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by Adrienne Rich


  The loneliness of the “only,” the token, often doesn’t feel like loneliness but like a kind of dead echo chamber. Certain things that ought to don’t resonate. Somewhere Beverly Smith writes of women of color “inspiring the behavior” in each other. When there’s nobody to “inspire the behavior,” act out of the culture, there is an atrophy, a dwindling, which is partly invisible.

  •

  I was married in 1953, in the Hillel House at Harvard, under a portrait of Albert Einstein. My parents refused to come. I was marrying a Jew of the “wrong kind” from an Orthodox eastern European background. Brooklyn-born, he had gone to Harvard, changed his name, was both indissolubly connected to his childhood world and terribly ambivalent about it. My father saw this marriage as my having fallen prey to the Jewish family, eastern European division.

  Like many women I knew in the fifties living under a then-unquestioned heterosexual imperative, I married in part because I knew no better way to disconnect from my first family. I married a “real Jew” who was himself almost equally divided between a troubled yet ingrained Jewish identity, and the pull toward Yankee approval, assimilation. But at least he was not adrift as a single token in a gentile world. We lived in a world where there was much intermarriage and where a certain “Jewish flavor” was accepted within the dominant gentile culture. People talked glibly of “Jewish self-hatred,” but anti-Semitism was rarely identified. It was as if you could have it both ways—identity and assimilation—without having to think about it very much.

  I was moved and gratefully amazed by the affection and kindliness my husband’s parents showed me, the half shiksa. I longed to embrace that family, that new and mysterious Jewish world. It was never a question of conversion—my husband had long since ceased being observant—but of a burning desire to do well, please these new parents, heal the split consciousness in which I had been raised, and, of course, to belong. In the big, sunny apartment on Eastern Parkway, the table would be spread on Saturday afternoons with a white or an embroidered cloth and plates of coffeecake, spongecake, mohncake, cookies for a family gathering where everyone ate and drank—coffee, milk, cake—and later the talk still eddied among the women around the table or in the kitchen, while the men ended up in the living room watching the ball game. I had never known this kind of family, in which mock insults were cheerfully exchanged, secrets whispered in corners among two or three, children and grandchildren boasted about, and the new daughter-in-law openly inspected. I was profoundly attracted by all this, including the punctilious observance of kashrut, the symbolism lurking behind daily kitchen tasks. I saw it all as quintessentially and authentically Jewish, and I objectified both the people and the culture. My unexamined anti-Semitism allowed me to do this. But also, I had not yet recognized that as a woman I stood in a particular and unexamined relationship to the Jewish family and to Jewish culture.

  There were several years during which I did not see, and barely communicated with, my parents. At the same time, my father’s personality haunted my life. Such had been the force of his will in our household that for a long time I felt I would have to pay in some terrible way for having disobeyed him. When finally we were reconciled, and my husband and I and our children began to have some minimal formal contact with my parents, the obsessional power of Arnold’s voice or handwriting had given way to a dull sense of useless anger and pain. I wanted him to cherish and approve of me, not as he had when I was a child, but as the woman I was, who had her own mind and had made her own choices. This, I finally realized, was not to be; Arnold demanded absolute loyalty, absolute submission to his will. In my separation from him, in my realization at what price that once-intoxicating approval had been bought, I was learning in concrete ways a great deal about patriarchy, in particular how the “special” woman, the favored daughter, is controlled and rewarded.

  Arnold Rich died in 1968 after a long, deteriorating illness; his mind had gone, and he had been losing his sight for years. It was a year of intensifying political awareness for me: the Martin Luther King and Robert Kennedy assassinations, the Columbia strike. But it was not that these events, and the meetings and demonstrations that surrounded them, preempted the time of mourning for my father; I had been mourning a long time for an early, primary, and intense relationship, by no means always benign, but in which I had been ceaselessly made to feel that what I did with my life, the choices I made, the attitudes I held, were of the utmost consequence.

  •

  Sometime in my thirties, on visits to Brooklyn, I sat on Eastern Parkway, a baby stroller at my feet—one of many rows of young Jewish women on benches with children in that neighborhood. I used to see the Lubavitcher Hasidim—then beginning to move into the Crown Heights neighborhood—walking out on Shabbes, the women in their shaytls a little behind the men. My father-in-law pointed them out as rather exotic—too old-country, perhaps, too unassimilated even for his devout yet Americanized sense of Jewish identity. It took many years for me to understand—partly because I understood so little about class in America—how in my own family, and in the very different family of my in-laws, there were degrees and hierarchies of assimilation which looked askance upon each other—and also geographic lines of difference, as between southern Jews and New York Jews, whose manners and customs varied along class as well as regional lines.

  •

  I had three sons before I was thirty, and during those years I often felt that to be a Jewish woman, a Jewish mother, was to be perceived in the Jewish family as an entirely physical being, a producer and nourisher of children. The experience of motherhood was eventually to radicalize me. But before that, I was encountering the institution of motherhood most directly in a Jewish cultural version; and I felt rebellious, moody, defensive, unable to sort out what was Jewish from what was simply motherhood or female destiny. (I lived in Cambridge, not Brooklyn; but there, too, restless, educated women sat on benches with baby strollers, half-stunned, not by Jewish cultural expectations, but by the middle-class American social expectations of the 1950s.)

