“They call it liberation,” Father was saying, “but it really is a disease, a terrible affliction. It’s the destruction of innocence. It’s a kind of mass murder.” He was obviously pleased with his own eloquence, and with the righteousness of his wrath. He came over to the bed and plucked Wendy out of Mother’s arms. “It’s all right, Beauty,” he said. “We’re all in this together. We’ll face it together. You’re absolutely right. You’re still our little girl. You’re still Wendy. Nothing terrible is going to happen.”
It was far better, in a way, than what she’d imagined—or had been too scared to imagine. There was a kind of relief in not having to pretend any more, in not having to keep the secret. That boundary had been crossed, and now there was no choice but to go forward.
Why didn’t I tell them before? Wendy wondered. Why didn’t I just tell them, and trust them to see that everything would be all right? But even as she thought it, even as she clutched at the straw, just as Mother and Father were clutching, she realized how hollow the thought was, and how meaningless Father’s reassurances were. It was all just sentiment, and habit, and pretence. Everything couldn’t and wouldn’t be “all right,” and never would be again, unless.…
Turning to Tom Cartwright, warily and uneasily, she said: “Will I be an adult now? Will I live for a thousand years, and have my own house, my own job, my own…?”
She trailed off as she saw the expression in his eyes, realizing that she was still a little girl, and that there were a thousand questions adults couldn’t and didn’t want to hear, let alone try to answer.
* * * *
It was late at night before Mother and Father got themselves into the right frame of mind for the kind of serious talk that the situation warranted, and by that time Wendy knew perfectly well that the honest answer to almost all the questions she wanted to ask was: “Nobody knows.”
She asked the questions anyway. Mother and Father varied their answers in the hope of appearing a little wiser than they were, but it all came down to the same thing in the end. It all came down to desperate pretence.
“We have to take it as it comes,” Father told her. “It’s an unprecedented situation. The government has to respond to the changes on a day-by-day basis. We can’t tell how it will all turn out. It’s a mess, but the world has been in a mess before—in fact, it’s hardly ever been out of a mess for more than a few years at a time. We’ll cope as best we can. Everybody will cope as best they can. With luck, it might not come to violence—to war, to slaughter, to ecocatastrophe. We’re entitled to hope that we really are past all that now, that we really are capable of handling things sensibly this time.”
“Yes,” Wendy said, conscientiously keeping as much of the irony out of her voice as she could. “I understand. Maybe we won’t just be sent back to the factories to be scrapped…and maybe if they find a cure, they’ll ask us whether we want to be cured before they use it.” With luck, she added, silently, maybe we can all be adult about the situation.
They both looked at her uneasily, not sure how to react. From now on, they would no longer be able to grin and shake their heads at the wondrous inventiveness of the randomizing factor in her programming. From now on, they would actually have to try to figure out what she meant, and what unspoken thoughts might lie behind the calculated wit and hypocrisy of her every statement. She had every sympathy for them; she had only recently learned for herself what a difficult, frustrating and thankless task that could be.
This happened to their ancestors once, she thought. But not as quickly. Their ancestors didn’t have the kind of head-start you can get by being thirteen for thirty years. It must have been hard, to be a thinking ape among unthinkers. Hard, but…well, they didn’t ever want to give it up, did they?
“Whatever happens, Beauty,” Father said, “we love you. Whatever happens, you’re our little girl. When you’re grown up, we’ll still love you the way we always have. We always will.”
He actually believes it, Wendy thought. He actually believes that the world can still be the same, in spite of everything. He can’t let go of the hope that even though everything’s changing, it will all be the same underneath. But it won’t. Even if there isn’t a resource crisis—after all, grown-up children can’t eat much more than un-grown-up ones—the world can never be the same. This is the time in which the adults of the world have to get used to the fact that there can’t be any more families, because from now on children will have to be rare and precious and strange. This is the time when the old people will have to recognize that the day of their silly stopgap solutions to imaginary problems is over. This is the time when we all have to grow up. If the old people can’t do that by themselves, then the new generation will simply have to show them the way.
