by Talbot Mundy
So a clerk in a musty office drew a line below the record of the First Egyptian Foot; widows were duly notified; a pension or two was granted; and the regiment that Billy Grogram had worked so hard to build was relegated to the past, like Billy Grogram.
Rumors had come back along with Wolseley’s men that Grogram had gone down fighting with his regiment; there was a story that the band had been taken alive and turned over to the Mahdi’s private service, and one prisoner, taken near Khartoum, swore that he had seen Grogram speared as he lay wounded before the Residency. There was a battalion of the True and Tried with Wolseley; and the men used methods that may have been not strictly ethical in seeking tidings of their old sergeant-major; but even they could get no further details; he had gone down fighting with his regiment, and that was all about him.
Then men forgot him. The long steady preparation soon began for the new campaign that was to wipe the Mahdi off the map, restore peace to Upper Egypt, regain Khartoum and incidentally avenge Gordon. Regiments were slowly drafted out from home as barracks could be built for them; new regiments of native troops were raised and drilled by ex-sergeants of the Line who never heard of Grogram; new men took charge; and the Sirdar* superintended everything and laid his reputation brick by brick, of bricks which he made himself, and men were too busy under him to think of anything except the work in hand.
But rumors kept coming in, as they always do in Egypt, filtering in from nowhere over the illimitable desert, borne by stray camel-drivers, carried by Dervish spies, tossed from tongue to tongue through the fishmarket, and carried up back stairs to Clubs and Department Offices. There were tales of a drummer and three men who played the fife and a wonderful mad feringhee* who danced as no man surely ever danced before. The tales varied, but there were always four musicians and a feringhee.
When one Dervish spy was caught and questioned he swore by the beard of the prophet that he had seen the men himself. He was told promptly that he was a liar; how came it that a feringhee — a pork-fed, infidel Englishman — should be allowed to live anywhere the Mahdi’s long arm reached?
“Whom God hath touched—” the Dervish quoted; and men remembered that madness is the surest passport throughout the whole of Northern Africa. But nobody connected Grogram with the feringhee who danced.
But another man was captured who told a similar tale; and then a Greek trader, turned Mohammedan to save his skin, who had made good his escape from the Mahdi’s camp. He swore to having seen this man as he put in one evening at a Nile-bank village in a native dhow. He was dressed in an ancient khaki tunic and a loin-cloth; he was bare-legged, shoeless, and his hair was long over his shoulders and plastered thick with mud. No, he did not look in the least like a British soldier, though he danced as soldiers sometimes did beside the camp-fires.
Three natives who were with him played fifes while the feringhee danced, and one man beat a drum. Yes, the tunes were English tunes, though very badly played; he had heard them before, and recognized them. No, he could not hum them; he knew no music. Why had he not spoken to the man who danced? He had not dared. The man appeared to be a prisoner and so were the natives with him; the man had danced that evening until he could dance no longer, and then the Dervishes had beaten him with a kurbash* for encouragement: the musicians had tried to interfere, and they had all been beaten and left lying there for dead. He was not certain, but he was almost certain they were dead before he came away.
Then, more than three years after Gordon died, there came another rumor, this time from closer at hand — somewhere in the neutral desert zone that lay between the Dervish outpost and the part of Lower Egypt that England held. This time the dancer was reported to be dying, but the musicians were still with him. They got the name of the dancer this time; it was reported to be Goglam, and though that was not at all a bad native guess for Grogram, nobody apparently noted the coincidence.
Men were too busy with their work; the rumor was only one of a thousand that filtered across the desert every month, and nobody remembered the non- commissioned officer who had left for Khartoum with the First Egyptian Foot; they could have recalled the names of all the officers almost without an effort, but not Grogram’s.
III
EGYPT was busy with the hum of building — empire- building under a man who knew his job. Almost the only game the Sirdar countenanced was polo, and that only because it kept officers and civilians fit. He gave them all the polo, though, that they wanted, and the men grew keen on it, spent money on it, and needless to say, grew extraordinarily proficient.
