The Private Rehearsal (Caught Up In Love: The Swoony New Reboot of the Contemporary Romance Series Book 4)

Home > Romance > The Private Rehearsal (Caught Up In Love: The Swoony New Reboot of the Contemporary Romance Series Book 4) > Page 20
The Private Rehearsal (Caught Up In Love: The Swoony New Reboot of the Contemporary Romance Series Book 4) Page 20

by Lauren Blakely


  We.

  How we feel.

  I rewind the night once more to be sure, replaying every moment with her, every word, every second. Then farther back to the diner when she told me she wasn’t going to spend time with Patrick anymore, then to the restaurant when she told me about the last guy she was with.

  How she hurt him.

  I’ve always sensed she’s hiding something, hiding her true self. I’ve always believed she wants to be seen, wants to be understood, wants to be known. And now, twenty-four hours after she ran away from me, my gut is finally talking to me, and it’s telling me there’s something else going on.

  I’ve always known when she’s acting. She wasn’t acting with me.

  Jill wasn’t using me, I was never a career move for her, and Michelle’s advice isn’t the reason she took off last night. When she bolted, it wasn’t about me, or us, or what’s been happening over the last several weeks. It was something that goes back much farther for her. It’s about her, and it’s about why she hasn’t been close to anyone in a long time.

  Whatever it is, I’m not walking away without understanding her.

  I reach for my wallet, slip on a pair of shoes, and grab a jacket. Outside, I hail a cab, and on the ride, I call the Chinese takeout and cancel my order. I don’t call Jill because I don’t want to talk to her on the phone. I want to see her in person.

  Soon, the taxi pulls up to her building in Chelsea, and I’m at the door in seconds, pressing the buzzer.

  “Hello?”

  It’s not Jill’s voice.

  “Hi. I’m looking for Jill. This is Davis –”

  But I don’t even finish. The door buzzes, and a voice calls out through the speaker, “Second floor.”

  I realize I don’t know the apartment number, but I don’t need it. When I reach the second floor, there’s a woman with light brown hair holding open a yellow door.

  “I’m Kat,” she says and extends a hand, and it’s weird that we’re shaking hands at a time like this. But formalities still exist even when the woman you love is running from the world.

  “Davis Milo,” I say. “But you knew that, evidently.”

  “I had a feeling you might be coming. Come in.” She ushers me inside, and it’s strange to get a glimpse of Jill’s life and where she lives. I survey the living room with its old beat-up couch, a coffee table with a silver laptop on it, several necklaces, and a vase of flowers. On the wall are framed posters of Paris and a photograph of the first woman to run the Boston Marathon.

  “She’s kind of a wreck right now,” Kat adds, then gestures for me to follow her down the hall. “She didn’t really feel like talking to me. But I have a feeling she probably wants to see you.”

  I stop walking. “Really?”

  Kat nods. “She likes you. A lot. And I’ve never seen her like this. She’s usually the happiest person in the world.”

  I nod but say nothing. Because she can be the happiest person, and she can also be the saddest.

  Kat knocks on the door to Jill’s room, and I wait, more nervous than I’ve ever been. Because I don’t know what to expect.

  “Come in.” Her voice is empty, devoid of any emotion.

  Kat opens the door, lets me in, and closes it behind me, leaving us alone.

  Jill’s sitting cross-legged on her bed, wearing pajama bottoms and a T-shirt. Her hair is pulled into a high ponytail and her face is scrubbed free of makeup. She’s clutching a letter in one hand. Next to her on the red comforter is an open brown box that seems to hold mementos, photos, and letters.

  “You’re here,” she says in a monotone.

  “I’m here,” I say, and I have no idea if she wants me to stay or to go.

  “My brother’s coming to town tomorrow,” she says in the same dead voice.

  “He is?”

  I lean against the closed door. I haven’t been invited in, technically, so I don’t want to sit next to her, even though all I want is to be with her. What I really want to ask is what the fuck is wrong, and why she ran out, and when is she going to tell me what the hell is going on in her head. But the moment is a delicate one, and she’s not truly present. She’s someplace else, and I have to find a way to bring her back.

