Alice & Oliver

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Alice & Oliver Page 20

by Charles Bock


  Once he let stragglers know that if the ads didn’t net them anything, he’d be available to show them places, Oliver hightailed it back to a dusty office in an old Gramercy hotel, where he spent the evening answering calls. Next morning he was up at seven. On the half hour, lasting long into the evening, he met groups of six to eight strangers at designated corners of the Lower East Side, amid all those knish shops and quinceañera dressmakers and noodle places with dead plucked chickens hanging in windows. Listings generally were considered dogshit, where pretty much any agency could get keys, and commissions were up for grabs. Oliver always met his groups on the southeast corner—southeast was his. Other groups of prospective tenants would congregate around their entry-level real estate agents on the other three corners, all these clusters of nervous white people at once conspicuous and funny, a shaking little harbinger. Invariably, a grumbling super then led the parado de blancos up stairways thin and creaking and smelling of weird steamed vegetables, guiding them down dark hallways echoing with the cries of infants and the barks of ignored dogs. Always they ended up in front of some metal door festooned with half-ripped stickers—the Puerto Rican flag, some princesses, a purple dinosaur.

  When the mom of a trench-coat-wearing graduate student complained that her family had spent fifty years working to get out of these low-ceilinged one-bedroom shoe box shtetls, Oliver would answer that she was totally right, this space was unacceptable. He’d also mention a bigger place his listing sheet said was nearby, a bit above their price range, but if she was interested, they could take a look. When the temp with ambitions of documentary filmmaking recoiled at splattered walls and a decapitated body outlined in chalk along the kitchen floor, Oliver agreed. Totally unacceptable. No reasonable person could be expected to make their breakfast at a murder site. Except, you know, the floor’s scheduled to be cleaned. And the walls will get a new coat of paint.

  His favorite had been a sous chef. Worn down from a nasty divorce, the inhumane hours she spent working at a trendy Village bistro, and months searching for an affordable place, she’d lost any ability to censor herself, and had screamed: “You’re not seriously trying to tell me this ABANDONED ELEVATOR SHAFT is a STUDIO? There’s NO FLOOR. How can you EXPECT me to LIVE with NO FLOOR?” Oliver had handed her a tissue and confessed he hadn’t seen the place before. Obviously they should get out of there.

  It was a kick to remember. The perfect part-time job for a grad student: juggling classes around the suck-hole of Tuesday afternoon through Thursday at noon; scheduling all his showings and contract signings during that busy stretch; then spending Friday evening through Sunday schlepping back and forth between computer labs and the Lower East Side. The job may have required attention and hustle, but not much mental energy, which helped on the school front, and he became an early adapter to laptops, switching his focus to swatches of programs while parked in a coffee shop, jumping in and out of assignments, working line by line through programming math and logic. Regular injections of commission money let him take Alice out for fancy meals, actually enjoy life. Friends wondered about the morality of the job, but Oliver was sanguine. Paying off doormen for tips on vacancies wasn’t so bad, because everyone knew the deal and was kind of wink-wink about it. Cold-calling management companies for leads, sucking up to supers who already had their hands out, maybe that left him needing a shower, but again, this was the way of the world. And the verbal gymnastics that convinced a potential renter to give down-payment money weren’t all that different from the raps a single guy in a club might use to ease women out of their underthings. You were just convincing them to do something they already wanted to do.

  —

  Oliver handed the newsstand guy a pair of quarters, grabbed a pack of fruit Chiclets. He felt sweat bubbling beneath his winter peacoat.

  A friend of his cousin, this blond, classically northeastern, establishment-looking guy (with patches on the elbows of his jacket and the whole nine), had clued him in, handing him the yellow business card and explaining how things worked—clean breath wasn’t just polite, it helped stop germs. It had been comforting that someone so prep school had been forthcoming about all this, a nice shot in the arm.

  Oliver headed out from beneath the green awning. Side groups of angry young men had started to bulk in anticipation, waiting for the moment the newspaper vendor’s X-Acto knife cut open that virginal bundle, so they could bum-rush the line and grab. In the intermittent distance, towheaded skate rats attempted tricks around the giant cube. A few stragglers headed from the subway toward the set-up beach umbrella across the street, where a guy sold old porn videotapes at a folding table.

  At the nearest bank of pay phones, naturally, two people were lined up at each queue, waiting.

