"Is it so bad here, Grandmere?"
"It is for you, child."
"But why, Grandmere?"
"It just is," she said, and began her weaving again, again leaving me stranded in a sea of mystery.
"Paul has asked me to go with him to the fais dodo a week from Saturday. I want to go with him very much, Grandmere," I added.
"Will his parents let him do that?" she asked quickly. "I don't know. Paul thinks so, I guess. Can we invite him to dinner Sunday night, Grandmere? Can we?"
"I never turned anyone away from my dinner table," Grandmere said, "but don't plan on going to the dance. I know the Tate family and I don't want to see you hurt."
"Oh, I won't be, Grandmere," I said, nearly bouncing in my seat with excitement. "Then Paul can come to dinner?"
"I said I wouldn't throw him out," she replied.
"Oh, Grandmere, thank you. Thank you." I threw my arms around her. She shook her head.
"If we go on like this, we'll be working all night, Ruby," she said, but kissed my cheek. "My little Ruby, my darling girl, growing into a woman so quickly I better not blink or I'll miss it," she said. We hugged again and then went back to work, my hands moving with a new energy, my heart filled with a new joy, despite Grandmere Catherine's omi-nous warnings.
2
No Landrys Allowed
.
A blend of wonderful aromas rose from the
kitchen and seeped into my room to snap my eyes open and start my stomach churning in anticipation. I could smell the rich, black Cajun coffee percolating on the stove and the mixture of shrimp and chicken gumbo Grandmere Catherine was preparing in her black, cast iron cooking pots to sell at our roadside stall. I sat up and inhaled the delicious smells.
Sunlight wove its way through the leaves of the cypress and sycamores around the house and filtered through the cloth over my window to cast a warm, bright glow over my small bedroom which had just enough space for my white painted bed, a small stand for a lamp near the pillow, and a large chest for my clothing. A chorus of rice birds began their ritual symphony, chirping and singing, urging me to get up, get washed, and get dressed so I could join them in the celebration of a new day.
No matter how I tried, I never beat Grandmere Catherine out of bed and into the kitchen. Rarely did I have the opportunity to surprise her with a pot of freshly brewed coffee, hot biscuits, and eggs. She was usually up with the first rays of sunlight that began to push back the blanket of darkness, and she moved so quietly and so gracefully through the house that I didn't hear her footsteps in the hallway or down the stairs, which usually creaked loudly when I
descended. Weekend mornings Grandmere Catherine was up especially early so as to prepare everything for our roadside stall.
I hurried down to join her.
"Why didn't you wake me?" I asked.
"I'd wake you when I needed you if you didn't
get yourself up, Ruby," she said, answering me the same way she always did. But I knew she would rather take on extra work than shake me out of the arms of sleep.
"I'll fold all the new blankets and get them ready to take out," I said.
"First, you'll have some breakfast. There's time enough for us to get things out. You know the tourists don't come riding by for a good while yet. The only ones who get up this early are the fishermen and they're not interested in any-thing we have to sell. Go on now, sit down," Grandmere Catherine commanded.
We had a simple table made from the same wide cypress planks from which our house walls were constructed, as were the chairs with their grooved posts. The one piece of furniture Grandmere was most proud of was her oak armoire. Her father had made it. Everything else we had was ordinary and no different from anything every other Cajun family living along the bayou possessed.
"Mr. Rodrigues brought over that basket of fresh eggs this morning," Grandmere Catherine said, nodding toward the basket on the counter by the window. "Very nice of him to think of us during his troubled times."
She never expected much more than a simple thank-you for any of the wonders she worked. She didn't think of her gifts as being hers; she thought of them as belonging to the Cajun people. She believed she was put on this earth to serve and to help those less fortunate, and the joy of helping others was reward enough.
She began to fry me two eggs to go along with her biscuits. "Don't forget to put out your newest pictures today. I love the one with the heron coming out of the water," she said, smiling.
"If you love it, Grandmere, I shouldn't sell it. I should give it to you."
