REGINALD HILL
BONES AND SILENCE
A Dalziel and Pascoe novel
We insist, it seems, on living. Then again, indifference descends. The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams: rubs features from faces. People might walk through me . . . We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
VIRGINIA WOOLF, The Waves
part one
God: First when I wrought this world so wide, Wood and wind and waters wan,
Heaven and hell was not to hide,
With herbs and grass thus I began.
In endless bliss to be and bide
And to my likeness made I man,
Lord and sire on ilka side
Of all middle earth I made him then.
A woman also with him wrought I,
All in law to lead their life,
I bade them wax and multiply,
To fulfil this world, without strife.
Sithen have men wrought so woefully
And sin is now reigning so rife,
That me repents and rues forthy
That ever I made either man or wife.
The York Cycle of Mystery Plays:
'The Building of the Ark'
January 1st
Dear Mr Dalziel,
You don't know me. Why should you? Sometimes I think I don't know myself. I was walking through the market place just before Christmas when suddenly I stopped dead. People bumped into me but it didn't matter. You see, I was twelve again, walking across a field near Melrose Abbey, carefully balancing a jug of milk I'd just got from the farm, and ahead of me I could see our tent and our car and my father shaving himself in the wing mirror and my mother stooping over the camp stove, and I could smell bacon frying. It was such a good smell I started thinking about the lovely taste that went with it, and I suppose I started to walk a bit quicker. Next thing, I caught my toe in a tussock of grass, stumbled, and the milk went everywhere. I thought it was the end of the world but they just laughed and made a joke of it and gave me a huge plateful of bacon and eggs and tomatoes and mushrooms, and in the end it almost seemed they loved me more for spilling the milk than fetching it safely.
So there I was, standing like an idiot, blocking the pavement, while inside I was twelve again and feeling so loved and protected. And why?
Because I was passing the Market Caff and the extractor fan was blasting the smell of frying bacon into the cool morning air.
So how can I say I know myself when a simple smell can shift me so far in time and space?
But I know you. No, how arrogant that sounds after what I've just written. What I mean is I've had you pointed out to me. And I've listened to what people say about you. And a lot of it, in fact most of it, wasn't very complimentary, but this isn't an abusive letter so I won't offend you by repeating it. But even your worst detractors had to admit you were good at your job and you weren't afraid of finding out the truth. Oh, and you didn't suffer fools gladly.
Well, this is one fool you won't have to suffer much of. You see, the reason I'm writing to you is I'm going to kill myself.
I don't mean straightaway. Some time soon, though, certainly in the next twelve months. It's a sort of New Year Resolution. But in the meantime I want someone to talk to. Clearly anyone I know personally is out of the question. Also doctors, psychiatrists, all the professional helpers. You see, this isn't the famous cry for help. My mind's made up. It's just a question of fixing a date. But I've discovered in myself a strange compulsion to talk about it, to drop hints, to wink and nod. Now that's too dangerous a game to play with friends. What I think I need is a controlled outlet for all my ramblings. And you 've been elected.
I'm sorry. It's a big burden to lay on anyone. But one other thing which came out of what people say about you is that my letters will be just like any other case. You might find them irritating but you won't lose any sleep over them!
I hope I've got you right. The last thing I want to do is to cause pain to a stranger - especially knowing as I do that the last thing I will do is cause pain to my friends.
Happy New Year!
CHAPTER ONE
'I still don't see why she shot herself,’ said Peter Pascoe obstinately.
'Because she was bored. Because she was trapped,' said Ellie Pascoe.
Pascoe used his stick to test the consistency of the chaise-longue over the side of which the dead woman's magnificently ruined head had dangled thirty minutes earlier. It was as hard as it looked, but his leg was aching and he sat down with a sigh of relief which he turned into a yawn as he felt his wife's sharp eyes upon him. He knew she distrusted his claims to be fit enough to go back to work tomorrow. He would have gone back today only Ellie had pointed out with some acerbity that February 15th was his birthday, and she wasn't about to give the police the chance to ruin this one as they had the last half-dozen.
