Matt was introduced to two chief inspectors, three inspectors, two captains, and a corporal who had gone through the academy with Dutch Moffitt and was being tolerated by the brass for being a little drunk, and just a shade too friendly.
"When you get a moment, Uncle Denny, could I talk to you?"
"You bet you can," Denny Coughlin said. "Excuse us, fellows." He took Matt's arm and led him far down a wide corridor in the funeral home. Finally, they found an empty corner.
"I joined the police department," Matt announced.
"How's that again?"
"I said I'm going to be a policeman," Matt repeated.
"And when did this happen?"
"Today."
"I'll be damned," Dennis V. Coughlin said. "Let me get adjusted to that, Matt."
"So far only my dad knows," Matt said.
"Your dad is dead," Coughlin said, and was immediately contrite. "Ah, Christ, why did I say that? I'm proud to claim Brewster Payne as a friend, and you couldn't have had a better father."
"I understand," Matt said. "I have trouble with my real father, too. Keeping them separate, I mean."
"Matt, I'm going to say something to you and I don't want you to take offense, son, but I have to say it-"
"I flunked the marine corps physical," Matt said. "I was thinking about becoming a cop before Uncle Dick was killed."
"If you flunked the marine corps physical, what makes you think you can pass the police department physical?"
"I passed it," Matt said. "And I even had a talk with the shrink. Today."
"Jesus, Mary, and Joseph! What's your mother going to say?"
"Why am I getting the feeling that you're a long way from yelling' Whoopee, good for you!'?"
"Because I'm not entirely sure it's a good idea, for you, or the department," Coughlin said, evenly.
"Why not?"
"I don't know," Coughlin said. "Gut feeling, maybe. Or maybe because I buried your father, and we're about to bury your uncle. Or maybe I'm afraid your mother will think I talked you into it."
"My father, myadoptive father, understands," Matt said.
"Then he's one up on me," Coughlin said. "Matt, you're not doing this because of what you think the police are like, from watching them on TV, are you?"
"No, I'm not," Matt said, simply.
"But you will admit that you have no idea what you're getting into?"
"I was going into the marines, and I had no idea what I was getting into there, either."
Sergeant Tom Lenihan and Staff Inspector George Kegley appeared in the corridor, waiting for Coughlin's attention. Coughlin saw them, and motioned them over.
"You met Sergeant Lenihan yesterday," Coughlin said. "And this is Staff Inspector Kegley. George, this is Matt Payne. He's Dutch's nephew."
They all shook hands.
"What have you got, George?" Coughlin asked.
Kegley seemed momentarily surprised that Coughlin was asking for a report to be delivered before what he thought of as a "civilian relative," but he delivered a concise, but thorough report of what had transpired at the Bridge amp; Pratt Streets Terminal, including the details of Gerald Vincent Gallagher's death and dismemberment.
"Did they get in touch with Peter Wohl?" Coughlin asked. "Matt Lowenstein said they wanted him to get an identification of Gallagher as the man in the diner from that TV woman."
"Nobody seems to know where either of them are, Chief," Kegley said.
Coughlin snorted, and then his face stiffened in thought.
"Thank you, George," Coughlin said. "I appreciate this. Tom, get the car, we're going for a ride."
"Yes, sir," Sergeant Lenihan said.
"You're coming," Dennis Coughlin said to Matt Payne.
****
"Are you all right, Matthew?" Chief Inspector Dennis V. Coughlin asked when Sergeant Tom Lenihan had eased the Oldsmobile up on the curb before the row house on Fitzgerald Street in South Philadelphia.
Matt had thrown up at the medical examiner's, not when Coughlin expected him to, when they pulled the sheet off the remains of Gerald Vincent Gallagher, but several minutes later, outside, just before they got back into the Oldsmobile. Tom Lenihan had disappeared at that point for a couple of minutes, and Coughlin wasn't sure if he had done that to spare Matt embarrassment, or whether Lenihan had gone behind a row of cars to throw up himself.
"I'm all right," Matt said.
His face was white.
"Sure?"