"Nonsense, child. I want everyone to see your pictures, especially people in New Orleans," she declared. She had said that many times before and just as firmly.
"Why? Why are those people so important?" I asked.
"There's dozens and dozens of art galleries there and famous artists, too, who will see your work and spread your name so that all the rich Creoles will want one of your paintings in their homes," she explained.
I shook my head. It wasn't like her to want fame and notoriety brought to our simple bayou home. We put out our handicrafts and wares to sell on weekends because it brought us the necessary income to survive, but I knew Grandmere Catherine wasn't comfortable with all these strangers coming around, even though some of them loved her food and piled compliments at her feet. There was something else, some other reason why Grandmere Catherine was pushing me to exhibit my artwork, some mysterious reason.
The picture of the heron was special to me, too. I had been standing on the shore by the pond behind our house at twilight one day when I saw this grosbeak, a night heron, lift itself from the water so suddenly and so unexpectedly, it did seem to come out of the water. It floated up on its wide, dark purple wings and soared over the cypress. I felt something poetic and beautiful in its movements and couldn't wait to capture some of that in a painting. Later, when Grandmere Catherine set her eyes on the finished work, she was speechless for a moment. Her eyes glistened with tears and she confessed that my mother had favored the blue heron over all the other marsh birds.
"That's more reason for us to keep it," I said.
But Grandmere Catherine disagreed and said, "More reason for us to see it carried off to New Orleans." It was almost as if she were sending some sort of cryptic message to someone in New Orleans through my artwork.
After I ate my breakfast, I began to take out the handi-crafts and goods we would try to sell that day, while Grandmere Catherine finished making the roux. It was one of the first things a young Cajun girl learned to make. Roux was simply flour browned in butter, oil, or animal fat and cooked to a nutty brown shade without letting it turn so hot that it burned black. After it was prepared, seafood or chicken, sometimes duck, goose, or guinea hen, and sometimes wild game with sausage or oysters was mixed in to make the gumbo. During Lent Grandmere made a green gumbo that was roux mixed only with vegetables rather than meat.
Grandmere was right. We began to get customers much earlier than we usually did. Some of the people who dropped by were friends of hers or other Cajun folk who had learned about the couchemal and wanted to hear Grandmere tell the story. A few of her older friends sat around and recalled similar tales they had heard from their parents and grand-parents.
Just before noon, we were surprised to see a silver gray limousine, fancy and long, going by. Suddenly, it came to an abrupt stop -and was then backed up very quickly until it stopped again in front of our stall. The rear door was thrown open and a tall, lanky, olive-skinned man with gray-brown hair stepped out, the laughter of a woman lingering behind him within the limousine.
"Quiet down," he said, then turned and smiled at me.
An attractive blond lady with heavily made-up eyes, thick rouge, and gobs of lipstick, poked her head out the open door. A long pearl necklace dangled from her neck. She wore a blouse of bright pink silk. The first several buttons were not done so I couldn't help but notice that her breasts were quite exposed.
"Hurry up, Domin
ique. I expect to have dinner at Arnaud's tonight," she cried petulantly.
"Relax. We'll have plenty of time," he said without looking back at her. His attention was fixed on my paintings. "Who did these?" he demanded.
"I did, sir," I said. He was dressed expensively in a white shirt of the snowiest, softest-looking cotton and a beautifully tailored suit in dark charcoal gray.
"Really?"
I nodded and he stepped closer to take the picture of the heron into his hands. He held it at arm's length and nodded. "You have instinct," he said. "Still primitive, but rather remarkable. Did you take any lessons?"
"Just a little at school and what I learned from reading some old art magazines," I replied.
"Remarkable."
"Dominique!"
"Hold your water, will you." He smirked at me again as if to say, "Don't mind her," and then he looked at two more of my paintings. I had five out for sale. "How much are you asking for your paintings?" he asked.
