"No."
"What did you think the hillock was?"
"I can only recall walking right round these gardens once and that was when I first came here. I expect I thought the hillock was a hillock."
McLoughlin didn't believe her. "Don't you go for walks? With the dogs, with your friends?"
She turned her cigarette in her fingers. "Do I look like someone who takes exercise, Sergeant?"
He studied her briefly. "As a matter of fact you do. You're very slim."
"I eat very little, drink only neat spirits and smoke like a chimney. It does wonders for the figure but leaves me gasping for breath halfway up the stairs."
"Don't you help with the gardening?"
She raised an eyebrow. "I'd be a liability. I couldn't tell the difference between a rose-bay willow-herb and a Michaelmas daisy. In any case, when would I find the time? I'm a professional woman. I work all day. We leave the gardening arrangements to Phoebe, that's her province."
He thought of the pot plants in her room. Was she lying again? But why lie about gardening, for Christ's sake? His hand wandered to the uneven stubble on his jaw, touching, testing, fingering. Without warning, a shutter of panic snapped shut in his brain, blanking his memory. Had he shaved? Where had he slept? Had he had breakfast? His eyes glazed and he looked straight through Anne into a darkness beyond her, as of she was in a dimension outside his narrow line of vision.
Her voice was remote. "Are you all right?"
The shutter opened again and left him with the nausea of relief. "Why are you living here, Miss Cattrell?"
"Probably for exactly the same reason you're living in your house. It's as nice a roof over my head as I could find."
"That's hardly an answer. How do you square Streech Grange and its two servants with your conscience? Isn't it rather too-privileged for your taste?" His voice grated with derision.
Anne stubbed out her cigarette. "I simply can't answer that question. It's based on so many false premises that it's entirely hypothetical. Nor, frankly, do I see its relevance."
"Who suggested you come here? Mrs. Maybury?"
"No one. It was my suggestion."
"Why?"
"Because," she repeated patiently, "I thought it would be a nice place to live."
"That's crap," he said angrily.
She smiled. "You're forgetting the sort of woman I am, Sergeant. I have to take my pleasures where I find them. Phoebe wouldn't—couldn't—leave this house to come to London, so I had to come here. It's very simple really."
There was a long silence. "Pleasures don't last," he said softly. The shutter flickered horribly in his brain. " 'Pleasures are like poppies spread, You seize the flower, its bloom is shed; Or like the snow falls in the river, A moment white—then melts forever.' " He spoke the words to himself. There was another silence. "In your case, Miss Cattrell, the price of pleasure would seem to be hypocrisy. That's a high price to pay. Was Mrs. Maybury worth it?"
If he'd turned a knife in her gut, he couldn't have hurt her more. She took refuge in anger. "Let me give you a brief resume of what led up to this line of questioning. Someone, probably Walsh, told you: she's a feminist, a lefty, a member of CND, an ex-Commie, and God knows what other rubbish besides. And you, exulting in your superiority because you're male and heterosexual, leapt at the chance of having a go at me on matters of principle. You're not interested in truth, McLoughlin. The only issue here is whether you and your inflated ego can make a dent in mine and, Jesus," she spat at him, "you're hardly original in that."
He, too, leant forward so that they were facing each other across the desk. "Who are Fred and Molly Phillips?" She was unprepared, as he had known she would be, and she couldn't hide the flash of concern in her eyes. She sat back in her chair and reached for another cigarette. "They work for Phoebe as housekeeper and gardener."
"Mrs. Goode told us you arranged their employment here. How did you find them?"
"I was introduced to them."
"Through your work, through your political contacts? Perhaps penal reform is one of your interests?"
Damn him to hell and back, she thought, he wasn't a complete clod after all. "I'm on the committee of a London-based group for the rehabilitation of ex-prisoners. I met them through that."
She expected triumph and gave him reluctant credit when he didn't show it. "Have they always been called Phillips?"
"No."
"What was their surname?"
"I think you should ask them that."
He passed a weary hand across his face. "Well, of course, I can, Miss Cattrell, and that will simply drag out the agony for everybody. We will find out one way or the other."
