Cricket Monthly to form The Wisden Cricketer) and the website Cricinfo (into which Wisden Online is integrated). Paul Getty dies. His son, Mark, takes control of JW & Co.
2004
Engel returns as editor. Wisden introduces a new annual accolade: the Leading Cricketer in the World.
2006
A large-format version is introduced. Across all formats, Wisden sells over 50,000 copies.
2007
Cricinfo is sold to ESPN; The Wisden Cricketer to BSkyB.
2008
The first of four editions edited by Scyld Berry. The Wisden Schools Cricketer of the Year award is introduced. Bloomsbury Publishing plc purchase JW & Co from Mark Getty.
2009
Claire Taylor is the first woman to be named a Cricketer of the Year.
2011
The Shorter Wisden ebook is introduced.
2012
The first edition edited by Lawrence Booth. The 2013 – and first – edition of Wisden India Almanack is launched in late December.
2013
The 150th edition is published.
Compiled by Christopher Lane
WISDEN’S TOP-HATTED GENTS
Engraved in the memory
RUPERT BATES
They were never honoured as Cricketers of the Year. But a batsman and a wicketkeeper – both nameless, both virtually faceless – have adorned Wisden now for 76 springs. The wood engraving of the Victorian duo in top hats is one of the sport’s most charming and recognisable images. And yet cricket knows little of its creator.
Also celebrated for his watercolours, book illustrations, ceramics and lithography, Eric Ravilious was commissioned to produce the engraving by Robert Harling, the typographer asked to redesign the 1938 Wisden. Harling knew Ravilious had a “special enthusiasm for the game” – though no doubt his deep Wealdean Englishness and sense of tradition helped too – and wrote: “His engraving of mid-19th century batsman and wicketkeeper remains an ideal graphic introduction to one of England’s most durable publications.”
The engraving briefly lost its cover-star status in 2003, when a photograph of Michael Vaughan relegated it to the spine of the book’s jacket, incurring the displeasure of some traditionalists. It was immediately restored to the cover in 2004, while staying on the spine as well. And so, for ten editions now, including this one, Ravilious’s creation has been more visible than ever.
Educated at Eastbourne School of Art, he won a scholarship to the Royal College of Art. But Ravilious died in 1942 aged 39 when, as an official war artist and honorary captain in the Royal Marines, his plane was lost on a search-and-rescue mission off Iceland. And while it was clear he was never going to decorate Wisden through his on-field achievements, he did leave his indelible mark. In the words of cricket bookseller John McKenzie, the engraving “remains the face of Wisden”.
A preparatory sketch from a Ravilious scrapbook has another cricketer in the frame, dressed in top hat, waistcoat and bow tie, with a marquee in the background. Although he wrote many letters to family and friends, he appears never to have explained the inspiration behind the engraving. One theory is that he gained it from a pub sign in Sussex, the county in which he spent most of his life and which provided the backdrop to some of his greatest work, including watercolour landscapes of his beloved South Downs. The Cricketers Arms in Berwick, near Firle – a village where he spent much time – has a top-hatted Victorian batsman on its sign. And the one at the Bat and Ball Inn in Hambledon, admittedly some 60 miles away in Hampshire, also depicts a batsman and wicketkeeper.
But Anne Ullmann, Ravilious’s daughter (he also had two sons), insists: “My father soaked up ideas for work wherever he went, but never copied – and I don’t believe for one minute that the design was a copy. He may have seen an inn sign with cricketers or, as the sketch suggests, he may have watched a match played in mid-19th century costume. Or he may just have been playing around with ideas for the engraving. But what remains is one hell of a cracking design, and I p
ray it may represent Wisden for many years to come.”
Whatever the origin, we do know for certain that Ravilious played cricket, if at a lowly level. In 1935, he wrote of turning out for the Double Crown Club, a dining club for printers and book designers, against the village team at Castle Hedingham in Essex, where he lived for a while. He said the game went on “a bit too long for my liking and I began to get a little absent-minded in the deep field after tea”. He made one not out in defeat, and bowled a few overs. “It all felt like being back at school, especially the trestle tea with slabs of bread and butter, and that wicked-looking cheap cake.” He went on to record the comment of the Double Crown captain Francis Meynell that his bowling was “of erratic length, but promising, and that I should have been put on before. Think of the honour and glory there.”