So it had been another day of rest and a series of birthday treats - breakfast in bed, an early gourmet dinner, front row stalls at the Kemble Theatre's acclaimed production of Hedda Gabler, all rounded off with after-show drinks on the stage, provided by Eileen Chung, the Kemble's Director.
'But people don't do such things,’ Pascoe now asserted with Yorkshire orotundity.
Ellie looked ready to argue but he went on confidentially, 'I can smell a rotting fish when I see one, lass,' and belatedly she recognized his parody of his CID boss, Andy Dalziel.
She began to smile and Pascoe smiled back.
'You two look happy,' said Eileen Chung, approaching with a new bottle of wine. 'Which is odd, considering you paid good money to be harrowed.'
'Oh, we're harrowed all right, only Peter's worst instincts tell him Hedda was murdered.'
'And how right you are, Pete, honey,' said Chung, easing her seventy-five inches of golden beauty on to the chaise-longue beside him. 'That's exactly what I wanted to get across. Let me fill your glass.'
Peter glanced round the stage. The rest of the Kemble team seemed to be taking their leave. He began to ease himself up, saying, 'I think we should be on our way . . .' but Chung drew him down again and said, 'Why the rush?'
'No rush,' he said. 'I'm not back at the rushing stage yet.'
'You've got a very distinguished limp,' she said. 'And I just love the stick.'
'He's embarrassed by the stick,' said Ellie, sitting at his other side so that he felt pleasantly squeezed. 'I suspect he feels it detracts from his macho image.'
'Pete. Baby!' said Chung, putting her hand on his knee and looking deep into his eyes. 'What's a stick but a phallic symbol? You want a bigger one maybe? I'll look in our props cupboard. And think of all the wild, wild men who've been lame. There was Oedipus, now he was a real motherfucker. And Byron. God, even his own sister wasn't safe -'
'Unhappily Peter is both an orphan and an only child,' interrupted Ellie.
'Aw shit. Pete, I'm sorry. I didn't know. But there's plenty of others without the family hang-ups. The Devil, for instance. Now he was lame.'
And Peter Pascoe, up to this moment more than content to accept this heavy-handed ribbing as a fair price for the privilege of being sandwiched between Ellie whom he loved, and Chung whom he lusted after, knew that he was betrayed.
He began to rise but Chung was already on her feet, her face alight with a let's-do-the-show-in- the-barn glow.
'The Devil,' she throbbed. 'Now there's an idea. Pete, honey, give me a profile. Fan-tastic. And with the limp, per-fection! Ellie, you know him best. Could he do it? Or could he do it?'
'He's got many diabolic qualities,' admitted Ellie.
This had gone far eno
ugh. There were some advantages to having a stick. He brought it down savagely on Hedda Gabler's coffee table, which he could do with a clear conscience as it belonged to him. Chung collected props like old Queen Mary collected antiques - she admired them into gifts. But she wasn't going to make a gift out of him.
Ellie was much to blame, but not as much as himself. He'd forgotten the golden rule - any friend of Ellie's was guilty until proven innocent, and probably longer. He'd been as suspicious as Ellie had been enthusiastic when the newly appointed Director of the Civil Theatre had clarioned her commitment to socially significant drama. But her beauty and charisma had made a rapid conquest of him. Her paymasters, the Borough Council, were less easy targets. Their stuff was brass not flesh and there was much concern lest they had taken a lefty viper to their righteous bosoms. But when her Private Lives (transplanted to Skegness and Huddersfield) had been a box office success surpassed only by her Gondoliers of the Grand Union Canal, the city fathers, realizing their clouds of doubt had brass linings, had relaxed and drifted with the cash-flow.
But it was her latest project aimed at God as well as Mammon which should have set his storm warning flashing.