She looked out of the window, over his shoulder, to where Phoebe was pinching the dead heads off the roses bordering the drive. She had lost her tension of the previous evening and squatted contentedly in the sun, tongues of flame curling in her shining hair, nimble fingers snapping through the flower stems. Benson sat hotly beside her, Hedges lay panting in the shade of a dwarf rhododendron. The sun's heat, still far from its peak, shimmered above the warm gravel.
" Jefferson," said Anne.
The Sergeant made the connection immediately. "Five years each for the murder of their lodger, Ian Donaghue."
Anne nodded. "Do you know why the sentences were so lenient?"
"Yes, I do. Donaghue buggered and killed their twelve-year-old son. They found him before the police did and hanged him."
She nodded.
"Do you approve of personal vengeance, Miss Cattrell?"
"I sympathise with it."
He smiled suddenly and for a brief moment she thought he looked quite human. "Then at last we've found something we can agree on." He tapped his pencil on the desk. "How well do the Phillipses get on with Mrs. Maybury?"
"Extremely well." Surprisingly, she giggled. "Fred treats her like royalty and Molly treats her like muck. It's a stunning combination."
"I expect they're grateful to her."
"The reverse. I'd say Phoebe is more grateful to them."
"Why? She's given them a new home and employment."
"You see the Grange as it is now but when I moved in nine years ago, Phoebe had been managing on her own for a year. She was shunned by everybody. No one from the village or even Silverborne would work for her. She had to do the gardening, the housework and house maintenance herself and the place was like a tip." A stone lurched sickeningly in her mind as memories struggled to get out. It was the stench of urine, she thought. Everywhere. On the walls, the carpets, the curtains. She would never forget the terrible stench of urine. "Fred and Molly's arrival a couple of months after us changed her life."
McLoughlin stared about the library. There was a good deal that was original, the carved oak bookcases, moulded plaster cornices, the panelled fireplace, but there were other things that were new, the paintwork, a radiator under the window, secondary glazing in white stove-enamel frames, all certainly under ten years old.
"Have the local people changed their attitude to Mrs. Maybury now?"
She followed his gaze. "Not at all. They still won't do any work for her." She flicked ash from her cigarette. "She tries from time to time without success. Silverborne's a dead duck. She's been as far as Winchester and Southampton with the same result. Streech Grange is notorious, Sergeant, but then you already know that, don't you?" She smiled cynically. "They all seem to think they're going to be murdered the minute they set foot in the place. With some justification, it would seem, after yesterday's little discovery."
He jerked his head at the window. "Then who put in the central heating and the double glazing? Fred?"
"Phoebe."
He laughed with genuine amusement "Oh, for God's sake! Look, I know you're on some personal crusade to prove that women are the be-all and end-all, but you can't expect me to swallow that." He got up and strode across to the window. "Have you any idea how much glass like this weighs?" He tapped a pane of the double-glazing and drew the unwelcome attentio
n of Phoebe outside. She looked at him curiously for a moment then, seeing him turn away, resumed her gardening. He came back to his chair. "She couldn't begin to lift it, let alone set it professionally in its frame. It would need at least two men, if not three."
"Or three women," said Anne, unmoved by his outburst. "We all lend a hand with the lifting. There are five of us after all, eight on the weekends when the children come home."
"Eight?" he queried sharply. "I thought there were only two children."
"Three. There's Elizabeth, Diana's daughter, as well."
McLoughlin ruffled his fingers through his hair, leaving a dark crest pointing towards the ceiling. "She never mentioned a daughter," he said sourly, wondering what other surprises lay in store.
"You probably didn't ask her."
He ignored this. "You said Mrs. Maybury also did the central heating. How?"
"The same way plumbers do it, presumably. I remember she favoured capillary joints so there was a lot of wire wool involved and flux and soldering equipment. There were also numerous lengths of fifteen- and twenty-two-millimetre copper piping lieing around. She hired a pipe-bending machine for several weeks with different sized preformers to make S-bends and right angles. I got a damned good article on women and DIY out of it."
