by Thomas Mann
Had she not subscribed to support the victims of flood and fire out of her “privy purse,” as the Courier was precise enough to declare, subscriptions which nearly equalled those of the Grand Duke (did not exceed them, as was noticed with general satisfaction)? Did not the newspapers publish almost daily, immediately under the Court news, reports of Mr. Spoelmann’s varying health—whether the colic kept him in bed or whether he had resumed his morning visits to the Spa-gardens? Were not the white liveries of his servants as much a part of the picture in the streets of the capital as the brown of the Grand Ducal lackeys? Did not foreigners with guide-books ask to be taken out to Delphinenort, there to gloat over the sight of Spoelmann’s house—many of them before they had seen the Old Schloss?
Were not both Schlosses, the Old and Delphinenort, about equally centres and foci of the city? To what circle of society belonged that human being who had been born Samuel Spoelmann’s daughter, that creature without counterpart, without analogy? To whom should she attach herself, with whom have intercourse? Nothing could be less surprising, nothing more obvious and natural than to see Klaus Heinrich at her side. And even those who had never enjoyed that sight enjoyed it in the spirit and gloated over it: the slim, solemnly familiar figure of the Prince by the side of the daughter and heiress of the prodigious little foreigner, who, ill and peevish as he was, disposed of a fortune which amounted to nearly twice as much as our national debt!
Then one day a memory, a wonderful disposition of words, took hold of the public conscience; nobody can say who first pointed to it, recalled it—that is quite uncertain. Perhaps it was a woman, perhaps a child with credulous eyes, whom somebody was sending to sleep with stories—heaven only knows. But a ghostly form began to show liveliness in the popular imagination: the shadow of an old gipsy-woman, grey and bent, with an inward squint, who drew her stick through the sand, and whose mumbling had been written down and handed down from generation to generation.… “The greatest happiness?” It should come to the land through a Prince “with one hand.” He would give the country, the prophecy ran, more with his one hand than others could with two.… With one? But was everything all right with Klaus Heinrich’s slim figure?
When one thought of it, was there not a weakness, a defect in his person, which one always avoided seeing when addressing him, partly from shyness, and partly because with charming skill he made it so easy not to notice it? When one saw him in his carriage, he kept his left hand on his sword-hilt covered with his right. One could see him under a baldachin, on a flag-bedecked platform, take up a position slightly turned to the left, with his left hand planted somehow on his hip. His left arm was too short, the hand was stunted, everybody knew that, and knew various explanations of the origin of the defect, although respect and distance had not allowed a clear view of it or even its recognition in so many words. But now everybody saw it. It could never be ascertained who first whispered and quoted the prophecy in this connexion—whether it was a child, or a girl, or a greybeard on the threshold of the beyond.
But what is certain is, that it was the people who started it, the people who imposed certain thoughts and hopes—and quite soon their conception of Miss Spoelmann’s personality—on the cultured classes right up to the highest quarters, and exercised a powerful influence on them from below: that the impartial, unprejudiced belief of the people afforded the broad and firm foundation for all that came later. “With one hand?” people asked, and “the greatest happiness?” They saw Klaus Heinrich in the spirit by Imma Spoelmann’s side with his left hand on his hip, and, still incompetent to think their thought out to its conclusion, they quivered at their half-thought.
At that time everything was still in the clouds, and nobody thought anything out to its conclusion—not even the persons most immediately concerned. For the relations between Klaus Heinrich and Imma Spoelmann were wondrous strange, and their minds—his as well—could not be brought to centre on any immediate, palpable goal. As a matter of fact, that laconic conversation on the afternoon of the Prince’s birthday (when Miss Spoelmann had showed him her books) had made but the slightest, if any, alteration in their relations. Klaus Heinrich may have gone back to the “Hermitage” in that condition of heated enthusiasm proper to young people on such occasions, convinced that something decisive had happened: but he soon learned that his wooing of what he had recognized to be his only happiness was only now really beginning.