And with the proficiency of course came competition — matches between regiments for the regimental cup and finally the biggest event of the Cairo season, the match between the Civil Service and the Army of Occupation, or, as it was more usually termed, “The Army vs. The Rest.” That was the one society event that the Sirdar made a point of presiding over in person.
He attended it in mufti always, but sat in the seat of honor, just outside the touch-line, half-way down the field; and behind him, held back by ropes, clustered the whole of Cairene society, on foot, on horseback and in dog- carts, buggies, gigs and every kind of carriage imaginable. Opposite and at either end, the garrison lined up — all the British and native troops rammed in together; and the native population crowded in between them and wherever they could find standing-room.
It was the one event of the year for which all Egypt, Christian and Mohammedan, took a holiday. Regimental bands were there to play before the game and between the chukkers, and nothing was left undone that could in any way tend to make the event spectacular.
Two games had been played since the cup had been first presented by the Khedive,* and honors lay even — one match for the Army and one for the Civil Service. So on the third anniversary feeling ran fairly high. It ran higher still when half time was called and honors still lay even at one goal all; to judge by the excitement of the crowd, a stranger might have guessed that polo was the most important thing in Egypt. The players rode off the pavilion for the half-time interval, and the infantry band that came out onto the field was hard put to drown the noise of conversation and laughter and argument. At that minute there was surely nothing in the world to talk about but polo.
But suddenly the band stopped playing, as suddenly as though the music were a concrete thing and had been severed with an ax. The Sirdar turned his head suddenly and gazed at one corner of the field, and the noise of talking ceased — not so suddenly as the music had done, for not everybody could see what was happening at first — but dying down gradually and fading away to nothing as the amazing thing came into view.
It was a detachment of five men — a drummer and three fifes, and one other man who marched behind them — though he scarcely resembled a man. He marched, though, like a British soldier.
He was ragged — they all were — dirty and unkempt. He seemed very nearly starved, for his bare legs were thinner than a mummy’s; round his loins was a native loin-cloth, and his hair was plastered down with mud like a religious fanatic’s. His only other garment was a tattered khaki tunic that might once have been a soldier’s, and he wore no shoes or sandals of any kind.
He marched though, with a straight back and his chin up, and anybody who was half observant might have noticed that he was marching two paces right flank rear; it is probable, though, that in the general amazement, nobody did notice it.
As the five debouched upon the polo ground, four of them abreast and one behind, the four men raised their arms, the man behind issued a sharp command, the right hand man thumped his drum, and a wail proceeded from the fifes. They swung into a regimental quickstep now, and the wail grew louder, rising and falling fitfully and distinctly keeping time with the drum.
Then the tune grew recognizable. The crowd listened now in awe-struck silence. The five approaching figures were grotesque enough to raise a laugh and the tune was grotesquer, and more pitiable still; but there was something electric in the atmosphere that told of tragedy, a
nd not even the natives made a sound as the five marched straight across the field to where the Sirdar sat beneath the Egyptian flag.
Louder and louder grew the tune as the fifes warmed up to it; louder thumped the drum. It was flat, and notes were missing here and there. False notes appeared at unexpected intervals, but the tune was unmistakable. “The Campbells are coming! Hurrah! Hurrah!” wailed the three fifes, and the five men marched to it as no undrilled natives ever did.
“Halt!” ordered the man behind when the strange cortege had reached the Sirdar; and his “Halt!” rang out in good clean military English.
“Front!” he ordered, and they “fronted” like a regiment. “Right Dress!” They were in line already, but they went through the formality of shuffling their feet. “Eyes Front!” The five men faced the Sirdar, and no one breathed. “General salute — pre-sent arms!”
They had no arms. The band stood still at attention. The fifth man he of the bare legs and plastered hair — whipped his right hand to his forehead in the regulation military salute — held it there for the regulation six seconds, swaying as he did so and tottering from the knees, then whipped it to his side again, and stood at rigid attention. He seemed able to stand better that way, for his knees left off shaking.
“Who are you?” asked the Sirdar then.
