As she imagined herself talking to Peter Cecil, she knew that many things would not have to be said at all, as they don’t between people from the same country, no matter how divided about certain things. (Like politics!)
But what did he want to know? Alice could not remember what had been said yesterday. Her memory was a blank except that he had asked about Andrew. (Andrew Connors? Well, why not, perhaps he really was Connors.) But what had she said? Had anything been said? No, she was sure not, everything had been so rushed, she had been in a fever, she had only wanted to get off as fast as she could. The matériel? No, was it likely she would mention that? Of course she hadn’t!
She sat on, cold, tense, frightened, trying to remember, while at the same time, the thought, He is English, was coming to her rescue. She was struggling to make her memory come to heel, to give up what it should, while she thought, He is English, he will understand.
Oh yes, Alice did know that she forgot things, but not how badly, or how often. When her mind started to dazzle and to puzzle, frantically trying to lay hold of something stable, then she always at once allowed herself—as she did now—to slide back into her childhood, where she dwelt pleasurably on some scene or other that she had smoothed and polished and painted over and over again with fresh colour until it was like walking into a story that began, “Once upon a time there was a little girl called Alice, with her mother, Dorothy. One morning Alice was in the kitchen with Dorothy, who was making her favourite pudding, apple with cinnamon and brown sugar and sour cream, and little Alice said, ‘Mummy, I am a good girl, aren’t I?’ ”
But today her mind would not stay in this dream, or story; it insisted on coming back into the present, away from her mother, who was finally repudiating Alice because of the bombing.
Alice sat quietly on, while time passed, carrying her towards lunch and Peter Cecil. She was very anxious, and the pit of her stomach hurt, and her heart thudded painfully.
There was no need to tell Peter Cecil anything about it. Why should she? Perhaps she would say a little about Andrew. It would not harm Andrew: she did not even know where he was. “Andrew Connors?” she would say. “Yes, he said he was an American. He sometimes visited the house next door; he was in love with a girl who lived there then, I’ve forgotten her name. And that’s all I know, really.”
They would have a nice lunch. Perhaps he would even turn out to be a friend, like Andrew. After all, she counted Andrew as a friend, though she did not now think as well of him as she had. There were always decent people, even among reactionaries. She remembered some comrade or other, saying somewhere or other—in Birmingham, was it? in the Manchester squat?—that it was primitive Marxism to think that as individuals every member of a ruling class was bad. She would just have to watch her tongue; it would be all right. Just have to be careful—and trust to inspiration. It was silly sitting here worrying about what to say; she always did know, when the time came, how to handle things.
And that went for Gordon O’Leary, too.… But as she thought about him, Alice felt the anxiety in her stomach becoming a sharp, almost unbearable pain. Oh, shit, she had just understood she must be careful not to mention Gordon to Peter Cecil, or to let Peter Cecil come anywhere near this house after lunch. Never mind, she was sure she could manage that. She would first handle Peter Cecil, and then Gordon O’Leary. But—she suddenly thought—why should she meet Gordon at all? After lunch, she could simply go off for a walk somewhere, and not come back to this house till later. No, that would only be postponing the problem. She would come back in good time from the restaurant, saying good-bye to Peter Cecil there, and pin a note on the door saying … No, there couldn’t be a note: the neighbours would see it and come to investigate. Much better let everyone think that things were going on normally for as long as possible; and that was why it was a good thing they would at least see her going in and out.
When she got back from the restaurant she would lock the doors and windows—there was only one window that didn’t lock, and she would nail it down, now, before she went off—and she would go right up to the top of the house and into the attic, and put a weight on the trap door so that no one could come up into it. Even if Gordon O’Leary got into the house somehow—and he would hardly want to be seen breaking into a house in full daylight—he would not know you could get up into the attic; why should he?
This detailed planning and arranging was making her feel better. It was what she was good at: she felt in command of everything again, and her painful stomach was easing, and she was breathing more quietly.
She was actually looking forward to the meal with Peter Cecil!
Smiling gently, a mug of very strong sweet tea in her hand, looking this morning like a nine-year-old girl who has had, perhaps, a bad dream, the poor baby sat waiting for it to be time to go out and meet the professionals.
ALSO BY DORIS LLESSING
THE SUMMER BEFORE THE DARK
As the summer begins, Kate Brown—attractive, intelligent, forty-five, happily enough married with a house in the London suburbs and three grown children—has no reason to expect anything will change. But when the summer ends, the woman she was—living behind a protective camouflage of feminine charm and caring—no longer exists. This novel, Doris Lessing’s brilliant excursion into the terrifying stretch of time between youth and old age, is her journey: from London to Turkey to Spain, from husband to lover to madness; on the road to a frightening new independence and a confrontation with self that lets her, finally, come truly of age.
Fiction/978–0-394-71095-2
THE FIFTH CHILD
In the unconstrained atmosphere of England in the late 1960s, Harriet and David Lovatt, an upper-middle-class couple, face a frightening vicissitude. As the days’ events take a dark and ugly turn nearing apocalyptic intensity, the Lovatts’ guarded contentedness and view of the world as a benign place are forever shattered by the violent birth of their fifth child: Ben, monstrous in appearance, insatiably hungry, abnormally strong, demanding, brutal.
Fiction/Literature/978-0-679-72182-6
BRIEFING FOR A DESCENT INTO HELL
A fascinating look inside the mind of a man who is supposedly “mad.” Professor Charles Watkins of Cambridge University is a patient at a mental hospital where the doctors try to bring his mind under control by increasing his drugs. But Watkins has embarked on a tremendous psychological adventure where, after spinning endlessly on a raft in the Atlantic, he lands on a tropical island inhabited by strange creatures with strange customs. Later, he is carried off on a cosmic journey into space.
Fiction/978-1-4000-7726-7
SHIKASTA
This is the first volume in the series of novels Doris Lessing calls collectively Canopus in Argos: Archives. Presented as a compilation of documents, reports, letters, speeches and journal entries, this purports to be a general study of the planet Shikasta—clearly the planet Earth—to be used by history students of the higher planet Canopus and to be stored in the Canopian archives. Johor, an emissary from Canopus and the primary contributor to the archives, visits Shikasta over the millennia from the time of the giants and the biblical great flood up to the present. With every visit he tries to distract Shikastans from the evil influences of the planet Shammat but notes with dismay the evergrowing chaos and destruction of Shikasta as its people hurl themselves toward World War III and annihilation.
Fiction/978-0-394-74977-8
MEMOIRS OF A SURVIVOR
In a beleaguered city where rats and roving gangs terrorize the streets, where government has broken down and meaningless violence holds sway, a woman—middle-aged and middle-class—is brought a twelve-year-old girl and told that it is her responsibility to raise the child. The book, which the author has called “an attempt at autobiography,” is that woman’s journal—a glimpse of a future only slightly more horrendous than our present, and of the forces that alone can save us from total destruction.
Fiction/978-0-394-75759-9
ALSO AVAI
LABLE:
Stories, 978-0-394-74249-6
VINTAGE BOOKS
Available at your local bookstore, or visit
www.randomhouse.com
The Good Terrorist Page 43