“Doubtful.”
She turned and left, hustling with efficiency and purpose. She hadn’t let this thing throw her off one iota and believed that Nick would, as usual, triumph in the end.
He lay there, heard the door slam, the garage door rise, her Volvo ease out as the reporters reluctantly made room, and then she sped off.
Lord God, thought Nick, looking at the now swollen mass camped in the front yard of his home, where they crushed grass to mud, left McDonald’s cups and wrappings everywhere, and annoyed the hell out of the neighbors, though nothing was said, as all of them worked themselves for the gov and knew this sort of thing happened every once in a while. It was what you got for pursuing a career in the town of power.
Nick stumbled into the bathroom, decided to shave for the first time in three days, showered, then climbed into blue jeans, New Balance hikers, and his favorite University of Virginia hoodie. His glasses were where he’d left them, which happened about twice a month; usually the strange men who came in and moved his clothes around in the dark did the same for his glasses. He made it downstairs, turned on the pot she always left prepared, and in a few seconds had himself a nice cup of joe, dead black and steaming, while he watched the news, which didn’t, for once, picture him and bring out breathless updates. These guys outside, they were ahead of the curve then, while local TV was behind or couldn’t get its stand-ups into position quickly enough.
He thought he might let ’em stew; he thought he might go online and read the papers and get the info that way, but after a while, it seemed sort of pointless. He got up, went to the front door—no jog today, too many morons on the front steps—and opened up.
“Nick, Nick, what do you have to say about the Times’s photo?”
“Nick, were you there? Did you let them pay your way? Why didn’t you tell us?”
“Nick, did you just forget about the photo somehow? It slipped your mind or something?”
“Nick, are you going to resign today? Save the Bureau the trouble of putting together charges against you, going through the whole charade, a hearing, that kind of thing?”
“Nick, have you talked to your lawyer yet?”
“Nick, is this like the classic Greek thing, where a mighty hero makes some errors in judgment out of a sense of entitlement and—”
Nick held up his hands, and near-silence briefly alighted on the mob.
“You guys, I can’t comment, I don’t know what the hell you’re even talking about. And no, I haven’t talked to my lawyer because I don’t have one.”
“You’re going to need one now,” it seemed a dozen people said at once, and somehow a copy of the morning’s Times was located, expressed hand-by-hand through the mob, and presented to Nick, who looked into his own face, kneeling, surrounded by two guys said to be FN reps, holding a rifle and looking at a group he’d just shot. It had a terrible familiarity to it but it touched nothing coherent enough to be called a memory.
photo shows fbi agent at gun company, said the headline.
There was—it was the Times, after all—a subhead: “Evidence disputes Memphis’ claim to ‘no prior involvement’ with Belgian firm.”
The byline, of course, was that of David Banjax. The story began,
The New York Times has obtained and authenticated by laboratory examination a photograph showing beleaguered FBI special agent Nicholas M. Memphis at a shooting range owned by a Belgian armsmaker after having tested a new rifle for consideration by the Bureau’s SWAT teams, in contravention of Bureau rules.
Charges have been raised that Memphis, whose stewardship of the famous ‘Peacenik Sniper’ investigation has been called into question, inappropriately attended gun firm functions as the federal investigative agency prepares to decide on a multimillion-dollar sniper rifle contract.
The photograph, which was obtained by the Times’s Washington Bureau, depicts Memphis kneeling with two executives of FN, an international arms company headquartered in Brussels, Belgium. Memphis is displaying a target he has just tested the rifle on, the new FN PSR model, which is to be included in upcoming FBI sniper rifle trials, the winner of which stands to gain not only the agency contract but commercial advantages throughout the world.
“Whoever wins that contract,” said Milton Fieldbrou of EyeOnGovernment.com, a think tank that keeps track of government procurement and its commercial implications beyond the actual monies, “will have a PR bonanza that could spell survival in the troubled firearms industry.”
FBI regulations specifically forbid employees to attend industry sales events, particularly at industry expense, and despite documents that seemed to suggest Mr. Memphis had traveled to the Columbia, S.C., headquarters of FN USA, he has denied any involvement with the company.