"I'm fine, thank you," Matt said, firmly.
"You want me to come along, Chief?" Lenihan asked.
"I think maybe you better," Coughlin said, and opened the door.
The door to the McFadden house had a doorbell, an old-fashioned, cast-iron device mounted in the center of the door. You twisted it, and it rang. Coughlin remembered one just like it on the door of the row house where he had grown up. Somebody, he thought, had probably made a million making those bells; there was one on just about every row house in Philly.
Agnes McFadden opened the door, and looked at them in surprise as Coughlin whipped off his snap-brimmed straw hat.
" 'Evening, ma'am," he said. "I'm Chief Inspector Coughlin. I'd like to see Officer McFadden, if that would be convenient."
"What?" Agnes McFadden said.
"We'd like to see Charley, if we can," Lenihan said. "I'm Sergeant Lenihan and this is Chief Inspector Coughlin."
"He's in the kitchen, with his lieutenant," she said. "Lieutenant Pekach. And Mr. McFadden."
"Could we see him, do you think?" Coughlin asked.
"Sure, of course, I don't know what I was thinking of, please come in."
They followed her down a dark corridor to the kitchen, where the three men sat at the kitchen table. There was a bottle of Seagram's 7Crown and quart bottles of Coke and beer on the table.
Pekach's eyes widened when he saw them. He started to get up.
"Keep your seat, David," Coughlin said. Officer Charley McFadden, who was sitting slumped straight out in the chair, supporting a Kraft cheese glass of liquor on his stomach, finally realized that something was happening. He looked at the three strangers in his kitchen without recognition.
Coughlin crossed the small room to him with his hand extended.
"McFadden, I apologize for barging into your home like this, but I wanted to congratulate you personally on a job well done. I'm sure your parents are very proud of you. The police department is."
Matt saw that McFadden had no idea who was shaking his hand.
Charley's father put that in words. "Who're you?" he asked.
"Mr. McFadden," Lieutenant Pekach said, "this is Chief Inspector Coughlin. And that's Sergeant Lenihan. I'm afraid I don't know the other gentleman."
"My name is Matthew Payne," Matt said, putting out his hand.
"Matt is… Captain Moffitt was Matt's uncle," Coughlin said.
"I'm sorry about your uncle," Charley McFadden said. Then he realized that he should be standing, and got up. He looked at Coughlin. "You're Chief Inspector Coughlin," he said, but there was a question, or disbelief, in his voice.
"That's right," Coughlin said.
"Could I offer you gentlemen a little something to drink?" Mrs. McFadden asked.
"All I got, I'm afraid, is the Seagram's Seven," Mr. McFadden said.
"Well, we're all off duty," Coughlin said. "I think a little Seagram' s Seven would go down very nicely."
More cheese glasses were produced, and filled three-quarters full of whiskey..
"I'm afraid the house is a terrible mess," Agnes McFadden said.
"Looks fine to me," Dennis Coughlin said. He raised his glass. "To Officer McFadden, of whom we're all very proud."
"I didn't want that to happen to him," Charley McFadden said, very slowly. "Jesus Christ, that shouldn't happen to anybody."
"Charley," Coughlin said, firmly. "What happened to Gallagher, he brought on himself."
Charley looked at him, and finally said, "Yes, sir."
&n
bsp; "Lieutenant Pekach, may I see you a moment?" Coughlin said, and signaled Matt to come along.
They went to the vestibule.
"Where's his partner?" Coughlin asked.
"He was here, Chief. His doctor gave him something to calm him down, and it didn't mix with the booze. I sent him home."
"McFadden on anything?"
"No, sir." Pekach said. "He's got a thing about pills. He won't even take an aspirin."
"How long are you going to stay?"
"As long as necessary," Pekach said. "The booze will get to him, sooner or later."
"Had you planned to write him up?"
"A commendation?" Pekach asked. "I hadn't thought about that. But yes, sure."
"Not only 'at great risk to his life,' " Coughlin said. "But ' exercising great restraint,' et cetera, et cetera. You follow me?"