  —

  The realtor had wanted to hire him full-time, even pay for him to get his license, move into commercial properties. But the woman who’d stared at him with those big eyes in that shitty Williamsburg loft party, she’d asked. What did he really want?

  Sugar clung, thick on his teeth.

  Crossing Fourth brought him toward the delineation point of St. Marks Place, that famous stretch of sagging brownstones and their ground-level kitsch. Oliver ignored the video place where they had all the obscure subtitled shit; and the round-the-clock restaurant offering a perpetual special of fetid rice and a limp, tofu pita burger. Some crazed street artist had plastered, around a streetlamp, pieces of ceramic and mosaic tile segments and shards of mirrored glass, the effect funky and gaudy, signaling a thrum of creative energy—running beneath them, everywhere. Oliver tried not to think about the program that he wasn’t working on. His head stayed down, huddled into his coat; he felt his neck going slick now, wished he had a mirror to check himself, didn’t want to look like shit.

  The famed fifties jazz spot whose bartenders routinely chased off an unknown, drunken Jack Kerouac had been turned into a Gap. The egg-cream counter and magazine stand still stood, though, and three fresh-faced foreign-exchange students were outside, replicating the cover photo of the first New York Dolls album.

  Just for shits and giggles, he and Alice used to head into one of the music stores—Norman’s, Venus, or Smash—any of them was guaranteed slamming at the right time of evening; tourists and locals, young and old alike, sifting through the racks, checking out jewel cases, album cover art, track listings. The cases were empty, a measure against shoplifting, and when you flipped beyond one, it made this plastic click. Oliver loved that sound, some store thrumming with minor clicks, like a busy typewriter class. Alice happily followed along—a secret music snob herself, she’d spent more than her share of teen hours in record shops. They’d tease each other with the worst covers they could find: a young pensive woman walking along the beach at sunset, her woodwind recorder raised near her lips. It was like a gauntlet thrown down: Top this fat guy in his motorized wheelchair rocking the thumb cymbals.

  There’d never been any mystery about how important a kid was to her. She’d told him about it early on, in bed together one night, resting on his chest, the rattle and clank of a radiator in the background. Infants kinda creeped Oliver out, to be honest, always crying and shitting and helpless. But then he didn’t come from a big family or have tons of exposure to little kids.

  Still, if he hadn’t said anything in return, he also didn’t need to be told that no man could deny the woman he loved a baby.

  —

  Oliver hadn’t wanted for anything: sneakers, ten-speed, home computer when he was thirteen, money for tickets to concerts in Sacramento, you name it—but through every suburban moment, he also understood that his bounty came from his old man’s toil: six days a week, ten hours a day, pounding dents out of junkers, pickups, and off-road racers. His shop was called the Dent Doctor. Each morning the hulking slab would muss Oliver’s hair at the breakfast table, scarf down eggs and sausage and provide a solid half hour of banter, then kiss Oliver’s mom on the cheek and head off to swing his arsenal of sledgehammers. After
sundown, his body dragging and smelling faintly of rye, the Doc would gather enough enthusiasm to enter the house with a hearty hey hey. He’d ask about Oliver’s day at school, check that all homework had been completed, maybe shovel down whatever his wife had cobbled together for dinner. Then the Doc would disappear for a long soak. Later on, he might lumber in and read a bedtime story, ask if the kid wanted to sit next to him on the couch and watch the Giants for a few innings.

  When Oliver had grown to where the Doc wasn’t quite able to follow his math and chemistry assignments, the old man had nonetheless remained shrewd enough to understand grading marks, so that when ninth-grade Oliver phoned in one too many assignments, his dad noticed. Taking Oliver’s hand in one of his hard, callused lumps, he’d pulled the boy close. Face red, breath hot and sour with whiskey, Dad insisted: Don’t you know? I’m doing this so you won’t have to.

  Oliver had assumed it would be a variant of how he was raised, with Alice the primary caregiver, handling all the heavy lifting: the mommy. The kid in classes most of the day, running around to after-school activities and whatnot. Just like his dad, Oliver would muss hair and do the breakfast table thing. He’d show up for school plays, talk with teachers on parents’ night, and sweep in late for bedtime stories, the occasional heart-to-heart.

  Tragedy didn’t follow any spreadsheets, did it? Tragedy had its own business plan.

