The sun was high in the sky now, unlike when she had left her apartment hours earlier. She'd been careful to escape before Talia had awakened, and she was especially glad now: It would make it easier for her to disappear. To remain patient and focused, unencumbered by her roommate's doubts, while she did the hard work looming before her. She would tell Talia--she would write Talia--precisely what she had told Katherine. What she would tell David. She was back home in West Egg.
Shame on them. Shame on them all.
Doubting her. Doubting Bobbie.
All along, she had presumed that poor Bobbie Crocker was scared of his sister, when--the truth was--he was scared of his son.
CHAPTER TWENTY-FIVE
PAMELA MARSHFIELD spent most of Monday morning on her living room sofa, feeling older than she ever had in her life. There was an ache in the upper part of her spine, and she wouldn't have been surprised if her physician told her at some point in the coming winter--after, no doubt, an almost killing battery of modern tests--that it was cancer. She was finding herself uncharacteristically short of breath. And her hip--replaced fifteen years ago--was throbbing. In addition, nothing had tasted very good at breakfast. The truth was, nothing had had any taste at all.
Across from her in one of the metallic gold easy chairs that her mother had picked out seventy-five years ago--the chrome siding meticulously restored not once but twice since then--sat Darling Fay, eldest daughter of Reginald Fay of Louisville. Reginald was her cousin, long deceased. His father had been Daisy's older brother. Darling, like most of the Buchanans and the Fays, was remarkably well preserved for a sixty-two-year-old, in part because of those fabulous genes, in part because she'd never married or had children, and in part because twice a year she flew to Manhattan so a cosmetic surgeon could shoot her face full of Restylane. This was why she was in New York now. This morning she was making what Pamela understood was an onerous and obligatory journey to the tip of Long Island to see her father's doddering cousin, but if Darling wanted to come all the way out here Pamela wasn't about to stop her. The two women were sipping tea, though only Darling was enjoying it.
"I'm surprised your lawyer didn't suggest you handle it in a less-antagonistic fashion," she said to Pamela, a hint of a frown clouding her face. She was wearing a floral skirt with rickrack trim that Pamela presumed was by Kay Unger, and a casual, pistachio-colored jacket that offered (in Pamela's opinion) far more cleavage than was appropriate.
For a moment, Pamela wished that she hadn't opened up to Darling, hadn't told this young--well, younger, anyway--woman that her brother had died. She regretted telling her about the reemergence of Robert's work and his deluded, malicious attempts to expose their family secrets. She wasn't sure why she had, except, perhaps, because she was old and tired and she was fishing for comfort. Trawling for reassurance. And, in this case, wasting her time. She was going to receive no sympathy from Darling. This cousin once removed had been born after Robert had run off, and viewed him as only a deranged family shadow.
"What would you consider a less-antagonistic fashion?" Pamela asked her finally.
Darling gently placed her teacup on the coffee table between them. "Your father could be a rather blunt instrument."
"Oh, I know."
"But he also knew precisely when to open his wallet. When a donation to the right charity at the right time might make all the difference."
"Such as after the accident."
"Precisely." No one among the Fays and the Buchanans knew the details, but it was understood that in 1922 and again in 1925 Tom Buchanan had made generous philanthropic gifts to a variety of police departments on Long Island as well as serious campaign contributions to the neighboring district attorneys. It had been his way of ensuring that no one carefully investigated who had really been driving when Myrtle Wilson was killed, or seriously investigated the allegations that surfaced three years later.
"And you're suggesting that I should be opening my purse now?" Pamela asked.
"I wouldn't be so presumptuous as to tell you what you should do. You know that. I was simply wondering aloud why your lawyer didn't encourage you to make a donation to that woman's little homeless group. COTS."
"BEDS."
Darling waved her hand in the air as if brushing a fly away from her face. "Whatever! It's just a thought. It is, I'd guess, what your father would have done."
"As blunt as he was."
"Yes. As blunt as he was."
"And you believe this group will give me back Robert's work if I give them some money."
"They might. At this point, what else can you do? What other choices do you have? You want to get the photographs back, don't you?"
"I have to get the photographs back. I will not allow their exposure to demonize my mother again. There are two sides to every story, and I will not have Gatz deified and my mother vilified. That's all there is to it."
"Then buy them. Just open your wallet and buy them."
Initially, the idea seemed tawdry to her, and not a little pathetic. Still, she guessed Darling was correct: She hadn't a choice. She wasn't going to live forever. For all she knew, she wouldn't live till the end of the day. And if she wanted to get her brother's malignant, lunatic work quashed once and for all--she could already see in her mind the carcinogenic bonfire she would have on her beach once the photographs were all in her possession--she was going to have to pay someone. The reality was that the malodorous homeless who bunked at the shelter could actually use her money. They needed it. The lawyers in T. J. Leckbruge's firm did not. They would always do quite well, thank you very much, without it. They might miss the legal fees they would have generated obtaining her brother's photographs, but soon enough she was going to die, and the firm would make a tidy sum then when it settled her estate.