Oh Christ, he thought. This is what my good pal and drinking buddy Bill Fedders was warning me about. Not warning. Just telling me to hang on, I was about to get creamed.
He looked at the photo and half-believed he’d been in Columbia, South Carolina, for a second. Who wouldn’t believe it? And how do you prove a negative, in the face of visual evidence so compelling? And who were the two grinners on either side of him? And how the hell had he shot such a great group at three hundred yards?
“Nick, Nick, what do you say?”
“I have no comment at this time,” Nick said, and ducked indoors.
Oh Christ. He sat on the sofa, stared at the photo so long he began to believe it was real. He tried to straighten it out in his mind: did I forget?
But that was insane. Amnesia was for bad movies from the fifties.
It was phony. Yet the goddamn thing had a familiarity to it that haunted him, that rooted it in some sort of previous experience, though he could not place it. The two other men were utter strangers. Then there was the rifle: there was something peculiar about it too, but again his brain couldn’t find the file and yielded no information. He knew one thing: it was a suit day.
He poured himself a cup of coffee, went upstairs, and opened his closet to his festive collection of workplace garments. Hmm, which shade of gray? Okay, he decided, plucking a middle-toned, somewhere-between-destroyer-and-sweatshirt hue, a brilliantly colored white shirt and a tie that was more toward the R than the O of the Roy G. Biv spectrum, and oxfords that were shined up too gleamy to show off that nice shade of black suggesting death, taxes, and cervical cancer. He had the pants on and was buttoning the shirt when the phone rang.
“Memphis,” he said, having recognized the caller ID as the director’s office.
“Special Agent Memphis, hold for the director, please.”
“All right.”
He waited, and then the man himself wished him a brusque good morning.
“Good morning, sir,” he said.
“Nick, I suppose you’ve seen the Times.”
“Yes sir.”
“Are you lawyered up?”
“No sir, not yet. I’d hoped this would go away when the full forensics report on the documents came in and the suspension remained unofficial. Has that changed, sir?”
“Well, Nick, we have to discuss it, I’m afraid. Can you come in today for that discussion?”
“It’s not as if I had anything else to do,” Nick said.
“Okay, I have to restructure my whole morning, and I’ve got a lunch I can’t avoid, so let’s say three p.m.”
“Yes sir.”
“Nick, I’d like to send a car. You don’t sound upset, but I’d prefer not to take any chances.”
“That would be an excellent idea. I might lose control backing out and crush nineteen reporters to death.”
“That would probably make you America’s hero. Okay, Nick, I’ll have it there at two.”
“Thank you, sir.”
Nick continued dressing, and then, feeling rebellious, tore off the white shirt, dumped it in the hamper, and put on a nice blue one. Now that was sending a message! he thought as he tightened the tie.
41
They cut the flex-cuffs of
f after clamping on walking manacles that allowed him mobility and slightly more freedom of movement. He was allowed time in the bathroom. Food followed, served carefully—protein bars, a frozen meal thawed by microwave, a diet Coke. He ate it down, astounded at how hungry he was and how desperate for sleep. He began to feel slightly civilized again until a blindfold was plastered over his eyes.
Then Jimmy and Raymond marched him in the small-step shuffle of the bound man along a hallway, their bulks marshaled against his, turned him through a door, and sat him down on a folding chair. He sat for five minutes, hearing mechanical things being manipulated behind him, some small appliance of some sort, he guessed, wondering if the water phase was over and now came the telephone electrical generator for applications of voltage to delicate areas. But why coddle him first?
“All right, Sniper,” Anto said, having slipped silently into the room and sidled up close, “God help me, but I love you. I’ve fallen hopelessly into a man-crush. What a bucko you’d be. Lord, wish I was as much man.”
“Anto, have you joined the fairies now?” asked Ginger.
“Sounds like it, don’t it, boyos. No, I don’t want to fuck the fellow, I just want to pay him what he’s due, even as I struggle with the problem of putting him down. That won’t be a fun task, but it has to happen then, doesn’t it?”
