Although Phosgene was a science fiction fanzine, or more specifically a letterzine, its subjects ranged far afield of the genre. Any given issue might contain essays from various contributors on the subject of Central European politics, solar energy, abortion, or tropical fish diseases. Subscribers would write letters about whatever they cared to discuss, and in the next issue everyone else would comment, usually briefly, on each of the opinions expressed. The fact that almost no one had the slightest pretension to expertise on any of these topics did not deter them from pontificating. Indeed, one might suppose that anyone who had any proficiency in the subject would not be there in the first place, because he could find a better forum for his ideas, i.e. a place where they might actually have some influence. As it was, the soi-disant philosophers of fandom preached at each other while the world went by. Offering sermons from the mount of his celebrity to the subscribers of Phosgene was one of Brendan Surn's few vanities.
Lorien Williams consulted her notes. "Let's see… We have Lois Hutton talking about women in combat, and you wanted to say…"
Surn waved his hand. "Tell her that NASA experiments proved that middle-aged women would make the best astronauts. Surely they could be equally effective as soldiers." He giggled. "Besides, who'd miss them?"
Lorien wrote everything down except for that last comment. She felt that Surn was a prisoner of his generation, but that he should be protected from the scorn of his more enlightened younger acquaintances. "The next writer is Gareth Whitney from Culpeper, Virginia."
"Yes. I like him. Tell him that I agree with him that even if A. P. Hill had not been shot, he would not have survived the Civil War, for reasons of health, and that while I cannot agree that he was the equal of Stonewall Jackson, I do think that as a brigade commander, he was exceptional."
Lorien scribbled down this reply. "Ready for the next one? They're arguing about Harlan again."
Surn smiled. "Oh, Harlan. Leave them to it. They're having such a good time, and he can take care of himself. I won't comment. What else?"
"Worldcon."
"San Francisco," sighed Surn. "Snog in the fog!"
Lorien looked away. "It's in Orlando this year, actually," she said in a tone of studied casualness.
"It doesn't seem very long ago," mused Brendan Surn, staring out into the dark void of the Watauga valley. "The San Francisco Worldcon. And living here. But they all look so old. Did I write a story about that once? About a man who comes out of a daydream to find that he has aged fifty years in two minutes?"
Lorien patted his hand. "That was Fredric Brown, Brendan. In Nightmares and Geezenstacks." Sometimes she felt that remembering titles and authors was all the help she could give him, but he seemed pleased at this shared memory.
"So it was," he said with a sudden smile. "I remember it!"
Erik Giles looked down at his third cup of coffee. "I really shouldn't be doing this," he remarked. "Either I'll pace all night or I'll have to sleep in the bathtub."
Angela Arbroath patted his hand. "Go on, Stormy! Have a caffeine orgy. After the shock we've had tonight, we ought to be drinking something a lot stronger than coffee."
On the other side of the table, Jay and Marion glanced at each other, wondering if this could be considered an opening for the introduction of a touchy subject. Shortly after the reunion party disbanded, Erik had come wandering out into the lobby, still chatting with Angela Arbroath, and Marion had hurried out of the coffee shop to snare them with the promise of coffee. So far, introductions and pleasantries had dominated the conversation, but now the hour grew late, and the other tables in the coffee shop had emptied one by one until they were alone. Now seemed like a good time to discuss the dramatic events of the evening's reception.
"I imagine it gave you quite a shock," said Jay Omega, "and it's partly our fault, for which I apologize. We ran into the fellow just as we were coming back from dinner. He was coming through the front doors with his suitcase at the same time we were entering, so naturally I helped him with the doors."
Marion smirked. "Virtue is its own punishment."
"Then when he asked me where the Lanthanides reunion was being held, we couldn't very well plead ignorant. I told him that outsiders were not permitted to attend, but he just smiled and said that he was invited."
"And, of course, I asked who he was," said Marion, taking up the tale. "Jay wouldn't have challenged him, but I'm much more assertive. Imagine my surprise when he said he was Pat Malone. It was on the tip of my tongue to say, 'But you're dead'; however, even I can't manage to be that abrupt."