“First Egyptian Foot, sir.”
The crowd behind was leaning forward, listening; those that had been near enough to hear that gasped. The Sirdar’s face changed suddenly to the look of cold indifference behind which a certain type of Englishman hides his emotion.
Then came the time-honored question, prompt as the ax of a guillotine — inevitable as Fate itself:
“Where are your colors?”
The fifth man — he who had issued the commands fumbled with his tunic. The buttons were missing, and the front of it was fastened up with a string; his fingers seemed to have grown feeble; he plucked at it, but it would not come undone.
“Where are—”
The answer to that question should be like an echo, and nobody should need to ask it twice. But the string burst suddenly, and the first time of asking sufficed. The ragged, unkempt long-haired mummy undid his tunic and pulled it open.
“Here, sir!” he answered.
The colors, blood-soaked, torn — unrecognizable almost — were round his body! As the ragged tunic fell apart, the colors fell with it; Grogram caught them, and stood facing the Sirdar with them in his hand. His bare chest was seared with half-healed wounds and criss-crossed with the marks of floggings, and his skin seemed to be drawn tight as a mummy’s across his ribs. He was a living skeleton!
The Sirdar sprang to his feet and raised his hat; for the colors of a regiment are second, in holiness, to the Symbols of the Church. The watching, listening crowd followed suit; there was a sudden rustling as a sea of hats and helmets rose and descended. The band of four, that had stood in stolid silence while all this was happening, realized that the moment was auspicious to play their other tune.
They had only one other, and they had played “The Campbells are coming” across the polo field; so up went the fifes, “Bang!” went the drum, and, “God Save Our Gracious Queen” wailed the three in concert, while strong men hid their faces and women sobbed.
Grogram whipped his hand up to the answering salute, faced the crowd in front of him for six palpitating seconds, and fell dead at the Sirdar’s feet.
And so they buried him; his shroud was the flag that had flown above the Sirdar at that ever-memorable match, and his soul went into the regiment.
They began recruiting it again next day round the blood-soaked colors he had carried with him, and the First Egyptian Foot did famously at the Atbara and Omdurman. They buried him in a hollow square formed by massed brigades, European and native regiments alternating, and saw him on his way with twenty-one parting volleys, instead of the regulation five. His tombstone is a monolith of rough-hewn granite, tucked away in a quiet corner of the European graveyard at Cairo — quiet and inconspicuous as Grogram always was — but the truth is graven on it in letters two inches deep:
HERE LIES A MAN
TROS OF SAMOTHRACE
First appearing as a serial in Adventure magazine in 1925, Appleton-Century published the book version of Tros of Samothrace much later in 1934. As an historical novel for Mundy, the subject matter is something of a departure too, as the title hero battles with the likes of Norsemen and Romans, while mixing with pre-Roman Britons. Mundy’s aversion to any form or era of imperialist rule (as evidenced in his works through critique of British rule of India) encouraged a heated debate because of his negative depiction of Julius Caesar and the Roman rule. As usual, he also endeavours to create strong female characters, in this case the women of the British tribes, who are depicted as courageous and earthy. The novel has a staggering 96 chapters, although such length is not unknown amongst the authors of serialised fiction — Dickens and Thackeray being obvious examples. The Tros stories have been described as historical fantasy, with one foot in historical accuracy, but without letting attention to detail spoil a good yarn.
The story opens with some typically Mundy touches – mention of Druids, sacred stones and a charming rural scene in pre-Roman Britain. Yet, amongst the indigenous people in this scene is also Tros, the Greek Mariner, exotic of appearance and powerful in build:
“He looked a giant compared to the others although he was not much taller than they. His clothing was magnificent, but travel-stained. His black hair, hanging nearly to his shoulders, was bound by a heavy gold band across his forehead. A cloak of purple cloth, embroidered around the edges with gold thread, partly concealed a yellow tunic edged with gold and purple. He wore a long sword with a purple scabbard, suspended from a leather belt that was heavily adorned with golden studs. His forearm was a Titan’s and the muscles on his calves were like the roots of trees; but it was his face that held attention... His leonine, amberous eyes contained a hint of red and the breadth between them accentuated the massive strength of the forehead; they were eyes that seemed afraid of nothing and incredulous of much; not intolerant, but certainly not easy to persuade”.