“It does,” said Raymond.
“But look what he’s done. He’s made us sniper fellas look good, brave, tough, the best. He’s made us the chivalric heroes of the land, instead of the screwball creepy killer dogs we’ve been so many years. He’s stood up against the water over what was left of night, the whole morning, even into the afternoon. He is a dead-on lad, no man can deny it. Game, yes he is.”
“You think he can’t be broken, Anto?” Raymond asked.
“Maybe still.” He addressed Bob. “We found, the boys and I, that a respite, a rest, some new information, even a hope can have an immense effect on the subject. He realizes the comforts of the normal life and suddenly yet another session with the buckets don’t seem so sporting. And he realizes he can’t get his little dick hard for it again, and so he folds easylike, and there’s no need for any more water drama. We’s all knackered, we’d all like sleep, and that would be the best for all. But you’re tougher than that, I know. So here’s what it is. I’m going to show you what this little caper’s been all about. You’ll see it, you’ll know it, and to a fellow like you who’s killed near three hundred poor souls, you’ll see it ain’t, by your standards and mine, no big deal. And you’ll wonder, why on earth am I going through the tortures of wet gagging vomit-hell over this wee thing? And that too will have its way with your mind, and then we’ll have a nice little discussion and see if we can’t settle this matter amicably and make it all coolaboola, so?”
The blindfold was pried off. Bob blinked, dazzled at first, and as his vision settled in, he saw that he was in another small institutional room, linoleum-floored, bland and neutral. Before him was an actual movie screen of the old kind, not a plasma flat-screened monster television monitor, but an old white screen impregnated with glittery stone for better refraction, a true relic of the fifties. It was mounted on a rickety tripod, the sort of thing Ozzie showed Harriet and the boys the home movies on.
“Had a time finding such an antiquated piece of hardware,” said Anto. “But it’s the old things that contain the treasure. Now, Sniper, you’ve probably thought this caper was about some forgotten atrocity, no? Hmm, let’s see, the villagers didn’t want to move for the pipeline, so the contractors genocided their black heathen asses, something like that? Or some huge business deal his lordship Constable put together with the Russky mafia, Al-Qaeda, and the Home Guard? Stolen warheads for the Moluccans, heavy water for the Albanians, poisoned bird poo for the Lakota? No, it’s nothing like that, it’s merely a man trying to hide a long-ago mistake and get away with a thing you and I and all the boys and any man who’s fought for his king and country has done as well. Collateral damage. Something happened that needn’t, there was tragic loss of life, but then that’s the way of the wicked world, then and now, forever. That’s the cost of operating; it’s a crime, a shame, a tragedy, but now, do we really want to destroy so much to pursue a thing called pure justice, when a more appropriate behavior might be forgiving, followed by forgetting? I’ve had a talk with the man on the subject, as I had to know before I committed my team to this enterprise. I had to settle in me own mind the righteousness of what I was about to undertake, at such risk to meself and mine. He had to sell me and I had to buy. So I will convince you as he convinced me, and when it’s over, you’ll see what has to be done, of that I’m confident. Ginger, turn on the picture show.”
The lights came down. From behind came the electric grind of an old, small projector, also vintage, and that bright beam of light splashing against the screen before it disappeared in the opaqueness of the leader, which sprocketed through the aperture between lens and light displaying only scratches and smudges and trapped pieces of lint while that eerie movie-projector sound, familiar to anyone who’d been in a western world school anytime between 1945 and 1985, a kind of 24-frames-per-second clicking hidden in greasy grinding and turning, filled the dark air of the little room and its cargo of watchers.
