by Thomas Mann
The Princess Catherine, the sister of the Grand Duke, was never spoken of in the capital without a touch of sympathy. She had been married to a member of a neighbouring ruling House, had been left a widow, and had come back to her brother’s capital, where she lived with her red-headed children in what used to be the Heir Apparent’s palace on the Albrechtstrasse, before whose gates a gigantic doorkeeper stood all day long in a pompous attitude with staff and shoulder-belt complete, while life went on with peculiar moderation inside.
Prince Lambert, the Grand Duke’s brother, did not come in for much attention. There was a coolness between him and his relations, who could not forgive him his mésalliance, and he hardly ever came to Court. He lived in his villa overlooking the public gardens with his wife, an ex-dancer from the Court Theatre who bore the title of Baroness von Rohrdorf, after one of the Prince’s properties; and there he divided his time between sport and theatre-going, and struggling with his debts. He had dropped his dignities and lived just like a private citizen; and if he was generally supposed to have a struggle to make two ends meet, nobody gave him much sympathy for it.
But alterations had been made in the old castle itself—reductions of expenses, which were discussed in the city and the country, and discussed usually in an apprehensive and regretful sense, because the people at bottom wished to see themselves represented with due pride and magnificence. Several high posts at the Court had been amalgamated for economy’s sake, and for years past Herr von Bühl zu Bühl had been Lord Marshal, Chief Master of the Ceremonies, and Marshal of the Household at once. There had been many discharges in the Board of Green Cloth and the servants’ hall, among the pike-staffs, yeomen of the guard, and grooms, the master cooks and chief confectioners, the court and chamber lackeys. The establishment of the royal stable had been reduced to the barest minimum.… And what was the good of it all? The Grand Duke’s contempt for money showed itself in sudden outbursts against the squeeze; and while the catering at the Court functions reached the extreme limits of permissible simplicity, while at the supper at the close of the Thursday concerts in the Marble Hall nothing but continual roast beef with sauce remoulade and ice-pudding were served on the red velvet coverings of the gilt-legged tables, while the daily fare at the Grand Duke’s own candle-decked table was no better than that of an ordinary middle-class family, he defiantly threw away a whole year’s income on the repair of the Grimmburg.
But meanwhile the rest of his seats were falling to pieces. Herr von Bühl simply had not the means at his disposal for their upkeep. And yet it was a pity in the case of many of them. Those which lay at some little distance from the capital, or right out in the country, those luxurious asylums cradled in natural beauties whose dainty names spoke of rest, solitude, content, pastime, and freedom from care, or recalled a flower or a jewel, served as holiday resorts for the citizens and strangers, and brought in a certain amount in entrance-money which sometimes—not always—was devoted to their upkeep. This was not the case, however, with those in the immediate neighbourhood of the capital. There was the little schloss in the Empire style, the Hermitage, standing silent and graceful on the edge of the northern suburbs, but long uninhabited and deserted in the middle of its over-grown park, which joined on to the public gardens, and looked out on its little, mud-stiff pond. There was Schloss Delphinenort which, only a quarter of an hour’s walk from the other, in the northern part of the public gardens themselves, all of which had once belonged to the Crown, mirrored its untidiness in a huge square fountain-basin; both were in a sad state. That Delphinenort in particular—that noble structure in the early baroque style, with its stately entrance-colonnade, its high windows divided into little white-framed panes, its carved festoons, its Roman busts in the niches, its splendid approachstairs, its general magnificence—should be abandoned to decay for ever, as it seemed, was the sorrow of all lovers of architectural beauty; and when one day, as the result of unforeseen, really strange circumstances, it was restored to honour and youth, among them at any rate the satisfaction was general.… For the rest, Delphinenort could be reached in fifteen or twenty minutes from the spa-garden, which lay a little to the north-west of the city, and was connected with its centre by a direct line of trams.
The only residences used by the Grand Ducal family were Schloss Hollerbrunn, the summer residence, an expanse of white buildings with Chinese roofs, on the farther side of the chain of hills which surrounded the capital, coolly and pleasantly situated on the river and famed for the elder-hedges in its park; farther, Schloss Jägerpreis, the ivy-covered hunting-box in the middle of the woods to westward; and lastly, the Town Castle itself, called the “Old” Castle, although no new one existed.
