by Field, Mark
Nor was it the case that she was rejected when she first arrived. In FH&T it was Buffy who was feeling left out because Xander, Willow, and Joyce all seemed so charmed with Faith. Giles was prepared to act as her Watcher and Wesley insisted on it.
What really bugs Faith, I think, is that at some level she knows what she’s saying is false and that Buffy really is better than her. And it’s that sense of inferiority which is driving the rage she admits to. Notice the example she uses when wants to prove her superiority: “Angel's with me.” This wouldn’t be much of an example at any time. It’s more an expression of spite than superiority.
This leaves us to explain Buffy’s concern about Angel which she expressed to Willow after she saw Angel and Faith seemingly intimate, and in the fact that she requested a “break” from Angel at the end. As I see it, the role she asked Angel to play (which he did all too well – though it’s not text, I assumed when I saw it that “Angelus” and Faith had sex) called into question just what it was about Buffy that Angel found attractive. This would concern Buffy because she doesn’t want it to be her dark side. She wants to be loved for her good qualities, not her dangerous ones. Who wouldn’t?
Trivia notes: (1) The movie Angel and Buffy saw in the teaser is fictitious. (2) Faith’s description of Buffy and Angel as “close but no cigar” seems like a Freudian pun. (3) Faith described the SG as the Super Friends, which was an animated cartoon series from the ‘70s and ‘80s. (3) Buffy described Faith as “making Godot look punctual”. Godot was the friend who never arrived in the play Waiting for Godot. (4) Willow found the Mayor’s files empty because in Doppelgangland she told Faith that she was trying to access them; Faith obviously told the Mayor. (5) “Angelus’s” words to Buffy “Maybe there's still some good deep down inside of me that remembers and loves you.” are nearly an exact quote of what she said to him in Innocence. (6) Writer Doug Petrie compared Angel’s role in this episode to the TV show Wiseguy, which involved an undercover agent who infiltrated the mob. One of the issues that show raised was the extent to which playing such a role leads one to become the part. This helps explain Buffy’s request for a “break”.
Earshot
Those who watch Buffy on DVD get to experience something the TV viewers didn’t: Earshot in the correct order. The originally scheduled air date was the week after the shootings at Columbine High (April 20, 1999), and the network decided that the Earshot storyline was too similar. It eventually aired on September 21, 1999, just before the beginning of S4.
In the comments on Enemies, deidre asked an excellent question which hadn’t occurred to me: how was the season arc affected by the fact that Earshot got skipped? I wish I could remember my thoughts on the season when it first aired, but I don’t. I mostly remember seeing Earshot and thinking that they should have aired it on time because there was nothing in it which would have suggested any “approval” of Columbine.
When I look at it today in context, it seems to me that Earshot contains important elements leading to the season finale. The empathy we see Buffy develop (see below), in particular, strikes me as crucial for understanding both the behavior of her fellow students in The Prom and her own actions in Graduation Day. That said, those of us watching it live must have filled in those blanks because I don’t recall thinking that something important had been left out. That’s a sign that the story arc was strong enough to carry the conclusion.
The irony of the delay is, of course, that the actual message of the episode is diametrically opposite that of the Columbine murders. Not only were no murders shown or even committed, but Buffy stopped them because the telepathy enabled her to empathize with her fellow students. That’s something we all (hopefully) learn to do as we grow up. It’s particularly important for Buffy because being the Slayer tends to isolate her from others, even her friends, and could lead her to stop caring about other people. We get reminded of some of that isolation early in the episode when Willow tells her that “everyone” is going to the basketball game, but Buffy can’t because she has patrolling (i.e., adult responsibilities). The isolation and its potential consequences would be a serious problem for anyone, but could make it eventually impossible to function as the Slayer – why bother to save people if you’re that distant from them?
