by Michael Haas
Stein, Ludwig (i), (ii), (iii), (iv)
Stengel, Theo (i), (ii)
Stephan, Rudi (i)
Sternberg, Josef von (i), (ii)
Steuermann, Eduard (i)
Stevens, Bernard (i)
Stiedry, Fritz (i), (ii), (iii)
Stockhausen, Karlheinz (i), (ii)
Stolz, Robert (i), (ii)
Stössel, Ludwig (i)
Stramm, August (i)
Straube, Karl (i), (ii)
Straus, Oscar (i), (ii)
Strauss, Adele (i), (ii)
Strauss, Johann (i), (ii), (iii), (iv), (v), (vi)
Strauss, Leo (i)
Strauss, Richard
American embargo (i)
anti-Romantics (i), (ii), (iii)
Elektra (i)
Die Frau ohne Schatten (i)
Ein Heldenleben (i)
Jewish response to neo-Romanticism (i), (ii)
Mahler and Korngold (i), (ii), (iii), (iv)
Reichsmusikkammer (i), (ii)
Der Rosenkavalier (i), (ii), (iii)
Die schweigsame Frau (i), (ii)
Society of Creative Musicians (i)
Stravinsky, Igor (i), (ii), (iii), (iv), (v), (vi), (vii)
Strecker, Ludwig (i), (ii), (iii)
Strecker, Willi (i), (ii)
Stresemann, Gustav (i)
Stroheim, Erich von (i)
Stucken, Eduard (i)
Stuckenschmidt, H. H. (i), (ii), (iii), (iv)
Die stumme Serenade (The Silent Serenade) (Korngold) (i), (ii)
Der Stürmer (i)
Stürmer, Bruno (i)
Der Sturz des Antichrist (Ullmann) (i)
Stutschewsky, Joachim (i)
Sudetenland (i), (ii), (iii), (iv)
Sullivan, Arthur (i)
Sulzer, Joseph (i), (ii)
Sulzer, Salomon (i), (ii)
Switzerland (i), (ii), (iii)
Symphonic Fantasy (Weigl) (i)
Szell, Georg(e)
Gál (i), (ii)
German Theatre (i)
Great Britain (i), (ii)
Jewish response to neo-Romanticism (i)
Nazi resistance (i)
United States (i), (ii)
Weigl (i), (ii)
Szenen aus den Leben der heiligen Johanna (Braunfels) (i), (ii)
Szeps, Moritz (i)
Talich, Václav (i)
Taras Bulba (film) (i)
Taruskin, Richard (i)
Taube, Carlo (i)
Taube, Erika (i)
Taube, Michael (i), (ii), (iii)
Tauber, Richard (i), (ii), (iii), (iv)
Tausig, Carl (i), (ii)
Tchaikovsky, Pyotr Ilyich (i)
The Tempest (Shakespeare) (i), (ii)
Temple, Shirley (i)
Terezín Symphony (Taube) (i)
Terezín (Theresienstadt) (i)
Teutonic races (i), (ii), (iii), (iv)
Thacker, Toby (i), (ii)
‘therapeutic nihilism’ (i), (ii), (iii)
Theresienstadt (Terezín) (i)
Thimonnier, René (i)
Third Reich (i), (ii), (iii), (iv), (v)
Three Orchestral Pieces (Berg) (i)
Threepenny Opera (Brecht and Weill) (i), (ii), (iii)
Thyl Claes (Vogel) (i)
Ticharich, Zdenka von (i)
Tiefland (d'Albert) (i), (ii), (iii), (iv), (v)
Tiessen, Heinz (i), (ii)
Tietjen, Heinz (i), (ii), (iii), (iv)
Tillich, Paul (i)
Tillyard, H. J. W. (i)
Tingel-Tangel (i)
Tirpitz, Admiral (i)
Tirso de Molina (i)
Toch, Ernst (i)
anti-Romantics (i), (ii)
Berlin (i)
Cantata of the Bitter Herbs (i)
Cello Concerto (i)
Chinese Flute songs (i)
devotional life (i)
environment and creativity (i)
Erich Korngold (i)
Der Fächer (i)
film music (i), (ii)
France (i), (ii)
Fuge aus der Geographie (Geographical Fugue) (i)
Genesis Suite (i)
Die Germanen sind Blond (The Teutons Are Blond) (i)
Gesprochene Musik (Spoken Music) (i)
Glaubensbekenntnis eines Komponisten (Composer's Credo) (i)
Jephtha (i)
Jewish response to neo-Romanticism (i)
Melodielehre (i), (ii)