Jay smiled. "You underestimate yourself." To Giles and Angela
Arbroath he explained, "In order to convey the impression that
he was expected at the party, the fellow said, 'I expect the Lanthanides have been looking high and low for me,' and Marion muttered, 'I thought those were the places to look.' "
"We figured it out, of course," said Marion. "We came in here for coffee and talked it over. It was a death hoax, wasn't it?"
"Apparently so," said Erik Giles dryly. "Even if I believed in resurrection of the body, I don't think the deity would waste it on Pat Malone."
"It was inconsiderate of him," said Angela Arbroath. "Just the sort of silly prank that fifties fans went in for, not caring about the feelings of those who were taken in by it."
"I suppose he came back to get in on the money and the notoriety?" asked Jay.
"I hope so," said Erik, "It would be much more like him to come back in order to upset things, don't you think, Angela?"
She considered it. "Not out of sheer mischief," she said at last. "But I will grant you that Pat was an idealist, and if he thought any of you were selling out, or capitalizing on your old days at Dugger's farm, then he might very well feel self-righteous about putting a stop to things."
"But he's over sixty now, too!" Erik protested. "Surely he could use a bit of cash as badly as the rest of us!"
Angela stared at him. "How odd!" she cried. "I've only just realized that we don't know a single thing about the resurrected Pat Malone! We were all so much in shock that no one thought to ask him what he has been doing all these years. We treated him as if he really were a ghost."
"Even if he did come to spoil things, how much trouble could he cause?" asked Marion. "You all are a bunch of writers. How many guilty secrets could you have?" She laughed at her own joke.
Everyone else looked thoughtful.
George Woodard had brushed his teeth, put on his striped pajamas, and cried a few tears of sheer frustration. Now he was ticking off a list of his most sympathetic friends, trying to decide if there was someone he could safely call to discuss the current crisis, but he could think of no one who wouldn't be delighted at the irony and embarrassment of it. George realized that he could crank up the science fiction rumor mill with one phone call, but in doing so, he would not receive one word of consolation or consideration for his plight. It wasn't worth it. Let everybody find out from someone else. He couldn't be bothered.
Earlene was not the first person he thought of to call, but her name did come up in his ruminations. He decided against it. She would probably force a full account of the evening's confrontation from him, and somehow she would contrive to blame George for the fact that it happened at all. Serves you right for going, she would say. No, Earlene would not be pleased that Pat Malone remembered her so clearly. George wasn't pleased, either, of course, but he consoled himself by thinking that it certainly wasn't true.
It had been true thirty-five years ago, but the "hot little number" that Malone recalled had cooled off to glacial proportions several decades back. Now she gave every appearance of being able to fall into a deep sleep as soon as her head hit the pillow. George puzzled over this apparent contradiction in the essence of reality. How could something which was technically true be so utterly false? The polite fiction maintained by everyone else- that Earlene was a dull little housewife-was certainly more accurate, but it ignored a good portion of her life. It w
as as if Earlene were two people: he had married one, but was forced to live with the other.
For a brief moment, George caught himself wondering if the old Earlene would have continued to exist had she married Pat Malone, but that thought was too damaging to his ego for him to dwell on it for long. He rummaged in his suitcase for the emergency Baby Ruth he had hidden in a sock, and began to quell his anxieties in his customary manner.
In the Holiday Inn in Johnson City, the editors and reporters had taken over the cocktail lounge. They were glad for a chance to get together, although such meetings were far from rare. They just didn't happen in New York. All of the occupants of the lounge worked in Manhattan within a half mile of each other, but in order to socialize, they had to attend conferences in various cities, or turn up as fellow lecturers at a writers' workshop somewhere. If this were a Thursday night in New York, a third of them would be doing their laundry; the other two-thirds would still be at the office.
The fact that Johnson City was a relatively small town did not unduly depress them, because (1) while many of them had fled to New York from small towns, they were well able to tolerate small doses of rural Americana; and (2) the publishing business is a small town.