The telepathy enables Buffy to understand the internal pain of her fellow students, which she describes to Jonathan in the tower. However, it also reinforces Buffy’s isolation, to the point where she “can’t really be around people anymore”. In metaphor, Buffy is isolated precisely because she alone has come to understand the internal lives of her fellow students. The telepathic demons have no mouths because the pain we all experience comes in part from the lack of communication (consistent with the message of Dead Man’s Party).
The subplot works in unison with the main one. Buffy’s concerns about Angel are a specific example of the insecurity her fellow students experience. In her case it’s a matter of jealousy, as we see from the classroom discussion of Othello. Faith preyed on Buffy’s insecurities regarding Angel in Enemies, much as Iago did on those of Othello. The dialogue between Buffy and the teacher describes the way Joss saw Buffy and Faith:
“TEACHER: Jealousy clearly is the tool that Iago uses to undo Othello. But what's his motivation? What reason does Iago give for destroying his superior officer?
***
BUFFY: Well, he, um, he sort of admits himself that his motives are... spurious! He, um, he does things because he, he enjoys them. It's like he's not, he's not really a person. He's a, the dark half of Othello himself.”
Exactly.
In the same way, all the students have their own little Iagos preying on their insecurities: “How can I be her friend now? She doesn't need me.”; “I hate my body. No one is ever gonna love me.”; “Am I normal?”. Buffy realizes that and tells Jonathan: “Every single person down there is ignoring your pain because they're too busy with their own.” Joss describes this insight as “the key to the whole show” (Joss has too many “keys”). Further tying together Buffy’s individual concern with this theme of the episode, Buffy solves her problem with Angel in the same way she solves it with Jonathan: by talking about it.
The ending scene might well win a contest for favorite in the whole series.
Trivia notes: (1) Joss rewrote the classroom scene and changed it to the discussion of Othello. He wanted the scene to relate to Buffy’s situation. (2) In the DVD commentary, Jane Espenson says that “In general, if a line’s really good, it tends to be [Joss’s]. It’s remarkable how many times the writers get complimented on a line and it turns out to be one of Joss’s.” (3) Willow’s interrogation of Jonathan was a deliberate callback to the similar scene in Go Fish. (4) Don’t be puzzled if you were wondering where the bell tower came from. They built it for this episode. (5) Joss also wrote the bell tower scene. (6) Xander’s frantic efforts to prevent anyone from eating the Jello are an homage to the movie Soylent Green.
Choices
With the emphasis I’ve given to the importance of choice in existentialist thought, you should expect that I think an episode with the title Choices will have something significant to say. You’d be right. Faith’s made her choices, Buffy makes choices, Willow makes choices, and all those choices have (or will have) consequences for which they need to take responsibility.
I’ll start with Buffy’s choices because I usually start with Buffy. Buffy made a choice which I think reveals a lot about her values. In the book over to the right of the blog, The Philosophy of Joss Whedon, Joseph Foy and Dean Kowalski argue that while Joss is consistently existentialist on the principle of authenticity, he’s not when it comes to values. I don’t want to get into an overall discussion about values because that’s biting off too much, but I do want to talk about Buffy’s values in one specific situation, namely when she has to choose between a particular individual and a “greater good”. That’s the situation we see in Choices, but it will recur in later episodes so I want to begin the discussion
now.
Buffy chose Willow over destroying the Box of Gavrock. Let’s consider the argument on both sides. Wesley gave the argument against the trade: “This box must be destroyed. … This box is the key to the Mayor's Ascension. Thousands of lives depend on our getting rid of it. … This is the town's best hope of survival. … You'd sacrifice thousands of lives? Your families, your friends?”
Wesley’s argument – sacrifice Willow’s life in order to save the rest of Sunnydale – is an example of what’s called “consequentialist” ethics. As the name implies, it judges the morality of any action by its consequences. In this case, Wesley is saying that the greatest good will come from protecting the citizens of Sunnydale generally, even if Willow has to be sacrificed. While this reasoning is very popular, it also has many critics who condemn it, which we see from the reaction of the SG to his suggestion. Quoting from the link:
“[C]onsequentialism is also criticized for what it seemingly permits — or, more accurately, requires. It seemingly may demand (and thus, of course, permit) that innocents be killed, beaten, lied to, or deprived of material goods to produce greater benefits for others. Consequences — and only consequences — can conceivably justify any kind of act, no matter how harmful it is to some.”
