Then there was the issue of Nick’s “breaking” of the Bristol, Tennessee, speedway armored car robbery a year ago, in which, allegedly, the special agent had penetrated a violent mob, interdicted and destroyed a robbery attempt in progress, kept civilian casualties to a minimum, and apprehended the bad guys, all of whom now languished either in prison or in the graveyard (six had been killed).
But even that heroism, in Banjax’s telling, had its downside. Some sources gave all the credit to an unidentified FBI undercover operative who had done the actual penetrating and gunfighting. Nick had come along late and taken that man’s credit—so unfair to the unknown hero, who couldn’t be ID’d even now as, quite possibly, he was undercover in another caper. And looked at carefully, the episode itself had a sloppiness to it that made its ultimately happy disposition seem somewhat arbitrary, if not out-and-out lucky. If the conspiracy had been penetrated, why did the feds wait until the robbery itself to spring the trap? There were hundreds of shots fired at the jam-packed Motor Speedway venue, and only by the grace of God did they not kill or maim anyone. The public safety emergency also cost local law enforcement millions of dollars (to say nothing of the trauma of the wounds to several of its officers, plus the cost in medical and recovery expenses); couldn’t that have been avoided? It was also alleged by some, bitter at the Bureau’s high-handed treatment of the locals, that the real object of the Bureau’s enterprise, a professional killer who used the automobile as his weapon of choice, had escaped and still roamed the world, free as a bird. And finally there was the issue of a helicopter, shot down by an FBI sniper under Nick’s command. Again, only luck, or so it was charged, prevented a catastrophe; that crippled aircraft could have fallen from the sky onto a home or a bus or a school or a hospital just as easily as it fell upon the empty seats of the Bristol Motor Speedway, resulting in the capture of the pilot and all the personnel of the Grumley gang. Why didn’t Nick have to answer that?
Still another day, Banjax reached and interviewed one Howard D. Utey, former agent in charge of the Bureau’s New Orleans office, who’d also been Nick’s supervisor during the bungled attempt in Tulsa. Utey, now a professor of public safety and police science at a community college in Ohio, told how Nick’s poor judgment resulted in the botched shot in Tulsa and the escape of a wanted fugitive later in New Orleans during the furor over the assassination of a Salvadoran bishop, an event never really satisfactorily explained and occasionally brought up by enterprising reporters in search of an easy, sensational feature.
In short, Nick was emerging as the kind of bad-penny agent who had had a hand in a lot of disasters and yet, somehow, kept his career marching ahead, as if supported by men in high places with a secret agenda.
It was on just such a day when Ron Fields, Nick’s ever-more-grumpy number two, sat alone in the Cosi’s on I street, just down from the Hoover fortress, nibbling disconsolately at some garish salad concoction, when he looked up to see someone vectoring in on him with a raptor’s hunger. It was the girl agent, Jean Chandler, his partner in the raid on Carl Hitchcock’s abode that had broken the case wide open, or so they’d thought, weeks ago. He didn’t want to talk to her. He was depressed, he had a headache and a long afternoon ahead, and Nick had seemed even more uncommunicative that morning. Plus, spontaneous meetings between old stars like him and newbies like her were to be avoided, for a lot of reasons: he didn’t want it said he was mentoring her, which would mean he was ignoring the other juniors; still worse, he didn’t want rumors of an extra-hours connection, much less a sexual liaison, which scuttled careers fast in the Bureau’s puritanical halls. But at the same time he couldn’t be rude.
“Starling,” he said, nodding, “imagine seeing you here.”
“Isn’t this a little low-rent for a hotshot like the great Fields?” she said, somewhat insouciantly, for the AIC/SA relationship was an extremely tricky one, part colonel/lieutenant, part Hemingway/Mailer, part Jeter/Cabrera, part Conan/Andy.
He smiled tightly.
“I usually eat in the cafeteria,” he said. “It keeps me humble, which is hard given my natural state of magnificence.”
“Look, Special—”
“You can call me Ron, Starling, at least out of the office. We raided together, we’ve sat twenty-five feet apart in the same office for the past six weeks, despite the glass wall between, and I mean that literally not metaphorically, as I’m sure I’ll be working for you shortly, and we’ve worked the same endless hours. So I won’t wreck my career if I’m seen talking to you.”