  —

  Just this one time, he told himself. Get it out of my system.

  According to lore, the street letter succession stood for All right, Beware, Check yourself, Dead, and it was well accepted that any visitor to Alphabet City was either looking for trouble or finding it. The Department of Transportation had long waved the white flag; they no longer fixed the streets out here, so sidewalks had gone uneven, thick roots pushing up, cracking and crumbling the cement. A bank of dirty curb snow still remained, thinning the walking path from the edges, plastic bags and soda containers and glass shards sticking out from the gray piles like remnants of some ancient civilization. At the same time, thin white magnolia trees had started sprouting. Oliver headed beneath the pink saucer buds, suspended and dazzling in the branches; past the abandoned storefront, its boarded picture window defaced by urban kudzu: layers of illegible graffiti scrawls, wheat-pasted posters for long-gone concerts.

  Nearing the bank of pay phones, he heard whispered chants for that week’s product: body bag body bag. Keeping his back to the corner homies, Oliver approached yet another bank of phone stalls. Just one possessed its receiver. Occupied, of course, this time by a robust turnip of a woman. Don’t give me none of that, Julio, she harangued, pausing long enough to shoot a look, convey her intention to stay on the phone for the indefinite future.

  Oliver kept his head down, and was past the phone bank when the laughter of the corner boys broke out, some joke that had to be at his expense. Overhead the sky was perfect and crystalline and darkening along its edges. The large building on the corner had been burnt out, and Oliver lingered, staring at its hull, every now and then checking back on the phone. A colorful handful of squatters was busy along the building’s husk—one older guy violent in his adjustments of a roof antenna, two college-age women looking peaceful as they aired out a faded white cloth, the parachute sheet opening in slow motion, falling.

  Oliver removed the lemon-yellow card. On the back he’d written these cross streets.

  Below the curb ran the gutter river: runoff slush, three floating crack vials. Half-submerged, a needle casing bobbed.

  —

  One of the Jacksons from his wallet got rid of the turnip—okay then, fool, DAMN—and soon Oliver was spitting his gum onto the curb and feeling his pulse in his ears and waiting for the other end to pick up. He was giving his first name and apologizing for running late. He was breathless with anticipation, wrung out. A police siren was disappearing into the distance.

  It took five minutes to find the given address, a pale yellow brownstone that had seen better days, iron bars crossing even its highest row of windows. The building buzzer must have malfunctioned and gotten stuck, because it didn’t stop sounding until long after he was inside. No lights in the crumbling lobby, just a handwritten wall note offering a sign-up list, which apartments needed visits next month from the exterminator. Oliver descended to the basement apartment, but did not have to knock. The door was already ajar.

  From out behind its crook, a head tilted. Dyed auburn locks obscured her face, though her smile had a hint of mischief. “Hey there.”

  Reaching, she took his hand and led him inside. It was as if he had passed over some sort of threshold. They entered a small, dark living room, where what little light existed was provided by a series of small, scented candles. His guide was short but not deal-breaker short. She wore only a faded tee, and it took Oliver a little effort to read the name on it, some obscure experimental theater group. He couldn’t keep from looking down to her thighs: pale and luminous, their skin capturing and holding the flickering candlelight. Oliver admired their smoothness, their plumpness, full hips and roundness rustling against the bottom of that shirt.

  Without warning she stopped, faced him, and grabbed his belt. Oliver’s every nerve went electric. He had no idea what to do. She did, jerking at his zipper. Oliver moaned.

  Pecker check, she explained, five seconds later. “You got a badge and I put your dick in my mouth, law says you got to identify yourself.”

  She must have registered his confusion. “Office says you canceled a few times. A girl can’t be too careful with new customers.”

  Against a sparse wall of unvarnished red-clay brick was a blood-red couch. Its cushy leather gave easily under Oliver’s weight. He looked across the room at the large framed print—the famous classic from Godard’s Breathless. Below it, a blond wood table was empty except for a straw basket filled with pears. The woman introduced herself as Circe, asked if Oliver would like a glass of red. Had he come here straight from work?

  She sat next to him now, tucking her small feet beneath that ample tush. Low lighting obscured how old she was or wasn’t, though Oliver could see that her chest was flat. He could smell her lavender perfume. Circe picked up a lit cigarette from the lip of a Crystal Pepsi. She took a drag, exhaled streams of smoke through her nose. Oliver understood: the envelope should be on the table by now.