Buffy rejected Wesley’s consequentialist reasoning here. As Buffy will say in a later season, “You can’t fight evil by doing evil.” When the proposed solution is wrong in itself or when it would cause her to act in such a way as to undermine her own character, Buffy will try to find another way even at great personal cost. I should add that she obviously distinguishes between property rights and the rights of human beings. Buffy doesn’t pay much attention to property rights, particularly when the property is owned by the government. The government, of course, doesn’t have “rights” in the “endowed by their Creator” sense of the Declaration of Independence, but it does have property. Buffy and the SG see no problem with hacking the government’s computer system or putting on something more break-and-enterish.
The rights of people, though, are treated very much more respectfully. Buffy’s personal morality – and for an existentialist, that’s the only kind there is – in this particular situation is a form of another major category of ethics called “deontological” ethics (there’s a third category, “virtue ethics”, which I’m not discussing). Roughly speaking, this can be summarized in an old saying: “let justice be done though the world perish” (it sounds better in Latin: Fiat justitia et pereat mundus.). In short, do the right thing and let the consequences take care of themselves; don’t kill one person even to save many.
While existentialists don’t, strictly speaking, need to be either consequentialists or deontologists (and the distinction isn’t always clear), most existentialists adopt a form of deontolgy:
“Deontological theories are also of different kinds, depending on the role they give to general rules. Act- deontological theories maintain that the basic judgments of obligation are all purely particular ones like "In this situation I should do so and so," and that general ones like "We ought always to keep our promises" are unavailable, useless, or at best derivative from particular judgments. Extreme act-deontologists maintain that we can and must see or somehow decide separately in each particular situation what is the right or obligatory thing to do, without appealing to any rules and also without looking to see what will promote the greatest balance of good over evil for oneself or the world. Such a view was … at least suggested by Aristotle when he said that in determining what the golden mean is "the decision rests with perception," and by [Bishop Joseph] Butler when he wrote that if:
‘. . . any plain honest man, before he engages in any course of action, ask himself, “Is this I am going about right, or is it wrong?” . . . I do not in the least doubt but that this question would be answered agreeably to truth and virtue, by almost any fair man in almost any circumstance [without the need to refer to any general rule].’
Today, with an emphasis on ‘decision’ rather than intuition and with an admission of difficulty and anxiety, this is the view of most existentialists.” Cite.
In essence (no pun intended), this form of ethics says “consider the particular case and you’ll know [instinctively?] what the right thing to do is”. The “decisive” and perhaps intuitive nature of this form of ethics comes across when Oz stands up and destroys the pot. He needs no words to convey the point.
If you think back on it, this has been Buffy’s rule before now, and it is certainly the rule she applied here. Consistent with the rule of responsibility, of course, Buffy now owns her decision to trade the Box for Willow. She will be responsible for the consequences.
Buffy’s making another choice as well. She embarked on her journey to adulthood 2 years ago, though she’s hesitated at times along the way. In the scene under the tree she tells Willow, “I'm never getting out of here. I kept thinking if I stopped the Mayor or ... but I was kidding myself. I mean, there is always going to be something. I'm a Sunnydale girl, no other choice.” But Willow sees through this: “I mean, you've been fighting evil here for three years, and I've helped some, and now we're supposed to decide what we want to do with our lives. And I just realized that that's what I want to do. Fight evil, help people. I mean, I-I think it's worth doing. And I don't think you do it because you have to.”