It is tempting to see a portent in this description of Tros of the comic book super heroes, who became so popular from the late 1930’s onwards!
Tros tells his companions his story: his father is Perseus, Prince of the island of Samothrace and both are gifted mariners. The Keepers of the Mysteries of Samothrace sent the Prince on a special mission to many lands, including Gaul, to make contact with the Druids amongst others. Betrayed by the Romans, the ship was destroyed and the crew slaughtered. Father and son were captured and brought before Julius Caesar, who tells the men he has no wish to execute two such worthy opponents and instead compels Tros to help plan the Roman invasion of Britain, whilst the Prince is kept back as a hostage to ensure the loyalty of Tros. He is sent to Britain to ascertain what treasures are there and eventually returns to his “captor”, Caesar’s agent, Caius Volusenus – but what the Romans do not realise is that Tros is bent on revenge and upon fighting for the release of his father. Tros is by no means a war monger, but he will not shirk from conflict if he finds himself in the middle of it and this time he must resort to behaving like as a double agent, forging links with the British tribal chiefs and encouraging resistance to Rome, whilst at the same time convincing the Romans that he is on their side entirely.
Many perils and adventures face Tros and his allies in this wide ranging tale of adventure; numerous real life characters make an appearance apart from Caesar. The descriptions of Iron Age Britain are evocative, but the purist will have to accept that much less was known in the 1920’s about that time than is known now. Overall, a colourful historical romp, with a larger than life hero.
The first edition’s cover
CONTENTS
CHAPTER 1. Britain: The Late Summer of 55 B.C.
CHAPTER 2. “And ye know whether Caesar lies or not.”
CHAPTER 3. Gwenhwyfa
r, Wife of Britomaris
CHAPTER 4. Fflur
CHAPTER 5. A Prince of Hosts
CHAPTER 6. Concerning a Boil and Commius
CHAPTER 7. Gobhan and the Tides
CHAPTER 8. An Interview Near a Druid’s Cave
CHAPTER 9. Tros Displays His Seamanship and a Way of Minding His Own Business
CHAPTER 10. Caius Julius Caesar
CHAPTER 11. The Expedition Sails
CHAPTER 12. The Battle on the Beach
CHAPTER 13. Hythe and Caswallon
CHAPTER 14. “If Caesar could only know”
CHAPTER 15. Early Autumn: 55 B.C.
CHAPTER 16. Lunden Town
CHAPTER 17. A Home-Coming
CHAPTER 18. The Phoenician Tin Trader
CHAPTER 19. A Sitting of the Court of Admiralty: 55 B.C.
CHAPTER 20. Hiram-Bin-Ahab Stipulates
CHAPTER 21. In Which the Women Lend a Hand
CHAPTER 22. Mutiny and Mal de Mer
CHAPTER 23. Tros Makes a Promise
CHAPTER 24. Rome’s Centurion
CHAPTER 25. “God give you a fair wind, Hiram-Bin-Ahab!”
CHAPTER 26. “Neither Rome nor I Forgive!”
CHAPTER 27. The British Channel
CHAPTER 28. Northmen!
CHAPTER 29. Battle!
CHAPTER 30. Tros Makes Prisoners and Falls in Need of Friends
CHAPTER 31. A Man Named Skell Returns from Gaul
CHAPTER 32. “A pretty decent sort of god!”
CHAPTER 33. In Lunden Pool
CHAPTER 34. Cornelia of Gaul
CHAPTER 35. Tros Strikes a Bargain
CHAPTER 36. Rash? Wise? Desperate? Or All Three?
CHAPTER 37. The Battle at Lud’s Gate
CHAPTER 38. Winter, Near Lunden Town
CHAPTER 39. The Gist of Skell’s Argument