‘New Objectivity’ (i), (ii), (iii)
piano concertos (i), (ii)
restitution after Hitler (i)
Schreker's pupils (i)
symphonies (i), (ii), (iii)
United States (i), (ii), (iii), (iv), (v), (vi), (vii)
Toch, Lili (née Zwack) (i)
Toller, Ernst (i), (ii), (iii)
Toscanini, Arturo (i)
Die tote Stadt (Korngold) (i), (ii), (iii), (iv), (v), (vi)
Tractatus Logico-Philosophicus (Wittgenstein) (i)
Trapp, Max (i), (ii), (iii), (iv)
Der Traum ein Leben (Braunfels) (i)
Träumerei (Schumann) (i)
Treaty of Saint-Germain (i), (ii)
Treaty of Versailles (i), (ii), (iii)
Der treue Eckart (newspaper) (i)
Tristan and Isolde (Wagner) (i), (ii)
Triumphlied (Brahms) (i)
Der Trompeter von Säkkingen (Nessler) (i)
Tucholsky, Kurt (i), (ii)
Turkey (i)
twelve-tone composition see dodecaphonic composition
Überbrettl cabaret (i), (ii), (iii), (iv)
Uhlig, Theodor (i)
Ulbricht, Walter (i)
Ulbrich Group (i), (ii)
Ullmann, Viktor (i), (ii), (iii), (iv)
Und Pippa Tanzt! (Hauptmann) (i)
Unger, Hermann (i)
Union of Austrian Artists (i)
United States
emigration to (i), (ii), (iii), (iv), (v), (vi)
Évian Conference (i), (ii)
internment (i)
restitution after Hitler (i), (ii), (iii), (iv)
World War I (i), (ii)
Universal Edition (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
University in Exile (i)
Utah Symphony Orchestra (i)
Valdštejn (Weinberger) (i)
Valentin, Karl (i)
Vándor, Sándor (i)
Vaughan Williams, Ralph (i), (ii), (iii)
Veidt, Conrad (i)
Verdi, Giuseppe (i)
Vereinigung schaffender Tonkünstler (Society of Creative Musicians) (i), (ii), (iii), (iv), (v)
verismo (i), (ii), (iii)
Verklärte Nacht (Schoenberg) (i), (ii)
Die Verkündigung (Braunfels) (i)
Verlobung im Traum (Krása) (i), (ii)
Vernon, Timothy (i)
Versailles Treaty (i), (ii), (iii)
La vie est à nous (film) (i)
Vienna
Congress of Vienna (i)
ethics (i), (ii)
fin de siècle Austria (i), (ii), (iii), (iv)
German and Jewish identity (i), (ii), (iii)
Jewish Vienna at time of Mahler (i)
Jugendstil school (i), (ii), (iii)
liberalism (i), (ii)
mass migration (i), (ii)
metropolis Vienna (i)
La vie parisienne (Offenbach) (i)
Viereck, Peter (i), (ii)
Viertel, Berthold (i)
Vierzehn Arten den Regen zu Beschreiben (Fourteen Ways of Describing the Rain) (Eisler) (i), (ii)
Vogel, Wladimir (i), (ii)
Die Vögel (Braunfels) (i), (ii), (iii)
Vogelweide, Walter von der (i)
Vom Musikalisch-Schönen (Of Musical Beauty) (Hanslick) (i), (ii), (iii)
Von deutscher Seele (Pfitzner) (i)
Vorfrühling (Wellesz) (i)
Vorspiel zu einer großen Oper (Schreker) (i)
Wachsmann (Waxman), Franz (i), (ii), (iii), (iv)
Wagadus Untergang durch die Eitelkeit (Vogel) (i)
Waghalter, Ignaz (i), (ii), (iii)
Wagner, Cosima (i), (ii), (iii), (iv), (v)
Wagner, Friedelind (i)
Wagner, Gottfried (i)
Wagner, Otto (i)
Wagner, Richard
anti-Romantics (i), (ii)
Autobiographical Sketches (i)
death of (i)
Erkenne Dich selbst (Know yourself) (i)
The Flying Dutchman (i), (ii)
German and Jewish identity (i), (ii), (iii)
and German Jewish composers (i)
Jewish composers at time of Wagner (i)
Judaism in Music (i)