She slid in.
“It’s said you’ve already wrecked it by hanging on with Nick. You could have gone to the director and unloaded on Nick. You could have watched as they sacked him and, if you played your cards right, replaced him.”
“Anyone can succeed by betrayal,” said Fields. “It’s time-honored, a beloved Washington tradition. I’m trying to do it the old-fashioned way, through ass kissing and dumb obedience. I do tricks. I’m the Lassie of the FBI, haven’t you heard? Now, I have to say, I have a suspicion you didn’t follow me for the classy banter; you’re here for a purpose. I’m a detective; even I could figure that out.”
“I wanted to talk about Nick.”
“You mean ‘Poor Nick.’ ”
“He is getting royally screwed. They say he’s finished and he’ll take you with him. Maybe me. Now, I don’t matter, because nobody’s shot at me yet, but you and he have been shot at a lot, and it’s no good that you guys get taken down in some political influence shitstorm.”
Fields made a show of being not impressed by her passion.
“That’s the way it goes in this town. He’s fighting the power: you got lobbyists for big rich, you got three departments who want to hang a ‘case closed’ sign on it and walk away, and you got the press. Those are tough odds. And in the end, we serve at the whim of the director. So far, he’s holding fast, but yeah, the pressure is mounting. If he decides to cut us free, wave goodbye as we drift out to the horizon, that’s the town. You have to get used to it.”
“I wish I could.”
“Seriously, you’ve done good work. Let me look around and see if I can place you somewhere. Oh, I know—in Fairbanks, going after Sarah Palin’s daughter for breaking curfew. How about the pirate porno squad, you know, enforcing those ‘fines up to $250,000’ for illegal showings of Debbie Does Dallas 32?”
“No, I don’t want to leave. I want to get this guy, whoever he is, Carl Hitchcock or not. I want to put him away. Or kill him. Maybe he’s one of the names in the notebook we haven’t cleared yet. I’d like to be there when he goes down.”
“Me too. That’s why I’m sticking.”
“Here’s what I’m asking: why can’t we do something? Do we just have to take it? Can’t we find our reporter? Who’ll tell our side and make Nick look good?”
“You’re so young, Starling. You must actually believe in justice or something fantastic like that.”
“I do.”
“Let me tell you what’s going on, and why this one is so touchy. We are fighting the narrative. You do not fight the narrative. The narrative will destroy you. The narrative is all-powerful. The narrative rules. It rules us, it rules Washington, it rules everything. Now ask me, ‘What is the narrative?’ ”
“What is the narrative?”
“The narrative is the set of assumptions the press believes in, possibly without even knowing that it believes in them. It’s so powerful because it’s unconscious. It’s not like they get together every morning and decide ‘These are the lies we tell today.’ No, that would be too crude and honest. Rather, it’s a set of casual, nonrigorous assumptions about a reality they’ve never really experienced that’s arranged in such a way as to reinforce their best and most ideal presumptions about themselves and their importance to the system and the way they’ve chosen to live their lives. It’s a way of arranging things a certain way that they all believe in without ever really addressing carefully. It permeates their whole
culture. They know, for example, that Bush is a moron and Obama a saint. They know communism was a phony threat cooked up by right-wing cranks as a way to leverage power to the executive. They know Saddam didn’t have weapons of mass destruction, the response to Katrina was fucked up, torture never works, and mad Vietnam sniper Carl Hitchcock killed the saintly peace demonstrators. Cheney’s a devil, Biden’s a genius. Soft power good, hard power bad. Forgiveness excellent, punishment counterproductive, capital punishment a sin. See, Nick’s fighting the narrative. He’s going against the story, and the story was somewhat suspiciously concocted exactly to their prejudices, just as Jayson Blair’s made-up stories and Dan Rather’s Air National Guard documents were. And the narrative is the bedrock of their culture, the keystone of their faith, the altar of their church. They don’t even know they’re true believers, because in theory they despise the true believer in anything. But they will absolutely de-frackin’-stroy anybody who makes them question all that, and Nick had the temerity to do so, even if he didn’t quite realize it at the time. That’s why, led by brother Banjax and whoever is slipping him data, they have to destroy Nick. I don’t know who or what’s behind it, but I do know this: they have all the cards, and if you play in that game, they will destroy you too.”