But, as has been said, this wooing could not aim at any objective result, a bourgeois promise or such-like—such an idea was almost inconceivable, and besides the Prince lived in too great seclusion from the practical world for such an end to present itself to him. In fact the object of Klaus Heinrich’s pleadings with looks and words from that time onward was not that Miss Spoelmann should reciprocate the feelings he entertained towards her, but that she might feel impelled to believe in the reality and liveliness of those feelings. For that was what she did not do.
He let two weeks pass before he sent in his name at Delphinenort again, and during these he feasted spiritually on what had already occurred. He was in no hurry to supersede that happening with a new one. Besides, his time just now was occupied by several representative functions, including the annual festival of the Miniature Range Rifle Club, whose well-informed patron he was and in whose anniversary festival he annually took part. Here he was received in his green uniform, as if his sole interest in life was rifle-shooting, by the united members of the association with an enthusiastic welcome, was conducted to the butts, and, after an unappetizing luncheon with the distinguished members of the committee, fired several shots in a gracefully expert attitude in the direction of various targets.
When he proceeded—it was the middle of June—to pay another afternoon visit to the Spoelmanns, he found Imma in a very mocking mood, and her mode of expression was unusually Scriptural and solemn. Mr. Spoelmann also was present this time, and although his presence robbed Klaus Heinrich of the tête-à-tête he so much desired with the daughter, yet it helped him in a quite unexpected way to bear up against the wounds which Imma’s sharpness gave him; for Samuel Spoelmann was friendly, and almost affectionate towards him.
They had tea on the terrace, sitting in basket-chairs of a ultra-modern shape, with the breezes from the flower-garden softly fanning them. The master of the house lay under a green-silk, fur-lined, and parrot-embroidered coverlet, stretched by the table on a cane couch fitted with silk cushions. He had left his bed for the sake of the mild air, but his cheeks to-day were not inflamed, but of a sallow paleness, and his eyes were muddy; his chin protruded sharply, his prominent nose looked longer than ever, and his tone was not cross, as usual, but sad—a bad sign. By his head sat Doctor Watercloose with his continual soft smile.
“Hullo, young Prince …” said Mr. Spoelmann in a tired tone, and answered the other’s inquiry as to his health merely with half a grunt. Imma, in a shimmering dress with a high waist and green-velvet bolero, poured water into the pot out of the electric kettle. She congratulated the Prince with a pout on his personal prowess at the rifle festival. She had, she said, as she wagged her head backwards and forwards, “read an account of it in the daily press with deep satisfaction,” and had read aloud the description of his exploits as marksman to the Countess. The latter was sitting bolt upright in her tight brown dress at the table, and handling her spoon gracefully, without in any way letting herself go. It was Mr. Spoelmann who did the talking this time. He did it, as has been said, in a soft, sad way, the result of all his suffering.
He recounted an occurrence, an experience of years gone by, which was obviously still fresh to him, and which always brought him new suffering on the days when his health was bad. He recounted the short and simple story twice, with even greater self-torture the second time than the first. He had wished to make one of his endowments—not one of the first rank, but a pretty considerable one—he had given a big philanthropic institute in the United States to understand in writing that he wished to devote
a million in railway bonds to the furtherance of their noble work—safe paper of the South Pacific Railway, said Mr. Spoelmann, and slapped the palm of his hand, as if to show the paper. But what had the philanthropic institute done? It had refused the gift, rejected it—adding in so many words that it preferred to go without the support of questionable and ill-gotten plunder, They had actually done that. Mr. Spoelmann’s lips quivered as he recounted it, the first time no less than the second, and, longing for comfort and expressions of disapproval, he looked round the table with his little, close-set, metallic eyes.