  “I can’t wait to see him. He’s so happy. He met this woman. They’re perfect for each other.” She still doesn’t look at me. “They’re happy,” she says in a barren voice. “He’s so happy with McKenna. And Reeve is with Sutton. And then, look at Kat. She’s so happy it’s like she has extra servings.”

  She lifts her eyes to me, and I’ve never seen her so heartbroken. Even in all the scenes she’s played where Ava is bereft, she has never looked this ruined. My heart pounds with the fear that I’ve lost her. That she’s completely slipping away. Still, I have to ask.

  “Are you happy?” I brace myself for whatever she might answer. “Were you happy?”

  She just shrugs, jutting up her shoulders, and grips the letter tighter. “How can I be? I can’t be happy. I can’t be happy because of this. Don’t you understand? Don’t you get it? It’s not possible. I can’t have this,” she says, gesturing from her to me, the look in her beautiful eyes so immensely sad. This isn’t the woman I know. But this is the woman I fell in love with, and I want to do everything I can for her.

  “Can’t have what, Jill?” I take a tentative step toward her bed, and when she doesn’t recoil, I take another, then sit on the corner of her bed.

  “This. You. Us.” She says each word like she’s biting off something bitter.

  “Why?”

  “Because I’m damaged. Because I’m broken. Because nothing good can come from being with me,” she says, her voice breaking, tears welling up in her eyes. She thrusts the note at me.

  “Do you want me to read it?” I ask her, carefully.

  “Yes.”

  I unfold the note, worn at the folds, with tattered edges and thinning paper. It’s a short note, on a sheet of lined notebook paper, written in blue ink with slanted, choppy handwriting.

  Dear Jill,

  I guess I always knew I loved you more. Somehow, I knew I loved you more than you’d ever love me. But I learned to live with it. I was okay with it just to be with this girl I was crazy about. And then you broke my fucking heart when you left me. You just ripped me apart and for no good reason. I don’t get it. I’ve tried everything to get you back, and all you do is tell me to leave you alone. You tell me to stop calling, stop talking to you. Well, you’ll get what you want now. You’ll get everything you ever wanted, and all I ever wanted was you. I can’t imagine being without you, but I am, so I’ll stop imagining.

  I’m outta here.

  Aaron

  In an instant, I understand everything about her.

  31

  Jill

  Nothing hurts anymore. Because I won’t let it. I can’t let it. I can’t stand feeling.

  But then he lays the letter on the bed and looks at me with such care in his eyes.

  “Jill,” he says, softly. “It’s not your fault.”

  “IT. IS!” I shout and I push my hands into my hair, holding tight and hard to my scalp. “It is my fault. It’s there. In writing. In black and white. Letters don’t lie. I got this after the funeral. One day later in the mail. I’d sat there in the cemetery, my brothers next to me, my parents there. We all knew him. He was my high school boyfriend, and he killed himself. Because of me.”

  “It’s terrible, and it’s tragic, and I’m so sorry he made that choice, and I’m sorry for him, and for his family to have to live with that. But you didn’t cause it.”

  “But I did! He said I did! I broke up with him three months before it happened. Because I didn’t love him.” I hold my hands out wide, balling my fists in my frustration. “That was the problem. If I had loved him like he loved me, this would never have happened. But I didn’t feel the way he did. And I ended it, but he kept coming around, and he got crazier and needier, telling me he couldn’t live without me, and he
would track me down after school, and he would find me after cross-country. And I kept pushing him away. I even met him at the bridge in Prospect Park to ask him to please stop. But he wouldn’t. He kept showing up. And he started freaking me out, so I went to tell his parents. I told them what he was doing, and the things he was saying, and how scared I was for him.” There are potholes in my voice as I recount the story, the day I will never forget.

  Aaron had left me another note, and the tone had grown more desperate, ending with, I don’t know what I have to do for you to love me again . . .