“Why can’t we simply destroy the narrative?”
“Starling, it’s everywhere. It’s all things. It’s permanent. It’s beyond. It’s beneath. It’s above. It’s in the air, the music, the furniture, the DNA, the blood, if these assholes had blood.”
“I say, ‘Destroy the narrative.’ ”
“I say, ‘You will yourself be destroyed.’ ”
She achieved a particularly cute and fetchingly petulant look, so totally charming that he fell in love with her until he remembered he had a wife and three kids.
“So you think it’s hopeless?” she asked.
“Starling—Agent Chandler, Jean, Jean, that’s it, right? Jean, listen, you do not want to get involved with these birds. They are smart and in their way they are ruthless; they will smile at you and charm you and look you in the eye, and for something they believe is the Truth, they will cut your heart out and let you bleed out in the sun. You do not need that. You have a bright future in a job you were meant to do, and if Nick gets the ax and if I get the second ax, that’s the way the ax falls. You go on with your career and put a lot of bad guys away and don’t get hung up in this stinking town. Nick’s gone, sad to say; I guess I am too, sad to say. You do not owe us a thing; you owe that cornball lady with the blindfold and the weighing pans in her mitt. She’s the one you owe, not us. I say again, old goat to young babe, do not get involved in this. It can only destroy you.”
“If we could somehow find its weaknesses. It must have weaknesses. In its very arrogance, there have to be weaknesses. We can’t just—”
“It can only destroy you. This is Dead Man Talking: it can only destroy you.”
6
From the Franklin Park warehouse, they took Mannheim to the Eisenhower and headed east in light, late traffic toward downtown, which loomed ahead like some glittery city of the future, idealized by darkness and dramatic lighting. On either side of the highway, the dreary flats of west Chicago told a different story.
Then Washington left the expressway, taking the South Pulaski exit, heading toward the precinct house on the South Side. He cut diagonally across the grimmer parts of the city, stop-and-go all the way, through old neighborhoods, under the el tracks, down old Chicago boulevards, because like all cops he knew the secret, speedy rivers in the city’s traffic map. Finally he settled on South Kedzie as he found less traffic and gunned toward the South Side, which lay beyond the Adlai Stevenson Expressway ahead.
As they drove through the night streets of Chicago, Bob told Denny Washington the strange and twisted story of Ward Bonson, naval intelligence star, brokerage king, CIA executive, and Russian mole, and how he, Bob, had tracked him through the deaths of Donnie Fenn, his wife’s first husband, and Trig Carter, prince of peace. How it had finally, so many years later, become time to hunt for Donnie and Trig’s killer; how he had tracked Bonson and left him smeared on a wall in a Baltimore warehouse.
“Whoa, Jesus. Man, you are a player. I had no idea you were anything but a broken-down NCO,” said Denny. “That is all right, Jack. Swagger, sniper, operator, counterintel genius, world-class detective, outsmarting the professionals.”
“I ain’t no genius. I just had the motivation. In his way, he killed Donnie. So Donnie didn’t die in the Vietnam war, he died in some spy game that this motherfucker and his clown brothers dreamed up. I tracked down Donnie’s killer and turned him to splatters. Justice don’t come often, but now and then it shows up for a second or two, helped along by a good trigger finger.”
“Okay, Gunny. You tell me now what to do. We’ll get this thing figured out and between the two of us, we’ll run these fucks to earth, I swear. I’m on your team from here on in.”
“You’re a good man, Denny. Few enough of you guys left, sad to say. Nick’s another and they’re trying to ruin him. Anyhow, here’s what I see. This letter,”—still untouched by anything except fingers clothed in rubber gloves, now bagged and marked as Chicago Police evidence exhibit no. 114 and riding inside Bob’s pocket—“is a coded message. It’s an instruction from a Soviet agent, Ward Bonson, to Ozzie Harris, who was either a subagent or some kind of sympathetic freelancer or agent of influence under Bonson’s area of responsibility. I guess they got to know each other in Washington in the late sixties, when both were involved heavily in the antiwar movement, though from different sides. But it turned out they were on the same team. So somehow in 1972, Bonson sends Ozzie this letter, possibly in response to a letter from Harris. I’m guessing it’s the book code, which means it’s indexed to something easy to come by but impossible to penetrate if you don’t have the key. It has to be the New York Stock Exchange results for the date of the letter. They ran in every newspaper in America, and Harris would have no trouble getting them. So we have to find them, and run each of Bonson’s recommended stocks down. Maybe it’s as simple as first letter, maybe it’s a progression of letters, maybe it’s last letter; anyway, it has to be fairly simple. So we decode it. Maybe it refers to this thing, maybe it refers to someone like Jack and Mitzi. Then we’ll see where we are.”