Chung had proposed a huge outdoor production of the Mediaeval Mysteries. It was to be an eclectic version, though with a jingoistic concentration on the York and Wakefield cycles, it would run for seven days in early summer, and all the Powers that Were looked upon the project and saw that it was good. The clergy approved because it would make religion 'relevant', the Chamber of Commerce because it would pack the town with tourists, the Community Leaders because it would revitalize cultural identity by employing vast numbers of locals as performers, and the City Council because the locals wouldn't expect to be paid. Some mutterings about idolatry and blasphemy came from a few inerrantist outposts, but these were drowned in the great surge of approval.
At first it was assumed that Chung would cast her resident company in the main speaking parts, perhaps importing a middling magnitude telly star to give some commercial clout to Jesus, but here she took everyone by surprise.
'No way,' she told Ellie. 'My gang are going to be planted deep in the crowd scenes. That's where you need the professional stiffening in this kind of caper. Stars I can create!' So the great hunt had started. Every amateur thespian in the area started sending press-cuttings to the Kemble. Aged Jack Points, stripling King Lears, Lady Macbeths of the Dales, infant prodigies, Freds 'n' Gingers, Olivier lookalikes, Gielgud soundalikes, Monroe mouealikes, Streep stripalikes, the good, the bad, and the unbelievable were ready to stride and strut, fume and fret, leap and lounge, mouth and mumble, emote and expire before Chung's most seeing eye.
But for the most of them, their rehearsals were in vain. Chung saw to it that all their cuttings were returned with thanks, for she knew how precious are the records of praise, but the accompanying message was, why don't you go and get lost in the crowd scenes? For Chung had not been wasting her short time in this city. She was gregarious, went everywhere, forgot nothing. Those who met her were charmed, shocked, intrigued, revolted, amused, amazed, entranced, entramelled, but never indifferent. And though many would have loved it, few realized they had already been on Chung's casting couch. By the time she broached the Mysteries project, her mental cast list was almost complete.
Her intimates had been invited to help in snaring the more unwilling victims. Pascoe had been vastly amused when Ellie let drop some hilarious hints of Chung's remorseless quest, never for one moment suspecting that he might be himself a target!
But now his defences were fully aroused. He swung his stick at the coffee table again.
'No!' he cried. 'I won't do it!'
The women looked at each other with barely concealed amusement.
'Do what, honey?' asked Chung with solicitous innocence.
It was time to be clear beyond even the muddying powers of these practised pond-stirrers.
He said slowly, 'I am not going to be the Devil in your Mysteries. Not now. Not ever. No way.'
He examined his statement carefully. It seemed pretty limpid.
Now the women were looking at each other in amazement.
'But, Peter, of course you're not! Where did you get that idea from?' said Chung with the wide-eyed surprise of one who suspects this is no longer Kansas.
'Peter, for heaven's sake, what's got into you?' demanded Ellie with the exasperation of a wife being shown up in front of her friends.
It was time for continued firmness. He heard himself saying, 'But you were talking about my limp . . . and the Devil being lame . . . and me fitting the part..’
'Just a gag. Pete. What do you take me for? Hell, with luck, by the time the show goes on you'll hardly be limping at all. I mean, you're going back to work tomorrow, aren't you? Do you think I'd take the piss out of anyone who was really disabled? Besides, you're far too nice and amiable. The man I've got in mind looks as proud and prickly as Lucifer, not your type at all!'
He had a feeling that, though not yet quite sure what the wrong was, he was sinking deeper and deeper in it. But that didn't matter. He needed to be absolutely clear that this was no set-up.
'And you definitely do not want me now, nor ever will want me, to perform an acting role in this or any of your dramatic productions?'
'Pete, I swear it, hand on heart.'
She performed the oath very solemnly, then observing the direction of his gaze, squeezed her left breast voluptuously and laughed.
'Happy now, Pete?' she asked.
'Chung, I'm sorry, it's this long convalescence all plastered up. You know, like Jimmy Stewart in Rear Window, you start getting paranoiac.'