Mendelssohn's shadow (i), (ii)
Wagner and the Jews (i), (ii), (iii)
Wagner's political and cultural legacy (i)
Götterdämmerung (i), (ii), (iii), (iv)
Judenthum in der Musik (Judaism in Music) (i), (ii), (iii), (iv), (v), (vi)
Das Kunstwerk der Zukunft (The Art-work of the Future) (i)
liberalism, Brahms and Hanslick
Brahms's musical world (i), (ii), (iii)
Hanslick on Wagner (i), (ii), (iii), (iv)
Hanslick's musical world (i)
Wagner on Hanslick (i), (ii), (iii), (iv)
Lohengrin (i)
Die Meistersinger von Nürnberg (i), (ii)
music policies in Hitler's Germany (i)
Parsifal (i), (ii), (iii), (iv), (v)
Publikum und Popularität (The Public and Popularity) (i)
resolute Romantics (i), (ii), (iii), (iv), (v)
Ring (i)
Tristan and Isolde (i), (ii)
Wagner, Siegfried (i), (ii), (iii), (iv)
Wagner, Winifred (née Williams) (i), (ii), (iii), (iv), (v)
Waldorf, Claire (i)
Wallace, Hal (i)
Wallenstein (Schiller) (i)
The Wall of China (Kraus) (i)
Walter, Bruno
emigration (i), (ii)
Erich Korngold (i), (ii), (iii)
Jugendstil school (i), (ii)
Mahler and Julius Korngold (i), (ii), (iii)
music policies in Hitler's Germany (i)
Waltershausen, Hermann Wolfgang von (i), (ii)
Walzer aus Wien (The Great Waltz) (Korngold) (i)
Warner, Jack (i)
Warner Brothers (i), (ii), (iii)
Warr, Eric (i)
Wassermann, Jacob (i)
Wat Tyler (Bush) (i)
Waxman (Wachsmann), Franz (i), (ii), (iii), (iv)
Weber, Carl Maria von (i)
Weber, Ilse (i)
Webern, Anton (i), (ii), (iii), (iv)
Wedekind, Frank (i), (ii)
Der Weg ins Freie (Schnitzler) (i)
Weigl, Karl (i), (ii), (iii), (iv), (v), (vi)
Weill, Kurt
Aufstieg und Fall der Stadt Mahagonny (i), (ii), (iii), (iv), (v)
Berlin cabaret (i), (ii)
Broadway style (i), (ii), (iii)
Die Bürgschaft (i), (ii)
devotional life (i)
Dreigroschenoper (i)
film music (i)
Happy End (i)
Der Jasager (i)
Kingdom for a Cow (i)
music policies in Hitler's Germany (i), (ii), (iii)
‘New Objectivity’ (i), (ii)
‘The New Opera’ (i)
Der Protagonist (i)
Romantik in der Musik (i)
The Seven Deadly Sins (i)
Der Silbersee (i), (ii)
Threepenny Opera (i), (ii), (iii)
Weimarer historisch-genealogen Taschenbuch des gesamten Adels jehudäischen Ursprungs (Semigotha) (Witkenberg) (i), (ii)
Weinberger, Jaromir (i), (ii)
Weinberger (publisher) (i), (ii)
Weiner, László (i)
Weingartner, Felix (i)
Weininger, Otto (i), (ii)
Weintraub Syncopators (i)
Weiss, Arnošt (i)
Weisshaus, Imre (Paul Arma) (i)
Weißmann, Adolf (i), (ii), (iii), (iv), (v)
Weissmann, Julius (i)
Weisz, Ferenc (i)
Wellesz, Egon
Achilles auf Skyros (Achilles on Skyros) (i)
Alkestis (i), (ii), (iii)
Anbruch (i)
anti-Romanticism (i)
art and ethics (i), (ii)
Die Bakchantinnen (i), (ii), (iii), (iv)
Brahms and Mahler (i), (ii)
Catholicism (i), (ii)
emigration (i), (ii), (iii), (iv), (v), (vi)
Festliches Präludium (i)
Idyllen (i)
Incognito (i), (ii)
Jewish response to neo-Romanticism (i)
Mirabile Mysterium (i)
Die Nächtlichen (Those of the Night) (i)
Opferung des Gefangenen (Sacrifice of the Prisoner) (i)
Persisches Ballet (Persian Ballet) (i)