“That’s good,” said Denny, “but we have to keep it in evidence. I’ve already risked chain of custody with it by removing it, but I want to get to the station, log it in to evidence in the minimum amount of time—since we logged out of Unclaimed Property at 11:04, I can get it logged in by midnight; I think that’ll stand up to any court scrutiny—then you can work on it at the police station in the duty room. There’s a computer terminal—”
“I’m sure I can dig up the stock listings from that date somehow, even if I have to buy an old copy of a newspaper—”
“Oh, I’m liking it.”
“Then, if it’s something we can use, I can call Nick and we bring in the Bureau.”
“And if you can’t reach Nick, tell you what. I’m friends with a real good county prosecutor. This is a Chicago homicide, after all. These are Chicago people they gunned down. We’ll run it by Jerry and maybe he’ll take on the case. It sounds like it could go big if it’s played right, and he’d know how to play it right.”
Up ahead, Bob saw the brown mercury vapor light of the entrance to the Stevenson Expressway, a little Jetsons architecture here in the derelict section of Chicago, a construction built of concrete and machine corruption. A green sign pointed to Gary and Indianapolis, but Washington hummed ahead. The car slid under the overpass, then found itself in traffic, and came to another overhead, the ancient trusses and rivets of an el station. Rain had begun to fall lightly, scattering the light points ahead into glittery red-green stars.
“Good thinking,” said Bob.
“Oh, and one other thing,” said Washington, slowing as a light went suddenly to yellow and he knew he wouldn’t make
it, while another car suddenly slid by on the left, also halting. “There’s also a possibility—”
The first bullet, passing through windshield, smeared a quicksilver maze of fractures and hit Washington in the eye, destroying it, blowing his head backward and filling the air with arterial spray.
26
Tino was the driver, Rat the shooter. Both were good at their jobs. In their midtwenties, handsome, amply tattooed, muscular, scarred, well dressed, with beautiful teeth and glossy rolls of oiled black hair, they’d come up through the Almighty Latin Kings, South Lawndale division, at one time ruling the gang’s heaviest hitters, known as the Chi-town Two Fours for their locality, which was Twenty-fourth and Drake. But the two were ambitious, without scruple, cunning and hungry, a dangerous combination. Their reputations approaching legend in gang-related street violence, they knew that the gang universe had its limits; they made a contact with a guy who knew a guy who knew a guy in the outfit, and they segued into the occasional mob hit.
It was quick, clean stuff. Tino tracked the vic, cut him off, and Rat put him down, car to car, usually a subgun, sometimes a shorty twelve. Tino was good with cars, had a genius-level reflex time, while Rat had that hand-eye thing in spades, which meant if he saw it, he put lead in it, fast. They didn’t make mistakes, they didn’t leave witnesses, and the payoffs were surprisingly generous. They hit debtors, they hit strong-arm boys, they hit witnesses, they hit Insane Maniac Disciples who’d crossed the line, they even hit a cop or two. They rapidly became known as the best in Windy, and were thinking about taking their talents nationwide, maybe flying around for guest-starring spots in wired towns like Miami, Cleveland, Detroit, even New York, though of course LA was the real center of the world as far as they were concerned, but they’d have to work out something with MS-13 before they went partying in that town. They knew you do not fuck around on MS-13 turf without MS-13 permission up front, or those crazy fucking Salvadorans will stick pliers up your anus and pull your entrails out through it an inch at a time for a very, very long weekend’s worth of dying.
A Bob Lee Swagger eBook Boxed Set: I, Sniper, Night of Thunder, 47th Samurai Page 81