  Those words had sent a ripple of fear through me when I found the slip of paper in my locker in the morning. My hands shook as I read the note, and my heart beat wildly out of control with worry, like a deer trying to cross a congested highway, not knowing which way to go. The bell had rung for first period, but I stayed frozen in place, my mind racing with what to do next. As the halls thinned, I turned on my heel and headed straight for the guidance counselor’s office. Because that’s what you’re taught to do. Say something. But she was out sick that day, so when Aaron wasn’t at swim practice after school, I walked to his house, knocked with nervous fingers, then stepped inside when his parents answered the door.

  I tried to explain what was going on. But I didn’t even truly know. Aaron had never threatened to take his life. He’d never hinted that he’d had enough of this world. But his behavior had grown so erratic, so confusing, that I had to let someone know about the notes, about the calls, about the desperate ways he kept trying to get my attention.

  “I’m worried about him,” I said in a small voice as I picked at the worn cuticles on my hand. “I don’t know what’s going on, but he doesn’t seem like himself.”

  His mom gave me a sympathetic smile, as if I were overreacting.

  Now, I look at Davis, and he’s listening, patiently letting me tell the story. “And you know what they said when I told them that?”

  He shakes his head. “No, what did they say?”

  I take a deep breath, steeling myself. I’ve never said these words out loud. I’ve never told anyone that I warned Aaron’s parents. That I was terrified he was depressed and would do something to hurt himself. That he needed help, someone to talk to. “They said he was just a heartbroken teen.” I press my lips together, trying to stem the tears, the lump in my throat, the stinging in my eyes. “That’s what they said. That he was just still wrecked over me. And that he’d be fine. And then, three days later, he took an overdose of pills.”

  “Oh, Jill. I’m so sorry for your friend,” he says, and he reaches across the bed, but doesn’t take my hand. Just rests his near mine. All he wants is to comfort me, but I don’t deserve it. I swipe a hand across my cheek.

  “He’s gone. He’s gone because I didn’t love him enough.”

  “No,” Davis says firmly. “No. That’s not why he’s gone. He’s gone because he had an illness. He’s gone because he needed help, and he didn’t get it. He’s gone because there were other things at play in his head, and in his heart. He’s not gone because of you. You did everything you could.”

  “But it wasn’t enough!” I shout and slam my fist into the bed. Then in a low voice, laced with pain, “It wasn’t enough.”

  He inches closer. “And it might not ever have been enough. You might have knocked on their door and warned them every day. And it still might have happened. I’m not blaming them, no one’s to blame. But you tried, and they didn’t see what was happening. Even if they did, they might not have been able to stop it. That’s the absolute tragedy of all of this. Far too many people feel things only inside themselves,” he says, and he taps on his chest to make his point. “And they don’t share it. He was going through something awful, and he didn’t know what to do. And now you are. And you’ve been beating yourself up for years over this, haven’t you?”

  I sigh, a long, low keening sigh full of years of regret. “Yes,” I whisper.

  “But you have to let it go. You have to move on.” He reaches for my hand, and I hate and I love that any contact with him is what I need. I hate it because I can’t rely on anyone. And I love it because I want to rely on him. I let him take my hand, and when he does, I don’t feel numb anymore. I scoot forward and throw my arms around him, bury my head in his chest, and let all the unshed tears fall, until his shirt is streaked with my regret.

  “You have to forgive yourself,” he whispers as he holds me tight, rocking me gently. “Life is tragic. I know that firsthand. But things happen. And this happened. And all you can do is keep on living, because you did everything you could. And sometimes everything you can do still isn’t enough, but that’s life. And that’s death. And that’s the way it is.”

  I squeeze my eyes shut, as if I can hold in the one thing that’s still gnawing away at my heart. “But what if I can’t love you like that? What if I can’t love you enough? What if it happens again?”