She sighed and smiled at Darling. She resolved that as soon as this woman left, she would make the appropriate phone calls. She would instruct her attorney to make a suitable overture to the homeless shelter in Vermont. Offer, in essence, whatever it took to have every snapshot, every negative, every print returned to her.
CHAPTER TWENTY-SIX
DAVID'S THROAT went a little dry when he read the note Laurel had left for him at the newspaper's front desk.
My sister called: Our mother went to the hospital last night. She had an appendectomy, but they're doing more tests to see if something else might be wrong. My aunt is with her now, but I can tell she's a little worried, and so I've gone to Long Island for a couple of days to check in. I'll call tonight.
Please tell Marissa I'm sorry I won't be taking her headshot this afternoon. But she's a beautiful girl with a voice like a lark, and it doesn't take a talent like mine (sound of throat clearing) to make her look great. She's the best.
I'll call when I can.
L.
He held it in his hand and studied the handwriting. She'd written with a blue felt-tip pen in her small, nearly calligraphically beautiful script. He appreciated that she was anxious about her mother, but he wondered if she wasn't overreacting. If there wasn't something else going on here. After all, she had left this note for him downstairs. Hadn't even asked the receptionist if he was upstairs in his office.
He knew that he should have called her on Sunday. At her home. On her cell. Katherine had told him enough at the movies on Saturday night that a more attentive person--a more involved person--would have been sufficiently alarmed to do something.
But he hadn't, and so he phoned her now. As he expected, he missed her at BEDS, and so he left a message on her voice mail. He left a second one on the answering machine that she and Talia shared at home. And then he left a third on her cell. Finally, he replaced his phone in its cradle and sat on the edge of his desk, considering what he should do. If, in fact, he should do anything.
He knew Marissa was going to be disappointed. And she was going to be alarmed. Sure, she had spent twenty minutes that morning going through the clothes she had at his apartment because of that afternoon's
much-anticipated photo shoot. But after their conversation Saturday night, the real issue in her mind was going to be Laurel's well-being.
And then there was Cindy. He had planned on spending the morning interviewing hospital executives about the skyrocketing costs of their building project, but he'd had to cancel when she had fallen off the swing set at the school playground and taken sizable chunks of skin off her calf and both elbows. Seven stitches in the leg and butterfly bandages on her arms. She had been made nearly hysterical by all the blood. He had met his daughter and a teacher's aid at the emergency room (at, ironically, the very same hospital where he was supposed to be researching an editorial). Then he had brought Cindy back to his apartment, calmed her, and convinced his sister to race up from Middlebury to watch her so he could return to work.
But missed headshots and stitches might turn out to be nothing compared to the big problem: Laurel. And he really wasn't sure what he should do about her. He knew he was a careful, cerebral man. It was a strength of his--and, on occasion, a weakness.
He understood that conceivably he could do nothing. After all, Laurel was a grown-up. She had gone home to care for her mother. Besides, it was an appendectomy--not open-heart surgery. And she wasn't going to be there alone: She had her sister, Carol, and her aunt in the area. She didn't need him, too. Moreover, he had always made a point of not babysitting her--of not, in fact, babysitting any woman. Not girlfriends, not wife. He hadn't the time to babysit Laurel anyway, even if he were the babysitting type. He had a time-consuming job and two little girls, and the last thing he wanted to do was encourage a high-maintenance relationship with--and this was a term he realized he had used Saturday night while talking to Katherine--a fragile young woman.
He wondered if this was precisely why he hadn't called her on Sunday. Because it would mean getting in deep, and he was not merely cerebral and careful: He was aloof and detached, and since the divorce he had wanted nothing that resembled commitment.
And going to join Laurel at her mother's bedside certainly suggested a serious commitment. It might unleash a more profound obligation than he was willing to make to any woman right now. It might mean marriage and it might mean more children, and more children remained absolutely out of the question. Not with Cindy six and Marissa eleven. He wouldn't do that to them. It was bad enough that their parents' marriage had fallen apart and now they needed extra TLC because their mother was getting remarried.
On the other hand, Laurel's very fragility suggested that he needed to jump in. He knew Laurel's history as well as anyone; he had a responsibility. Consequently, he reached once more for the phone and rang the Baptist church, where he was connected quickly to the youth pastor.
"Let me guess, you want to know what's going on with Laurel, right?" Talia asked almost as soon as he said hello.
"I do. I want to know how ill her mom really is. I can't tell from the note."
He heard her make a clicking sound with her tongue against the roof of her mouth. Finally: "Her mother's ill?"
"She didn't tell you?"
"No."
"She left a note for me here at the newspaper," he said, and then he read it to her.
"The timing isn't real good," Talia said. "I think her mom was supposed to go to Italy this month."
"That's what I thought, too."