Willow made choices, both in captivity and in deciding to stay in Sunnydale. Her choice to snoop in the Mayor’s office and read the Books of Ascension was certainly the bravest thing Willow has ever done. If she had used her chance to escape, nobody could have criticized her. Of course, while she did gain information by staying, she also gave Faith the opportunity to capture her and for the Mayor to make the trade.
Willow also made the choice to stay in Sunnydale. Not for Buffy, but for the fight against evil. Note what Buffy says in response: “You look at something and you think you know exactly what you're seeing, and then you find out it's something else entirely.” That, folks, is a perfect definition of a metaphor (h/t manwitch). Buffy’s spirit has enlisted for the duration.
As Willow told her – and I think we need to see Willow speaking as Buffy’s spirit here – Faith made her choice as well. When she cast her lot with the Mayor, she gave up her freedom of choice from that point on. She has allowed outside forces to choose for her, which, to existentialists, makes her an object (something in the control of others) rather than a subject (someone who acts on her own). She’s no longer an authentic individual as a result (like the Operative in Firefly/Serenity if you’ve seen that series). That’s what Willow means when she says “now you’re nothing”. Faith isn’t a Slayer, she’s let herself become just a killer, as we see with the courier, including the gruesome use she makes of her knife. I think the look she has in the cafeteria when the Mayor orders her to leave suggests that she actually recognizes this at some level. Sadly, she lacks the courage to back out.
In Willow’s confrontation with Faith, Willow specifically rejected any of Faith’s possible excuses: “You know, it didn't have to be this way. But you made your choice. I know you had a tough life. I know that some people think you had a lot of bad breaks. Well, boo hoo! Poor you. You know, you had a lot more in your life than some people. I mean, you had friends in your life like Buffy. Now you have no one. You were a Slayer and now you're nothing.” In existentialist philosophy you must accept the consequences of all your choices. In fact The Teaching Company, which puts out lectures by college professors on a wide variety of topics, titles the lectures on existentialism “No Excuses: Existentialism and the Meaning of Life”.
I’m not really sure what to make of Xander in this episode. He seems to be making a choice to go on the road rather than attend college, though in fact he doesn’t seem to have any real choice to attend college. His reading material, however, perhaps belies the notion of choice. As I see it, the book he’s reading, On The Road, tells the story of someone who simply drifts while searching for something he never finds. One way to say
it is that “The search for "IT" becomes the unending quest that both Kerouac in his writing, and Paradise [the Kerouac persona in the novel] in his spiritual hunger strive for without ever fully attaining….” Maybe a more sympathetic reader can offer a different suggestion, though Buffy’s sardonic comment about Xander “making the open dumpster your cafeteria” suggests that perhaps Joss is as unimpressed with the book as I am.
Finally, it’s clear that Buffy and Angel have reached the point where they need to make a choice. The Mayor may be evil, but if you’re like me you were nodding along while he was talking in the cafeteria. The scene at the end demonstrates that they knew it too.
Trivia notes: (1) The Mayor’s phrase “faster than you can say Jack Robinson” was dated when I was a kid; if you really want to see the explanation, follow the link. (2) Nancy Drew was the eponymous heroine of a series of detective novels. (3) There is a University of California campus in Santa Barbara, the real world Sunnydale.
The Prom
Looking back on it, I find it hard to believe that I didn’t much care for The Prom when it first aired. Now I love it and can re-watch it whenever I need a feel-good moment. I’m not even sure any more why I wasn’t thrilled with it. Now I see it as Buffy’s just reward.
From Homecoming: “Because this is all I do. This is what my life is. (lowers her head and steps into the room) You couldn't understand. (shrugs) I just thought... Homecoming Queen. (smiles) (Cordelia keeps respectfully silent) I could pick up a yearbook someday and say, I was there. I went to high school, I had friends, and... for one moment, I got to live in the world. (smiles) And there'd be proof. Proof that I was chosen for something other than this.” Buffy gets her “perfect high school moment” here, not because she was a normal girl, but precisely because she was the Slayer.