“That was not philanthropic of the philanthropic institute,” said Klaus Heinrich. “No, it certainly was not.” And the shake of his head was so decided, his disgust and sympathy so obvious, that Mr. Spoelmann cheered up a little and declared that it was lovely outside to-day and the trees down yonder smelt nice. Indeed, he took the first opportunity of showing his young guest his appreciation and satisfaction in the clearest manner. For Klaus Heinrich had caught a chill with this summer’s constant alternations between warm weather and cooling showers and hailstorms. His neck was swollen, his throat felt sore when he swallowed; and as his lofty calling and a certain amount of molly-coddling of his person, in request as it was for exhibition, had necessarily made him rather delicate, he could not help alluding to it and complaining of the pain in his neck.
“You must have wet compresses,” said Mr. Spoelmann. “Have you any oil-silk?” Klaus Heinrich had none. Then Mr. Spoelmann threw off the parrot coverlet, stood up, and went inside the Schloss. He would not answer any questions, insisted on going, and went. When he had gone, the others asked each other what he intended to do, and Doctor Watercloose, fearing lest an attack of pain had seized his patient, hurried after him. But when Mr. Spoelmann returned he had in his hand a piece of oil-silk, whose existence in some drawer he had remembered: a rather creased piece, which he handed to the Prince with precise directions how to use it, so as to get the most good out of it. Klaus Heinrich thanked him delightedly, and Mr. Spoelmann got contentedly back on to his couch. This time he stayed there till the end of tea, when he proposed a general walk round the park, in the following order: Mr. Spoelmann in his soft slippers between Imma and Klaus Heinrich, while Countess Löwenjoul followed at a short distance with Dr. Watercloose.
When the Prince took leave for the day, Imma Spoelmann made some sharp remark about his neck and the wet compresses, adjured him half-mockingly to nurse himself and to take the utmost care of his sacred person. But although Klaus Heinrich had no adequate repartee ready for her—she did not expect or want one—yet it was in a fairly cheerful frame of mind that he mounted his dog-cart; for the piece of creased oil-silk in the back pocket of his uniform coat seemed to him, though unconsciously, a pledge of a happy future.
However that might be, for the present his struggle was only beginning. It was the struggle for Imma Spoelmann’s faith, the struggle to make her so far trust him as to be capable of deciding to leave the clear and frosty sphere wherein she had been wont to play, to descend from the realms of algebra and conversational ridicule, and to venture with him into the untrodden zone, that warmer, more fragrant, more fruitful zone to which he showed her the way. For she was overpoweringly shy of making any such decision.
Next time he was alone with her, or as good as alone, because Countess Löwenjoul was the third, it was a cool, over-cast morning, after a break in the weather the night before. They rode along the meadow-woods, Klaus Heinrich in high boots, with the crook of his crop suspended between the buttons of his grey cloak. The sluices at the wooden bridge up stream were shut, the bed of the stream lay empty and stony. Percival, whose first outburst had died down, jumped here and there or trotted sideways, dog-fashion, in front of the horses. The Countess, on Isabeau, kept her head on one side and smiled. Klaus Heinrich was saying: “I’m always thinking, night and day, about something which must have been a dream. I lie at night and can hear Florian over in the stall snuffling, it’s so quiet. And then I think, for certain it was no dream. But when I see you as I do to-day, and did the other day at tea, I cannot possibly think it anything more substantial.”
She replied: “I must ask you to explain yourself, Sire.”
“Did you show me your books nineteen days ago, Miss Spoelmann—or not?”
“Nineteen days ago! I must count up. No; let’s see, it’s eighteen and a half days, unless I’m quite out.”
“You did show me your books, then?”
“That is undoubtedly correct, Prince. And I delude myself with the hope that you liked them.”
“Oh, Imma, you mustn’t talk like that, not now and not to me! My heart is so heavy, and I have such lots still to say to you, which I couldn’t get out nineteen days ago, when you showed me your books … your masses of books. How I should love to carry on where we broke off then, and to forget all that lies in between.…”
“For heaven’s sake, Prince, rather forget the other. Why go back to it? Why remind yourself and me? I thought you had good reason to observe the strictest silence on such subjects. Fancy letting yourself go like that! Losing your self-possession to such a degree!”