"I wonder if there's a note for me at the apartment," she murmured, her voice a mixture of hurt and concern. "I honestly didn't think Laurel was capable of going anywhere these days except that smelly darkroom or her office at BEDS."
"You really had no idea she was leaving? She didn't call you, either?"
"Nope. But--without wanting to put too fine a point on this--she hardly talks to me these days."
"She didn't tell me you'd fought. May I ask what it was about?"
"We didn't fight. Not exactly. We had a few words on Saturday afternoon, but by then she was already avoiding me. At least that's what it seemed like. She was supposed to play paintball with my youth group, you know. But she didn't make it."
"Huh..."
"She went home to Long Island around the anniversary, and when she came back she was like a ghost. She'd sneak into the apartment late at night to change her underwear, but that was about it. Otherwise, she was never home. She was practically living at the darkroom. I left her notes and stuff, but I might as well have been writing in invisible ink."
He rubbed the back of his neck with his free hand. He felt a headache coming on and reached into his desk drawer for his thousand-count bottle of ibuprofen. He was reminded once more that he was closer to Laurel's mother's age than he was to Laurel's, and the reality made him a little disgusted with himself. "I can't believe she's mad at you," he muttered, and then swallowed two of the pills without water.
"Maybe, maybe not. Either way, something's going on, and if she's gone home I think we should be worried."
"I am."
"Are you going to follow her?"
"I just left a message on her cell. I thought I'd wait to hear back from her before I did anything."
"Think I should follow her?"
"Maybe. But let's sit tight for the moment."
"That's it?" asked Talia.
"Is there something else you would recommend?"
"I'm worried!"
He paused. Then: "Do you realize, Talia, how many years I have on Laurel?"
"Is your point you're a middle-aged letch? If so, please get over it. Laurel needs you."
"She needs more than me," he said, not exactly raising his voice, but speaking with a serious snap in his tone. "That's the problem. Why do we only see each other a couple of times a week? Because my children are my priority at the moment, and I won't give her more time than that. I was telling my daughter the other night what happened to Laurel--"
"Are you serious? She's a child!"
"I gave her just the barest bones. But even that, just verbalizing a small portion, made me realize that I represent the two things Laurel needs least in her life."
"And those are?"
"Yet another middle-aged man. And a person who won't commit himself to her completely. To really be there for her."
She was silent, and he sensed a storm surge of anger welling inside her. He braced himself. Instead, however, she said simply, "Call me, please, when you know what you're doing." Clearly, she was sandbagging her fury.
"I will," he said. He almost wished she had vented at him. He felt he deserved a good dressing-down.
After hanging up, he contemplated her observation that Laurel had grown obsessed with the photographs after she had returned from Long Island, and he wondered if something had happened there she hadn't told him about. Or, perhaps, whether this all had something to do with Underhill; in the end, he guessed, everything did. He decided he should call Katherine: see what else might have been in those photographs, and whether Laurel had said anything more to her.
This wasn't doing much. But it was doing something.
SAY WHAT YOU will about nurture and upbringing and really bad parenting, Whit Nelson believed, a good many of the human shells who filled Laurel Estabrook's caseload were going to wind up at BEDS no matter what because of hardwiring and chemicals. And he didn't mean substance abuse, though there was an obvious connection between substance abuse and mental illness. They fed on one another. He meant brain chemicals. Obviously, not all of the homeless were victims of nature. There were the veterans, for instance, and most of them had been fine until they had seen things or done things--or been ordered to do things--that had sent them over the edge. And there were the people whose parents' addictions--alcohol, cocaine, gambling, sex--had left them scarred, too.
But for most of the mentally ill at the shelter? Whit had concluded that their fate was as inevitable as someone's with cerebral palsy. Their future was already buried molecular deep in the furrows inside their heads the moment they were born. Their demons already were present. Their fears or their paranoia or their reckless hunger for chemical ameliora
tion. Their inability to work. The world needed places like BEDS and people like Laurel, it needed them desperately. But so much of what they did was palliative and quixotic.
Which, he guessed, helped to explain his attraction to Laurel.
That, of course, and her vulnerability. Her history. She was a victim, too.
TALIA WENT HOME that Monday morning immediately after hanging up with David, wanting to see what sort of note Laurel might have left for her. She told Whit, a little breathless from her near-jog up the hill, what David had told her when they ran into each other on the stairway.
"You finished organizing," he said when she unlocked her front door. The clothes were gone from the living room, the books were piled neatly on the shelves, and the magazines had been slipped vertically into a brass rack beside the couch.
"Yeah, my drawers are a thing of beauty," she said.
They found the note right away on the coffee table. It was brief and distant and vague--and a little defensive. Laurel had offered Talia no more information than she had given David. Immediately after reading it, without telling Whit who she was calling, Talia picked up her phone and dialed. He waited and watched, and saw her shake her head when she got an answering machine. Then she hung up.
"Who were you calling?" he asked.
"Laurel's home on Long Island. I got her mom's machine."
"You thought Laurel might already be there?"
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