I looked at Grandmere Catherine who was standing with Mrs. Thibodeau, their conversation on hold while the limousine remained. Grandmere Catherine had a strange look in her eyes. She was peering as though she were looking deeply into this handsome, well-to-do stranger, searching for something that would tell her he was more than a simple tourist amusing himself with local color.
"I'm asking five dollars apiece," I said.
"Five dollars!" He laughed. "Firstly, you shouldn't ask the same amount for each," he lectured. "This one, the heron, obviously took more work. It's five times the painting the others are," he declared assuredly, turning to address Grandmere Catherine and Mrs. Thibodeau as if they were his students. He turned back to me. "Why, look at the detail . . the way you've captured the water and the movement in the heron's wings." His eyes narrowed and he pursed his lips as he looked at the paintings and nodded to himself. "I'll give you fifty dollars for the five of them as a down payment," he announced.
"Fifty dollars, but--"
"What do you mean, as a down payment?" Grandmere Catherine asked, stepping toward us.
"Oh, I'm sorry," the gentleman said. "I should have introduced myself properly. My name is Dominique LeGrand. I own an art gallery in the French Quarter, simply called Dominique's. Here," he said, reaching in and taking a business card from a pocket in his pants. Grandmere took the card and pinched it between her small fingers to look at it.
"And this. . . down payment?"
"I think I can get a good deal more for these paintings. Usually, I just take an artist's work into the gallery without paying anything, but I want to do something to show my appreciation of this young girl's work. Is she your granddaughter?" Dominique inquired.
"Yes," Grandmere Catherine said. "Ruby Landry. Will you be sure her name is shown along with the paintings?" she asked, surprising me.
"Of course," Dominique LeGrand said, smiling. "I see she has her initials on the corner," he said, then turned to me. "But in the future, put your full name there," he instructed. "And I do believe, there is a future for you, Mademoiselle Ruby." He took a wad of money from his pocket and peeled off fifty dollars, more money than I had made selling all my paintings up until now. I looked at Grandmere Catherine who nodded and then I took the money.
"Dominique!" his woman cried again.
"Coming, coming. Philip," he called, and the driver came around to put my paintings in the trunk of the limousine. "Careful," he told him. Then he took down our address. "You will be hearing from me," he said as he got into his limousine again. Grandmere Catherine and I stood beside each other and watched the long car go off until it disappeared around the bend.
"Fifty dollars, Grandmere!" I said, waving the money. Mrs. Thibodeau was quite impressed, but my grandmother looked more thoughtful than happy. I thought she even looked a little sad.
"It's begun," she said in a voice barely above a whisper, her eyes fixed in the direction the limousine had taken. "What has, Grandmere?"
"The future, your future, Ruby. This fifty dollars is just the beginning. Be sure you say nothing about it if your Grandpere Jack should stumble by," she instructed. Then she returned to Mrs. Thibodeau to continue their discussion about couchemals and other evil spirits that lurk about unsuspecting folks.
But I couldn't contain my excitement. I was terribly impatient with the rest of the day, eager to see it hurry along until Paul was to come. I couldn't wait to tell him, and I laughed to myself thinking I could buy him the crushed ice tonight, instead of him buying it for me. Only, I knew he wouldn't let me pay. He was too proud.
The only thing that kept me from exploding with impatience was the business we did. We sold all our blankets, sheets, and towels and Grandmere sold a half-dozen jars of herbal cures. We even sold a pickled frog. All of Grandmere Catherine's gumbo was eaten. In fact, she had to go in and start to make some more for our own dinner. Finally, the sun dropped below the trees and Grandmere declared our day at the roadside had ended. She was very pleased and sang as she worked on our dinner.
"I want you to have my money, Grandmere," I told her.
"We made enough today. I don't need to take your painting money, Ruby." Then she narrowed her eyes on me. "But give it to me to hide. I know you'll feel sorry for that swamp bum and give him some if not all of it one day. I'll put it in my chest for safekeeping. He wouldn't dare look in there," she said.