It was called thus, with no idea of comparison, simply because of its age, and the critics declared that its redecoration was more a matter of urgency than that of the Grimmburg. Even the inner rooms, which were in daily use by the family, were faded and cracked, not to mention the many uninhabited and unused rooms in the oldest parts of the many-styled building, which were all choked and flyblown. For some time past the public had been refused admission to them,—a measure which was obviously due to the shocking state of the castle. But people who could get a peep, the tradesmen and the staff, declared that there was stuffing peeping out of more than one stiff, imposing piece of furniture.
The castle and the Court Church together made up a grey, irregular, and commanding mass of turrets, galleries, and gateways, half fortress, half palace. Various epochs had contributed to its erection, and large parts of it were decaying, weather-beaten, spoilt, and ready to fall into pieces. To the west it dropped steeply down to the lower-lying city, and was connected with it by battered steps clamped together with rusty iron bars. But the huge main gate, guarded by lions couchant, and surmounted by the pious, haughty motto: “Turris fortissima nomen Domini,” in almost illegible carving, faced the Albrechtsplatz. It had its sentries and sentry boxes; it was the scene of the changing of the guard, with drums and martial display; it was the playground of all the urchins of the town.
The Old Castle had three courtyards, in the corners of which rose graceful stair-turrets and between whose paving stones an unnecessary amount of weeds was generally growing. But in the middle of one of the courtyards stood the rose-bush,—it had stood there for ages in a bed, although there was no other attempt at a garden to be seen. It was just like any other rose-bush; it had a porter to tend it, it stood there in snow, rain, and sunshine, and in due season it bore roses. These were exceptionally fine roses, nobly formed, with dark-red velvet petals, a pleasure to look at, and real masterpieces of nature. But those roses had one strange and dreadful peculiarity: they had no scent! Or rather, they had a scent, but for some unknown reason it was not the scent of roses, but of decay—a slight, but plainly perceptible scent of decay. Everybody knew it; it was in the guide-books, and strangers visited the courtyard to convince themselves of it with their own noses. There was also a popular idea that it was written somewhere that at some time or other, on a day of rejoicings and public felicity, the blossoms of the rose-bush would begin to give forth a natural and lovely odour.
After all, it was only to be expected that the popular imagination would be exercised by the wonderful rose-bush. It was exercised in precisely the same way by the “owl-chamber” in the Old Castle, which was used as a lumber room. Its position was such that it could not be ignored, not far from the “Gala Rooms,” and the “Hall of the Knights,” where the Court officers used to assemble on Court days, and thus in a comparatively modern part of the building. But there was certainly something uncanny about it, especially as from time to time noises and cries occurred there, which could not be heard outside the room and whose origin was unascertainable. People swore that it came from ghosts, and many asserted that it was especially noticeable when important and decisive events in the Grand Ducal family were impending,—a more or less gratuitous rumour, which deserved no more serious attention than other national products of a
n historical and dynastic frame of mind, as for instance a certain dark prophecy which had been handed down for hundreds of years and may be mentioned in this connexion. It came from an old gipsy-woman, and was to the effect that a prince “with one hand” would bring the greatest good fortune to the country. The old hag had said: “He will give to the country with one hand more than all the rest could give it with two.” That is how the prophecy was recorded, and how it was quoted from time to time.
Round the Old Castle lay the capital, consisting of the Old Town and the New Town, with their public buildings, monuments, fountains, and parks, their streets and squares, named after princes, artists, deserving statesmen, and distinguished citizens, divided into two very unequal halves by the many-bridged river, which flowed in a great loop round the southern end of the public garden, and was lost in the surrounding hills. The city was a university town, it possessed an academy which was not in much request and whose curricula were unpractical and rather old-fashioned; the Professor of Mathematics, Privy Councillor Klinghammer, was the only one of any particular repute in the scientific world. The Court Theatre, though poorly endowed, maintained a decent level of performances. There was a little musical, literary, and artistic life; a certain number of foreigners came to the capital, wishing to share in its well-regulated life and such intellectual attractions as it offered, among them wealthy invalids who settled down in the villas round the spa-gardens and were held in honour by the State and the community as doughty payers of taxes.