Swagger put eyes to screen, saw a black-and-white, herky-jerky, grainy, badly lit, artless, dead-hand image of some kind of room full of some kind of people in the costume of a long-ago period called the early seventies. Swagger saw bushy hair covering ears, bell-bottom jeans, lots of army surplus, no baseball caps, and through all of that divined from the listless lines of customers at two counters, waiting to get to a teller, that he was in a bank and that this was some kind of security camera, exactly like the one that immortalized Patty Hearst. He could see a tall, beardless but mustached hippie kid up at the window. Bank? That meant he was watching a robbery, and he knew at once that it was that fabled day in counterculture history, February 10, 1971, when, or so it was alleged by their haters, Jack Strong and Mitzi Reilly pulled off the Nyackett Federal Bank and Trust robbery, leaving the realms of amateur radical criminals and joining the ranks of professional killers forever. Somehow it had been stolen from the police evidence room and somehow, through the political complexities of the radical underground in those days, it had been stored with Ozzie Harris, known for his probity, his toughness, his loyalty to the cause. He would be an earnest protector of the fates of Jack and Mitzi.
Except that, Swagger saw now, as the action began and two strangers came in and suddenly, from postures both too influenced by movies and too freighted with uncertainty, drew guns, it wasn’t Jack and Mitzi. Not at all. Oh, they were radical hippies, yes, in Army surplus, watch caps, a droopy mustache on the fella, the gal with her hair all frizzed up as if electrified and a watch cap to encapsulate it, both wearing shades, but both not Jack or Mitzi, by body type, by coloring, by gracelessness, by the clutch of fear that enveloped them as they screamed at the poor girl behind the counter, as the other customers backed away in their own fear, the tall boy last, and the camera watched numbly from its perch above it all.
So that’s why old Ozzie Harris, on his deathbed, wanted to will the thing to Jack and Mitzi; it proved undisputedly that they were not the perps of the bank holdup, who were some other, not this particular radical couple. That would take the cloud of interpersonal violence off the necks of Jack and Mitzi, remove the taint of murder for money. It was, in the way the imagination of the public sometimes works, possible that it would end their hated exile to the left and gain them readmittance to the parade of Normal Life. So it was a great gift old Ozzie thought he was bestowing on his friends, the only people who attended him as he neared death.
What Ozzie couldn’t have guessed, however, was that for a reason not yet clear, the tape had a bigger importance to Jack and Mitzi, represented some kind of opportunity they could not turn down, a temptation they could not ignore. So that was the road they chose to follow, not to redemption but, like so
many a tarnished pilgrim before them, to the bucks. Their final creed had not been Revolution Now or Give Peace a Chance but Show Me the Money. They tried to go big time and, like many a rat with ambition, ended up with brains on the windshield and cops eating doughnuts over their body bags.
As for the true brigands in the scene, Bob knew that if he spent a few minutes on the Internet going through the radical rogues’ gallery that some Web sites had accumulated, he could tease out the names. But then Anto saved him the trouble.
“I’m told by himself that the couple with the peashooters is Miles Goldfarb and his girlfriend, Amanda Higgins, soon to be dead in a shootout in San Francisco with FBI and police types. They’d fled the East for the West, and on unrelated charges were sought, betrayed, required to surrender, and shot to pieces when they refused. So is justice sometimes served.”
Bob watched the drama unspool in the haunted, blurred silent imagery of a film that was nearly forty years old. It continued; the girl behind the counter got ahold of her senses and began to shovel money across the teller’s counter before her, as Amanda leaped forward to scrape it into a bag so movielike it should have had the helpful $ imprinted on it. Meanwhile Miles, with a long-barreled .38, stood behind nervously, waved the gun, shouted contradictory orders, stomped his feet, tried to control bladder and colon and hyperventilation difficulties, and waited for the bag to get heavy enough to signal success.
It was such a different time and place. The two-handed shooting thing, invented in the sixties and seventies in the far West and popularized on Starsky and Hutch, hadn’t caught on yet, so all the gun handling was one-handed, and on the film it looked childish, particularly that big thing in the right hand of bandit Miles, and he seemed as scared of it as the others were. He kept waving it this way and that, hopping up and down like a clown with a cold pickle up his ass, very nearly out of control. Meanwhile, slightly higher up the coordination tree, Amanda scooped the bills into the bag, even stooping to retrieve a crumple that had fallen to the floor.
A Bob Lee Swagger eBook Boxed Set: I, Sniper, Night of Thunder, 47th Samurai Page 92