Ragnarok and the Deluge
According to another interpretation, however, Ragnarok and the consequent submersion of the world is but a Northern version of the Deluge. The survivors, Lif and Lifthrasir, like Deucalion and Pyrrha, were destined to repeople the world; and just as the shrine of Delphi alone resisted the destructive power of the great cataclysm, so Gimli stood radiant to receive the surviving gods.
Giants and Titans
We have already seen how closely the Northern giants resembled the Titans. It only remains to mention that while the Greeks imagined that Atlas was changed into a mountain, so the Northmen believed that the Riesengebirge, in Germany, were formed from giants, and that the avalanches which descended from their lofty heights were the burdens of snow which these giants impatiently shook from their crests as they changed their cramped positions. The apparition, in the shape of a bull, of one of the water giants, who came to woo the queen of the Franks, has its parallel in the story of Jupiter’s wooing of Europa, and Meroveus is evidently the exact counterpart of Sarpedon. A faint resemblance can be traced between the giant ship Mannigfual and the Argo, for while the one is supposed to have cruised through the Ægean and Euxine Seas, and to have made many places memorable by the dangers it encountered there, so the Northern vessel sailed about the North and Baltic Seas, and is mentioned in connection with the Island of Bornholm and the cliffs of Dover.
While the Greeks imagined that Nightmares were the evil dreams which escaped from the Cave of Somnus, the Northern race fancied they were female dwarfs or trolls, who crept out of the dark recesses of the earth to torment them. All magic weapons in the North were said to be the work of the dwarfs, the underground smiths, while those of the Greeks were manufactured by Vulcan and the Cyclopes, under Mount Ætna, or on the Island of Lemnos.
The Volsunga Saga
In the Sigurd myth we find Odin one-eyed like the Cyclopes, who, like him, are personifications of the sun. Sigurd is instructed by Gripir, the horse-trainer, who is reminiscent of Chiron, the centaur. He is not only able to teach a young hero all he need know, and to give him good advice concerning his future conduct, but is also possessed of the gift of prophecy.
The marvelous sword which becomes the property of Sigmund and of Sigurd as soon as they prove themselves worthy to wield it, and the sword Angurvadel which Frithiof inherits from his sire, remind us of the weapon which Ægeus concealed beneath the rock, and which Theseus secured as soon as he had become a man. Sigurd, like Theseus, Perseus, and Jason, seeks to avenge his father’s wrongs ere he sets out in search of the golden hoard, the exact counterpart of the golden fleece, which is also guarded by a dragon, and is very hard to secure. Like all the Greek sun-gods and heroes, Sigurd has golden hair and bright blue eyes. His struggle with Fafnir reminds us of Apollo’s fight with Python, while the ring Andvaranaut can be likened to Venus’ cestus, and the curse attached to its possessor is like the tragedy of Helen, who brought endless bloodshed upon all connected with her.
Sigurd could not have conquered Fafnir without the magic sword, just as the Greeks failed to take Troy without the arrows of Philoctetes, which are also emblems of the all-conquering rays of the sun. The recovery of the stolen treasure is like Menelaus’ recovery of Helen, and it apparently brings as little happiness to Sigurd as his recreant wife did to the Spartan king.
Brunhild
Brunhild resembles Minerva in her martial tastes, physical appearance, and wisdom; but her anger and resentment when Sigurd forgets her for Gudrun is like the wrath of Œnone, whom Paris deserts to woo Helen. Brunhild’s anger continues to accompany Sigurd through life, and she even seeks to compass his death, while Œnone, called to cure her wounded lover, refuses to do so and permits him to die. Œnone and Brunhild are both overcome by the same remorseful feelings when their lovers have breathed their last, and both insist upon sharing their funeral pyres, and end their lives by the side of those whom they had loved.
Sun Myths
Containing, as it does, a whole series of sun myths, the Volsunga Saga repeats itself in every phase; and just as Ariadne, forsaken by the sunhero Theseus, finally marries Bacchus, so Gudrun, when Sigurd has departed, marries Atli, the King of the Huns. He, too, ends his life amid the flames of his burning palace or ship. Gunnar, like Orpheus or Amphion, plays such marvelous strains upon his harp that even the serpents are lulled to sleep. According to some interpretations, Atli is like Fafnir, and covets the possession of the gold. Both are therefore probably personifications “of the winter cloud which broods over and keeps from mortals the gold of the sun’s light and heat, till in the spring the bright orb overcomes the powers of darkness and tempests, and scatters his gold over the face of the earth.”
Swanhild, Sigurd’s daughter, is another personification of the sun, as is seen in her blue eyes and golden hair; and her death under the hoofs of black steeds represents the blotting out of the sun by clouds of storm or of darkness.
Just as Castor and Pollux hasten to rescue their sister Helen when she has been borne away by Theseus, so Swanhild’s brothers, Erp, Hamdir, and Sörli, hasten off to avenge her death.
Such are the main points of resemblance between the mythologies of the North and South, and the analogy goes far to prove that they were originally formed from the same materials, the principal differences being due to the local coloring imparted unconsciously by the different races.
INDEX TO POETICAL QUOTATIONS
A
Aager and Else, Ballad of
Anderson, Rasmus B.
Anster (translation from Goethe)
Arnold, Matthew
B
Baldwin, James, Story of Siegfried
Brace (translation of ballad)
Brand’s Popular Antiquities
Brother Fabian’s Manuscript
Browning, Robert
Buchanan, Robert
C
Coneybeare (translation from the Anglo-Saxon)
D
Derby
Du Chaillu, Paul, Rigsmál
E
Edda (Sæmund’s, or the Elder)
F
Forman (translations)
G
Goethe
Gray
Grotta-Savngr
H
Heine
Hemans
Henderson (translations)
Herbert (translations)
Herrick
Hewitt (translation)
Homer
Howitt
J
Jones, Julia Clinton, Valhalla
K
Keightley (translation)
Kingsley, Charles
L
L. E. R.
La Motte-Fouqué
Longfellow
M
Macdowall, Asgard and the Gods
Martin (translation from Heine)
Mathisson
Meredith, Owen
Morris, William
N
Naogeorgus
O
Oehlenschläger
Oxford Carol
P
Percy (translation from the Edda)
Pfeiffer (translation)
Pigott (translations from Oehlenschläger)
S
Scott
Selcher (translation)
Shakespeare
Southey
Spalding (translations from the Frithiof Saga)
Spenser
Stagnelius
Stephens (translations from the Frithiof Saga)
T
Taylor (translations from the Sagas)
Tegnér, Frithiof Saga
Thomson
Thorpe (translations)
V
Vail
W
Wagner
Wagner-Macdowall, Asgard and the Gods
Whittier, J. G.
Wordsworth
Tales of Norse Mythology Page 34