"Yes, sir."
"This is going to be all over the papers," Coughlin said. "George Kegley tells me that Mickey O'Hara was even up on the elevated tracks. What's that going to do to McFadden on the streets?"
"Well, he won't be much use, not what he's been doing," Pekach said.
"I'll find something else for him to do." Coughlin said. "When you're that age, working plainclothes, and they put you back in a uniform, you think you did something wrong. I don't want that to happen."
"I'll find something for him, Chief," Pekach said.
When they went back in the kitchen, Officer McFadden was being nauseous in the sink. Coughlin put out his hand and stopped Matt from going in, then gestured for Sergeant Lenihan to come along with them.
When they were in the car, moving north on South Broad Street, Coughlin reached forward and touched Matt Payne's shoulder. Matt turned and looked at him.
"Still think you want to be a cop, Matt?" he asked.
"I was just wondering how I would react in a situation like that," Matt said, softly.
"And?"
"I don't know," Matt said. "I was wondering. But to answer your question, yes, I still want to be a cop."
Coughlin made a grunting noise.
"Tom," he ordered, "when you get to a phone, call Pekach and tell him I want that boy and his partner at the funeral tomorrow. And then find out who's in charge of the seating arrangements and make sure they have seats in Saint Dominic's."
"Uniform or plainclothes?"
Coughlin thought that over a moment. "Uniforms," he said. "I think uniforms. Tell Pekach to make sure they get haircuts and are cleaned up."
****
"I've got to check my machine," Peter said, when he and Louise had returned from dinner and put the Jaguar into the garage. "It won't take a minute."
"I'll go with you," she said, and caught his hand and held it as they walked up the stairs. Inside the apartment, as he snapped on the lights, he saw that she was standing very close, looking at him.
She wants to be kissed, he realized. Jesus, that's nice.
But when he put his arms around her, and she pressed her body against his, and he tried to kiss her, she averted her face.
"I've got some Lavoris," Peter said.
She chuckled.
"No," she said. "That's not it. But I'll be on the air at eleven, and I don't want everybody in the Delaware Valley thinking, 'That dame looks like she just got out of bed."'
"You really think it shows?" he asked, smelling her hair.
"Once might not," she said. "But we seem to have a certain tendency to keep going back for seconds."
"God, you feel good," Peter said, giving in to an urge to hug her tightly.
"Duty calls," Louise said, freeing herself. "Yours and mine. See what your machine says."
There were a number of messages. Barbara Crowley had called.
"Peter, your mother called and asked me if I was going to the wake. I told her that I expected to hear from you. Please call me. I'll go over there with you, if you want me to."
And Detective Jason Washington had called:
"This is Jason Washington, Inspector," his recorded voice reported tinnily. "It's five-thirty. In a manner of speaking, we have Gerald Vincent Gallagher. McFadden, the kid from Narcotics who identified the girl, went looking for him, and found him at the Bridge Street Terminal. The reason I say 'in a manner of speaking' is that Gallagher got himself run over by a subway train. After he hit the third rail. Hell of a mess. McFadden knew Gallagher, of course, and so did a couple of guys from the Fifteenth District. But under the circumstances, I think, and so does Lieutenant Natali, that they'll probably want Miss Dutton to identify the body as that of the man she saw in the Waikiki. They just took the body to the medical examiner's. Do you think you could get in touch with her, and take her down there around seven, seven-thirty? I'd appreciate it if you could call me. I' ll either be here at the office, or at the M.E.'s, or maybe home. Thank you."
And Lieutenant Louis Natali had called:
"Inspector, this is Lou Natali. Jason Washington said he called and left a message on your machine about an hour ago. It's now quarter to seven. Anyway, it's now official. Captain Quaire requests that you get in touch with Miss Dutton, and bring her by the M.E.'s to identify Gallagher as the guy she saw in the diner. You better warn her he's in pieces. The wheels cut his head off, intact, I mean. I'll try to have them cover the rest of him with a sheet, but it's pretty rough. And would you call me, please, when you get this? Thank you."