And now you know what the town was like, what the country was like, and how matters stood.
III
HINNERKE THE SHOEMAKER
THE Grand Duke’s second son made his first public appearance on the occasion of his christening. This festivity aroused the same interest in the country as always attached to happenings within the Royal Family circle. It took place after weeks of discussion and research as to the manner of its arrangement, was held in the Court Church by the President of the High Consistory, Dom Wislezenus, with all the due ceremonial, and in public, to the extent that the Lord Marshal’s office, by the Prince’s orders, had issued invitations to it to every class of society.
Herr von Bühl zu Bühl, a courtly ritualist of the greatest circumspection and accuracy, in his full-dress uniform superintended, with the help of two masters of the ceremonies, the whole of the intricate proceedings: the gathering of the princely guests in the Gala Rooms, the solemn procession in which they, attended by pages and squires, walked up the staircase of Heinrich the Luxurious and through a covered passage into the church, the entry of the spectators from the highest to the lowest, the distribution of the seats, the observance of due decorum during the religious service itself, the order of precedence at the congratulations which took place directly after the service was ended.… He panted and puffed, smiled ingratiatingly, brandished his staff, laughed in nervous bursts, and kept executing retreating bows.
The Court Church was decorated with plants and draperies. In addition to the representatives of the nobility, of the Court and country, and of the higher and lower Civil Service, tradesmen, country folk, and common artisans, in high good humour, filled the seats. But in a half-circle of red-velvet arm-chairs in front of the altar sat the relations of the infant, foreign princes as sponsors and the trusty representatives of such as had not come in person. The assemblage at the christening of the Heir Apparent six years before had not been more distinguished. For in view of Albrecht’s delicacy, the advanced age of the Grand Duke, and the dearth of Grimmburg relations, the person of the second-born prince was at once recognized as an important guarantee for the future of the dynasty. Little Albrecht took no part in the ceremony; he was kept to his bed with an indisposition which Surgeon-General Eschrich declared to be of a nervous character.
Dom Wislezenus preached from a text of the Grand Duke’s own choosing. The Courier, a gossiping city newspaper, had given a full account of how the Grand Duke had one day fetched with his very own hands the large metal-clasped family Bible out of the rarely visited library, had shut himself up with it in his study, searched in it for a whole hour, at last copied the text he had chosen on to a piece of paper with his pocket-pencil, signed it “Johann Albrecht,” and sent it to the Court preacher. Dom Wislezenus treated it in a musical style, so as to speak, like a leit motif. He turned it inside and out, dressed it in different shapes and squeezed it dry; he announced it in a whisper, then with the whole power of his lungs; and whereas, delivered lightly and reflectively at the beginning of his discourse, it seemed a thin, almost unsubstantial subject; at the close, when he for the last time thundered it at the congregation, it appeared richly orchestrated, heavily scored, and pregnant with emotion. Then he passed on to the actual baptism, and carried it out at full length so that all could see it, with due stress on every detail.