He shook his head. "Who showed her how to do it? Who connected up the boiler?"
"She did." She was amused by his expression. "She got a book from the library. It told her exactly what to do."
Andy McLoughlin was intensely sceptical. In his experience, a woman who could connect a central-heating boiler simply didn't exist. His mother, who held unenlightened ideas about a woman's place in the home, rooted herself firmly in the kitchen, scrubbed and cleaned, washed and cooked and refused adamantly even to learn how to change an electric plug, maintaining it was man's work. His wife, who by contrast had claimed enlightened ideas, had enrolled as a temporary secretary and called herself a career woman. In reality she had idled her days away, painting her nails, playing with her hair, complaining constantly of boredom but doing nothing about it. She had reserved her energies for when her husband came home, unleashing them in a fury of recriminations over his long hours of work, his neglect of her, his failure to notice her appearance, his inability to be the admiring prop her insecure personality demanded. The irony was that he had been attracted to her in the first place because his mother's kitchen mentality appalled him and yet, of the two of them, his mother had the brightest intellect. He had come away from both relationships with a sense, not of his own inadequacy, but of theirs. He had looked for equality and found only an irritating dependence.
"What else has she done?" he demanded curtly, eyeing the professional finish on the rag-rolled emulsion. "The decorating?"
"No, that's mostly Diana's work, though we've all lent a hand. Di's also done the upholstery and curtaining. What else has Phoebe done?" She thought for a moment. "She's rewired the house, made two extra bathrooms and put up the stud partitions between our wings and the main body. At the moment, she and Fred are working out how best to tackle a complete overhaul of the roof." She felt the weight of his scepticism and shrugged. "She's not trying to prove anything, Sergeant, nor am I by telling you. Phoebe's done what everyone else does and has adapted herself to the situation she finds herself in. She's a fighter. She's not the type to throw in her hand when the cards go against her."
He thought of his own circumstances. Loneliness frightened him.
"Were you and Mrs. Goode worried about Mrs. Maybury's mental condition after twelve months alone in this house? Was that your real reason for moving here?"
Could reality be quantified, Anne wondered, any more than truth? To say yes to such a question from such a man would be a betrayal. His capacity for understanding was confined by his prejudices. "No, Sergeant," she lied. "Diana and I have never had a moment's concern over Phoebe's mental condition, as you put it. She's a good deal more stable than you are, for example."
His eyes narrowed angrily. "You're a psychiatrist, are you, Miss Cattrell?"
"Put it this way," she said, leaning forward and studying him coolly. "I can always recognise a chronic drink problem when I see one."
The speed with which his hand shot out and gripped her throat was staggering. He pulled her relentlessly towards him across the desk, his fingers biting into her flesh, a tumult of confused emotions governing his actions. The kiss, if the brutal penetration of another's mouth can be called a kiss, was as unplanned as the assault. He released her abruptly and stared at the red weals on her neck. A cold sweat drenched his back as he realised how vulnerable he had made himself. "I don't know why I did that," he said. "I'm sorry." But he knew that under the same circumstances he would do it again. At last he felt revenged.
She wiped his saliva from her'mouth and pulled her shirt collar up round her neck. "Did you want to ask me anything else?" She spoke as if nothing had happened.
He shook his head. "Not at the present." He watched her stand up. "You can report me for that, Miss Cattrell."
"Of course."
"I don't know why I did it," he said again.
"I do," she said. "Because you're an inadequate little shit."
Chapter 9
Sergeant Nick Robinson looked up and saw with relief that he had only two more houses to do before he reached the pub. Off to his right rose the hill which passed Streech Grange gates; behind him, some miles distant, lay Winchester; ahead of him, the brick wall which surrounded the southern flank of the Grange Estate hugged the road to East Deller. He checked his watch. It was ten minutes to opening time and he could murder a pint. If there was one thing he loathed, it was door-to-door questioning. With a lighter step he walked up the short drive to Clementine Cottage and—he checked his list—Mrs. Amy Ledbetter. He rang the bell.