And Chief Inspector Matt Lowenstein had called:
"Peter, what the hell is going on? I need that woman to identify Gallagher. Nobody seems to know where you are, so I called the TV station. I was going to very politely ask her if I could take her to the M.E.'s myself, and they tell me they don't know where she is, only that she left there with you. Jesus, it's half past eight, and I've got to get over to Marshutz amp; Sons for the damned wake."
That message ended abruptly. Peter was quite sure that Chief Inspector of Detectives Matt Lowenstein had glanced at his watch toward the end, seen the time, thought out loud, and then slammed the phone down.
The machine reached the end of the recorded messages and started to rewind.
"What was that all about?" Louise asked.
"Well, apparently an undercover cop spotted-"
"Who was she?" Louise interrupted.
It took him a moment to frame his reply.
"Three days ago, I would have said she was my girl friend," he said.
"Nice girl?"
"Very nice," he said. "Her name is Barbara Crowley, and she's a psychiatric nurse."
"That must come in handy," Louise said.
"Everybody who knows us, except one, thinks that Barbara and I make a lovely couple and should get married," Peter said.
"Who's the dissenter? Her father?"
"Me," Peter said. "She's a nice girl, but I don't love her."
"As of when?"
"As of always," Peter said. "I never felt that way about her."
"What way is that?"
"The way I feel about you," Peter said.
"I suppose it has occurred to you that about the only thing we have going for us is that we screw good?"
"That's a good starting place," Peter said. "We can build on that."
She met his eyes for a long moment, then said: "I'm not going to go look at a headless corpse tonight."
"Okay," he said. "But you will have to eventually."
"What if I just refuse?"
"You don't want to do that," Peter said.
"What if I do?"
"They'll get a court order. If you refuse the order, they'll hold you in contempt, put you in the House of Correction until you change your mind. You wouldn't like it in the House of Correction. They're really not your kind of people."
She just looked at him.
"I'll call Jason Washington and tell him to meet us at the medical examiner's tomorrow morning. Say, eight o'clock," Peter said.
"I've got to work in the morning," she said.
"We'll go there before you go to work," Peter said, and
then added: " I thought you told me you went to work at two o'clock?"
"I usually do," she said. "But tomorrow, I've got to cover a funeral."
"You didn't tell me that," he said.
"It's my story," she said. "I was there when it started, remember?"
He nodded. They looked at each other without speaking for a moment.
"Why are you looking at me that way?" Louise asked. "What are you thinking?"
"That you are incredibly beautiful, and that I love you," Peter said.
"I know," she said. "I mean, that you love me. And I think that scares me more than going to go look at a headless body… or a bodyless head."
"Why does it scare you?"
"I'm afraid I'll wake up," she said. "Or, maybe, that I won't."
"I don't think I follow that," he said.
"I think we better get out of here," she said. "Before we wind up in the playroom again."
"Let me call Washington," Peter said.
"Call him from my apartment," she said. "What we're going to do is go there, whereupon I will pick up my car and go to work. You will go to my apartment."
"Is that what Iwill do?" he asked, smiling.
"Uh-huh," she said. "Where you will do the dishes, and dust, and then make yourself pretty for me when I come home tired from work."
"If you're going to be tired, you can do your own dishes."
"I won't be that tired, Peter, if that's what you're thinking, and I' m sure you are."
"I don't mind waiting around the studio for you," he said.
"But I do. I saw you looking at Sharon's boobs. And, although I know I shouldn't tell you this, I saw the way she was looking at you."
"That sounds jealous, I hope."
"Let's go, Peter," she said, and walked to the door.
****
Mickey O'Hara sat at the bar in the Holiday Inn at Fourth and Arch streets, sipping on his third John Jamison's.
It had happened to him often enough for him to recognize what was happening. He was doing something a reporter should not do any more than a doctor or a lawyer, letting the troubles of people he was dealing with professionally get to him personally. And it had happened to him often enough for him to know that he was dealing with it in exactly the worst possible way, with a double John Jamison's straight up and a beer on the side.
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