This, then, was the day of the prince’s first public appearance, and that he was the chief actor in the drama was clearly shown by the fact that he was the last to come on the stage, and that his entry was distinct from that of the rest of the company. Preceded by Herr von Bühl, he entered slowly, in the arms of the Mistress of the Robes, Baroness von Schulenburg-Tressen, and all eyes were fixed on him. He was asleep in his laces, his veils, and his white silk robe. One of his little hands happened to be hidden. His appearance evoked unusual delight and emotion. The cynosure and centre of attraction, he lay quietly there, bearing it all, as may be supposed, patiently and unassumingly. It was to his credit that he did not make any disturbance, did not clutch or struggle; but, doubtless from innate trustfulness, quietly resigned himself to the state which surrounded him, bore it patiently, and even at that early date sank his own emotions in it.…
The arms in which he reposed were frequently changed at fixed points in the ceremony. Baroness Schulenburg handed him with a curtsey to his aunt, Catherine, who, with a stern look on her face, was dressed in a newly remade lilac silk dress, and wore Crown jewels in her hair. She laid him, when the moment came, solemnly in his mother Dorothea’s arms, who, in all her stately beauty, with a smile on her proud and lovely mouth, held him out a while to be blessed, and then passed him on. A cousin held him for a minute or two, a child of eleven or twelve years with fair hair, thin sticks of legs, cold bare arms, and a broad red silk sash which stuck out in a huge knot behind her white dress. Her peaked face was anxiously fixed on the Master of the Ceremonies.…
Once the Prince woke up, but the flickering flames of the altar-candles and a many-coloured shaft of sunlight dust blinded him, and made him close his eyes again. And as there were no thoughts, but only soft unsubstantial dreams in his head, as moreover he was feeling no pain at the moment, he at once fell asleep again.
He received a number of names while he slept; but the chief names were Klaus Heinrich.
And he slept on in his cot with its gilded cornice and blue silk curtains, while the royal family feasted in the Marble Hall, and the rest of the guests in the Hall of the Knights, in his honour.
The newspapers reported his first appearance; they described his looks and his dress, and emphasized his truly princely behaviour, couching the moving and inspiring account in words which had often done duty on similar occasions. After that, the public for a long time heard little of him, and he nothing of them.
He knew nothing as yet, understood nothing as yet, guessed nothing as to the difficulty, danger, and sternness of the life prescribed for him; nothing in his conduct suggested that he felt any contrast between himself and the great public. His little existence was an irresponsible, carefully supervised dream, played on a stage remote from the public stage; and this stage was peopled with countless tinted phantoms, both stationary and active, some emerging but transiently, some permanently at hand.
Of the permanent ones, the parents were far in the background, and not altogether distinguishable. They were his parents, that was certain, and they were exalted, and friendly too. When they approached there was a feeling as if everything else slipp
ed away to each side, and left a respectable passage along which they advanced towards him to show him a moment’s tenderness. The nearest and clearest things to him were two women with white caps and aprons, two beings who were obviously all goodness, purity, and loving-kindness, who tended his little body in every way, and were much distressed when he cried.… A close partner in his life, too, was Albrecht, his brother; but he was grave, distant, and much more advanced.
When Klaus Heinrich was two years old, another birth took place in the Grimmburg, and a princess came into the world. Thirty-six guns were allotted to her, because she was of the female sex, and she was given the name of Ditlinde at the font. She was Klaus Heinrich’s sister, and it was a good thing for him that she appeared. She was at first surprisingly small and weak, but she soon grew like him, caught him up, and the two became inseparable. They shared each other’s lives, each other’s views, feelings, and ideas: they communicated to each other their impressions of the world outside them.
It was a world, they were impressions, calculated to produce a reflective frame of mind. In winter they lived in the old castle. In summer they lived in Hollerbrunn, the summer schloss, on the river, in the cool, in the scent of the violet hedges with white statues between them. On the way thither, or if at any other time father or mother took them with them in one of the brown carriages with the little golden crown on the door, all the passers-by stopped, cheered, and took their hats off; for father was Prince and Ruler of the country, consequently they themselves were Prince and Princess—undoubtedly in precisely the same sense as were the princes and princesses in the French stories which their Swiss governess told them. That was worth consideration, it was at any rate a peculiar occurrence. When other children heard the stories, they necessarily regarded the princes which figured in them from a great distance, and as solemn beings whose rank was a glorification of reality and with whom to concern themselves was undoubtedly a chastening of their thoughts, and an escape from the ordinary existence. But Klaus Heinrich and Ditlinde regarded the heroes of the stories as their own equals and fellows, they breathed the same air as them, they lived in a schloss like them, they stood on a fraternal footing with them, and were justified in identifying themselves with them. Was it their lot, then, to live always and continually on the height to which others only climbed when stories were being told to them? The Swiss governess, true to her general principles, would have found it impossible to deny it, if the children had asked the question in so many words.