'I forgive, I forgive.' Then she added in alarm, 'Hey, but you're not backing off altogether! Pete, you promised the first thing you did when you got back to work would be to get yourself seconded to my "Mysteries" committee to make sure we get full cooperation with traffic and parking and security, all that shit!'
'Of course I will,' said Pascoe expansively. 'Anything I can do to help, short of acting - well short of acting - you know you've only got to ask.'
'Anything, eh?' said Chung reflectively. A tiny grin twitched Ellie's lips, like a Venetian gnat landing in your Campari soda. And it occurred to Pascoe that in Rear Window James Stewart hadn't been paranoiac, he'd been the one who saw things clearly.
'Anything within my . . .' he began. But it was like a trainee para opting for ground crew after he'd stepped out of the plane.
'There is one small problem you're well placed to help me with,' said Chung.
'What's that?' he asked, not because he wanted to, but because the script demanded it.
'It's nothing, really. It's just that, you know this party I'm having next Sunday, sort of combined thank-you and publicity launch for the Mystery project?'
Pascoe, who knew about it because Ellie had told him they were going, nodded.
'Well, the thing is, Pete, I sent an invite to your boss, the famous Superintendent Dalziel. It's about time the two biggest names in town got together. Only he hasn't replied.'
'He's not that keen on formal social occasions,' said Pascoe, who knew that the constable who sorted Dalziel's mail had strict instructions to file all invitations that smelled of civic tedium or arty-farty ennui in a large plastic rubbish bag.
'Well, OK, but I'd really like him to be here, Pete. Could you possibly use your influence to get him to come?'
There was something fishy here. No one could be that keen to get Dalziel to a drinks party. It was like a farmer wanting to lure a fox into his hen coop.
'Why?' said Pascoe, suspecting it might be wiser to throw a faint and get carried out rather than pursue the matter further. 'Why do you want Dalziel? There's more to this than just a social gesture, isn't there?'
'You're too sharp for me, Pete,' said Chung admiringly. 'You're dead right. Thing is, I want to audition him. You see, honey, with all I've heard about him from you, and from Ellie, and from everyone, I think Andy Dalziel might be
just about perfect for God!'
And Pascoe had to sit down again suddenly or else he might just have fainted anyway.
CHAPTER TWO
At roughly the same time as this annunciation of his projected apotheosis, Detective-Superintendent Andrew Dalziel was being sick into a bucket.
Between retchings, his mind sought first causes. He counted, and quickly discounted, the six pints of bitter chased by six double whiskies in the Black Bull; scrutinized closely but finally acquitted the Toad-in-the-Hole and Spotted Dick washed down with a bottle of Beaujolais in the Borough Club for Professional Gentlemen; and finally indicted, examined, and condemned a glass of mineral water accepted unthinkingly when one of the pickled onions served with his cheese had gone down the wrong way.
It had probably been French. If so, that put his judgement beyond appeal. They boasted on their bottle that the stuff was untreated, this from a nation whose treated water could fell a healthy horse.
The retching seemed to have stopped. It occurred to him that unless he had also consumed two pairs of socks and a string vest at the Gents, the bucket had not been empty. He raised his eyes and looked around the kitchen. He hadn’t switched on the light, but even in darkness it looked in dire need of redecoration. This was the house he'd moved into when he got married and never found time or energy to move out of. On that very kitchen table he'd found his wife's last letter. It said Your dinner is keeping warm in the oven. He'd been mildly surprised to discover it was a ham salad. But it wasn't till next morning, when an insistent knocking roused him from the spare bed which he occupied with reluctant altruism whenever he got home later than 3.00 A.M., that he began to suspect something was wrong. Insistent knockings were a wife's responsibility. He found her bed unslept in, descended, found downstairs equally empty, opened the door and was presented with a telegram. It had been unambiguous in its statement of cause and effect, but it had been its form as much as its content which had convinced Dalziel this was the end. She'd found it easier to let strangers read these words than say them to his face!
Dalziel 11 Bones and Silence Page 1