After some minutes and the laborious rattle of an anti-burglar chain, the door opened six inches. A pair of bright eyes examined him. "Yes?"
He held out his identification. "Police, Mrs. Ledbetter."
The card was taken by an arthritically deformed hand and disappeared inside. "Wait there, please," said her voice. "I intend to phone the Police Station and make sure you are who you say you are."
"Very well." He leaned against the side of her porch and lit a cigarette. This was the third telephoned check on him in two hours. He wondered if the uniformed constables were having as much trouble as he was.
Three minutes later the door opened wide and Mrs. Ledbetter gestured him into the living-room. She was well into her seventies with a leathery skin and a no-nonsense look about her. She returned his warrant and told him to take a seat. "There's an ashtray on the table. Well, Sergeant, what can I do for you?"
No need to beat about the bush with this old bat, he thought. Not like her twee little neighbour who claimed that to hear about murder on the television gave her palpitations. "The remains of a murdered man were discovered in the garden of the Grange yesterday afternoon," he said baldly. "We're making enquiries to see if anyone in the village knows anything about it."
"Oh, no," said Amy Ledbetter. "Poor Phoebe."
DS Robinson looked at her with interest. This was a reaction he hadn't met with before. The mood of the other villagers he had spoken to had been one of vituperative satisfaction.
"Would it surprise you," he asked the old lady, "if I said you're the only person so far who's expressed any sympathy for Mrs. Maybury?"
She wrinkled her lips into a moue of disgust. "Of course it wouldn't. The lack of intelligence in this community is staggering. I'd have moved away years ago if I wasn't so fond of my garden. I suppose it's David's body?"
"We don't know yet."
"I see." She considered him thoughtfully. "Well, fire away. What do you want to ask me?"
"Do you know Mrs. Maybury well?"
"I've known her all her life. Gerald Gallagher, Phoebe's father, and my husband were old friends. I used to see a lot of her when she was younger and my husband was still alive."
<
br /> "And now?"
She frowned. "No, I see very little of her now. My fault." She raised one of her gnarled hands. "Arthritis is the devil. It's more comfortable to stay at home and potter than go out paying calls and it makes you irritable. I was very short with her last time she came to see me and she hasn't been back since. That was about twelve months ago. My fault," she said again.
Game old bird, he thought, and probably more reliable than the others he'd talked to who had dealt in innuendo and gossip. "Do you know anything about her two friends, Mrs. Goode and Miss Cattrell?"
"I've met them, knew them quite well at one time. Phoebe used to bring them home from school. Nice girls, interesting, full of character."
Robinson consulted his notebook. "One of the villagers told me—" he looked up briefly—"and I quote: 'Those women are dangerous. They have made several attempts to seduce girls in the village, they even tried to get my daughter to join one of their lesbian orgies.' " He looked up again. "Do you know anything about that?"
She brushed a stray hair from her forehead with the back of her curled hand. "Dilys Barnes, I suppose. She won't thank you for describing her as a villager. She's a shocking snob, likes to think she's one of us."
He was intrigued. "How did you know?"
"That it was Dilys? Because she's a very silly woman who tells lies. It's lack of breeding, of course. That type will do anything to avoid being laughed at. They've ruined their children with all their snobbish ideas. They sent the boy off to public school, and he's come back with a chip on his. shoulder the size of a mountain. And the daughter, Emma," she pulled a wry face. "I'm afraid poor little Emma has become very loose. I think it's her way of getting back at her mother."
"I see," he said, completely lost.
She chuckled at his expression. "She copulates in the woods at Streech Grange," she explained. "It's a favourite spot for it." She chuckled again as the Sergeant's mouth dropped open. "Emma was seen sneaking out of the grounds late one night and the story her mother put about the next day was that absurd one she's repeated to you." She shook her head. "It's nonsense, of course, and no one really believes it, but they pay lip-service to it because they don't like Phoebe. And she's her own worst enemy. She will let them see how much she despises them. That's always a mistake. Anyway, ask Emma. She's not a bad girl. If you keep what she says confidential, she'll tell you the truth I expect."
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