‘Das Problem der Form’ (‘The Problem of Form’) (i)
Prosperos Beschwörungen (The Spells of Prospero) (i), (ii), (iii)
restitution after Hitler (i), (ii), (iii)
Scherz, List und Rache (i)
on Schreker (i), (ii), (iii)
serialism (i)
Symphonic Epilogue (i)
symphonies (i), (ii), (iii)
Vorfrühling (i)
Das Wunder der Diana (i)
Wellesz, Emmy (née Stross) (i), (ii), (iii), (iv)
Die Welt von Gestern (The World of Yesterday) (Zweig) (i), (ii), (iii)
Werfel, Franz (i)
Wertheimer, Max (i)
Werthner, Adolf (i)
What a Life! (internment-camp revue) (i)
What National Socialism Has Done to the Arts (Adorno) (i)
White, Eric Walter (i)
Who Paid the Piper (Saunders) (i)
Wieniawski, Henryk (i)
Wieniawski, Józef (i)
Wiesenthal, Bertha (i)
Wiesenthal, Else (i)
Wiesenthal, Grete (i)
Wikarski, Romuald (i)
Wilde Bühne (Savage Stage) cabaret (i)
Wilder, Billy (i)
Wilford, Hugh (i), (ii)
Wilhelm I (i), (ii), (iii)
Wilhelm II (i), (ii), (iii), (iv), (v)
William Tell Overture (Rossini) (i)
Willner, Arthur (i), (ii)
Wilson, Stewart (i)
Wilson, Woodrow (i)
Die Windsbraut (Zillig) (i)
Windt, Herbert (i)
A Winter's Tale (Heine) (i), (ii), (iii)
Die Wirtin von Pinsk (Mohaupt) (i)
‘Wissenschaft’ (science) (i)
Witkenberg, Wilhelm Pickl von (i), (ii)
Witrowsky, Otto (i)
Wittgenstein, Ludwig (i), (ii)
Wittgenstein, Paul (i), (ii), (iii)
Wlassack, Eduard (i)
Wohlzogen, Ernst von (i)
Wolf-Ferrari, Ermanno (i)
Wolfsthal, Josef (i)
Wolpe, Stefan (i)
Wolzogen, Ernst von (i), (ii), (iii), (iv)
The Wooden Prince (Bartók) (i)
Wood, Sir Henry (i)
The Word and Spiritual Realities (Das Wort und die geistigen Realitäten) (Ebner) (i)
The World of Yesterday (Zweig) (i), (ii), (iii)
World War I (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)
Das Wort (i)
Wöss, Josef von (i)
Wozzeck (Berg) (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Das Wunder der Diana (Wellesz) (i)
Das Wunder der Heliane (Korngold) (i), (ii), (iii)
Yiddish language (i), (ii), (iii)
Zeisl, Erich (i), (ii), (iii), (iv)
Zeisl, Gertrude (i)
Zeitopern (i), (ii), (iii), (iv), (v), (vi), (vii)
Zeitschrift für Musik (i), (ii), (iii)
Zeitu
ngsausschnitte (Newspaper Clippings) (Eisler) (i)
Zemlinsky, Alexander
anti-Romantics (i), (ii), (iii)
as arranger (i)
Austrian nationality (i)
Es war einmal (i), (ii)
Eine florentinische Tragödie (i), (ii)
Jewish emancipation (i)
Jewish response to neo-Romanticism (i)
Kleider machen Leute (i), (ii), (iii)
Der Kreidekreis (i), (ii), (iii)
Mahler and Korngold (i)
migration (i), (ii)
Schoenberg (i)
Die Seejungfrau (i), (ii), (iii)
Society of Creative Musicians (i), (ii), (iii)
Der Zwerg (i), (ii)
Zillig, Winfried (i), (ii)
Zimmermann, Bernd Alois (i)
Zimmermann, Wilhelm (i)
Zionism (i), (ii), (iii), (iv), (v)
Zipper, Herbert (i)
Zmigrod, Josef (Allan Gray) (i)
Zola, Émile (i), (ii)
Zuckerkandl, Berta (i), (ii), (iii), (iv)
Zuckerkandl, Viktor (i), (ii), (iii), (iv)
Zweig, Stefan (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Zwei Kravatten (Two Neckties) (Spoliansky) (i)
Der Zwerg (Zemlinsky) (i), (ii)