  My children were taken irregularly to Seders, to bar mizvahs, and to special services in their grandfather’s temple. Their father lit Hanukkah candles while I stood by, having rememorized each year the English meaning of the Hebrew blessing. We all celebrated a secular, liberal Christmas. I read aloud from books about Esther and the Maccabees and Moses, and also from books about Norse trolls and Chinese grandmothers and Celtic dragon slayers. Their father told stories of his boyhood in Brooklyn, his grandmother in the Bronx who had to be visited by subway every week, of misdeeds in Hebrew school, of being a bright Jewish kid at Boys’ High. In the permissive liberalism of academic Cambridge, you could raise your children to be as vaguely or distinctly Jewish as you would, but Christian myth and calendar organized the year. My sons grew up knowing far more about the existence and concrete meaning of Jewish culture than I had. But I don’t recall sitting down with them and telling them that millions of people like themselves, many of them children, had been rounded up and murdered in Europe in their parents’ lifetime. Nor was I able to tell them that they came in part out of the rich, thousand-year-old Ashkenazic culture of eastern Europe, which the Holocaust destroyed; or that they came from a people whose traditions, religious and secular, included a hatred of oppression and an imperative to pursue justice and care for the stranger—an anti-racist, a socialist, and even sometimes a feminist vision. I could not tell them these things because these things were still too indistinct in my own mind.

  •

  The emergence of the Civil Rights movement in the sixties I remember as lifting me out of a sense of personal frustration and hopelessness. Reading James Baldwin’s early essays in the fifties had stirred me with a sense that apparently “given” situations like racism could be analyzed and described and that this could lead to action, to change. Racism had been so utter and implicit a fact of my childhood and adolescence, had felt so central among the silences, negations, cruelties, fears, superstitions
of my early life, that somewhere among my feelings must have been the hope that if Black people could become free of the immense political and social burdens they were forced to bear, I, too, could become free of all the ghosts and shadows of my childhood, named and unnamed. When “the movement” began, it felt extremely personal to me. And it was often Jews who spoke up for the justice of the cause, Jewish students and civil rights lawyers who travelled South; it was two young Jews who were found murdered with a young Black man in Mississippi: Schwerner, Goodman, Chaney.

  •

  Moving to New York in the mid-sixties meant being plunged almost immediately into the debate over community control of public schools, in which Black and Jewish teachers and parents were often on opposite sides of extremely militant barricades. It was easy as a white liberal to deplore and condemn the racism of middle-class Jewish parents or angry Jewish schoolteachers, many of them older women; to displace our own racism onto them; or to feel it as too painful to think about. The struggle for Black civil rights had such clarity about it for me: I knew that segregation was wrong, that unequal opportunity was wrong; I knew that segregation in particular was more than a set of social and legal rules—it meant that even “decent” white people lived in a network of lies and arrogance and moral collusion. In the world of Jewish assimilationist and liberal politics which I knew best, however, things were far less clear to me, and anti-Semitism went almost unmentioned. It was even possible to view concern about anti-Semitism as a reactionary agenda, a monomania of Commentary magazine or, later, the Jewish Defense League. Most of the political work I was doing in the late 1960s was on racial issues, in particular as a teacher in the City University during the struggle for open admissions. The white colleagues I thought of as allies were, I think, mostly Jewish. Yet it was easy to see other New York Jews, who had climbed out of poverty and exploitation through the public-school system and the free city colleges, as now trying to block Black and Puerto Rican students trying to do likewise. I didn’t understand then that I was living between two strains of Jewish social identity: the Jew as radical visionary and activist who understands oppression firsthand, and the Jew as part of America’s devouring plan in which the persecuted, called to assimilation, learn that the price is to engage in persecution.

  And, indeed, there was intense racism among Jews as well as white gentiles in the City University, part of the bitter history of Jews and Blacks which James Baldwin had described much earlier, in his 1948 essay “The Harlem Ghetto”;3 part of the divide-and-conquer script still being rehearsed by those of us who have the least to gain from it.

  •

  By the time I left my marriage, after seventeen years and three children, I had become identified with the Women’s Liberation movement. It was an astonishing time to be a woman of my age. In the 1950s, seeking a way to grasp the pain I seemed to be feeling most of the time, to set it in some larger context, I had read all kinds of things; but it was James Baldwin and Simone de Beauvoir who had described the world—though differently—in terms that made the most sense to me. By the end of the sixties there were two political movements—one already meeting severe repression, one just emerging—which addressed those descriptions of the world.