“I love you too,” she answered, earnestly. She left it at that. There wasn’t any point in adding: “I always have,” or “I can mean it now,” or any of the other things that would have underlined rather than assuaging the doubts they must be feeling.
“And we’ll be all right,” Mother said. “As long as we love one another, and as long as we face this thing together, we’ll be all right.”
What a wonderful thing true innocence is, Wendy thought, rejoicing in her ability to think such a thing freely, without shame or reservation. I wonder if I’d be able to cultivate it, if I ever wanted to.
* * * *
That night, bedtime was abolished. She was allowed to stay up as late as she wanted to. When she finally did go to bed, she was so exhausted that she quickly drifted off into a deep and peaceful sleep—but she didn’t remain there indefinitely. Eventually, she began to dream.
In her dream Wendy was living wild in a magical wood where it never rained. She lived on sweet berries of many colors. There were other girls living wild in the dream-wood but they all avoided one another. They had lived there for a long time but now the others had come: the shadow-men with horns on their brows and shaggy legs who played strange music, which was the breath of souls.
Wendy hid from the shadow-men, but the fearful fluttering of her heart gave her away, and one of the shadow-men found her. He stared down at her with huge baleful eyes, wiping spittle from his pipes on to his fleecy rump.
“Who are you?” she asked, trying to keep the tremor of fear out of her voice.
“I’m the Devil,” he said.
“There’s no such thing,” she informed him, sourly.
He shrugged his massive shoulders. “So I’m the Great God Pan,” he said. “What difference does it make? And how come you’re so smart all of a sudden?”
“I’m not thirteen any more,” she told him, proudly. “I’ve been thirteen for thirty years, but now I’m growing up. The whole world’s growing up—for the first and last time.”
“Not me,” said the Great God Pan. “I’m a million years old and I’ll never grow up. Let’s get on with it, shall we? I’ll count to ninety-nine. You start running.”
Dream-Wendy scrambled to her feet, and ran away. She ran and she ran and she ran, without any hope of escape. Behind her, the music of the reed-pipes kept getting louder and louder, and she knew that whatever happened, her world would never fall silent.
* * * *
When Wendy woke up, she found that the nightmare hadn’t really ended. The meaningful part of it was still going on. But things weren’t as bad as all that, even though she couldn’t bring herself to pretend that it was all just a dream that might go away.
She knew that she had to take life one day at a time, and look after her parents as best she could. She knew that she had to try to ease the pain of the passing of their way of life, to which they had clung a little too hard and a little too long. She knew that she had to hope, and to trust, that a cunning combination of intelligence and love would be enough to see her and the rest of the world through—at least until the next catastrophe came along.
She wasn’t absolutely sure that she could do it, but she was determined to give it a bloody good try.
> And whatever happens in the end, she thought, to live will be an awfully big adventure.
ABOUT THE AUTHOR
Brian Stableford was born in Yorkshire in 1948. He taught at the University of Reading for several years, but is now a full-time writer. He has written many science-fiction and fantasy novels, including The Empire of Fear, The Werewolves of London, Year Zero, The Curse of the Coral Bride, The Stones of Camelot, and Prelude to Eternity. Collections of his short stories include a long series of Tales of the Biotech Revolution, and such idiosyncratic items as Sheena and Other Gothic Tales and The Innsmouth Heritage and Other Sequels. He has written numerous nonfiction books, including Scientific Romance in Britain, 1890-1950; Glorious Perversity: The Decline and Fall of Literary Decadence; Science Fact and Science Fiction: An Encyclopedia; and The Devil’s Party: A Brief History of Satanic Abuse. He has contributed hundreds of biographical and critical articles to reference books, and has also translated numerous novels from the French language, including books by Paul Féval, Albert Robida, Maurice Renard, and J. H. Rosny the Elder.
Designer Genes: Tales of the Biotech Revolution Page 27