  He places his fingers under my chin and makes me look at him. “I’m not going anywhere,” he says, the slightest trace of a smile on his face. “Jill, when I said I can’t imagine being without you, it’s a figure of speech. It’s because I don’t want to be without you. It’s not because I’m going to kill myself if I can’t. I like myself too much. Trust me, I won’t go quietly from this lifetime. I will be kicking and screaming. I will be fighting and working and loving until my last dying day. I want you, and I want you to be mine. But you have to know I only want you if I can have you, all of you. I want your body, and I want your heart, and I want your mind, and I hope you feel the same,” he says, then takes a beat to make sure I’m still here, still listening.

  I hold his gaze, and he keeps going. “But if you don’t, I’ll go on. You don’t have to love me from afar so you won’t get hurt, or so you won’t hurt me.” He talks to me in the most tender, gentle voice, but it cuts through all my defenses and walls. “Because we will hurt each other, and we will fight, and we will argue. And sometimes it’ll be less than perfect. But it’ll be real. Every second of it will be completely real.”

  Real.

  That word echoes in my mind and my body and all the way through to my frozen, make-believe heart that’s been on standstill for six long years. That’s been protecting me, and saving me from the possibility of heartbreak, the possibility of pain. But Davis is right. I did everything I could, and I can’t keep punishing myself with an artificial life. I might do it on stage, but I don’t want that when the curtain falls. I want a real life, and real love, and real pain.

  I fidget with the collar on his shirt, then play with the top button. I am all nerves, but also determination as I let go and place my hands on his cheeks, looking at him. My throat feels dry and raspy, and no amount of acting, or singing, or running has ever prepared me for what I’m about to say. I’m improvising, going completely off-script, as I speak from the heart.

  “I think I’m in love with you too,” I whisper.

  He plays with a strand of my hair as he raises an eyebrow. “You think?”

  I nod and manage a smile. “Fine,” I say in a begrudging voice. “I know.”

  Then I wrap my arms around him and everything—Every. Single. Thing—about this moment hurts and feels right at the same time.

  “Will you spend the night?” I ask. “But just to sleep. That’s all I can do right now.”

  “Of course.”

  I undo my ponytail as he takes off his shirt and jeans and leaves them on a chair in the corner of my room. He’s wearing only snug black boxer briefs, and even though I’ve been so ready to get him undressed, there’s a different reason tonight. I need to feel the connection between us—his warm body next to mine, skin against skin, as he joins me under the covers, holding me close all through the night.

  32

  Jill

  “I like your casual shirt, but you looked pretty good the other night in a tux too,” I say as Davis buttons his shirt the next morning. “I don’t think anyone has ever looked so good in a tux before.�
��

  “Because it’s tailored for me,” he says with a sly smile.

  I pretend to smack my forehead. “Of course,” I say and roll my eyes playfully. “Of course you own a tux.”

  “What? You think I’d rent one?”

  I shake my head and laugh. “God forbid.” I watch him as he tucks his shirt into his jeans. “I’m really glad you came here last night.”

  He smiles softly. “Me too.”

  “I mean it,” I say in a firm voice, as if I’m giving a speech. One that comes straight from the heart. “I don’t know what I would have done without you. I was lost. I was totally lost, and I had no idea how much I needed you until you walked through my door. I’m so glad you found me.”

  “You weren’t that hard to find. I knew your address,” he says and cups my chin tenderly.

  I shake my head, giving him a fierce stare, my eyes blazing. “I know, but that’s not what I mean. What I mean is thank you for not giving up on me.” I grab his shirt and grip it tightly for emphasis. “Thank you for knowing me better than I know myself. Thank you for not letting me slip away. Because I am so in love with you. I am so completely in love with you.”

  He pulls me close and wraps me in his arms. “That’s why I didn’t let you slip away. Because you’re worth it. You’re worth everything to me.” Then he bends down to kiss me on the forehead. “But I need to go. I have a meeting.”

  “On a Sunday?”

  He nods. “Yes. Amazingly, I still have to work on Sundays. My lawyer and I are meeting with some producers about doing Twelfth Night in London soon.”

  “Really?”

  “They happen to like their Shakespeare across the pond.”

  “Does that mean you’ll be leaving New York soon?” I ask, and my heart’s beating faster now. I don’t want him to leave when this is starting.

 

‹ Prev