Although the editors were ostensibly camped in Tennessee to engage in a bidding war, their camaraderie was unaffected by the potential rivalry. They were veterans of many such campaigns, and it was, after all, someone else's money that they were playing with. Except for the possibility of added prestige for a literary coup, which might result in money or perks, the Lanthanides Anthology Auction might as well be a Monopoly tournament. Their attitude toward the other group of professionals present- the various media representatives who had turned up for the occasion-was cordial, but more reserved. They didn't want to seem overly interested in the glitz business, and until one of them owned the current project, they had nothing quotable to say anyhow. Besides, editors secretly fear that journalists have the Great American Novel stashed in typing-paper boxes in their closets, and that given proximity to a book editor, they will try to market it. The editors' dread of becoming a literary hostage- trapped in a corner, listening to an endless plot summary-kept them packed into a tight little herd for protection. They imagined the reporters circling them like lions, seeking to pounce upon the weakest member of the herd.
The journalists in turn kept to their own corner of the lounge, swapping war stories about covering the vice-president, discussing software, and exchanging interesting fax numbers (Billy Joel's, for example). They were equally wary of the editors, who, after all, might want to get their names in the paper or might be seized with a guilt-ridden urge to wave to the folks on TV. Among themselves they also swapped horror stories about the most obnoxious "civilians" who had tried to impose on them lately.
At the beginning of the evening the two factions had staked out opposite sides of the room, holding court around their own tables, with occasional furtive glances toward the other enclave, but as the evening wore on, and sobriety wore out, some of the braver souls began to exchange pleasantries across professional lines, and by midnight, the room had become one large mob of pros, driving less determined tourists to their rooms to contemplate The Best of Carson.
Sarah Ashley, agent for Ruben Mistral and architect of the Lan-thanides package, had hosted a prime-rib dinner for the group earlier in the evening, but she had wisely refrained from discussing business except to say that she for one felt privileged to be present at the making of a science fiction legend. After dinner, she had thanked everyone again for coming to the party and had gone up to her room, leaving the pack to speculate on the next day's events.
They had managed to avoid the subject for a good two hours, but finally weariness with the usual topics prevailed, and an Australian with one of the tabloids called out, "What do you make of this bit of grave robbing that's going on tomorrow?"
"The Dante Gabriel Rossetti syndrome," said Lily Warren, an editor who got her start in publishing with a university press.
"What has baseball got to do with it?" asked the USA Today reporter.
Lily winced. "Rossetti was a nineteenth-century English poet. When his wife died, he buried some of his unpublished work with her, and then about a year later he… went back and dug them up again."
"Geez," said USA Today. "Is anybody buried with the time capsule?"
The tabloid reporter had pulled out his pocket notebook and was already composing his lead.
"I wonder if Sarah Ashley would consider splitting up the package," mused Enzio O'Malley, one of the New York editors.
Lily Warren shook her head. "She'd be crazy to agree to that. Think of the publicity value in the time-capsule anthology story! Every book club in the country will grab it, for starters. Then there's the other sub rights. Films, foreign-"
O'Malley sighed. "I know, but I was thinking in terms of actual literary merit." He ignored the snickering of his colleagues. "You see, we own Brendan Surn's back list, and he really is one of the great writers of the genre." More snickering. "I was thinking that it might be nice to acquire just his story-for a lot less money, of course-and put it in a new anthology of his short fiction."
"No way," said Lily. "The package is too valuable as a whole. Besides-" She hesitated.
"Exactly," said O'Malley. "Selling that piece would gut the whole collection, because Surn's story might be the only thing in there that isn't crap."
"Oh, come on!" another editor protested. "Surely, Curtis Phillips-"
"Curtis Phillips was a fruitcake, and you can never tell whether he was being brilliant or deranged on this particular writing binge. Suppose he just raves for twenty pages? And most of the other contributing authors were one-book wonders, whose early work may turn out to be worthless." Enzio O'Malley downed the last of his beer. "Sarah's asking us to take a hell of a gamble here. I'd buy anything of Surn's in a minute, but the whole package? I don't know."