  And there was, of course, a third movement, or a movement-within-a-movement: the early lesbian manifestoes, the new visibility and activism of lesbians everywhere. I had known very early on that the women’s movement was not going to be a simple walk across an open field; that it would pull on every fiber of my existence; that it would mean going back and searching the shadows of my consciousness. Reading The Second Sex in the 1950s isolation of an academic housewife had felt less dangerous than reading “The Myth of Vaginal Orgasm” or “Woman-identified Woman” in a world where I was in constant debate and discussion with women over every aspect of our lives that we could as yet name. De Beauvoir had placed “The Lesbian” on the margins, and there was little in her book to suggest the power of woman bonding. But the passion of debating ideas with women was an erotic passion for me, and the risking of self with women that was necessary in order to win some truth out of the lies of the past was also erotic. The suppressed lesbian I had been carrying in me since adolescence began to stretch her limbs, and her first full-fledged act was to fall in love with a Jewish woman.

  Some time during the early months of that relationship, I dreamed that I was arguing feminist politics with my lover. Of course, I said to her in this dream, if you’re going to bring up the Holocaust against me, there’s nothing I can do. If, as I believe, I was both myself and her in this dream, it spoke of the split in my consciousness. I had been, more or less, a Jewish heterosexual woman. But what did it mean to be a Jewish lesbian? What did it mean to feel myself, as I did, both anti-Semite and Jew? And, as a feminist, how was I charting for myself the oppressions within oppression?

  The earliest feminist papers on Jewish identity that I read were critiques of the patriarchal and misogynist elements in Judaism, or of the caricaturing of Jewish women in literature by Jewish men. I remember hearing Judith Plaskow give a paper called “Can a Woman Be a Jew?” (Her conclusion was “Yes, but . . .”) I was soon after in correspondence with a former student who had emigrated to Israel, was a passionate feminist, and wrote to me at length of the legal and social constraints on women there, the stirrings of contemporary Israeli feminism, and the contradictions she felt in her daily life. With the new politics, activism, literature of a tumultuous feminist movement around me, a movement which claimed universality though it had not yet acknowledged its own racial, class, and ethnic perspectives or its fears of the differences among women, I pushed aside for one last time thinking further about myself as a Jewish woman. I saw Judaism simply as another strand of patriarchy. If asked to choose, I might have said (as my father had said in other language): I am a woman, not a Jew. (But, I always added mentally, if Jews had to wear yellow stars again, I, too, would wear one—as if I would have the choice to wear it or not.)

  •

  Sometimes I feel I have seen too long from too many disconnected angles: white, Jewish, anti-Semite, racist, anti-racist, once-married, lesbian, middle-class, feminist, exmatriate southerner, split at the root—that I will never bring them whole. I would have liked, in this essay, to bring together the meanings of anti-Semitism and racism as I have experienced them and as I believe they intersect in the world beyond my life. But I’m not able to do this yet. I feel the tension as I think, make notes: If you really look at the one reality, the other will waver and disperse. Trying in one week to read Angela Davis and Lucy Davidowicz;4 trying to hold throughout to a feminist, a lesbian, perspective—what does this mean? Nothing has trained me for this. And sometimes I feel inadequate to make any statement as a Jew; I feel the history of denial within me like an injury, a scar. For assimilation has affected my perceptions; those early lapses in meaning, those blanks, are with me still. My ignorance can be dangerous to me and to others.

  Yet we can’t wait for the undamaged to make our connections for us; we can’t wait to speak until we are perfectly clear and righteous. There is no purity and, in our lifetimes, no end to this process.

  This essay, then, has no conclusions: it is another beginning for me. Not just a way of saying, in 1982 Right Wing America, I, too, will wear the yellow star. It’s a moving into accountability, enlarging the range of accountability. I know that in the rest of my life, the next half century or so, every aspect of my identity will have to be engaged. The middle-class white girl taught to trade obedience for privilege. The Jewish lesbian raised to be a heterosexual gentile. The woman who first heard oppression named and analyzed in the Black Civil Rights struggle. The woman with three sons, the feminist who hates male violence. The woman limping with a cane, the woman who has stopped bleeding are also accountable. The poet who knows that beautiful language can lie, that the oppressor’s language sometimes sounds beautiful. The woman trying, as part of her resistance, to clean up her act.

  I wrote this essa
y in 1982 for Evelyn Torton Beck’s Nice Jewish Girls: A Lesbian Anthology. It was later reprinted in Fathers, an anthology edited by Ursula Owen for Virago Ltd., in London, and published in the United States by Pantheon.

  THE EYE OF THE OUTSIDER

  Elizabeth Bishop’s Complete Poems, 1927–1979 (1983)

  I knew Elizabeth Bishop’s poetry very well before I ever met her, and I always knew the poems better than the woman. I had early been drawn to the timbre of the voice in her first two books, had met her once or twice in literary groups, not the best place for breaking through shyness and differences in age and reputation. Much later, in the early 1970s, I offered her a ride from New York to Boston, where we were both then living. We found ourselves talking of the recent suicides in each of our lives, telling “how it happened” as people speak who feel they will be understood. In the course of this drive I forgot to take the turnoff at Hartford, and drove as far as Springfield without noticing. This conversation was the only one approaching intimacy I ever had with Elizabeth Bishop and almost the only time I saw her alone.

 

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