Grandmere's oak chest was the most sacred thing in the house. It didn't need to be under lock and key. Grandpere Jack would never dare set his hands on it; no matter how drunk he was when he came here. Even I did not venture to open the lid and sift through the things within, for they were her most precious and personal keepsakes, including things that belonged to my mother when she was a little girl. Grandmere promised that everything in it would some day belong to me.
After we had eaten and had cleaned up, Grandmere sat in her rocking chair on the galerie, and I sat near her on the steps. It wasn't as muggy and hot as the night before because there was a brisk breeze. The sky had only a few scattered clouds so the bayou was well lit by the yellowish white light of the moon. It made the limbs of the trees in the swamp look like bones and the still water glisten like glass. On a night like this, sounds traveled over the bayou quickly and easily. We could hear the happy tunes coming from Mr. Bute's accordion and the laughter of his wife and children, all gathered on their front galerie.
Somewhere, way in the distance down left toward town, a car horn blared, while behind us, the frogs croaked in the swamp. I had not told Grandmere Catherine that Paul was coming, but she sensed it.
"You look like you're sitting on pins and needles tonight, Ruby. Waiting for something?"
Before I could reply, we heard the soft growl of Paul's motor scooter.
"No need to answer," Grandmere said. Moments later, we saw the small light on his motor scooter, and Paul rode into our front yard.
"Good evening, Mrs. Landry, They said, walking up to us. "Hi, Ruby."
"Hello," Grandmere Catherine said, eying him cautiously.
"We have a little relief from the heat and humidity tonight," he said, and she nodded. "How was your day?" he asked me.
"Wonderful! I sold all five of my paintings," I declared quickly.
"All of them? That is wonderful. We'll have to celebrate with two ice cream sodas instead of just crushed ice. If it's all right with you, Mrs. Landry, I'd like to take Ruby to town," he added, turning to Grandmere Catherine. I saw how his request troubled her. Her eyebrows rose and she leaned back in her rocker. Her hesitation made Paul add, "We won't be long."
"I don't want you to take her on that flimsy motor thing," Grandmere said, nodding toward the scooter. Paul laughed.
"I'd rather walk on a night like this anyway, wouldn't you, Ruby?"
"Yes. All right, Grandmere?"
"I suppose. But don't go anywhere but to town and back and don't talk to any strangers," she cautioned.
"Yes, Grandmere."
"Don't worry, I won't let anything happen to her
," Paul assured Grandmere. Paul's assurance didn't make her look less anxious, but he and I started toward town, our way well lit by the moon. He didn't take my hand until we were out of sight.
"Your grandmere worries so much about you," Paul said. "She's seen a lot of sadness and hard times. But we had a good day at the stall."
"And you sold all your paintings. That's great."
"I didn't sell them so much as get them into a New Orleans gallery," I said, and told him everything that had happened and what Dominique LeGrand had said.
Paul was silent for a long moment. Then he turned to me, his face strangely sad. "Someday, you'll be a famous artist and move away from the bayou. You'll live in a big house in New Orleans, I'm sure," he predicted, "and forget all us Cajuns."
"Oh, Paul, how could you say such a horrible thing? I'd like to be a famous artist, of course; but I would never turn my back on my people and. . . and never forget you. Never," I insisted.
"You mean that, Ruby?"
I tossed my hair back over my shoulder and put my hand on my heart. Then, closing my eyes, I said, "I swear on Saint Medad. Besides," I continued, snapping my eyes open, "it will probably be you who leaves the bayou to go to some fancy college and meet wealthy girls."
"Oh, no," he protested. "I don't want to meet other girls. You're the only girl I care about."
"You say that now, Paul Marcus Tate, but time has a way of changing things. Look at my
grandparents. They were once in love."
"That's different. My father says no one could live with your grandfather."
"Once, Grandmere did," I said. "And then things changed, things she never expected."
"They won't change with me," Paul boasted. He paused and stepped closer to take my hand again. "Did you ask your grandmother about the fais dodo?"
"Yes," I said. "Can you come to dinner tomorrow night? I think she should have a chance to get to know you better. Could you?"
Ruby Page 3