"Suppose it isn't any good?" asked another editor.
Lily Warren chuckled. "Goodness has nothing to do with it. The very act of paying serious money for this collection in an auction will make it famous, and the publicity generated by this reunion is priceless. Half the country will know about this collection months before the pub date. By the time the publisher runs major ads, books the old geezers on the morning talk shows, and intimidates the sales force with a six-figure print run, every rube in America will have heard of it, and thousands of them will buy it for the novelty value alone. Didn't The Satanic Verses sell big, despite the fact that no one actually read it? Oh, this time-capsule gimmick will sell, all right. Sarah Ashley is no fool when it comes to marketing."
O'Malley stared mournfully into his empty beer mug. "The critics will savage it, and the S-F crowd, which is notoriously poor, will wait for the paperback, and you'll have to eat fifty thousand hardcover copies of a shit-awful book," he said mournfully.
The other editors fell silent. Enzio O'Malley's pessimistic, and probably accurate, assessment of the package had brought an unpleasant note of reality to the revels. For a moment they were forced to contemplate whether they actually ought to be trying to publish good books, instead of shilling for hyped books. But the feelings of gloom were brief, and almost instantly succeeded by a universally held conviction that Enzio O'Malley's negative comments were designed to throw them off the scent. Obviously, he had been issued firm orders by his publishing masters to acquire the time-capsule anthology at any cost. Silently they began to wonder what kind of money or treachery it would take to beat him out of it.
Jay Omega couldn't sleep. The party in the coffee shop had broken up an hour ago, and now the hotel was dark and quiet. He lay on the side of his bed, unable to relax, listening for night sounds and replaying the day's events in his head. Marion, unused to Lakecrest beer and long hours, was sleeping peacefully, but Jay was still wide awake. He thought he might have been able to fall asleep if he could have lain in bed and read a hard-science fiction novel, full of technical monotony, but
the light would have disturbed Marion. He told himself that he needed to sleep because of the eventful day that would begin in just a few hours, but that only made him more alert. The more he pursued oblivion, the more restless he became. Finally, giving in to his own anxieties, he slipped on his jeans and sweatshirt and crept from the room. Perhaps a walk in the cool night air would calm his thoughts and allow him to sleep.
He crossed the deserted lobby and left the building, with the glass door swinging noiselessly behind him. The moon shone above the ridge of oak trees, and the air was crisp and cool, but the parking lot smelled of oil and burnt rubber. It was not a place he wanted to linger. Jay hurried away from it and found the path through the rhododendrons that led down to the edge of the lake. Now the steep moss-strewn trail ended in a gully of dry red clay, ringed like redwoods from the lapping waters of the receding Watauga.
Jay stood alone in the darkness, thinking that it was quiet, because like most country people he didn't register the ceaseless whine of crickets as noise. He looked up at the full moon, a small silver disk hanging above the distant hills, and saw it only as a dry lake bed suspended in the black sky. It illuminated the few clouds hovering near it, but there was no reflecting shine from the dark emptiness of Breedlove Lake, no response from the dead land.
Jay felt a disquieting urge to walk forward into the dark basin of the lake without caring where it would take him or whether he came back at all. Such moodiness was rare for James Owens Mega. Usually, he dealt logically with problems that he could solve, and he wasted little time fretting over the rest, but the Lanthanides troubled him. They seemed to him to be various projections of his own future: Erik, the sedentary academic who had given up writing; Mistral, the Hollywood mogul who had turned his hobby into an empire, and was universally accused of selling out; or George Woodard, who had allowed his alternate universe to consume his life, and lived in poverty and failure as a result. He supposed that Brendan Surn was the most enviable of the company, but he, too, presented a grim specter of a writer's future: obviously suffering from some mental impairment, he lived alone and friendless, except for his various business caretakers and the young nurse/companion who looked after him. Jay could see himself in any of those existences, and he did not like what he saw. Do writers live happily ever after, he wondered.
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