“If you only knew, Imma, how unutterably pleasant it is for me to lose my self-possession!”
“No, thanks. That’s insulting, do you know that? I insist on your showing the same self-possession towards me as towards the rest of the world. I’m not here to provide you with relaxation from your princely existence.”
“How entirely you misunderstand me, Imma! But I am well aware that you do so deliberately and only in fun, and that shows me that you don’t believe me and don’t take what I say seriously.…”
“No, Prince, you really ask too much. Haven’t you told me about your life? You went to school for show, to the University for show, you served as a soldier for show, and still wear the uniform for show, you hold audiences for show, and play at rifle-shooting and heaven knows what else for show; you came into the world for show, and am I suddenly to believe that there is anything serious about you?”
Tears came to his eyes while she said this: her words hurt him so much. He answered gently: “You are right, Imma, there is a lot of fiction in my life. But I didn’t make it or choose it, you must remember, but have done my duty precisely and sternly as it was prescribed to me for the edification of the people. And it is not enough that it has been a hard one, and full of prohibitions and privations; it must now take revenge on me, by causing you not to believe me.”
“You are proud,” she said, “of your calling and your life, Prince, I know well, and I cannot wish you to break faith with yourself.”
“Oh,” he cried, “leave that to me, that about being true to myself, and don’t give it a thought! I have had experiences, I have been untrue to myself and have tried to get round the prohibitions, and it ended in my disgrace. But since I have known you, I know, I know for the first time, that I may for the first time, without remorse or harm to what is described as my lofty calling, let myself go like anybody else, although Doctor Ueberbein says, and says in Latin, that that must never be.”
“There, you see what your friend said.”
“Didn’t you yourself call him a poor wretch, who would come to a sad end? He’s a fine character; I esteem him greatly, and owe him many hints about myself and things in general. But I’ve often thought about him recently, and as you expressed so unfavourable a verdict upon him then, I have spent hours considering your verdict, and was forced to own you right. For I’ll tell you, Imma, how things stand with Doctor Ueberbein. His whole life is hostile to happiness, that’s what it is.”
“That seems to me a very proper hostility,” said Imma Spoelmann.
“Proper,” he answered, “but wretched, as you yourself said, and what’s more, sinful, for it is a sin against something nobler than his severe propriety, as I now see, and it’s this sin in which he wished to educate me in his fatherly fashion. But I’ve now grown out of his education, at this point I have, I’m now indepen
dent and know better; and though I may not have convinced Ueberbein, I’ll convince you, Imma, sooner or later.”
“Yes, Prince, I must grant you that! You have the powers of conviction, your zeal carries one along irresistibly with it! Nineteen days, didn’t you say? I maintain that eighteen and a half is right, but it comes to much the same thing. In that time you have condescended to appear at Delphinenort once—four days ago.”
He threw a startled look at her.
“But, Imma, you must have patience with me, and some indulgence. Consider, I’m still awkward … this is strange ground. I don’t know how it was.… I believe I wanted to let us have time. And then there came several calls upon me.”
“Of course, you had to fire at the targets for show. I read all about it. As usual, you had a rousing success to show for it. You stood there in your fancy dress, and let a whole meadowful of people love you.”
“Halt, Imma, I beg you, don’t gallop.… One can’t get a word out.… Love, you say. But what sort of love is it? A meadow-love, a casual, superficial love, a love at a distance, which means nothing—a love in full dress with no familiarity about it. No, you’ve absolutely no reason to be angry because I express myself pleased with it, for I get no good from it; only the people do, who are elevated by it, and that’s their desire. But I too have my desire, Imma, and it’s to you that I turn.”
“How can I help you, Prince?”
“Oh, you know well! It’s confidence, Imma; couldn’t you have a little confidence in me?”
She looked at him, and the scrutiny of her big eyes had never before been so dark and piercing. But for all the urgency of his dumb pleading, she turned away, and said with a look which betrayed no secrets: “No, Prince Klaus Heinrich, I cannot.”