  Circe giggled thanks. Asked if he needed to shower.

  “I can’t do this,” he said.

  It took her a second. “What?”

  By then Oliver had pulled away, was rising from the couch. “I thought I could. But I can’t. I’m sorry. I just can’t.”

  Little Edie

  TUESDAY EVENING, AN hour or so after dinner, Alice awoke from a nap and discovered white, hot brightness along the surfaces of her eyes. She let out a cry, slammed her lids shut, felt residual burning. By then, floorboards were rumbling. Oliver—who’d just gotten home—was rushing into the bedroom. “Why are they even on?” Alice cried. “They’re off,” he assured, trying to get up to speed, asking, “What? What’s happening?” He again promised the lights were off, and by then Alice’s mother had joined them, and was agreeing, in a soothing tone, They’re off, honey. Now, from the depths of the apartment, the baby’s upset was audible. Alice fluttered, tried again; even a sliver was too much, her eyes too sensitive. Oliver was searching through her desk, hunting down the ward’s phone number, then thumping around, cursing each usual spot where he got reception. He gave up, used the house line, was put on hold. Finally a doctor told him that Alice’s sight troubles were most likely a latent side effect of the chemo. Oliver was advised to keep washing out Alice’s eyes with water, and that he should get an alcohol-free version of No More Tears. The ward was sending a prescription for stronger eyedrops to his pharmacy right now. If Alice did not improve, she needed to come into Whitman’s emergency care center.

  So long as everything remained covered in shadows—people appearing as dark forms against a thinner black veil—Alice was okay
. Moving her head was fine. Entering a new room, though, being hit by some kind of light for which she wasn’t braced, that she couldn’t handle. Blinds were pulled, their bedroom transforming into a bat cave; Alice lay in bed, let herself go sedentary. If she had to be trapped, she was not going to feel sorry for herself; she would not wallow, fretting about the implications of this new twist. She kept running a hand over her small bronze figurine, familiarizing herself with Guanyin’s grooves, her sudden points, her small indentations, that chip thing along her base, the rough ending to what Alice imagined as an elephant’s winding trunk.

  “I’ll order a car service,” Oliver pleaded. “We swoop into the care center, fix it, in and out.”

  “Can’t we just wait?”

  Alice was more than ready to be over and done with lying in bed. But she did not want to go back there.

  Oliver couldn’t say no to her request. He wasn’t going to. Not after where he’d just been. Rather, he offered a papal procession of damp washcloths, made it idiot-easy for Alice to rinse her eyes, anytime she needed. They bought out all the Chelsea drugstores’ No More Tears shipments, repeatedly flooded her pupils. A five-in-the-morning alarm waking the baby wasn’t an option; instead Oliver showed initiative and nipped at Alice’s lower lobe. The flesh was loose. His teeth applied just a bit more pressure, then he raised his mouth, nuzzled into her ear. “Time for your prescription drops.” She stirred, emitting a sleepy but satisfied moan. Oliver further goaded, got into position, and without mercy used his fingertips to pry open her eyes.

  These burned in a different manner than how light affected her, this burn more pulsing than it was painful, and going deeper, as if digging into the corneas, the irises, causing a weird tingle in those roots behind her eyes, those optic nerve things. Medicinal effects were immediate, her pain easing, some, so that if a room was mostly black, her eyes didn’t hurt so bad. But even the weakest morning light—peeking in around the edges of the blinds—caused recoil. Her eyes were so sensitive that she could barely see anything, even in dimness. Her squinting became perpetual; Alice began staring down into her lap, hiding her eyes, squeezing her facial muscles to where her forehead cracked with lines of pain. Her shoulders perpetually curled, her body tensing. She placed gauze pads over her eyes, transforming herself into an Egyptian mummy. She had the awful thought of herself as a corpse, her bedroom a tomb. She kept rubbing at the gauze pads, patting them, exhausted but unable to nap, her eyes burning and pulsing. She felt thirsty, but couldn’t pull herself upright to drink. She imagined that the throbbing could be scooped out from her sockets, like the meat from a melon. She concentrated on motionlessness, worked at stillness, daydreamed about sitting in a Korean nail shop, getting a pedi and reading a stupid magazine with advice about summer sandals. That dead-ice smell kept intruding.

 

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